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WIXEN
| Track Title | Genre | Track Description | PlayLink |
| ALL IS LOST (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL THOSE YEARS AGO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AVANT GARDEN (Bluegrass) | Country (Bluegrass) | Recorded by Aerosmith in 2001, re-arranged in the Bluegrass style featuring ensemble Country-style Vocals on the Choruses. Features fully acoustic 6-piece group, the Grassmasters. Quirky and uptempo. | Click to Listen |
| BABYLON SISTERS | Rock/Pop | From ‘Gaucho’, the benchmark 1980 release by Steely Dan. An extraordinary composition built around Donald Fagen’s vintage Rhodes Piano, and a trio of Background Vocals. This arrangement stays close to the original, with Muted Trumpet for the Synth solo. | Click to Listen |
| BABYLON SISTERS (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with background Vocal parts for an extraordinary Steely Dan composition built around Donald Fagen’s vintage Rhodes Piano. This arrangement stays close to the original, with Muted Trumpet for the Synth solo. | Click to Listen |
| BABYLON SISTERS (Backing Track) | Rock/Pop | Backing Track or Underscore for an extraordinary Steely Dan composition built around Donald Fagen’s vintage Rhodes Piano. This arrangement stays close to the original, with Muted Trumpet for the Synth solo. | Click to Listen |
| BABYLON SISTERS (Elevated Instrumental) | Rock/Pop | Muzak-styled, ‘Elevated’ Instrumental of the Steely Dan classic, featuring David Benoit’s Tenor Sax man, Andy Suzuki, improvising at the out section beginning at 4:45. Muted Trumpet riffs at 3:40. A bit progressive for your local drug store audio. | Click to Listen |
| BABYLON SISTERS (Instrumental w/BGVs) | Rock/Pop | ‘Elevated’ Instrumental version of the Steely Dan classic, featuring David Benoit’s Tenor Sax man, Andy Suzuki. Astonishing solo at the out section beginning at 4:45. Muted trumpet riffs at 3:40. 4-piece Vocal group added in the Choruses. | Click to Listen |
| BADGE (Bluegrass) | Country (Bluegrass) | Eric Clapton and Beatle, George Harrison, collaborated on this oddity originally released in 1969 by British Rock Trio, Cream. Re-arranged here as a Bluegrass Instrumental featuring Opry members, past and present, pickin’ and grinnin’! | Click to Listen |
| BADGE (Cue) | Rock/Pop | 45 second Cue or Transition for the Eric Clapton and Beatle, George Harrison, collaboration. This oddity was originally released in 1969 by British Rock Trio, Cream. Re-arranged here as an Instrumental, featuring Tenor Sax and Guitar melodies. | Click to Listen |
| BADGE (Elevated Instrumental) | Rock/Pop | Eric Clapton and Beatle, George Harrison, collaborated on this oddity, originally released in 1969 by British Rock Trio, Cream. Re-arranged here as an Elevator Music or Muzak Instrumental, a Trumpet feature with layers of Guitars and Woodwinds. | Click to Listen |
| BADGE (Instrumental) | Rock/Pop | Eric Clapton and Beatle, George Harrison, collaborated on this oddity originally released in 1969 by British Rock Trio, Cream. Re-arranged here as an Instrumental featuring Tenor Sax and Guitar melodies. | Click to Listen |
| BE GOOD TO YOURSELF (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEST, THE | Rock/Pop | Jazz Rhapsody Vocalist, Connye Florance, shifts gears into this Rock-Soul Tina Turner vehicle, originally recorded in 1988 by Bonnie Tyler. Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. | Click to Listen |
| BEST, THE (Backing Track) | Rock/Pop | Backing Track or Underscore for the Rock-Soul Tina Turner/Bonnie Tyler vehicle. Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. Cut with all the signature elements and drive. | Click to Listen |
| BEST, THE (Instrumental) | Urban/R&B | Tower of Power’s Tom E. Politzer delivers this Tenor Sax Instrumental version for the Rock-Soul Tina Turner/Bonnie Tyler vehicle. Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. | Click to Listen |
| BEST, THE (Male Vocal) | Urban/R&B | Santana Band Vocalist, Tony Lindsay, jumps into this Rock-Soul Tina Turner vehicle, originally recorded in 1988 by Bonnie Tyler. Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. | Click to Listen |
| BEST, THE (Piano Instrumental) | Urban/R&B | Bay Area studio wizard, Brian Withycombe, delivers this Piano Instrumental version for the Rock-Soul Tina Turner/Bonnie Tyler vehicle. Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. | Click to Listen |
| BIG NOISE, NEW YORK (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CENTURY’S END (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CLOUDY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COMES A TIME (Bluegrass) | Country (Bluegrass) | Mountain music delves into the Neil Young catalog, a perfect match. From the 1978 album of the same name, this Bluegrass rendition features acoustic 6-piece ‘Grassmasters’, including members of Ricky Scaggs’ Band & the Grand Ole Opry. | Click to Listen |
| CRAZY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DOES ANYBODY REALLY KNOW WHAT TIME IT IS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T GO AWAY MAD (Elevated Instrumental) | Rock/Pop | Rocking “Elevated” Instrumental rearrange for the tune from the John Haitt/Ry Cooder 1992 collaboration, Little Village. This arrangement centers around Electric Guitar and Tenor Sax, backed by a Bluesey Trio featuring Hammond B3 Organ. | Click to Listen |
| DON’T GO AWAY MAD (Instrumental) | Rock/Pop | Rocking Instrumental rearrange for the tune from the John Haitt/Ry Cooder 1992 collaboration, Little Village. This arrangement centers around Electric Guitar and Tenor Sax, backed by a Bluesey Trio featuring Hammond B3 Organ. | Click to Listen |
| FACE IN THE CROWD, A (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FIRE ON THE WATER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GAUCHO (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the faithful adaptation of the classic Steely Dan hit including signature Sax lines, Brass fills, Background Vocal Trio and Electric Guitar solos. | Click to Listen |
| GAUCHO (Backing Track) | Rock/Pop | Backing Track or Underscore for the faithful adaptation of the classic Steely Dan hit including signature Sax lines, Brass fills and Electric Guitar solos. | Click to Listen |
| GAUCHO (Elevated Instrumental) | Rock/Pop | A faithful Instrumental adaptation of the classic Steely Dan hit including signature Sax lines, Electric Guitar solo, and arranged for Muzak-styled Elevator Music. Tower of Power’s Sax man, Tom E. Politzer covers intro elements. | Click to Listen |
| GAUCHO (Instrumental w/BGVs) | Rock/Pop | A faithful Instrumental adaptation of the classic Steely Dan hit including signature Sax lines, Electric Guitar solo, and Background Vocal parts. Tower of Power’s Guitarist, Jerry Cortez, covers melodic duties on the Verses. | Click to Listen |
| GEE BABY, AIN’T I GOOD TO YOU | Jazz (Vocal) | Originally released by Nat Cole at the start of the Great Depression, this classic Blues Standard has been covered throughout the century. This arrangement features sultry Jazz Vocalist, Jennifer Ivester and Piano Trio. Trio takes 1st time thru form. | Click to Listen |
| GEE BABY, AIN’T I GOOD TO YOU (Backing Track) | Standards | Backing Track or Underscore of the Blues Standard originally released by Nat Cole at the start of the Great Depression. This classic has been covered throughout the century. This arrangement features Piano Trio with solo at 1:55. | Click to Listen |
| GEE BABY, AIN’T I GOOD TO YOU (Elevated Instrumental) | Standards | Instrumental Blues Standard given the Background Music treatment. Originally released by Nat Cole at the start of the Great Depression, this classic has been covered throughout the century. This arrangement features Woodwinds, Trumpet & Tenor Sax. | Click to Listen |
| GLAMOUR PROFESSION | Rock/Pop | A contemporary Vocal version of the Steely Dan hit from the legendary “Gaucho” recordings. Nashville Studio and Perforance Artist, Perry Danos sings with signature Guitar fills and Sax Section. Piano solo at 3:30, Guitar improv ride-out begins at 5:10. | Click to Listen |
| GLAMOUR PROFESSION (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the Steely Dan hit from the legendary 1980 “Gaucho” recordings. Features Vocal refrains, signature Guitar fills and Sax Section parts. Piano solo at 3:30, Guitar improv ride-out begins at 5:10. | Click to Listen |
| GLAMOUR PROFESSION (Backing Track) | Rock/Pop | Backing Track or Underscore for the Steely Dan hit from the legendary 1980 “Gaucho” recordings. Features signature Guitar fills and Sax Section parts. Piano solo at 3:30, Guitar improv ride-out begins at 5:10. | Click to Listen |
| GLAMOUR PROFESSION (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak arrangement for the Steely Dan hit from the 1980 legendary “Gaucho” recordings. This background music arrangement features Electric Guitar, Tenor Sax and Piano melodies with Horns interplay. | Click to Listen |
| GLAMOUR PROFESSION (Instrumental w/BGVs) | Jazz (Contemporary) | A contemporary Instrumental version of the Steely Dan hit from the legendary “Gaucho” recordings. Melodic duties on Flute & Soprano Sax with signature Guitar fills. Piano solo at 3:30, Guitar has bridge at 3:50 and improv ride out beginning at 5:10. | Click to Listen |
| GOOD TIMIN’ (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GREEN FLOWER STREET (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| HARVEST (Bluegrass) | Country (Bluegrass) | Mountain music delves into the Neil Young catalog, a perfect match. From the 1972 album of the same name, this Bluegrass rendition features acoustic 6-piece ‘Grassmasters’, including members of Ricky Scaggs’ Band & the Grand Ole Opry. | Click to Listen |
| HEART OF GOLD (Bluegrass) | Country (Bluegrass) | Mountain music delves into the Neil Young catalog, a perfect match. From the #1 Single off the 1972 album ‘Harvest’, this Bluegrass rendition features acoustic 6-piece ‘Grassmasters’. Vocal Quartet enters for the final refrain at 2:00. | Click to Listen |
| HERE AT THE WESTERN WORLD (Instrumental) | Jazz (Contemporary) | A faithful Jazz-Rock Instrumental adaptation of the classic Steely Dan single featuring Woodwinds with signature Guitar fills and interlude. Think Smooth Jazz / Muzak. | Click to Listen |
| HERE COMES THE SUN (Cue) | Rock/Pop | Cue, Edit or Transition for George Harrison’s anthem of a new beginning. Performed solo on Acoustic Steel String Guitar, finger-style. From the Abbey Road sessions in 1969. | Click to Listen |
| HERE COMES THE SUN (Guitar Instrumental) | Rock/Pop | George Harrison’s anthem of a new beginning is performed solo on Acoustic Steel String Guitar, Finger-style. From the Abbey Road sessions in 1969. | Click to Listen |
| HERE COMES THE SUN (Lullaby) | New Age/Relaxation | George Harrison’s anthem of a new beginning is performed solo on Acoustic Steel String Guitar, fingerstyle. From the “Abbey Road” sessions in 1969. Created for the “Lullaby of Beatle Land” compilation. | Click to Listen |
| JUST BETWEEN YOU AND ME (Background Instrumental) | Rock/Pop | Top 10 hit from ‘Foreigner’ Lou Gramm’s solo effort, reproduced here as an Elevator Music Instrumental. Most everything is thrown at this arrangement. Dig deep . . . I’m sure you’ll find a kitchen sink. | Click to Listen |
| LITTLE TRONA GIRL | Rock/Pop | I, Flathead: The Songs of Kash Buk and the Klowns, is the 14th studio album by Ry Cooder and the final concept album from his California Trilogy series. Tower of Power Guitarist, Jerry Cortez, added his version of the song to his debut CD release in 2015 | Click to Listen |
| LITTLE TRONA GIRL (Backing Track w/BGVs) | Rock/Pop | I, Flathead: The Songs of Kash Buk and the Klowns, is the 14th studio album by Ry Cooder, the final concept album from his California Trilogy. Tower of Power Guitarist, Jerry Cortez, arranged this Backing Track or Underscore with Background Vocal parts. | Click to Listen |
| LITTLE TRONA GIRL (Backing Track) | Rock/Pop | I, Flathead: The Songs of Kash Buk and the Klowns, is the 14th studio album by Ry Cooder, the final concept album from his California Trilogy series. Tower of Power Guitarist, Jerry Cortez, arranged this Backing Track or Underscore. | Click to Listen |
| LONG MAY YOU RUN (Bluegrass) | Country (Bluegrass) | Mountain music delves into the Neil Young catalog, a perfect match. From the #1 Single off the 1976 album of the same name, this Bluegrass rendition features acoustic 6-piece ‘Grassmasters’, including members of Kentucky Thunder and the Opry. | Click to Listen |
| LONG, LONG, LONG (Lullaby) | New Age/Relaxation | From the’Lullaby of Beatle Land’ recording, this George Harrison sleeper from the ‘White Album’ is re-arranged as a Violin and Flute featured Ballad. Vocal refrain at the Bridge and Fade. | Click to Listen |
| LOOKING FORWARD (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass remake of the 1999 Crosby, Stills, Nash and Young recording. Cut here with 6-piece fully acoustic Bluegrass ensemble, the Grassmasters. Beautiful and poignant. | Click to Listen |
| LOOKING FORWARD (Bluegrass) | Country (Bluegrass) | Bluegrass remake of the 1999 Crosby, Stills, Nash & Young recording. Cut here with 6-piece fully acoustic Bluegrass ensemble, the Grassmasters, Vocals by Quartet, Margie Cates & Her Boys, featuring Monty Lane Allen. Beautiful and poignant. | Click to Listen |
| MATTERS OF THE HEART | Rock/Pop | Tough lessons to be learned in this tearjerker. Michael MacDonald penned Ballad for the tortured soul who let ‘the one’ get away. | Click to Listen |
| MATTERS OF THE HEART (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocals. Tough lessons to be learned in this tearjerker and Michael MacDonald penned Ballad for the tortured soul who let ‘the one’ get away. Nick Manson’s Sextet and the Margie Cates Gospel Quartet perform. | Click to Listen |
| MATTERS OF THE HEART (Backing Track) | Rock/Pop | Backing Track or Underscore of the Michael MacDonald penned Ballad for the tortured soul who let ‘the one’ get away. Tough lessons to be learned in this tearjerker. Performed here with the Nick Manson Sextet. | Click to Listen |
| NEVER SAW BLUE LIKE THAT BEFORE | Rock/Pop | With new love comes a new way to view the world and everything in it. Romantic ballad features Piano with Keyboard support and female vocal by 17 year old Adrianna Bernal. | Click to Listen |
| NEVER SAW BLUE LIKE THAT BEFORE (Backing Track) | Rock/Pop | Backing Track or Underscore for the romantic Ballad featuring Piano with Keyboard support. With new love comes a new way to view the world and everything in it. | Click to Listen |
| OLD MAN (Bluegrass) | Country (Bluegrass) | Mountain music delves into the Neil Young catalog, a perfect match. From the album ‘Harvest’, the song makes comparison of the needs of young and old. This Instrumental Bluegrass rendition features acoustic 6-piece ‘Grassmasters’, moody and sleepy. | Click to Listen |
| PACK IN THE PIECES (Dance Medley) | Techno/Electronica | Millenium Dance Club Medley featuring: ‘Pick Up the Pieces’, ‘Cold Sweat’, ‘Ain’t No Mountain High Enough’, ‘I Can See Clearly’, and ‘Master Blaster’. Strung together with 4-on-the-Floor. | Click to Listen |
| SHINE (Backing Track w/BGVs) | Rock/Pop | Backing Track with Background Vocal parts from the 2008 Disney film, ‘Tinker Bell’. This song of courage and confirmation promotes self assurance, image and empowerment. 8-piece Nashville ‘A’ team backs teen girl choir ala Glee, High School Musical. | Click to Listen |
| SHINE (Backing Track) | Rock/Pop | Backing Track or Underscore from the 2008 Disney film, ‘Tinker Bell’. This song of courage and confirmation promotes self assurance, image and empowerment, in true Disney fashion. An 8-piece Nashville ‘A’ team of studio wizards provides the music. | Click to Listen |
| TIME OUT OF MIND (Instrumental) | Jazz (Contemporary) | From the Legendary 1981 ‘Gaucho’ sessions, this quirky Steely Dan track has been arranged as an Instrumental featuring Hammond B3 Organ melodies and signature Horn Section parts. Think Booker T meets Donald Fagen. | Click to Listen |
| WHILE MY GUITAR GENTLY WEEPS (Backing Track) | Rock/Pop | Relatively faithful Backing Track or Underscore to George Harrison’s ‘I Ching’ parable, listed as #135 on Rolling Stone’s “500 Greatest Songs of All Time” list. Features Clapton’s signature solo and licks. | Click to Listen |
| WHILE MY GUITAR GENTLY WEEPS (Country Instrumental) | Country | Country, but faithful Instrumental rendition of George Harrison’s ‘I Ching’ parable, listed on Rolling Stone’s “500 Greatest Songs of All Time” list. Features Fiddle and Pedal Steel on lyrical duties while lifting Clapton’s signature solos and licks. | Click to Listen |
| WHILE MY GUITAR GENTLY WEEPS (Instrumental) | Rock/Pop | Faithful Instrumental rendition of George Harrison’s ‘I Ching’ parable, listed as #135 on Rolling Stone’s 500 Greatest Songs of All Time. Features Tenor Sax and Slide Guitar, lifting Clapton’s signature solos and licks. | Click to Listen |
