[maxmegamenu location=max_mega_menu_2]
Welcome to the Publisher’s Master Titles page. Now you can participate in the master side as well as the publishing side of your titles!
Select a Publisher, listen, pitch and license your titles. Disk Eyes owns 100% of these Masters and offers you immediate clearance as well as 25% participation of Master fees when you generate a use.
Visit JukeBox for more titles. For full length songs and track details, Create your JukeBox Log-In.
For licensing contact Disk Eyes Licensing & Sync - Licensing@diskeyes.com, Carla@diskeyes.com
WARNER
| Track Title | Genre | Track Description | PlayLink |
| (I WANT TO) THANK YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| (I’VE GOT TO STOP) THINKIN’ ‘BOUT THAT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| (I’VE GOT YOU) UNDER MY SKIN | Standards | This Cole Porter classic became a signature song for Frank Sinatra and, in 1966, became a Top 10 hit for The Four Seasons. Cut live with full Horn Section, break/solo at 2:00. | Click to Listen |
| (I’VE GOT YOU) UNDER MY SKIN (Backing Track) | Standards | Backing Track or Underscore for the Cole Porter classic. It became a signature song for Frank Sinatra and, in 1966, became a top 10 hit for The Four Seasons. Cut with a live studio group and full Horn section with break/solo at 2:00. | Click to Listen |
| (I’VE GOT YOU) UNDER MY SKIN (Elevated Instrumental) | Standards | This Cole Porter classic became a signature song for Frank Sinatra and, in 1966, a top 10 hit for The Four Seasons. This ‘Elevated’ Instrumental arrangement is a Trombone feature, cut with live group and full Horn Section with break at 2:00. | Click to Listen |
| (I’VE GOT YOU) UNDER MY SKIN (Instrumental) | Standards | This Cole Porter classic became a signature song for Frank Sinatra and, in 1966, a top 10 hit for The Four Seasons. This Instrumental arrangement is a Bari Sax feature, cut with live group and full Horn Section with break at 2:00. | Click to Listen |
| (WHO SAYS) YOU CAN’T HAVE IT ALL (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| 12 DAYS AFTER CHRISTMAS | Jazz (Vocal) | Ever wonder what happens to all those drummers drumming and the five golden rings . . .?? Here’s the true story. Humourist Frederick Silver’s comic ode to Christmas past, featuring Acoustic Jazz Trio and Bassist, Douglas Barnett on Vocal. | Click to Listen |
| 12 DAYS AFTER CHRISTMAS (Backing Track) | Jazz (Mainstream) | Backing Track or Underscore for Fred Silver’s humorous Christmas ode and answer to the 12 Days of Christmas, featuring Jazz Piano Trio. | Click to Listen |
| 8TH AVENUE SHUFFLE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AFFAIR TO REMEMBER, AN (Backing Track) | Standards | Backing Track or Underscore for the sultry cocktail lounge Cary Grant film Theme, featuring Jazz Quartet. | Click to Listen |
| AFFAIR TO REMEMBER, AN (OUR LOVE AFFAIR) | Standards | Sultry cocktail lounge Standard featuring Female Vocal with Jazz Quartet performing the title song from the Cary Grant/Deborah Kerr 1957 romantic film. Considered one of themost romantic films of all time. | Click to Listen |
| AFFAIR TO REMEMBER, AN (Piano Instrumental) | Movie/TV Themes | Theme from the 1957 Cary Grant film of the same name, considered one of the most romantic movies of all time. Jazz Quartet featuring Acoustic Piano, Acoustic Bass, Nylon Guitar, Brushes, and added Strings. | Click to Listen |
| AFFAIR TO REMEMBER, AN (Sax Instrumental) | Movie/TV Themes | Sultry cocktail lounge Standard featuring Tom Politzer on Tenor Sax with Jazz Quartet and Strings performing the title song from the Cary Grant/Deborah Kerr 1957 romantic film. | Click to Listen |
| ALL IS LOST (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL LA GLORY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL THE MAN THAT I NEED (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALREADY GONE (Background Instrumental) | Rock/Pop | Elevator Music Background Instrumental. Think dentist chair or grocery store. A mix of Vibraphone, Flute Choir and layers of Guitars blend in a frothy elevated brew to calm the jangled nerves of most shoppers. | Click to Listen |
| ALREADY GONE (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Bluegrass Underscore for the Grassmasters’ interpretation of the classic Eagles tune, featuring the Nashville 6-piece acoustic ensemble, pickin’ and grinnin’. | Click to Listen |
| ALREADY GONE (Bluegrass) | Country (Bluegrass) | The Grassmasters’ interpretation of the classic Eagles tune, featuring the Nashville 6-piece acoustic ensemble, pickin’ and grinnin’. | Click to Listen |
| ALREADY GONE (Country Instrumental) | Country | Eagles classic whipped up to a full-blown Country frenzy. This Instrumental rendition features Dobro Verses at :10 & 2:00, Mandolin Verse at 1:00, Fiddle takes Choruses, Everybody skates at the modulation. ‘Woo-hoos’ added for kicks. | Click to Listen |
| ALREADY GONE (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Background Instrumental. Think dentist chair or grocery store. A mix of Vibraphone, Flute Choir and layers of Guitars blend in a frothy elevated brew to calm the jangled nerves of most shoppers. | Click to Listen |
| ALREADY GONE (Kids) | Country | High School Musical goes Country. Acoustic Bluegrass band backs-up Teen Girl Choir on this Eagles classic. Acoustic Guitar solo at 1:45. | Click to Listen |
| ALWAYS IN MY HEART (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANGEL FROM MONTGOMERY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANGEL OF MERCY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANOTHER SAD LOVE SONG (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANYONE WHO HAD A HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANYTHING GOES | Broadway | Cole Porter’s 1934 Broadway Musical extravaganza that concerns madcap antics on an ocean liner from New York to London. This shuffle Blues arrangement features your basic Quartet Rhythm section and 14 year old Dana Sedgwick ala High School Musical. | Click to Listen |
| ANYTHING GOES (Backing Track) | Broadway | Backing Track or Underscore for Cole Porter’s 1934 Broadway Musical extravaganza of the same name, concerning madcap antics on an ocean liner from New York to London. This arrangement features a Shuffle-Blues interpretation by 4-Piece Rhythm Section. | Click to Listen |
| ANYTHING GOES (Elevated Instrumental) | Broadway | Elevator Music or Muzak for Cole Porter’s 1934 Broadway Musical extravaganza of the same name, concerning madcap antics on an ocean liner from New York to London. This arrangement features Tenor Sax with a 4-piece Shuffle-Blues Rhythm Section. | Click to Listen |
| ANYTHING YOU WANT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| APRIL IN PORTUGAL | Standards | A popular song also entitled “The Whisp’ring Serenade”, the Portugese fado was originally written in 1947. This arrangement, fully acoustic, features Flutes, Nylon Guitar, plenty of Hand Percussion and a 9-piece String Section. | Click to Listen |
| APRIL LOVE (Backing Track w/Piano Solo) | Standards | Backing Track or Underscore for the upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Piano and Guitar solos. | Click to Listen |
| APRIL LOVE (Backing Track w/Sax Solo) | Standards | Backing Track or Underscore for the upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Tenor Sax and Guitar solos. | Click to Listen |
| APRIL LOVE (Instrumental) | Movie/TV Themes | Instrumental for the upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Tower of Power’s Tenor Sax man, Tom E. Politzer. | Click to Listen |
| APRIL LOVE (w/Piano Solo) | Standards | Upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Piano and Guitar solos beginning at :50. Vocal by Tony Lindsay. | Click to Listen |
| APRIL LOVE (w/Sax Solo) | Standards | Upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Tenor Sax and Guitar solos beginning at :50. Vocal by Tony Lindsay. | Click to Listen |
| ARC OF A DIVER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ARCADIAN DRIFTWOOD (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AS TIME GOES BY | Standards | Written in 1931, but became most famous in 1942 when it was sung by the character Sam (Dooley Wilson) in the movie Casablanca. Performed here by sulty songtress, Jennifer Ivester, and featuring the Seattle Ballet Orchestra String section. | Click to Listen |
| AS TIME GOES BY (Backing Track) | Standards | Backing Track or Underscore for the classic song written in 1931, but made most famous in 1942 when it was sung by the character Sam, (Dooley Wilson), in the movie ‘Casablanca’. featuring Jazz Quartet with the Seattle Ballet Orchestra String section. | Click to Listen |
| AS TIME GOES BY (Bartenetti) | Standards | Written in 1931, but became most famous in 1942 when it was sung by the character Sam, (Dooley Wilson), in the movie ‘Casablanca’. Performed here by L. A. Jazz Vocalist, Marsha Bartenetti, and featuring the Seattle Ballet Orchestra String section. | Click to Listen |
| AS TIME GOES BY (Elevated Instrumental) | Standards | Written in 1931, but became most famous in 1942 when it was sung by the character Sam, (Dooley Wilson), in the movie, ‘Casablanca’. Performed here as an Elevator Music or Muzak styled Instrumental. | Click to Listen |
| AS TIME GOES BY (Instrumental) | Standards | Written in 1931, but became most famous in 1942 when it was sung by the character Sam, (Dooley Wilson), in the movie Casablanca. Performed here by Tenor Saxophonist, Jon Goforth, and featuring the Seattle Ballet Orchestra String Section. | Click to Listen |
| ASTEROID FIELD, THE | Cinematic | Also known as the ‘Anoat Asteroid Belt’, the Hoth Asteroid Field was an extensive, wildly erratic asteroid belt occupying the farthest orbit of the Hoth system, a favored sanctuary for smugglers and pirates alike hoping to elude legal authority. | Click to Listen |
| AT LAST | Blues | Originally written in 1941, this straight ahead Blues classic became Etta James’ signature song in 1960. More recently, it was predominantly featured in President Barack Obama’s Inaugural Ball. Cut here by Jazz Rhapsody artist, Connye Florance. | Click to Listen |
| AT LAST (Connye – Backing Track) | Standards | Backing Track or Underscore for ‘At Last’, originally written in 1941, this straight ahead Blues classic became Etta James’ signature song in 1960. More recently, it was predominantly featured in Barack Obama’s Inaugural Ball. 6-Piece R&B treatment. | Click to Listen |
| AT LAST (Instrumental) | Blues | Sultry Tenor Sax Instrumental for ‘At Last’, originally written in 1941, this straight ahead Blues classic became Etta James’ signature song in 1960. More recently, it was predominantly featured in Barack Obama’s Inaugural Ball. 5-Piece Jazz treatment. | Click to Listen |
| AT LAST (Kelsey – Backing Track) | Blues | Backing Track or Underscore for ‘At Last’, originally written in 1941, this straight ahead Blues classic became Etta James’ signature song in 1960. More recently, it was predominantly featured in Barack Obama’s Inaugural Ball. 5-Piece Jazz treatment. | Click to Listen |
| AT LAST (Kelsey) | Blues | Sultry Jazz Vocal performance for ‘At Last’, originally written in 1941, this straight ahead Blues classic became Etta James’ signature song in 1960. More recently, it was predominantly featured in Barack Obama’s Inaugural Ball. 5-Piece Jazz treatment. | Click to Listen |
| AT LAST (Lily) | Standards | Originally written in 1941, this straight ahead Blues classic became Etta James’ signature song in 1960. More recently, it was predominantly featured in President Barack Obama’s Inaugural Ball. Cut here by 17 year old ICE artist, Lily Davis. | Click to Listen |
| BABY I’M FOR REAL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BACK HOME | Rock/Pop | British Guitarist, Eric Clapton’s plea for a return to normalcy and his family. Blues with Finger-Style Acoustic feel, Hammond B3 Organ, Horn Section and Percussion. | Click to Listen |
| BACK HOME (Backing Track) | Rock/Pop | Backing Track or Underscore to British Guitarist, Eric Clapton’s plea for a return to normalcy and his family. Blues with finger-style acoustic feel and Hammond B3 Organ, Horn Section and Percussion. | Click to Listen |
| BACK HOME (Bluegrass) | Country (Bluegrass) | Bluegrass rendition of British Guitarist, Eric Clapton’s plea for a return to his family and normalcy. Finger-style acoustic feel, Accordion, Mandolin and Fiddle. Been on the road too long. | Click to Listen |
| BACK HOME (Country – Backing Track) | Country | Backing Track or Underscore to British Guitarist, Eric Clapton’s plea for a return to normalcy and his family. Blues with finger style acoustic feel and Hammond B3 Organ, Horn Section and added Country intrumentalists, Mandolin, Fiddle & Accordion. | Click to Listen |
| BACK HOME (Country) | Country | British Guitarist, Eric Clapton’s plea for a return to normalcy and his family. Blues Vocal with Finger-Style Acoustic feel and Hammond B3 Organ, Horn Section and added Country intrumentalists, Mandolin, Fiddle and Accordion. | Click to Listen |
| BACK STABBERS (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BATTLE OF EVERMORE (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ are Opry legends in their own time. For this song, Vocal refrains are included. | Click to Listen |
| BE HAPPY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEAUTIFUL LOVE (Guitar Instrumental) | Rock/Pop | A popular Jazz Standard from 1931. It appears in films as diverse as 1932s “The Mummy”, and Woody Allen’s “Crimes and Misdemeanors”, and throughout the decades. This 2005 arrangement of dueling Jazz Guitars features Tower of Power’s Jerry Cortez. | Click to Listen |
| BEAUTIFUL MARIA OF MY SOUL (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEGIN THE BEGUINE | Jazz (Vocal) | Introduced in 1935 in the Braodway Musical ‘Jubilee’, this Cole Porter romantic classic has been re-arranged in a contemporary Jazz style featuring Piano, Hammond B3 Organ, Flute and Soprano Sax lines, and a Tenor Sax solo at 1:45. | Click to Listen |
| BEGIN THE BEGUINE (Backing Track) | Standards | Backing Track for the song Introduced in 1935 in the Braodway Musical, ‘Jubilee’. Cole Porter’s romantic classic has been re-arranged in a Contemporary Jazz style featuring Piano, Hammond B3 Organ, Flute & Soprano Sax lines and a Tenor Sax solo at 1:45. | Click to Listen |
| BEGIN THE BEGUINE (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEST THING, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BETTER LOVE NEXT TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BIT OF EARTH, A | Broadway | ‘The Secret Garden’ is a Musical based on the 1911 novel of the same name about a young orphaned English girl, sent to live with relatives, her personality blossoming as she and a young gardener bring new life to a neglected garden. | Click to Listen |
| BIT OF EARTH, A (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from ‘Secret Garden’, a Musical based on the 1911 novel about a young orphaned English girl, sent to live with relatives, her personality blossoming as she and a young gardener bring new life to a neglected garden. | Click to Listen |
| BLACK WATER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BLINDED BY LOVE (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BLUES IN THE NIGHT (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BODY AND SOUL | Jazz (Vocal) | Popular Song and Jazz Standard written in 1930 for the Broadway revue, “Three’s A Crowd”. Over years it has been recorded by, among others, Louis Armstrong, Frank Sinatra, Benny Goodman, Etta James and to this day, is the most recorded Jazz Standard. | Click to Listen |
| BODY AND SOUL (Backing Track) | Jazz (Mainstream) | Backing Track for the Popular song and Jazz Standard written in 1930 for the Broadway revue, “Three’s A Crowd”. Over the years it has been recorded by, among others, Louis Armstrong & Frank Sinatra. To this day it is the most recorded Jazz Standard. | Click to Listen |
| BREAKAWAY | Rock/Pop | Title track from Kelly Clarkson’s 2nd release, and recorded for the Disney film, ‘Princess Diaries 2’. This version was created for the High School Musical, “Musique”, and features a low ley Duet by a pair of teen girls from Washington State. | Click to Listen |
| BRIDGE OF SIGHS | Rock/Pop | Moody and dark piece composed by Carole King’s daughter, Louise Goffin. Features Tower of Power’s Guitarist, Jerry Cortez. Instrumental Guitar feature on the Verses, Vocals on the Choruses. | Click to Listen |
| BRIDGE OF SIGHS (Backing Track w/BGVs) | Rock/Pop | Moody and dark piece composed by Carole King’s daughter, Louise Goffin. Features Tower of Power’s Guitarist, Jerry Cortez, with Background Vocal parts, Piano and Hammond B3 Organ. | Click to Listen |
| BRIDGE OF SIGHS (Backing Track) | Rock/Pop | Backing Track or Underscore for the moody and dark piece composed by Carole King’s daughter, Louise Goffin. Features Tower of Power’s Guitarist, Jerry Cortez on Guitars, with Piano and Hammond B3 Organ. | Click to Listen |
| BROKEN ARROW (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BROKEN WINGS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BRON-YR-AUR (Bluegrass) | Country (Bluegrass) | Welsh for ‘Golden Hill’, an 18th century cottage used by Led Zeppelin members to recouperate and write songs. This Celtic flavored Instrumental lends itself perfectly to the Bluegrass treatment. | Click to Listen |
| CALL ME UP IN DREAMLAND (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN I CHANGE MY MIND | Urban/R&B | Number 1 late sixties R&B Hit by Tyrone Davis. Memphis swing styled, early hip-hop groove with full Horn Section and signature Guitar riffs. Tower of Power’s lead vocalist, Larry Braggs delivers his soulful rendition backed by 8-piece Horn Band. | Click to Listen |
| CAN I CHANGE MY MIND (Backing Track) | Urban/R&B | Backing Track or Underscore for the late sixties R&B Hit by Tyrone Davis. Memphis Swing styled, early Hip-Hop groove with full Horn Section and signature Guitar riffs. | Click to Listen |
| CAN I CHANGE MY MIND (Elevated Instrumental 1) | Urban/R&B | Elevator Music or Muzak Instrumental Underscore for the late sixties R&B Hit by Tyrone Davis, and revisited in the nineties by Chocolate Genius. Memphis swing styled, early hip-hop groove with Sax and Woodwind melodies and signature Guitar riffs. | Click to Listen |
| CAN I CHANGE MY MIND (Elevated Instrumental 2) | Urban/R&B | Elevator Music or Muzak Instrumental Underscore for the late sixties R&B Hit by Tyrone Davis, and revisited in the nineties by Chocolate Genius. Memphis swing styled, early hip-hop groove with full Horn Section and signature Guitar riffs. | Click to Listen |
| CAN WE TALK (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN YOU STOP THE RAIN | Urban/R&B | A number-one R&B single by Peabo Bryson, this version features signature instrumentation, including the programmed TR-808 Percussion and DX-7 Keyboard parts. Main Attraction’s Antowaine Richardson provides Vocals, begging, if you please, on bended knees. | Click to Listen |
| CAN YOU STOP THE RAIN (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the number-one R&B single by Peabo Bryson. This version features signature instrumentation, including the programmed TR-808 Percussion and DX-7 Keyboard parts. | Click to Listen |
| CAN YOU STOP THE RAIN (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental Underscore for the number-one R&B single by Peabo Bryson. This version features signature instrumentation, including the programmed TR-808 Percussion and DX-7 Keyboard parts. | Click to Listen |
| CANCUN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN’T FIND MY WAY HOME (Elevated Instrumental 1) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN’T FIND MY WAY HOME (Elevated Instrumental 2) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CANTINA BAND | Cinematic | Figrin D’an and the Modal Nodes, (the Cantina Band), were an all-Bith music band, specializing in the fields of Jizz and Jatz, making their first appearance in Star Wars IV: A New Hope. | Click to Listen |
| CARAVAN OF LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CARMELITA (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAUGHT UP IN YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CELEBRATION | Urban/R&B | Penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by ‘Tower of Power’s’ Tenor Sax man, Tom E. Politzer. Vocals provided by Gospel Choir: ‘Chimes of Freedom Singers’. | Click to Listen |
| CELEBRATION (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for the penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by Tower of Power’s Tenor Sax man, Tom E. Politzer. Backgrounds provided by Gospel Choir, ‘Chimes of Freedom Singers’. | Click to Listen |
| CELEBRATION (Backing Track) | Urban/R&B | Backing Track or Underscore for the penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by Tower of Power’s Tenor Sax man, Tom E. Politzer. | Click to Listen |
| CHASE THE CLOUDS AWAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHATTAHOOCHEE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHERISH (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHRISTMAS MUST BE TONIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHRISTMAS WALTZ (NY Jazz) | Jazz (Mainstream) | With the time signature shifting effortlessly between a slow Waltz to uptempo Swing and back again, this Christmas Standard, originally written for Frank Sinatra, is rearranged for Jazz Quartet, featuring Piano Trio with Trumpet. | Click to Listen |
| COME NEXT MONDAY | Country | Number One Country hit in 1990 for K T Oslin. A whimsical and humorous song about moving on and letting go. “Giving it up!”. Keys and Hammond B3 Organ hold down the rhythm section for California Country Vocalist, Kimberly Hope. | Click to Listen |
| COME NEXT MONDAY (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the Number One Country hit in 1990 by K. T. Oslin. A whimsical and humorous song about moving on and letting go. “Giving it up!”. Keys and Hammond B3 Organ hold down the rhythm section. | Click to Listen |
| COME NEXT MONDAY (Backing Track) | Country | Backing Track or Underscore for the Number One Country hit in 1990 by K. T. Oslin. A whimsical and humorous song about moving on and letting go. “Giving it up!”. Keys and Hammond B3 Organ hold down the rhythm section. | Click to Listen |
| COME NEXT MONDAY (Elevated Instrumental) | Country | Elevator Music or Muzak Instrumental rendition of the Number One Country hit in 1990 for K. T. Oslin. A whimsical and humorous song about moving on and letting go. Keys and Hammond B3 Organ hold down the rhythm section. | Click to Listen |
| COME ON LET’S GO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COME RAIN OR COME SHINE | Standards | Tony Lindsay, who cut his chops with the Santana Band, lends his extraordinary voice to this classic Arlen/Mercer Swing Standard that has been done by such illuminaries as Ray Charles, Ella Fitzgerald and Eric Clapton. Full Horns drive this arrangement. | Click to Listen |
| COME RAIN OR COME SHINE (Backing Track) | Standards | Backing Track for the classic Harold Arlen/Johnny Mercer Swing Standard that has been covered by such illuminaries as Ray Charles, Ella Fitzgerald, Eric Clapton and the list goes on. Full Horns drive this arrangement featuring a Tenor Sax solo at 2:45. | Click to Listen |
| COME RAIN OR COME SHINE (Elevated Instrumental 1) | Jazz (Contemporary) | Instrumental Contemporary Jazz arrangement with Muzak undertones for the classic Harold Arlen/Johnny Mercer Swing Standard that has been covered by such illuminaries as Ray Charles, Ella Fitzgerald, Eric Clapton and the list goes on…. | Click to Listen |
| COME RAIN OR COME SHINE (Elevated Instrumental 2) | Standards | Elevator Music or Muzak Instrumental Underscore in Swing-style for the classic Harold Arlen/Johnny Mercer Swing Standard that has been covered by such illuminaries as Cy Oliver, Ray Charles, Ella Fitzgerald, Eric Clapton and the list goes on…. | Click to Listen |
| COWBOY CASANOVA | Country | “Cowboy Casanova” became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. “We’re not trashing this guy, we’re just warning these other girls about him.” – Underwood. | Click to Listen |
| COWBOY CASANOVA (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for “Cowboy Casanova”, a song that became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. | Click to Listen |
| COWBOY CASANOVA (Backing Track) | Country | Backing Track or Underscore for “Cowboy Casanova”, a song that became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. | Click to Listen |
| CRY ME A RIVER | Standards | Sultry popular American torch song, first published in 1953 and covered by a long list of illuminaries from Ella Fitzgerald to Joe Cocker. A classic “I told you so” theme of regret and satisfaction. Guitar solo at 2:40. | Click to Listen |
| CRY ME A RIVER (Backing Track) | Standards | Backing Track or Underscore for the sultry popular American Torch song, first published in 1953 and covered by a long list of illuminaries from Ella Fitzgerald to Joe Cocker. Guitar solo at 2:40. | Click to Listen |
| CRY ME A RIVER (Bartenetti) | Standards | Sultry popular American Torch Song, first published in 1953 and covered by a long list of illuminaries from Ella Fitzgerald to Joe Cocker. A classic “I told you so” theme of regret and satisfaction. Guitar solo at 2:40. | Click to Listen |
| CRY ME A RIVER (Instrumental) | Standards | Instrumental Bluesy Popular American Torch song, first published in 1953 and covered by a long list of illuminaries from Ella Fitzgerald to Joe Cocker. This Instrumental arrangement features Tenor Sax melody with Guitar solo at 2:40. | Click to Listen |
| DANCING THE NIGHT AWAY | Rock/Pop | From the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”, a nostalgic narrator is reminiscent of happier times when two young lovers danced the night away. Piano, Hammond B3 Organ, and assorted Guitars fill out the arrangement. | Click to Listen |
| DANCING THE NIGHT AWAY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the song from the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”. A nostalgic narrator is reminiscent of happier times when two young lovers danced the night away. | Click to Listen |
| DANCING THE NIGHT AWAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”. Piano, Hammond B3 Organ, and assorted Guitars fill out the arrangement. | Click to Listen |
| DARK EYED CAJUN WOMAN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DARLIN’, DARLIN’ BABY (SWEET, TENDER, LOVE) (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DIAMONDS IN THE ROUGH (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DIDN’T I (BLOW YOUR MIND THIS TIME) | Urban/R&B | Classic 1970 ‘Philly-Soul’ track originally by the Delfonics. Features Tower of Power’s former front man, Larry Braggs, with astonishing range and Vocal gymnastics, full Horn compliment, and 6-piece rhythm section. | Click to Listen |
| DIDN’T I (BLOW YOUR MIND THIS TIME) (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the classic 1970 ‘Philly-Soul’ track originally by the Delfonics. Features Full Horn compliment, and 6-piece Rhythm Section. | Click to Listen |
| DIDN’T I (BLOW YOUR MIND THIS TIME) (Backing Track) | Urban/R&B | Backing Track or Underscore for the classic 1970 ‘Philly-Soul’ track originally by the Delfonics. Featurikng Full Horn compliment, and 6-piece Rhythm Section. | Click to Listen |
| DIDN’T I (BLOW YOUR MIND THIS TIME) (Instrumental) | Jazz (Contemporary) | Instrumental re-arrange for the classic 1970 ‘Philly-Soul’ track originally by the Delfonics. Features Tower of Power’s lead sax man, Tom E Politzer, Full Horn compliment, and 6-piece rhythm section. | Click to Listen |
| DIXIE MOON (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DOMINO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T ASK MY NEIGHBOR (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T HOLD BACK YOUR LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T LEAVE ME THIS WAY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T LET ME BE MISUNDERSTOOD (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T MESS WITH MR. T | Movie/TV Themes | Following his politically charged album, ‘What’s Goin’ On’, Margin Gaye turned his attention to Hollywood, commissioned to create the Soundtrack for ‘Trouble Man’. This Jazz interpretation features Leslie Guitar, Tenor Sax and Harmon Muted Trumpet. | Click to Listen |
| DON’T MESS WITH MR. T (Kidd Afrika) | Jazz (Contemporary) | Fusion Jazz meets Motown, via the ‘Trouble Man’ Soundtrack by Marvin Gaye. Recorded in 1979, from the rare and “Lost Windham Hill” record. Guitar based Kidd Afrika’s re-arrangement veers from laid back to frantic. | Click to Listen |
| DON’T TAKE YOUR GUNS TO TOWN (Bluegrass) | Country (Bluegrass) | An uptempo, lively Instrumental Bluegrass version of a Johnny Cash story about a young cowboy who, ignoring the titular advice from his mother, gets into a gunfight at a saloon and is killed. 6-piece acoustic Grassmasters with Vocal refrain. | Click to Listen |
| DON’T TRY TO EXPLAIN (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T YOU KNOW WHAT THE NIGHT CAN DO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DOWN BY THE SEASIDE (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ play this 2-part environmental plea whereby tempo shifts into high gear at 1:40. | Click to Listen |
| DREAM A LITTLE DREAM OF ME | Standards | First recorded in 1931 by Ozzie Nelson, and covered multiple times throught the years, notably Mama Cass and Chicago. This arrangement borrows from the Chicago charts and features 19 year old Dana Sedgwick, Full Horns and R&B Quartet. | Click to Listen |
| DREAM A LITTLE DREAM OF ME (Backing Track) | Standards | Backing Track or Underscore for a contemporary Jazz-Blues rendition of the classic Gus Kahn composition from the thirties. Full Horns with Rhythm Section supported by Acoustic and Electric Pianos. | Click to Listen |
| DREAM A LITTLE DREAM OF ME (Elevated Instrumental) | Standards | Elevator Music or Muzak Instumental Underscore for a contemporary Jazz-Blues rendition of the classic Gus Kahn composition from the thirties. Full Horns and Woodwinds with Rhythm Section supported by Acoustic Piano melodies. | Click to Listen |
| DREAMLOVER (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DROWNING IN YOUR TEARS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EMPTY PAGES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| END IS NOT IN SIGHT, THE | Rock/Pop | Russell Smith and the Amazing Rhythm Aces had a #12 Country Hit with this tune in 1976, now aptly covered by Perry Danos and Roger Bark in 2015, combining signature licks with tasty Vocals on this song for the road weary traveler. | Click to Listen |
| END IS NOT IN SIGHT, THE (Backing Track w/BGvs) | Rock/Pop | Russell Smith and the Amazing Rhythm Aces had a #12 Country Hit with this tune in 1976, now aptly covered by Roger Bark in 2015, combining signature licks with tasty Background Vocal parts on this song for the road weary traveler. | Click to Listen |
| END IS NOT IN SIGHT, THE (Backing Track) | Rock/Pop | Russell Smith and the Amazing Rhythm Aces had a #12 Country Hit with this tune in 1975, now aptly covered by Roger Bark in 2015, This Backing Track combines signature licks with Nashville’s finest studio cats on this song for the road weary traveler. | Click to Listen |
| END IS NOT IN SIGHT, THE (Elevated Instrumental) | Rock/Pop | Russell Smith and the Amazing Rhythm Aces had a #12 Country Hit with this tune , covered here in contemporary Elevator Music style by John Morton, combining signature licks with layers of Rhythm Guitars, fills and solo jams. | Click to Listen |
| EVERY CORNER OF THE WORLD (Elevated Instrumental) | Jazz (Contemporary) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERYTIME I CRY | Country | This Top 10 Country song chronicles a woman’s continuing disappointment in her ex-lover who keeps putting her heart into misery over and over again. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click to Listen |
| EVERYTIME I CRY (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click to Listen |
| EVERYTIME I CRY (Backing Track) | Country | Backing Track or Underscore for a top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click to Listen |
| EVERYTIME I CRY (Elevated Instrumental) | Country | Elevator Music Instrumental or Muzak styled Underscore for the top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. | Click to Listen |
| EXPRESSWAY TO YOUR HEART | Rock/Pop | Pacific Northwest Rock/R&B band, and Windham Hill recording group, Kidd Afika, reinterpreted the classic Top 10 Philly Hit by the Soul Survivors. Replete with Sound Effects and motorized syncopated funkyness, this 1967 track reappeared in 1980. | Click to Listen |
| FAIRWEATHER FRIEND | Urban/R&B | Techno Funk Motown song from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds and Tower of Power’s front man, Larry Braggs, ripping a positive message of support. | Click to Listen |
| FAIRWEATHER FRIEND (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the Techno-Funk Motown hit from 1990, originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds and Background Vocal parts. | Click to Listen |
| FAIRWEATHER FRIEND (Backing Track) | Urban/R&B | Backing Track or Underscore for the Techno-Funk Motown hit from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, and Woodwinds. | Click to Listen |
| FAIRWEATHER FRIEND (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Underscore for techno funk Motown song from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds with featured leads on Nylon Guitar, Sax, English Horn and Flute. | Click to Listen |
| FALLEN ANGEL (Background Instrumental) | Rock/Pop | Instrumental Background or ‘Elevator Music’ arrangement to Robbie Robertson’s lead track from the 1987 album. “Fallen Angel” was dedicated to Robertson’s former ‘Band’ mate, Richard Manuel. Cut here with Piano & Woodwinds, Sax & progressive Percussion. | Click to Listen |
| FALLEN ANGEL (Elevated Instrumental) | Rock/Pop | Instrumental Background or ‘Elevator Music’ arrangement to Robbie Robertson’s lead track from the 1987 album. “Fallen Angel” was dedicated to Robertson’s former ‘Band’ mate, Richard Manuel. Cut here with Piano & Woodwinds, Sax & progressive Percussion. | Click to Listen |
| FALLIN’ IN LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FAMILY TREE | Country | Poignant Country Ballad of family affirmation and commitment. Smooth and delicate Vocalist, Kimberly Hope, backed up by Nashville’s Studio ‘A’ Team and Vocal Quartet, Margie Cates and Her Boys. | Click to Listen |
| FAMILY TREE (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the poignant Country Ballad of family affirmation and commitment. Nashville’s Studio ‘A’ Team features Fiddle, Pedal Steel and Guitars, with Vocal Quartet, Margie Cates and Her Boys. | Click to Listen |
| FAMILY TREE (Backing Track) | Country | Backing Track or Underscore for the poignant Country Ballad of family affirmation and commitment. Nashville’s Studio ‘A’ Team features Fiddle, Pedal Steel and Guitars. | Click to Listen |
| FAMILY TREE (Instrumental) | Country | Poignant Country ballad of family affirmation and commitment. James Taylor band member, Andrea Zonn, plays violin & sings the chorus refrains. Grand Ol Opry regular, Tommy White, on Dobro and Pedal Steel. Backed by Nashville’s Studio ‘A’ Team. | Click to Listen |
| FAR FROM HOME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FEARLESS LOVE (Background Instrumental) | Rock/Pop | Falling in love can be a leap of faith, throwing caution to the wind, this Bonnie Raitt song concludes. The same sentiment comes through this Instrumental rearrange as a dreamy, laidback, smooth Blues. Electric Guitar and Tenor Saxes cover melodies. | Click to Listen |
| FEARLESS LOVE (Elevated Instrumental) | Rock/Pop | Falling in love can be a leap of faith, throwing caution to the wind, this Bonnie Raitt song concludes. The same sentiment comes through this Elevator Music Instrumental rearrange as a dreamy, laidback, smooth Blues. | Click to Listen |
| FEELS LIKE HEAVEN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FINER THINGS, THE (Elevated Instrumental 1) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FINER THINGS, THE (Elevated Instrumental 2) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FLINTSTONES THEME (Backing Track) | Movie/TV Themes | The animated, prime-time American television sitcom, The Flintstones, was about a working-class Stone Age man’s life with his family. The popular Theme song is played here as a high speed Bebop Jazz Backing Track or Underscore without melodies. | Click to Listen |
| FLINTSTONES THEME (Cue) | Movie/TV Themes | The animated, prime-time American television sitcom, The Flintstones, was about a working-class Stone Age man’s life with his family. The popular theme song is played here as a high speed bebop 30 second Cue or Transitional Jazz Instrumental. | Click to Listen |
| FLINTSTONES THEME (Instrumental) | Movie/TV Themes | The animated, prime-time American television sitcom, The Flintstones, was about a working-class Stone Age man’s life with his family. The popular theme song is played here as a high speed Bebop Jazz Instrumental featuring Hammond B3 Organ and Tenor Sax. | Click to Listen |
| FLY BY NIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOR ALL WE KNOW | Standards | A Popular Standard published in 1934 and covered by many industry luminaries including Billie Holiday, Nat Cole, Ray Charles and now this 2009 recording by Pacific Northwest Vocal Jazz Quartet, Commontone, with Piano accompaniment. | Click to Listen |
| FOR THE COOL IN YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER MINE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER MORE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER YOUNG (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOUND OUT ABOUT YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOUR STRONG WINDS (Elevated Instrumental) | Folk | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FREEDOM IS COMING TOMORROW (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FRENCH WALTZ | Rock/Pop | This is one of those songs that makes you pause to reflect on what the fates bring to love and lifelong commitments. Seattle Ballet Orchestra adds to this arrangement featuring Adrianna Bernal, lyrically slipping effortlessly between French and English. | Click to Listen |
| FRENCH WALTZ (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for this reflective Ballad that inspires one to pause and ponder the fates that bring together love and lifelong commitments. The Seattle Ballet Orchestra Strintg Section adds to this arrangement. | Click to Listen |
| FRENCH WALTZ (Backing Track) | Rock/Pop | Backing Track or Underscore for this reflective Ballad that inspires one to pause and ponder the fates that bring together love and lifelong commitments. The Seattle Ballet Orchestra String section adds to this arrangement. | Click to Listen |
| FRENCH WALTZ (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental for this reflective Ballad that inspires one to pause and ponder the fates that bring together love and lifelong commitments. The Seattle Ballet Orchestra String section adds to this arrangement. | Click to Listen |
| FRENCH WALTZ (Instrumental w/BGVs) | Rock/Pop | Instrumental re-arrange for this reflective Ballad that inspires one to pause and ponder the fates that bring together love and lifelong commitments. Featuring English Horn, Flute, Background Vocals, and the Seattle Ballet Orchestra in this arrangement. | Click to Listen |
| FROM HERE TO ETERNITY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FROSTY THE SNOWMAN | Blues | This would be THE definitive kick-ass rockin’ city Blues version of Frosty, the Snowman! Deliverd by spunky Connye Florance and her minions of elf-like helpers in red and green jumpsuits, naughty and nice! | Click to Listen |
| FROSTY THE SNOWMAN (Backing Track) | Blues | Backing Track or Underscore for the definitive kick-ass rockin’ city Blues version of Frosty, the Snowman! Featuring a host of elf-like helpers in red and green jumpsuits on Hammond B3 Organ, Guitars and other naughty noise makers! | Click to Listen |
| FUN TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET HERE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET IT THROUGH YOUR HEART (Elevated Instrumental) | Jazz (Mainstream) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOIN’ TO CALIFORNIA (Bluegrass – Backing Track) | Country (Bluegrass) | Wonderful how well this song translates into the Bluegrass genre. This Backing Track or Underscore Features 6-piece Grassmasters, and the additional Accordion contribution from Jeff Taylor. | Click to Listen |
| GOIN’ TO CALIFORNIA (Bluegrass) | Country (Bluegrass) | Wonderful how well this song translates into the Bluegrass genre. Featuring Margie Cates and Her Boys in 4-part harmony, backed by 6-piece Grassmasters, and additional contribution from Jeff Taylor on Accordion. | Click to Listen |
| GONE TO SOON | Urban/R&B | Ryan White was an American teenager who became a national poster child for HIV/AIDS when expelled from school after contracting the disease from a blood transfusion. Michael Jackson paid tribute to Ryan with this poignant song. | Click to Listen |
| GONE TO SOON (Backing Track) | Urban/R&B | Ryan White was an American teenager who became a national poster child for HIV/AIDS when expelled from school after contracting the disease from a blood transfusion. Michael Jackson paid tribute to Ryan with this poignant song. | Click to Listen |
| GOOD LIFE, THE | Standards | A popular French song, “La Belle Vie” written in 1934, published in 1962, became a Standard in repertoires for Sinatra, Ellington, Julie London, Tony Bennett, Ray Charles & many more. Cut here with full Jazz Orchestra, featuring Seattle Symphony members. | Click to Listen |
| GOOD LIFE, THE (Backing Track) | Standards | Backing Track or Underscore for the popular French song, “La Belle Vie” written in 1934, published in 1962, and became a Standard in repertoires for many of the great Jazz performers. Cut here with full Jazz Orchestra, featuring Seattle Symphony members. | Click to Listen |
| GOOD LIFE, THE (Elevated Instrumental) | Standards | Elevator Music Instrumental for the popular French song, “La Belle Vie” written in 1934, published in 1962, and became a Standard in repertoires for many of the great Jazz performers. Cut here with full Jazz Orchestra, featuring Seattle Symphony members. | Click to Listen |
| GOOD TIMES, BAD TIMES (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 5-piece ‘Grassmasters’ play this classic Rock lead-off track to Zeppelin’s first album, complete with signature licks. | Click to Listen |
| GOODBYE | Rock/Pop | Although not greatly popular in the United States, “Goodbye” was critically praised and gained a large following outside the country. This paired down, subtle arrangement leans on the maudlin sentimentality of Foster/Thompson’s composition. | Click to Listen |
| GOODBYE (Backing Track) | Rock/Pop | Backing Track or Underscore for the song, “Goodbye”, that was critically praised and gained a large international following. This paired down, subtle arrangement leans on the maudlin sentimentality of Foster/Thompson’s composition. | Click to Listen |
| GREAT MANDALA, THE (Backing Track w/BGVs) | Folk | Backing Track or Underscore with Background Vocal parts for the mournful, poignant anti-war song from the Viet Nam War era protest movement. The morally compromised son and sibling of military background chooses his own demise over the killing of others. | Click to Listen |
| GREAT MANDALA, THE (Backing Track) | Folk | Backing Track or Underscore for the mournful and poignant anti-war song from the Viet Nam era protest movement. The morally compromised son and sibling of military background chooses his own demise over the killing of others. | Click to Listen |
| GREAT MANDALA, THE (Elevated Instrumental) | Folk | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GREAT MANDALA, THE (THE WHEEL OF LIFE) | Folk | Mournful and poignant anti-war song from squarely in the middle of the Viet Nam War protest movement. The morally compromised son and sibling of military background chooses his own demise over the killing of others. | Click to Listen |
| HAPPY BIRTHDAY TO YOU | Kids | The Hill sister’s ever present classic, done in the Marilyn Monroe style with contemporary Keyboards. A romantic, jazzy, heartfelt Birthday anthem. | Click to Listen |
| HAPPY BIRTHDAY TO YOU (Backing Track) | Kids | Backing Track or Underscore for the Hill sister’s ever present classic, done with contemporary Keyboards and Electric Guitar. A romantic, jazzy, heartfelt birthday anthem. | Click to Listen |
| HAPPY BIRTHDAY TO YOU (Cue) | Kids | 30 second Cue, Realtone or Transition for the Hill sister’s ever present classic, done with Rhodes Piano and Electric Guitar. A romantic, jazzy, heartfelt Birthday anthem, featuring Jennifer Ivester channeling Marilyn Monroe. | Click to Listen |
| HAPPY BIRTHDAY TO YOU (Guitar Instrumental) | Kids | The Hill sister’s ever present classic. Electric Guitar feature with contemporary Keyboards, a romantic, heartfelt Birthday anthem. | Click to Listen |
| HAPPY BIRTHDAY TO YOU (Sax and Guitar Instrumental) | Kids | The Hill sister’s ever present classic. Tenor Sax and Electric Guitar feature with contemporary Keyboards, a romantic, heartfelt Birthday anthem. | Click to Listen |
| HAPPY BIRTHDAY TO YOU (Sax Instrumental) | Kids | The Hill sister’s ever present classic. Tenor Sax feature with contemporary Keyboards, a romantic, heartfelt Birthday anthem. | Click to Listen |
| HATS OFF TO (ROY) HARPER | Blues | This song is a tribute to American Folk Blues singer, Bukka White, who recorded from the 1930s – 1970s. Performed here as a Dobro solo. Standard back porch, whiskey drinking, late night fare. | Click to Listen |
| HEART OF ROCK AND ROLL | Rock/Pop | Top 10 Hit for Huey Lewis in 1984. This re-arrangement slips a little deeper into the R&B side, featuring Tower of Power’s front man, Larry Braggs, with a 4-piece Sax Section. Sax solo at 2:00, Harmonica on the ride out at 3:10. | Click to Listen |
| HEART OF ROCK AND ROLL (Backing Track) | Rock/Pop | Backing Track or Underscore for the Top 10 Hit of Huey Lewis in 1984. This re-arrangement slips a little deeper into the R&B side, with a 4-piece Sax Section. Sax solo at 2:00, Harmonica on the ride out at 3:10. | Click to Listen |
| HEAVEN DOWN HERE | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track w/BGVs) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEIRLOOMS (Kids) | Kids | The value of family and faith overides ones collected memories and material trappings. Sung by 10 year-old Madison Pearson with support from ICE, the Island Choral Experience, with Piano accompaniment. | Click to Listen |
| HOORAY FOR HOLLYWOOD (Backing Track) | Jazz (Mainstream) | Backing Track for the staple Soundtrack element of any Academy Awards ceremony, referencing the American movie industry satarizing the illusory desire of many people to become famous as actors. This arrangement nods to Jazz Trio, Piano solo at 1:00. | Click to Listen |
| HOORAY FOR HOLLYWOOD (Big Band) | Movie/TV Themes | The staple Soundtrack element of any Academy Awards ceremony, ‘Hollywood’ referenced the American movie industry satarizing the illusory desire of many people to become famous as actors. This arrangement tips the hat to the 1937 Benny Goodman Big Band. | Click to Listen |
| HOORAY FOR HOLLYWOOD (Blues) | Movie/TV Themes | The staple Soundtrack element of any Academy Awards ceremony, ‘Hollywood’ referenced the American movie industry satarizing the illusory desire of many people to become famous as actors. This arrangement leans to the Guitar Blues end of the spectrum. | Click to Listen |
| HOORAY FOR HOLLYWOOD (Jazz Club) | Movie/TV Themes | The staple Soundtrack element of any Academy Awards ceremony, ‘Hollywood’ referenced the American movie industry satarizing the illusory desire of many people to become famous as actors. This arrangement features Jazz Quartet with Tenor Sax emphasis. | Click to Listen |
| HOORAY FOR HOLLYWOOD (Montuno) | Movie/TV Themes | The staple Soundtrack element of any Academy Awards ceremony, ‘Hollywood’ referenced the American movie industry satarizing the illusory desire of many people to become famous as actors. This version arranged as a Latin Montuno with full Horns. | Click to Listen |
| HOORAY FOR HOLLYWOOD (Nat Cole style) | Movie/TV Themes | The staple soundtrack element of any Academy Awards ceremony, referencing the American movie industry satarizing the illusory desire of many people to become famous as actors. This arrangement nods to Nat Cole with Jazz Trio, Piano solo at 1:00. | Click to Listen |
| HOT DOG (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ play this late 70s composition that perfectly suits itself to the Bluegrass genre. | Click to Listen |
| HOW HIGH THE MOON (Backing Track) | Standards | Backing Track or Underscore for the Jazz Standard first featured in the 1940 Broadway revue Two for the Show. The most notable rendition by Les Paul & Mary Ford, whereby this recording draws from that arrangement, including signature Guitar parts. | Click to Listen |
| HUMAN NATURE (Background Instrumental) | Urban/R&B | Background Music Instrumental interpretation from Michael Jackson’s early 80s megahit album, ‘Thriller’. This arrangement is intentionally disjointed, sloppy and mixed to sound like it’s broadcast in the parking lot of a 7-11 to discourage loitering. | Click to Listen |
| I CAN’T GET OVER YOU (Backing Track) | Country | Backing Track or Underscore of the American Country music duo, Brooks and Dunn’s top ten hit from 1999. Featuring 8-piece Nashville studio ‘A’ team. | Click to Listen |
| I CAN’T GET OVER YOU (Instrumental) | Country | Instrumental Background Cover of the American Country music duo, Brooks and Dunn’s top ten hit from 1999. Featuring 8-piece Nashville studio ‘A’ team, with melodic duties on Fiddle, Guitar and Pedal Steel. | Click to Listen |
| I DON’T KNOW WHY | Rock/Pop | From Shawn Colvin’s second release through Columbia Records in 1992. A bittersweet Ballad on the complexities of love and the overwhelming depth of the emotional commitment. Seattle Ballet Orchestra adds color to this arrangement. | Click to Listen |
| I DON’T KNOW WHY (Backing Track) | Rock/Pop | Backing Track or Underscore from Shawn Colvin’s second release . A bittersweet Ballad on the complexities of love and the overwhelming depth of the emotional commitment. Seattle Ballet Orchestra adds color to this arrangement. | Click to Listen |
| I DON’T NEED NO DOCTOR | Urban/R&B | Doctor, prescription, chills, critical list. All necessary analogies for Ray’s proclamation of desire per hospital metaphors. Nashville ‘A’ team studio surgeons disect this little heartfelt number featuring Vocalist Perry Danos with Rhodes & Hammond B3. | Click to Listen |
| I DON’T NEED NO DOCTOR (Backing Track) | Urban/R&B | Backing Track or Underscore for Ray Charles’ metaphorical hit from the sixites. Nashville ‘A’ team studio surgeons disect this little heartfelt Soul-Blues featuring Rhodes Piano, Electric Guitar and Hammond B3 Organ. I-V anyone? | Click to Listen |
| I DON’T NEED YOU ANYMORE | Rock/Pop | From the 1979 film Soundtrack, ‘Together’, a women is trying to change her life for the better, but everyone in her life is giving her more headache than joy. Jazz Rhapsody Vocalist, Connye Florance, sings with The Seattle Ballet Orchestra String Section | Click to Listen |
| I DON’T NEED YOU ANYMORE (Backing Track) | Rock/Pop | Backing Track or Underscore from the 1979 film Soundtrack, ‘Together’, a women is trying to change her life for the better, but everyone in her life is giving her more headache than joy. Rhodes Piano, Brass, & the Seattle Ballet Orchestra String Section. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Backing Track w/Sax) | Standards | Backing Track or Underscore for the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and more. This version features Nick Manson’s Quintet. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Backing Track) | Standards | Backing Track or Underscore for the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and more. This version features Nick Manson’s Quartet. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Female Vocal) | Standards | Sultry Female Jazz Vocal version of the popular Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and many more. This arrangement features Kelsey Lockhart. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Instrumental) | Standards | Sultry Tenor Sax rendition of the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and many more. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Male Vocal) | Standards | Sultry Male Jazz Vocal version of the popular Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Tony Bennett, and many more. This arrangement features Perry Danos. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Male Vocal) | Standards | Sultry Male Jazz Vocal version of the popular Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Tony Bennett, and many more. This arrangement features J. B. White. | Click to Listen |
| I DREAMED A DREAM | Broadway | From the musical, ‘Les Misérables’, a lament sung by the anguished Fantine, who has just been fired from her job at the factory and thrown onto the streets. Los Angelest Jazz Vocalist, Marsha Bartenetti, puts her spin on this classic stage Standard. | Click to Listen |
| I DREAMED A DREAM (Backing Track) | Broadway | Backing Track or Underscore for the song from the Musical, ‘Les Misérables’, a lament sung by the anguished Fantine, who has just been fired from her job at the factory and thrown onto the streets. | Click to Listen |
| I HAVE A LOVE | Country | A song of confirmation and finality from West Side Story. This arrangement was inspired by the 1996 tribute album that included the Trisha Yearwood Country-styled performance. Featuring the Seattle Symphony String section, Pedal Steel and Piano. | Click to Listen |
| I HAVE A LOVE (Backing Track) | Standards | Backing Track or Underscore for the bittersweet love song of confirmation and finality from ‘West Side Story’. This Country flavored arrangement features the Seattle Symphony String section, Pedal Steel and Acoustic Guitar. | Click to Listen |
| I NEED YOU | Country | Beautiful Country Ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros and Vocal Quartet, Margie Cates and Her Boys, back Kimberly Hope on Lead. | Click to Listen |
| I NEED YOU (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for this beautiful country ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros and Vocal Quartet perform. | Click to Listen |
| I NEED YOU (Backing Track) | Country | Backing Track or Underscore for this beautiful Country Ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros play with confidence and sensitivity. | Click to Listen |
| I ONLY HAVE EYES FOR YOU | Urban/R&B | A popular romantic love song by composer Harry Warren, written in 1934 for the film. ‘Dames’. Rolling Stone magazine ranked the Flamingos’ version on their list of ‘500 Greatest Songs of All Time’. Santana Vocalist, Tony Lindsay’s version here. | Click to Listen |
| I ONLY HAVE EYES FOR YOU (Instrumental) | Jazz (Mainstream) | This popular love song and Standard has been covered by thousands of musicians, originally appearing in the 1934 film “Dames”. The arrangement here, a classic Jazz Quartet featuring Piano with a Jazz Guitar solo at 2:00. | Click to Listen |
| I SAY A LITTLE PRAYER | Rock/Pop | Intended by lyricist Hal David to convey a woman’s concern for her beau who’s serving in the Vietnam War, this #1 Hit for Dionne Warwick is a confirmation of lifelong love. Kelsey Lockhart’s version leans on Latin influences with a nod to Aretha Franklin | Click to Listen |
| I SAY A LITTLE PRAYER (Backing Track w/BGVs) | Rock/Pop | Intended to convey a woman’s concern for her beau who’s serving in the Vietnam War, the #1 Hit for Dionne Warwick is a confirmation of lifelong love. This Backing Track or Underscore with Background Vocal parts leans on Latin influences. | Click to Listen |
| I SAY A LITTLE PRAYER (Backing Track) | Rock/Pop | Intended by lyricist Hal David to convey a woman’s concern for her beau who’s serving in the Vietnam War, the #1 Hit for Dionne Warwick is a confirmation of lifelong love. This Backing Track or Underscore leans on Latin influences with a nod to Aretha. | Click to Listen |
| I WANNA BE AROUND | Standards | Johnny Mercer’s classic Jazz Vocal track about break up, anticipation and revenge. Piano Trio with Male Vocal and Tenor Sax solo, (:50), Swing, Tony Bennett style. | Click to Listen |
| I WANNA BE AROUND (Backing Track) | Standards | Backing Track or Underscore for Johnny Mercer’s classic Jazz piece about break up, anticipation and revenge. Piano Trio with Tenor Sax solo, (:50), swing Tony Bennett style. | Click to Listen |
| I WISH I KNEW (Instrumental) | Jazz (Latin) | Quintet featuring Tower of Power’s lead Tenor Sax on this Latin Jazz Instrumental and Harry Warren Standard, light hearted and romantic. Guitar solo at 1:00, Vintage Fender Rhodes solo at 1:45. Covered by everyone from Betty Grable to Keith Jarrett. | Click to Listen |
| IF EVER I WOULD LEAVE YOU | Broadway | Another love affair goes awry with Lerner and Loewe’s 1960s Broadway Standard from Tony Award winning ‘Camelot’. Jazz Quintet featuring Andy Suzuki on Tenor Sax, (solo at 3:30), Nick Manson on Piano and the lovely Dana Sedgwick on Vocals. | Click to Listen |
| IF EVER I WOULD LEAVE YOU (Backing Track) | Broadway | Backing Track or Underscore for Lerner and Loewe’s 1960 Broadway Standard from Tony Award winning ‘Camelot’. Jazz Quintet featuring Andy Suzuki on Tenor Sax, (solo at 3:30), and Nick Manson on Piano. | Click to Listen |
| IF YOU HADN’T, BUT YOU DID | Broadway | From ‘Two On the Aisle’, an evening of comedy routines and splashy musical numbers was developed to showcase the talents of Bert Lahr. Lahr and co-star Dolores Gray didn’t get along, so the show became notorious for their efforts to upstage each other. | Click to Listen |
| I’LL BE GONE (Fiddle Solo – Backing Track) | Country | Backing Track or Underscore forn the classic Rhythm Aces 1976 Shuffle Blues gem, with a taste of Western Swing for good measure. This version features Kentucky Thunder Fiddle ‘Ace’, Andy Leftwich, sharing solos withTommy White on Pedal Steel. | Click to Listen |
| I’LL BE GONE (Fiddle Solo) | Country | “Too Stuffed To Jump”, classic Rhythm Aces 1976 release yeilded this Shuffle Blues gem, with a taste of Western Swing for good measure. This version features Kentucky Thunder Fiddle ‘Ace’, Andy Leftwich with Perry Danos on Vocal duties. | Click to Listen |
| I’LL BE GONE (Guitar Solo – Backing Track) | Rock/Pop | Backing Track or Underscore forn the classic Rhythm Aces 1976 Shuffle Blues gem, with a taste of Western Swing for good measure. This version features Northwest Guitar ‘Ace’, Roger Bark sharing solos with Hall of Famer, Tommy White on Pedal Steel. | Click to Listen |
| I’LL BE GONE (Guitar Solo) | Rock/Pop | “Too Stuffed To Jump”, classic Rhythm Aces 1976 release yeilded this Shuffle Blues gem, with a taste of Western Swing for good measure. This version features Northwest Guitar ‘Ace’, Roger Bark with Perry Danos on Vocal duties. | Click to Listen |
| I’M AN OLD COWHAND (FROM THE RIO GRANDE) | Country | Western swing with a Blusey Vocal, featuring 7-piece Nashville ‘A’ team studio cats. Pedal Steel solo at 1:10. Lyrics: A 20th century cowboy who has little in common with cowpunchers of old. | Click to Listen |
| I’M AN OLD COWHAND (FROM THE RIO GRANDE) (Backing Track w/BGVs) | Standards | Backing Track or Underscore with Background Vocal parts for the Western Swing Standard featuring 7-piece Nashville ‘A’ team studio cats. Pedal Steel solo at 1:10. | Click to Listen |
| I’M AN OLD COWHAND (FROM THE RIO GRANDE) (Backing Track) | Standards | Backing Track or Underscore for the Western Swing Standard featuring 7-piece Nashville ‘A’ team studio cats. Pedal Steel solo at 1:10. | Click to Listen |
| I’M IN A PHILLY MOOD (Backing Track) | Rock/Pop | There’s a lot of stuff in this Backing Track or Underscore of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click to Listen |
| I’M IN A PHILLY MOOD (Instrumental) | Rock/Pop | There’s a lot of stuff in this Instrumental rendition of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click to Listen |
| IMMIGRANT SONG (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ play this early 70s composition ala ‘Orange Blossom Special’, pickin’ and grinnin’. | Click to Listen |
| IMPERIAL MARCH | Cinematic | Also called “Darth Vader’s Theme,” the “Imperial March” is a recurring Theme of the Star Wars movies, based on the well known Funeral March from Chopin’s Piano Sonata No. 2 in B flat minor and on “Mars, the Bringer of War” by Gustav Holst. | Click to Listen |
| IS IT LOVE (Background Instrumental) | Rock/Pop | Top 10 hit for ‘Mr. Mister’, and chosen for the closing credits of the blockbuster film, ‘Stakeout’. This Techno, Progressive and Synth oriented Rock Instrumental version drifts precariously into the realm of Elevator Music. | Click to Listen |
| JEDI MASTER REVEALED MYNOCK CAVE | Cinematic | “You will go to the Dagobah system. There you will learn from Yoda, the Jedi Master who instructed me.” ―Obi-Wan Kenobi | Click to Listen |
| JINGLE BELL ROCK (Blues Instrumental) | Blues | Lightweight Blues Instrumental for the seasonal classic. Alto Sax feature with Guitar stepping up at 1:00. Leaning on schmaltzy, cocktail blues/swing, but keeping all the original charm of the song intact. | Click to Listen |
| JINGLE BELL ROCK (Country Instrumental) | Country | Happiest ditty of the yuletide. Upbeat, bouncy, and loose. Country flavored Instrumental interpretation featuring Yakity Sax, Pedal Steel and Electric Guitar on the melodies. | Click to Listen |
| JO JO (Instrumental) | Rock/Pop | “Middle Man”, Boz Scaggs 1980 album has been described as, “Impeccably tasteful collection of sophisticated white soul”. The lead track, “Jo Jo” has been reproduced as a slick Tenor Sax Instrumental with its original orchestrations intact. | Click to Listen |
| JOHNNY YUMA – THE REBEL (Bluegrass) | Country (Bluegrass) | Lively, uptempo Bluegrass version of this 50’s/60’s TV theme. A series about the adventures of young Confederate Army veteran who roams the American West in search of inner peace. 7-member Nashville studio band delivers, pickin’ & grinnin’. | Click to Listen |
| JUST THE WAY IT IS, BABY | Rock/Pop | American Pop Rock duo, the Rembrandts, first hit. With a narrative about a man’s relationship with a woman who does not reciprocate his inherent feelings, regarding their encounter as nothing more than casual, then the tables are turned. | Click to Listen |
| JUST THE WAY IT IS, BABY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore for the American Pop Rock duo, Rembrandts, first hit. With a narrative about a man’s relationship with a woman who does not reciprocate his inherent feelings, regarding their encounter as nothing more than casual. | Click to Listen |
| KASHMIR (Bluegrass) | Country (Bluegrass) | This is the off-the-wall results you can get when you take an ‘outside’ track like Kashmir and convert it into an acoustic Bluegrass rendition. Bizarre, amusing, unique, clever and engaging. Great Dobro work by Opry regular, Tommy White. | Click to Listen |
| LAURA | Standards | ‘Laura’ has become a Jazz Standard, with more than 400 known recordings, from the 1944 American Film Noir. Recorded here in the moody, lush style that features Piano & Vocal with a mix of Horns & Woodwinds. Trombone & Trumpet solos begin at 2:00. | Click to Listen |
| LAURA (Backing Track) | Standards | ‘Laura’ has become a Jazz Standard, with more than 400 known recordings, from the 1944 American ‘Film Noir’. Recorded here in the moody, brooding style that features Piano with a mix of Horns and Woodwinds. Trombone and Trumpet solos begin at 2:00. | Click to Listen |
| LET IT SNOW (Hawaii) | World | Contemporary Hawaiian instrumental Pop arrangement ala Don Ho, complete with indiginous Percussion and Steel, tailored for Hula. Melodies covered by Acoustic Guitar, Clarinet and Lap Steel. Kakahiaka Kalikimaka . . . . Aloha. | Click to Listen |
| LET’S DO IT, LET’S FALL IN LOVE (Backing Track) | Standards | Backing Track or Underscore for the Popular song written in 1928 by Cole Porter. The first of Porter’s famous “list songs”, it features a string of suggestive and droll comparisons and examples, a pioneer pop song to declare openly, “Sex is fun”. | Click to Listen |
| LIFE IS JUST A BOWL OF CHERRIES | Broadway | A popular song published in 1931, used by Fosse in the 1986 Broadway Musical, “Big Deal”. “I can pick the perfect songs that will say the right things”, and again in the choreography extravaganza, “Fosse” in 1999. Jazz Quintet backs lovely Dana Sedgwick. | Click to Listen |
| LIFE IS JUST A BOWL OF CHERRIES (Backing Track) | Broadway | Backing Track or Underscore for the popular song published in 1931, used by Fosse in the 1986 Broadway Musical, “Big Deal”, “I can pick the perfect songs that will say the right things”, and again in the choreography extravaganza, “Fosse” in 1999. | Click to Listen |
| LITTLE BIT, A | Rock/Pop | A mid-tempo Dance-Pop song and the lyrics speak about the protagonist wanting changes in a relationship she is in. This Keyboard and Choir version, (ala Glee), was featured in the High School Musical, ‘Musique’, in 2007. | Click to Listen |
| LITTLE PEOPLE WORK, THE | Cinematic | Ewoks were sentient, diminutive, furry bipeds native to the forest moon of Endor. They were most notable for helping the Rebel Alliance defeat the forces of the Galactic Empire at the Battle of Endor. | Click to Listen |
| LOOKING THROUGH YOUR EYES | Country | Fully orchestrated arrangement for a young Ally Jay, (14 years old) and featuring the Seattle Ballet Orchestra String section. An American Country-Pop song from the 1998 animated film ‘Quest For Camelot’. | Click to Listen |
| LOOKING THROUGH YOUR EYES (Backing Track) | Country | Backing Track or Underscore for the fully orchestrated arrangement, featuring the Seattle Ballet Orchestra String section. An American Country-Pop song from the 1998 animated film ‘Quest For Camelot’. | Click to Listen |
| LOVE AFFAIR | Movie/TV Themes | From the Academy Award nominated disaster drama film, ‘Twister’, comes this Kelsey Lockhart performance written by Marilyn and Alan Bergman, and ‘Fistfull of Dollars’ composer, Ennio Morricone. Seattle Symphony String section fills out this arrangement. | Click to Listen |
| LOVE AFFAIR (Backing Track) | Movie/TV Themes | From the Academy Award nominated disaster drama film, ‘Twister’, comes this Backing Track or Underscore for the Marilyn and Alan Bergman and Ennio Morricone composition. The Seattle Symphony String section fills out this arrangement. | Click to Listen |
| LOVE WILL COME SOMEDAY | Urban/R&B | Beautiful re-arrange of the David Sanborn/Michael Sembello collaboration featuring Tower of Power’s lead Tenor Sax man, Tom Politzer, lead vocal by Perry Danos, 6-piece backup group and Gospel Choir backgrounds. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/BGVs and Sax) | Urban/R&B | Backing Track or Underscore with Gospel Choir Background Vocals for the beautiful re-arrange of David Sanborn/Michael Sembello’s collaboration from 1980, featuring a 6-piece Nashville Studio Group. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group, with Gospel Choir Background Vocals, (No Sax). | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/Sax) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group, with Sax parts and no Background Vocals. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group. | Click to Listen |
| LOVE WILL KEEP US ALIVE (Country Instrumental) | Country | This romantic Eagles love song has been re-arranged as an Instrumental Country Ballad. Lush and full, featuring Electric Guitar melody on the Verses, Fiddle on the Bridges. Rhythm section includes textural Pedal Steel and Hammond B3 Organ. | Click to Listen |
| MAMA CAN’T BUY YOU LOVE (Background Instrumental) | Rock/Pop | Looking for cheesy, grocery aisle, dentist chair Instrumental ‘Muzak’. Here it is. Elton John baked in Woodwinds, Horn Section, Drum Machine, Harp glisses, Kitchen sink, Blue Light Special. Elevator Music. | Click to Listen |
| MAMA WHO BORE ME | Broadway | Broadway’s “Spring Awakening” is a 2007 Tony Award winning Rock Musical adaptation of the controversial 1892 German play of the same title. This track from the Folk-infused score, features Fiddle, Accordion, Acoustic Bass and Female Vocal. | Click to Listen |
| MAMA WHO BORE ME (Backing Track) | Broadway | Backing Track for Broadway’s ‘Spring Awakening’, a 2007 Tony Award winning Rock Musical adaptation of the controversial 1892 German play of the same title. This track from the Folk-infused score, features Fiddle, Accordion, Acoustic Bass and Keys. | Click to Listen |
| MAN I LOVE, THE (Instrumental) | Standards | A popular Standard, originally part of the 1924 score for the Gershwin government satire ‘Lady Be Good’, this song has been around. Billie Holiday, Peggy Lee, Tony Bennett, Diana Ross and many more, including this Contemporary Keyboard version from 1998. | Click to Listen |
| MAN THAT GOT AWAY, THE | Standards | Written for the 1954 version of the film, A Star Is Born, the popular Torch Song’s best known recording was made by Judy Garland. This arrangement, slow and dripping with consternation, features Piano Trio, Tenor Sax & L. A. Vocalist, Marsha Bartenetti. | Click to Listen |
| MAN THAT GOT AWAY, THE (Backing Track) | Standards | Backing Track or Underscore for the 1954 Arlen-Gershwin piece written for the film, ‘A Star Is Born’. The Popular Torch Song’s best known recording was made by Judy Garland. This arrangement features the Nick Manson Trio with Tenor Sax. Very moody. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE | Movie/TV Themes | The 1962 James Stewart/John Wayne film produced this Gene Pitney theme song. Recut in 2006 in Nashville with Perry Danos and the ICE Choir, supported by a host of Nashville’s finest on Fiddle, Pennywhistle, and layers of Guitars. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE, THE (Backing Track w/BGVs) | Movie/TV Themes | Backing Track or Underscore with Background Vocal parts for the 1962 Western film, that produced this Gene Pitney theme song. Recut in 2006 with the ICE Choir on backgrounds, supported by Nashville’s finest including Fiddle, Pennywhistle, and Guitars. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE, THE (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the 1962 James Stewart/John Wayne Western film that produced this Gene Pitney theme song. Recut in 2006 with a host of Nashville’s finest, including Fiddle, Pennywhistle, and layers of Guitars. | Click to Listen |
| MANHA DE CARNIVAL | World | One of the most well known Brazilian melodies of all time, ‘Manha’ helped establish the Bossa Nova movement in the late 50s. This Luiz Bonfa composition is redone by Tower of Power’s Jerry Cortez and Tom Politzer repectively on Nylon Guitar and Flute. | Click to Listen |
| MARY DID YOU KNOW (Ally) | Religious | Mark Lowry wrote the words in 1984 when his pastor asked him to write the program for the living Christmas Tree Choir presentation. In 2006, this delicate Holiday Lullabye features fully acoustic 5-piece group & Gospel Vocal Quartet supporting Ally Jay. | Click to Listen |
| MARY DID YOU KNOW (Backing Track) | Religious | Backing Track or Underscore for this Holiday Lullaby that Mark Lowry and Lee Green wrote the music for in 1992. Originally created when Lowry’s Pastor asked him to write the program for the living Christmas Tree Choir presentation. | Click to Listen |
| MARY DID YOU KNOW (Bluegrass) | Country (Bluegrass) | Mark Lowry wrote the words in 1984 when his pastor asked him to write the program for the living Christmas Tree Choir presentation. In 2006, this delicate Holiday Lullaby features Ally Jay, 5-piece Grassmasters and Vocal Quartet, Margie Cates & Her Boys | Click to Listen |
| MARY DID YOU KNOW (Country) | Country | Mark Lowry wrote the words in 1984 when his pastor asked him to write the program for the living Christmas Tree Choir presentation. In 2006, this delicate Holiday Lullabye features Kelsey Lockhart, 5-piece Grassmasters and Vocal Quartet. | Click to Listen |
| MAVERICK | Country | The theme song for a popular late 1950’s, early 1960’s television show starring James Garner about gamblers and justice in the Wild West. This version is a faithful adaptation of the original theme song. | Click to Listen |
| MAVERICK (Backing Track) | Movie/TV Themes | Backing Track or Underscore to the Theme song for a popular late 1950’s early 1960’s television show about a legendary gambler in the Wild West. This version is a faithful adaptation of the original song featuring full acoustic instrumentation. | Click to Listen |
| MEET ME AT NO SPECIAL PLACE | Jazz (Vocal) | The album “I Don’t Worry ‘Bout a Thing” from Mose Allison yielded this Russell Robinson gem, perfect for Allison’s cynical but amusing observations. This re-arrange puts the Western Swing spin on it adding Fiddle & Pedal Steel to the Jazz Quartet & Vocal | Click to Listen |
| MEET ME AT NO SPECIAL PLACE (Backing Track) | Jazz (Mainstream) | Backing Track or Underscore for the Mose Allison 1966 gem written by Russell Robinson and perfect for Allison’s cynical but amusing observations. This re-arrange puts the Western Swing spin on it adding Fiddle and Pedal Steel to the Jazz Quartet. | Click to Listen |
| MOONDANCE (Background Instrumental) | Rock/Pop | Quite a number of people have recorded ‘Moondance’. Morrison said of its writing, “I played the melody on a Soprano Sax and I knew I had a song”. This ‘Elevated’ Instrumental returns to those original signature elements, including Sax & Walkin’ Bass. | Click to Listen |
| MY FUNNY VALENTINE (Acappella) | Standards | One of the most popular Standards in the book, a show tune from the 1937 Rodgers and Hart Musical, ‘Babes in Arms’, has appeared on over 1300 albums performed by over 600 artists, and counting. This a cappella Jazz arrangement features Vocal Quartet. | Click to Listen |
| NEVER SAW BLUE LIKE THAT BEFORE | Rock/Pop | With new love comes a new way to view the world and everything in it. Romantic ballad features Piano with Keyboard support and female vocal by 17 year old Adrianna Bernal. | Click to Listen |
| NEVER SAW BLUE LIKE THAT BEFORE (Backing Track) | Rock/Pop | Backing Track or Underscore for the romantic Ballad featuring Piano with Keyboard support. With new love comes a new way to view the world and everything in it. | Click to Listen |
| NEVER SAY GOODBYE | Rock/Pop | Lush arrangement for the song of love slipping through one’s fingers. Take a stand before it’s too late. Beautifully sung by Dana Sedgwick with Vocal Group, Sheherazade, a 10-voice Choir. Improvised Violin work throughout. | Click to Listen |
| NEVER SAY GOODBYE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Choral Vocal parts for this lush Hayley Westenra arrangement. Beautifully sung with Vocal Group: Sheherazade, a 10-voice choir. Improvised Violin work throughout. | Click to Listen |
| NEVER SAY GOODBYE (Backing Track) | Rock/Pop | Backing Track or Underscore for this lush Hayley Westenra arrangement, featuring ‘A’ team Nashville studio 6-piece, with improvised Violin work throughout. | Click to Listen |
| NEW DAY | Urban/R&B | Poignant Soul Ballad and love song that lyrically transitions into the troubles of the world. Beautifully arranged by Nashville studio pros, Kevin Madill and Donald Marrow and performed by Larry Braggs of ‘Tower of Power’. | Click to Listen |
| NEW DAY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the poignant Soul Ballad originally made popular by George Benson. Beautifully arranged by Nashville studio pros, Kevin Madill and Donald Marrow, with 36-voice Gospel Choir adding Background Vocal parts. | Click to Listen |
| NEW DAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the poignant Soul Ballad originally made popular by George Benson. Beautifully arranged by Nashville studio pros, Kevin Madill and Donald Marrow. Guitar solo at 2:15. | Click to Listen |
| NEW YORK MINUTE (Country Instrumental) | Country | Everything can change in a New York Minute, so protect your own. They can dissappear in a flash. Brooding Instrumental featuring Guitar, Pedal Steel and Fiddle, Vocal chorus lines, with full String Section and Muted Trumpet break. Desparate and tense. | Click to Listen |
| OH YEAH (Background Instrumental) | Urban/R&B | Bill Withers’ Top 40 AC hit from the mid-eighties converts effortlessly into an Elevator Music / Smooth Jazz Instrumental. The tune that goes from falling in love to wedding plans features Tenor Sax, Electric Guitar and Synth Vibes for leads. | Click to Listen |
| ON A CLEAR DAY (YOU CAN SEE FOREVER) | Standards | Title song from the 1965 Broadway show concerning a woman who has ESP and has been reincarnated. The musical received three Tony Award nominations. This Big Band Swing arrangement features Jazz Vocal Quartet, Commontone. | Click to Listen |
| ONE SUNNY DAY | Blues | Blues-Rock song recorded by Fleetwood Mac in their early years. This version features Tower of Power’s Jerry Cortez on Guitar and Vocals. Recorded in London at Hatchfarms Studios. | Click to Listen |
| ONE SUNNY DAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the Blues-Rock classic recorded by Fleetwood Mac in their early years. This version features Tower of Power’s Jerry Cortez on Guitar. Recorded in London at Hatchfarms Studios. | Click to Listen |
| OUR LOVE IS HERE TO STAY | Standards | Gershwin Brothers 1938 classic is more well known from 1951’s film ‘An American In Paris’. This Standard has been recorded by a massive list of illuminaries from Nat Cole to Eric Clapton. The arrangement here features 27-piece Seattle Symphony Strings. | Click to Listen |
| OUR LOVE IS HERE TO STAY (Backing Track) | Standards | Backing Track or Underscore for the Gershwin Brothers 1938 classic that has been recorded by a massive list of illuminaries from Nat Cole to Eric Clapton. This arrangement features 27-piece Seattle Symphony Strings, Trumpet and Tenor Sax solo at 1:05 | Click to Listen |
| PEACE IN THE VALLEY (Bluegrass) | Religious | Classic Gospel Waltz featuring Bluegrass instrumentation and Vocal Quintet. Originally written for Mahalia jackson in 1937, later covered by Elvis Presley in the fifties. It is among the first Gospel recordings to sell one million copies. | Click to Listen |
| PEACEFUL EASY FEELIN’ (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the mellow-in-the-groove, Instrumental Bluegrass interpretation of the classic seventies mega hit from the Eagles. Featuring Grand Ol’ Opry members Tommy White, Dobro, Andrea Zonn, Fiddle, and Fred Newell, Guitar. | Click to Listen |
| PEACEFUL EASY FEELIN’ (Bluegrass) | Country (Bluegrass) | Mellow in the groove, Instrumental Bluegrass interpretation of the classic seventies mega hit from the Eagles. Featuring Grand Ole Opry members Tommy White, Dobro, Andrea Zonn, Fiddle, Fred Newell, Guitar, and Tammy Rogers, Mandolin. | Click to Listen |
| PEACEFUL EASY FEELIN’ (Kids) | Country | Mellow in the groove, Country Kids Vocal interpretation of the classic seventies mega hit from the Eagles. Featuring ICE, the Island Choral Experience, from the ‘Kids Rock the Coutry’ Series. Grand Ole Opry members add support. | Click to Listen |
| PEOPLE GET READY | Religious | 3 essential members of Tower of Power join forces to deliver the word from Curtis Mayfield. Astonishing re-arrange with contemporary instrumentation. Brilliant Tenor Sax solo from Tom E. Politzer (1:30), and Guitar solo from Jerry Cortez (2:50). | Click to Listen |
| PEOPLE GET READY (Backing Track w/Gospel Choir BGvs) | Religious | 36-voice Chimes of Freedom Singers adds to this Backing Track for Curtis Mayfield’s anthem of faith and belief. Astonishing re-arrange with Gospel Soul and contemporary instrumentation. Brilliant Tenor Sax solo from Tower’s Tom E. Politzer at 1:30. | Click to Listen |
| PEOPLE GET READY (Backing Track) | Religious | Backing Track or Underscore for Curtis Mayfield’s anthem of faith and belief. Astonishing re-arrange with Gospel Soul and contemporary instrumentation. Brilliant Tenor Sax solo from Tower’s Tom E. Politzer at 1:30 and Jerry Cortez’s Guiatr solo at 2:50. | Click to Listen |
| PEOPLE GET READY (Gospel Choir) | Religious | 3 essential members of Tower of Power join forces with 36-voice Chimes of Freedom Singers to deliver the word from Curtis Mayfield. Astonishing re-arrange with Gospel Soul and contemporary instrumentation. Brilliant Tenor Sax solo from Tom E. Politzer. | Click to Listen |
| PEOPLE GET READY (Instrumental) | Religious | 2 essential members of Tower of Power join forces to deliver the Instrumental re-arrange of Curtis Mayfield’s Gospel Standard. Contemporary instrumentation. Brilliant Tenor Sax solo from Tom E. Politzer at 1:30. Interplay with Guitar at 2:45. | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND | Urban/R&B | The Stylistics are a Soul Music Vocal Group that, with the guidance of writer/producer Thom Bell, became synonomous with the ‘Philly Sound’. This contemporary Female Vocal by Connye Florance features Muted Trumpet, Piano, and Tenor Sax, (solo at 3:00). | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND (Background Instrumental) | Urban/R&B | The Stylistics are a Soul Music Vocal Group that, with the guidance of writer/producer Thom Bell, became synonymous with the ‘Philly Sound’. This Background Instrumental version features Alto Flute, Marimba, Piano, Sax and Clarinet. | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND (Backing Track – Alternate) | Urban/R&B | The Stylistics are a Soul music Vocal group that, with the guidance of writer/producer Thom Bell, became synonymous with the ‘Philly Sound’. This Backing Track or Underscore features Alto Flute, Marimba and Piano. | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND (Backing Track) | Urban/R&B | The Stylistics are a Soul music Vocal group that, with the guidance of writer/producer Thom Bell, became synonymous with the ‘Philly Sound’. This Backing Track or Underscore features Fender Rhodes, Muted Trumpet and Piano. | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND (Instrumental) | Jazz (Contemporary) | The Stylistics are a Soul Music Vocal Group that, with the guidance of writer/producer Thom Bell, became synonomous with the ‘Philly Sound’. This Contemporary Instrumental arrangement features Muted Trumpet, Piano, and Tenor Sax, (solo at 3:00). | Click to Listen |
| PIANO IN THE DARK | Rock/Pop | This Grammy Award nominated ‘Song of the Year’ for Singer-songwriter Brenda Russell, became her biggest hit in 1988. Re-cut with teen-ager, Adrianna Bernal and a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PIANO IN THE DARK (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Grammy Award nominated ‘Song of the Year’ from Singer-songwriter Brenda Russell. Faithfully re-cut with a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PIANO IN THE DARK (Backing Track) | Rock/Pop | Backing Track or Underscore for the Grammy Award nominated ‘Song of the Year’ from Singer-songwriter Brenda Russell. Faithfully re-cut with a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| POWER OF LOVE, THE (Background Instrumental) | Rock/Pop | Academy Award nominated Huey Lewis & the News track, (Back To the Future), was their 1st #1 hit on Billboard’s Hot 100. This Elevator Music Instrumental version features Tenor Sax with signature Trumpet stabs. | Click to Listen |
| PRAYER, THE | Rock/Pop | Golden Globe Award winner for Best Original Song in 1999, this Choral version features 5-Octave ranged, Kelsey Lockhart. A meditative and peaceful Lullaby featuring Piano and Nylon Guitar with solo at 2:00. | Click to Listen |
| PRAYER, THE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for Golden Globe Award winner from 1999. This Choral version features Vocal group, Sheherazade. A meditative and peaceful Lullaby with Piano and Nylon Guitar, (solo at 2:00). | Click to Listen |
| PRAYER, THE (Backing Track) | Rock/Pop | Backing Track or Underscore for the ‘Best Original Song’ Golden Globe Award winner from 1999. Meditative and peaceful Lullaby with Piano and Nylon Guitar with solo at 1:40. | Click to Listen |
| PRINCESS LEIA | Cinematic | Princess Leia’s Theme is the musical leitmotif in the Star Wars saga that represents Princess Leia Organa. The Theme’s first appearance is in “A New Hope”. It is first heard when Princess Leia is captured by Darth Vader. | Click to Listen |
| RAMBLE ON (Bluegrass) | Country (Bluegrass) | As the song’s title suggests, this Instrumental Bluegrass re-creation of the late 60s Zeppelin classic, rambles up the Mountain to jam on the front porch. 6-piece ‘Grassmasters’ bring in some signature licks for identification. | Click to Listen |
| RIGHT AS RAIN (Backing Track) | Rock/Pop | Finding solace in the arms of your lover after a long time on the road. This Backing track or Underscore stays close to the original, including the Hammond Leslie Speaker Guitar lines. | Click to Listen |
| SERENADE IN BLUE | Standards | Re-arranged as a 6/8 Blues, this 1942 Harry Warren composition made its first appearance by Glenn Miller in the film, ‘Orchestra Wives”. Piano and Hammond B3 Organ round out the 6-piece group behind Santana vocalist, Tony Lindsay. Solos at 2:10. | Click to Listen |
| SERENADE IN BLUE (Backing Track) | Standards | Underscore re-arranged as a 6/8 Blues, this 1942 Harry Warren composition made its first appearance by Glenn Miller in the film, ‘Orchestra Wives”. Piano and Hammond B3 Organ round out the 6-piece group. Guitar solo at 2:10, Tenor Sax solo at 2:30. | Click to Listen |
| SERENADE IN BLUE (Instrumental) | Movie/TV Themes | Re-arranged as a 6/8 Instrumental Blues, this 1942 Harry Warren composition made its first appearance by Glenn Miller in the film, ‘Orchestra Wives”. Piano and Hammond B3 Organ round out the 6-piece group, featuring Tenor Sax and Electric Guitar. | Click to Listen |
| SHADOW OF YOUR SMILE (Instrumental) | Standards | Also known as the ‘Love Theme from the Sandpiper’, this classic Standard won the Grammy and Academy Award for Best Song in 1965, and has been covered by many artists troughout the years. This Solo Jazz Guitar version floats loosely through the changes. | Click to Listen |
| SHIPBUILDING | Rock/Pop | Left of center, Gospel flavored Elvis Costello track. Lyrically it discusses the contradiction of the Falklands war bringing back prosperity to traditional shipbuilding, whilst sending off their sons to potentially lose their lives in those same ships. | Click to Listen |
| SHIPBUILDING (Backing Track) | Rock/Pop | Backing Track or Underscore for left of center, Gospel flavored Elvis Costello track, featuring Piano, Hammond B3 Organ, and languid Trumpet solos. | Click to Listen |
| SHIPBUILDING (Instrumental) | Rock/Pop | Left of center, Gospel flavored Elvis Costello Instrumental, re-arranged as a Smooth Jazz Ballad featuring Flute, Trumpet, Tenor Sax and Electric Guitar. | Click to Listen |
| SHOTGUN DOWN THE AVALANCHE | Rock/Pop | Co-dependent, unstable, passionate love affair metaphor beautifully written by Shawn Colvin and Producer, John Leventhal. This arrangement leans on the Country Folk influences with Mandolin and Fiddle added to the ensemble backing Amber Nicholson. | Click to Listen |
| SHOTGUN DOWN THE AVALANCHE (Backing Track w/BGVs) | Rock/Pop | Co-dependent, unstable, passionate love affair metaphor beautifully written by Shawn Colvin and Producer, John Leventhal. This Backing Track or Underscore with Background Vocal parts leans on Country-Folk influences with Mandolin and Fiddle added. | Click to Listen |
| SHOTGUN DOWN THE AVALANCHE (Backing Track) | Rock/Pop | Co-dependent, unstable, passionate love affair metaphor beautifully written by Shawn Colvin and Producer, John Leventhal. This Backing Track or Underscore leans on Country-Folk influences with Mandolin and Fiddle added to the ensemble. | Click to Listen |
| SILLY | Urban/R&B | 80’s Philly Soul Ballad of unrequited love and ‘silly’ expectations, sung with tormented passion by Darelle Holden, who spent many years in the Backup Group for Tom Jones. Strings and Fender Rhodes Piano fill out this spacious and subtle arrangement. | Click to Listen |
| SILLY (Backing Track) | Urban/R&B | Backing Track or Underscore for the 80’s Philly Soul Ballad of unrequited love and ‘silly’ expectations. Strings and Fender Rhodes Piano fill out this spacious and subtle arrangement. | Click to Listen |
| SINCE I FELL FOR YOU | Jazz (Vocal) | There are countless recordings beginning in 1945 for this classic Standard. Tower of Power’s front man, Larry Braggs, gives his take supported by a sterling 5-piece Jazz rhythm section including bandmate, Tom E. Politzer on Tenor Sax. | Click to Listen |
| SINCE I FELL FOR YOU (Backing Track) | Standards | There are countless recordings beginning in 1945 for the classic Standard. This Backing Track or Underscore features Tower of Power’s Tenor Sax man cutting fills, (solo at 3:00), around a sterling 4-piece Jazz Rhythm Section. | Click to Listen |
| SMILIN’ (Backing Track) | Country | Backing Track or Underscore for the song from Tim McGraw’s 2001 album, “Set This Circus Down”. This track features layers of Guitars, Hammond B3 Organ and Fiddle with a ‘New Country Rock’ feel. | Click to Listen |
| SOMEONE TO WATCH OVER ME | Broadway | George and Ira Gershwin’s timeless Standard from the 1926 Broadway show, ‘Oh, Kay!”. It has been performed by numerous artists since its debut, and is a key work in the Great American Songbook. 17 year old Dana Sedgwick treats this version with beauty. | Click to Listen |
| SOMEONE TO WATCH OVER ME (Backing Track) | Standards | Backing Track or Underscore for George and Ira Gershwin’s timeless Standard from the 1926 Broadway show, ‘Oh, Kay!”. It has been performed by numerous artists since its debut, and is a key work in the Great American Songbook. | Click to Listen |
| SOMEONE TO WATCH OVER ME (Bartenetti) | Standards | George and Ira Gershwin’s timeless Standard from the 1926 Broadway show, ‘Oh, Kay!”. It has been performed by numerous artists since its debut, and is a key work in the Great American Songbook. L. A. performing artist Marsha Bartenetti sings this one. | Click to Listen |
| SOUL INSPIRATION (Background Instrumental) | Urban/R&B | Lush Instrumental interpretation for Anita Baker’s love song and 2nd single from her platinum debut album. Keyboard heavy in support of Woodwinds and Reeds. | Click to Listen |
| STATION MAN (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for this early Fleetwood Mac Blues, converting nicely into Bluegrass. 6-piece ‘Grassmasters’ features present and former members of the Grand Ol’ Opry, including Fred Newell, Tommy White and Andrea Zonn. | Click to Listen |
| STATION MAN (Bluegrass) | Country (Bluegrass) | Early Fleetwood Mac Blues, converts nicely into this Bluegrass interpretation. 6-piece ‘Grassmasters’ features present and former members of the Grand Ol’ Opry, including Fred Newell, Tommy White and Andrea Zonn. | Click to Listen |
| STATION MAN (Kids) | Country | Early Fleetwood Mac Blues, converts nicely into this vehicle for Teen Girl Group, ICE, ala High School Musical. 6-piece ‘Grassmasters’ featured predominantly in support, with present and former members of the Grand Ole Opry. | Click to Listen |
| STEADY ON | Rock/Pop | Colorful wordsmith relates to finding a way back to earth after a tumultuous relationship dismantles. Lots of Guitars, Fretless Bass and Percussion supports Northwest artist, Ally Jay. | Click to Listen |
| STORM WARNING | Rock/Pop | Early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”, this languid song uses the tossed at sea metaphor to equate lost love and rough waters ahead. Tormented Vocal performance courtesy of Amber Nicholson, supported by a faithful arrangement. | Click to Listen |
| STORM WARNING (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”, this languid song uses the ‘tossed at sea’ metaphor to equate lost love and rough waters ahead. | Click to Listen |
| STORM WARNING (Backing Track) | Rock/Pop | Backing Track or Underscore for the early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”. This languid song uses the ‘tossed at sea’ metaphor to equate lost love and rough waters ahead. | Click to Listen |
| STUCK WITH YOU (Background Instrumental) | Rock/Pop | Number one hit single from the album, “Fore”, by Huey Lewis & the News. This insipid Elevator Music or ‘Muzak’ rendition brings the bubblegum. The arrangement features Tenor Sax, in the fluffiest of tones, with Horn Section on the Choruses. | Click to Listen |
| SUMMERTIME | Movie/TV Themes | An Aria composed by George Gershwin for the 1935 Opera ‘Porgy and Bess’, and has become a popular Jazz Standard, described as “without doubt, one of the finest songs the composer ever wrote”. Jazz Quintet & Kelsey Lockhart provide this 2009 recording. | Click to Listen |
| SUMMERTIME (Backing Track) | Standards | An Aria composed by George Gershwin for the 1935 Opera ‘Porgy and Bess’, and has become a Popular Jazz Standard, described as “without doubt, one of the finest songs the composer ever wrote”. Jazz Quintet provides this 2009 underscore. | Click to Listen |
| SUPERFLY (Instrumental) | Movie/TV Themes | Instrumental Theme song from ‘Superfly”, a crime drama about an African-American cocaine dealer who is trying to quit the underworld drug business. One of the few films ever to have been outgrossed by its Soundtrack. Sax and Electric Guitar feature. | Click to Listen |
| SWEET GEORGIA BROWN (Instrumental) | Standards | A Jazz Standard and Pop tune written in 1925, widely known as the theme song of the Harlem Globetrotters Basketball team and covered many times by artists from Ray Charles to Bing Crosby. This 1998 dueling Guitar duet is reminiscent of Chet Atkins. | Click to Listen |
| TAKE A BOW (Background Instrumental) | Rock/Pop | Tongue-in-cheek distinctly ‘Muzak-ified’ Instrumental re-creation of the 1994 Madonna/Babyface hit. Roll through the grocery isle and you will hear this lilting, placid arrangement in the background. Features Piano, Synth Vibes, Flute and Tenor Sax. | Click to Listen |
| TANGERINE (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 5-piece ‘Grassmasters’ play this early 70s Rock classic. Dobro and Fiddle trade 4s at the Outro beginning around 2:00. | Click to Listen |
| TEDDY BEAR’S PICNIC | Kids | Fun little Children’s song about spying on Teddy Bears while they dance and sing and have their picnic in the woods. Featuring the Concino Children’s Chorus, ages 4 – 12, with Maria Lewis. | Click to Listen |
| THAT’S THE WAY (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ are Opry legends in their own time. Pickin’ and grinnin’. | Click to Listen |
| THERE’S A RUGGED ROAD | Country | Extraordinary composition from the late American Singer-Songwriter, Judee Sill. Influenced by Bach’s metric forms and suites, Sill’s lyrical work drew substantially on Christian themes of rapture and redemption. Nashville A-team supports Amber Nicholson. | Click to Listen |
| THERE’S A RUGGED ROAD (Backing Track w/BGVs) | Country | Backing Track or Underscore for the extraordinary composition from the late American Singer-Songwriter, Judee Sill, influenced by Bach’s metric forms and suites. Nashville “A” team supports Gospel Quartet on Background Vocals. | Click to Listen |
| THERE’S A RUGGED ROAD (Backing Track) | Country | Backing Track or Underscore for the extraordinary composition from the late American Singer-Songwriter, Judee Sill, influenced by Bach’s metric forms and suites. Nashville “A” team of crack studio musicians includes Mandolin, Slide Guitar and Piano. | Click to Listen |
| THIRD RATE ROMANCE | Rock/Pop | The third-person lyrics tell the story of a man and woman who meet at a bar and depart together for what presumably will prove to be a one night stand at a motel. This version features the “Ace”, Barry ‘Byrd’ Burton recreating his signature Guitar licks. | Click to Listen |
| THIRD RATE ROMANCE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the Amazing Rhythm Aces hit from 1975. This version features the “Ace”, Barry ‘Byrd’ Burton recreating his signature Guitar licks. | Click to Listen |
| THIRD RATE ROMANCE (Backing Track) | Rock/Pop | Backing Track or Underscore for the “Amazing Rhythm Aces” hit from 1975. This version features the “Ace”, Barry ‘Byrd’ Burton recreating his signature Guitar licks. | Click to Listen |
| THIS GIRL’S IN LOVE WITH YOU | Rock/Pop | Herb Alpert asked Burt Bacharach, “Say, do you happen to have any old compositions lying around that you and Hal never recorded, maybe one I might use?” Herb’s version reached #1 in Billboard and was subsequently gender reversed by Aretha Franklin. | Click to Listen |
| THIS GIRL’S IN LOVE WITH YOU (Backing Track) | Rock/Pop | Herb Alpert asked Burt Bacharach, “Say, do you happen to have any old compositions lying around that you and Hal never recorded, maybe one I might use?” This Backing Track or Underscore features a contemporary re-arrange of the classic. | Click to Listen |
| THREE LITTLE GIRLS (Bluegrass) | Country (Bluegrass) | Everyone gets a piece of this charming Bluegrass version of Eric Clapton’s ode to his family. Opry legends in their own time, the Grassmasters, nestle into this quaint and precious love song. | Click to Listen |
| TIME AFTER TIME | Rock/Pop | The title inspired by the 1979 Sci-Fi film of the same name, this award winning Cindi Lauper song is re-arranged in a pastoral, ambient, dreamy style. It’s a love song of devotion featuring National Steel, (solo at 2:00), and Finger-style Acoustic. | Click to Listen |
| TIME AFTER TIME (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the award winning Cyndi Lauper song, re-arranged in a pastoral, ambient, dreamy style. It’s a love song of devotion featuring National Steel, (solo at 2:00), and Finger-style Acoustic Guitar. | Click to Listen |
| TIME AFTER TIME (Backing Track) | Rock/Pop | Backing Track or Underscore for the award winning Cyndi Lauper song, re-arranged in a pastoral, ambient, dreamy style. It’s a love song of devotion featuring National Steel, (solo at 2:00), and Finger-style Acoustic. | Click to Listen |
| TIME AFTER TIME (Instrumental) | Rock/Pop | Instrumental Tenor Sax feature for the award winning Cindi Lauper song, re-arranged in a pastoral, ambient, dreamy style. It’s a love song of devotion with National Steel, Finger-style Acoustic and Contemporary Keyboard textures. | Click to Listen |
| TROUBLE MAN | Movie/TV Themes | Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’, re-arranged for Tower of Power’s front man, Larry Braggs. Shuffle Urban Blues with Sax fills, Congas, and Hammond B3 Organ. Woodwinds and Brass on the bridge. Very cool! | Click to Listen |
| TROUBLE MAN (Backing Track) | Movie/TV Themes | Backing Track or Underscore for Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’. Shuffle Urban Blues with Tenor Sax fills, Congas, and Hammond B3 Organ. Woodwinds and Brass on the bridge. Very cool! | Click to Listen |
| TRY TO REMEMBER (Background Instrumental) | Folk | A song from the Musical Comedy ‘The Fantasticks’, has been recorded multiple times over the years, most notably by Harry Belafonte and Gladys Knight. This Instrumental version features Piano and Alto Sax melodies, supported by finger-style Nylon Guitar. | Click to Listen |
| TWIN CITIES (Background Instrumental) | Rock/Pop | Meanering through the Mid-West with ‘Everthing But the Girl’. This ‘Elevated’ Sohisti-Pop Instrumental seems to mix instrumentation as much as the song mixes localities. Horns, Woodwinds, Guitars, Organ and Flute all get their day. | Click to Listen |
| TWO PEOPLE | Urban/R&B | Released as the third single from Tina Turner’s sixth solo album “Break Every Rule” (1986), international hit “Two People” has been given a faithful reproduction by Darelle Holden, supported by Keyboard specialist, Curtis Brengle. | Click to Listen |
| TWO PEOPLE (Backing Track w/BGvs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the single from Tina Turner’s sixth solo album “Break Every Rule” (1986). The international hit has been given a faithful reproduction by Keyboard specialist, Curtis Brengle. | Click to Listen |
| TWO PEOPLE (Backing Track) | Urban/R&B | Backing Track or Underscore for the single from Tina Turner’s sixth solo album “Break Every Rule” (1986). The international hit has been given a faithful reproduction by Keyboard specialist, Curtis Brengle. | Click to Listen |
| VOICES THAT CARE (Backing Track) | Rock/Pop | Backing Track or Underscore for the popular 1991 song intended to boost morale during Desert Storm and support the International Red Cross. Drum Machine with layers of Synths and Strings. | Click to Listen |
| VOICES THAT CARE (Instrumentlal) | Rock/Pop | Muzak-styled Easy Listening ‘Background’ Instrumental rendition of the popular 1991 song intended to boost morale during Desert Storm and support the International Red Cross. Drum Machine and layers of Synths, with Flute, Tenor Sax and Guitar melodies. | Click to Listen |
| WALK MY WAY | Rock/Pop | Lost love, broken heart, moving on, lesson learned. Unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK MY WAY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK MY WAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK ON BY | Urban/R&B | This Bacharach/David collaboration has charted numerous times in various countries, with wildly different arrangements. This soulful rendition features the rich, sultry vocals of Connye Florance, supported by layers of Keys, Percussion and Woodwinds. | Click to Listen |
| WALK ON BY (Backing Track) | Urban/R&B | Backing Track or Underscore for the Bacharach/David collaboration that has charted numerous times in various countries, with wildly different arrangements. This soulful rendition is supported by layers of Keys, Percussion and Woodwinds. | Click to Listen |
| WALKING IN A WINTER WONDERLAND (Hawaii) | World | Combine a classic Christmas Song, Lap Steel, & layers of Guitars and you have this fusion of style and culture. First recorded in 1934 by the Ritz-Carlton Orchestra for Bluegird records. Now It’s been done by Hawaiian group Manawa Pono. A little swing. | Click to Listen |
| WALKING IN A WINTER WONDERLAND (Western Swing) | Country | Popularly treated as a Christmas Standard, written in 1934 and inspired by Honesdale’s Central Park, Pennsylvania, covered in snow. This Instrumental Western Swing arrangement features Pedal Steel, Electric Guitar and Tenor Sax. | Click to Listen |
| WARM AND FUZZY | Kids | 8 year old Tara Lawrence with ICE, the Island Choral Experience, performs this childlike interpretation of the Billy Gilman Christmas tune, backed by a 5-piece Jazz combo. | Click to Listen |
| WE’RE IN THE MONEY (Instrumental) | Jazz (Contemporary) | From the film ‘Gold Diggers’, this popular Standard is given new direction from the Nick Manson Quartet. The straight ahead Jazz arrangement pulls at time from all angles, including the use of a vintage Fender Rhodes Piano. Bass solo at :50. | Click to Listen |
| WHAT’S NEW | Standards | This Triple Platinum 1983 recording by Linda Ronstadt has been arranged for L. A. Voice-over talent, Marsha Bartenetti in 2014. Drawing heavily from Nelson Riddle’s arrangement, it includes Full Orchestrations on Strings, Woodwinds & Brass. | Click to Listen |
| WHAT’S NEW (Backing Track) | Standards | This Backing Track or Underscopre draws heavily from Nelson Riddle’s original arrangement for Linda Ronstadt in 1983 and includes Full Orchestrations on Strings, Woodwinds and Brass. | Click to Listen |
| WHAT’S NEW (Instrumental) | Standards | Backed by the Nelson Riddle Orchestra, this Triple Platinum 1983 recording by Linda Ronstadt has been re-arranged for Tenor Saxophonist, Andy Suzuki. Drawing heavily from Riddle’s arrangement, it includes Full Orchestrations on Strings, Woodwinds & Brass | Click to Listen |
| WHIP APPEAL (Backing Track) | Urban/R&B | “Whip Appeal” peaked at number six on the US Billboard Hot 100 singles chart in April 1990. This Backing Track or Underscore stays true to the original, cut live in Nashville at famed Sony/Tree Studios. | Click to Listen |
| WHITE SUMMER/BLACK MOUNTAIN SIDE (Medley) | Country | An Acoustic Instrumental Guitar Medley combining two of Jimmy Page’s Traditional Guitar pieces into a brilliant performance by Tower of Power’s lead Guitar man, Jerry Cortez. | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) | Country | This Number One Billboard Hot Country Single in 1987 for Restless Heaart gets new legs from Margie Cates and Her Boys, premier Nashville Vocal Quartet, and featuring Stephen Hill. An age-old question, “How can I have my cake and eat it too?” | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for this Number One Billboard Hot Country Single in 1987 from Restless Heart. Vocal Quartet, layers of Acoustic and Electric Guitars fill out this recording from 2011. | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) (Backing Track) | Country | Backcing Track or Underscore for this Number One Billboard Hot Country Single in 1987 from Restless Heart. Layers of Acoustic and Electric Guitars fill out this recording from 2011. An age old question, “How can I have my cake and eat it too?” | Click to Listen |
| WOLF OF VELVET FORTUNE | Rock/Pop | A Psychedelic fantasy about a mythical rescue of a flower maiden trapped in a dark and foreboding forest, delivered to the open meadow. This recreation of the Beau Brummels 1967 composition brings an air of Halloween to the festivities. | Click to Listen |
| WOLF OF VELVET FORTUNE (Backing Track) | Rock/Pop | Backing Track or Underscore for the Beau Brummels’ 1967 Psychedelic fantasy, recreated in the spirit of the era, with an air of Halloween to the dreamy landscape. | Click to Listen |
| YODA’S THEME | Cinematic | A recurring Theme in the Star Wars saga, composed by John Williams and associated with Jedi Master Yoda. It was first played on Dagobah during Star Wars Episode V: The Empire Strikes Back. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW | Urban/R&B | Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with Tower of Power’s Larry Braggs, Vocal Quartet ‘Commontone’, and a 4-piece Rhythm Section with Tenor Sax fills. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with Vocal Quartet ‘Commontone’, 4-piece Rhythm Section and Tenor Sax fills. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW (Backing Track) | Urban/R&B | Backing Track or Underscore for the Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with a 4-piece Rhythm Section and Tenor Sax fills. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW (Commontone) | Urban/R&B | Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with Tower of Power’s Larry Braggs, Vocal Quartet ‘Commontone’, and a 4-piece Rhythm Section with Tenor Sax fills. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW (Instrumental) | Urban/R&B | Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with Tower of Power’s Mic Gillette (Trombone) and Tom Politzer (Tenor Sax) as a sultry romantic retro Instrumental supported by a 4-piece Rhythm Section. | Click to Listen |
| YOU’RE GETTING TO BE A HABIT WITH ME | Standards | A 1930s popular song written by Harry Warren & Al Dubin and featured in the Broadway show & Warner Brothers film “42nd Street”. Apptly performed by Ally Jay backed by Jazz Quartet. Piano and Guitar solos begin at 1:10. | Click to Listen |
| YOU’RE GETTING TO BE A HABIT WITH ME (Backing Track) | Standards | Backing Track or Underscore for the 1930s Popular song written by Harry Warren and Al Dubin, featured in the Broadway show and Warner Brothers film “42nd Street”. Aptly performed by Jazz Quartet. Piano and Guitar solos begin at 1:10. | Click to Listen |
| YOU’RE NOT THE ONLY OYSTER IN THE STEW | Jazz (Vocal) | influential Jazz Pianist, Singer and Comedic Entertainer, Fats Waller, whose innovations to the Harlem Stride style laid the groundwork for Modern Jazz Piano, had this tune in his repertoire. Cut with an acoustic Jazz Quartet and Vocalist, Perry Danos. | Click to Listen |
| YOU’RE NOT THE ONLY OYSTER IN THE STEW (Backing Track) | Jazz (Stride Piano) | influential Jazz Pianist, Singer and Comedic Entertainer, Fats Waller, whose innovations to the Harlem Stride style laid the groundwork for Modern Jazz Piano, had this tune in his repertoire. Old timey style cut with an acoustic Jazz Quartet. | Click to Listen |
