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WARNER TAMERLANE
| Track Title | Genre | Track Description | PlayLink |
| ALL THE MAN THAT I NEED (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALWAYS IN MY HEART (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANOTHER SAD LOVE SONG (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ASTEROID FIELD, THE | Cinematic | Also known as the ‘Anoat Asteroid Belt’, the Hoth Asteroid Field was an extensive, wildly erratic asteroid belt occupying the farthest orbit of the Hoth system, a favored sanctuary for smugglers and pirates alike hoping to elude legal authority. | Click to Listen |
| BABY I’M FOR REAL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BACK HOME | Rock/Pop | British Guitarist, Eric Clapton’s plea for a return to normalcy and his family. Blues with Finger-Style Acoustic feel, Hammond B3 Organ, Horn Section and Percussion. | Click to Listen |
| BACK HOME (Backing Track) | Rock/Pop | Backing Track or Underscore to British Guitarist, Eric Clapton’s plea for a return to normalcy and his family. Blues with finger-style acoustic feel and Hammond B3 Organ, Horn Section and Percussion. | Click to Listen |
| BACK HOME (Bluegrass) | Country (Bluegrass) | Bluegrass rendition of British Guitarist, Eric Clapton’s plea for a return to his family and normalcy. Finger-style acoustic feel, Accordion, Mandolin and Fiddle. Been on the road too long. | Click to Listen |
| BACK HOME (Country – Backing Track) | Country | Backing Track or Underscore to British Guitarist, Eric Clapton’s plea for a return to normalcy and his family. Blues with finger style acoustic feel and Hammond B3 Organ, Horn Section and added Country intrumentalists, Mandolin, Fiddle & Accordion. | Click to Listen |
| BACK HOME (Country) | Country | British Guitarist, Eric Clapton’s plea for a return to normalcy and his family. Blues Vocal with Finger-Style Acoustic feel and Hammond B3 Organ, Horn Section and added Country intrumentalists, Mandolin, Fiddle and Accordion. | Click to Listen |
| BACK STABBERS (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BE HAPPY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BLINDED BY LOVE (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN I CHANGE MY MIND | Urban/R&B | Number 1 late sixties R&B Hit by Tyrone Davis. Memphis swing styled, early hip-hop groove with full Horn Section and signature Guitar riffs. Tower of Power’s lead vocalist, Larry Braggs delivers his soulful rendition backed by 8-piece Horn Band. | Click to Listen |
| CAN I CHANGE MY MIND (Backing Track) | Urban/R&B | Backing Track or Underscore for the late sixties R&B Hit by Tyrone Davis. Memphis Swing styled, early Hip-Hop groove with full Horn Section and signature Guitar riffs. | Click to Listen |
| CAN I CHANGE MY MIND (Elevated Instrumental 1) | Urban/R&B | Elevator Music or Muzak Instrumental Underscore for the late sixties R&B Hit by Tyrone Davis, and revisited in the nineties by Chocolate Genius. Memphis swing styled, early hip-hop groove with Sax and Woodwind melodies and signature Guitar riffs. | Click to Listen |
| CAN I CHANGE MY MIND (Elevated Instrumental 2) | Urban/R&B | Elevator Music or Muzak Instrumental Underscore for the late sixties R&B Hit by Tyrone Davis, and revisited in the nineties by Chocolate Genius. Memphis swing styled, early hip-hop groove with full Horn Section and signature Guitar riffs. | Click to Listen |
| CAN WE TALK (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN’T FIND MY WAY HOME (Elevated Instrumental 1) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN’T FIND MY WAY HOME (Elevated Instrumental 2) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CANTINA BAND | Cinematic | Figrin D’an and the Modal Nodes, (the Cantina Band), were an all-Bith music band, specializing in the fields of Jizz and Jatz, making their first appearance in Star Wars IV: A New Hope. | Click to Listen |
| CARMELITA (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CELEBRATION | Urban/R&B | Penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by ‘Tower of Power’s’ Tenor Sax man, Tom E. Politzer. Vocals provided by Gospel Choir: ‘Chimes of Freedom Singers’. | Click to Listen |
| CELEBRATION (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for the penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by Tower of Power’s Tenor Sax man, Tom E. Politzer. Backgrounds provided by Gospel Choir, ‘Chimes of Freedom Singers’. | Click to Listen |
| CELEBRATION (Backing Track) | Urban/R&B | Backing Track or Underscore for the penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by Tower of Power’s Tenor Sax man, Tom E. Politzer. | Click to Listen |
| CHASE THE CLOUDS AWAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COME ON LET’S GO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DARK EYED CAJUN WOMAN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DARLIN’, DARLIN’ BABY (SWEET, TENDER, LOVE) (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DIDN’T I (BLOW YOUR MIND THIS TIME) | Urban/R&B | Classic 1970 ‘Philly-Soul’ track originally by the Delfonics. Features Tower of Power’s former front man, Larry Braggs, with astonishing range and Vocal gymnastics, full Horn compliment, and 6-piece rhythm section. | Click to Listen |
| DIDN’T I (BLOW YOUR MIND THIS TIME) (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the classic 1970 ‘Philly-Soul’ track originally by the Delfonics. Features Full Horn compliment, and 6-piece Rhythm Section. | Click to Listen |
| DIDN’T I (BLOW YOUR MIND THIS TIME) (Backing Track) | Urban/R&B | Backing Track or Underscore for the classic 1970 ‘Philly-Soul’ track originally by the Delfonics. Featurikng Full Horn compliment, and 6-piece Rhythm Section. | Click to Listen |
| DIDN’T I (BLOW YOUR MIND THIS TIME) (Instrumental) | Jazz (Contemporary) | Instrumental re-arrange for the classic 1970 ‘Philly-Soul’ track originally by the Delfonics. Features Tower of Power’s lead sax man, Tom E Politzer, Full Horn compliment, and 6-piece rhythm section. | Click to Listen |
| DON’T ASK MY NEIGHBOR (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T LEAVE ME THIS WAY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T TRY TO EXPLAIN (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T YOU KNOW WHAT THE NIGHT CAN DO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DROWNING IN YOUR TEARS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EMPTY PAGES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERY CORNER OF THE WORLD (Elevated Instrumental) | Jazz (Contemporary) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERYTIME I CRY | Country | This Top 10 Country song chronicles a woman’s continuing disappointment in her ex-lover who keeps putting her heart into misery over and over again. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click to Listen |
| EVERYTIME I CRY (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click to Listen |
| EVERYTIME I CRY (Backing Track) | Country | Backing Track or Underscore for a top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click to Listen |
| EVERYTIME I CRY (Elevated Instrumental) | Country | Elevator Music Instrumental or Muzak styled Underscore for the top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. | Click to Listen |
| EXPRESSWAY TO YOUR HEART | Rock/Pop | Pacific Northwest Rock/R&B band, and Windham Hill recording group, Kidd Afika, reinterpreted the classic Top 10 Philly Hit by the Soul Survivors. Replete with Sound Effects and motorized syncopated funkyness, this 1967 track reappeared in 1980. | Click to Listen |
| FAIRWEATHER FRIEND | Urban/R&B | Techno Funk Motown song from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds and Tower of Power’s front man, Larry Braggs, ripping a positive message of support. | Click to Listen |
| FAIRWEATHER FRIEND (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the Techno-Funk Motown hit from 1990, originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds and Background Vocal parts. | Click to Listen |
| FAIRWEATHER FRIEND (Backing Track) | Urban/R&B | Backing Track or Underscore for the Techno-Funk Motown hit from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, and Woodwinds. | Click to Listen |
| FAIRWEATHER FRIEND (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Underscore for techno funk Motown song from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds with featured leads on Nylon Guitar, Sax, English Horn and Flute. | Click to Listen |
| FAMILY TREE | Country | Poignant Country Ballad of family affirmation and commitment. Smooth and delicate Vocalist, Kimberly Hope, backed up by Nashville’s Studio ‘A’ Team and Vocal Quartet, Margie Cates and Her Boys. | Click to Listen |
| FAMILY TREE (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the poignant Country Ballad of family affirmation and commitment. Nashville’s Studio ‘A’ Team features Fiddle, Pedal Steel and Guitars, with Vocal Quartet, Margie Cates and Her Boys. | Click to Listen |
| FAMILY TREE (Backing Track) | Country | Backing Track or Underscore for the poignant Country Ballad of family affirmation and commitment. Nashville’s Studio ‘A’ Team features Fiddle, Pedal Steel and Guitars. | Click to Listen |
| FAMILY TREE (Instrumental) | Country | Poignant Country ballad of family affirmation and commitment. James Taylor band member, Andrea Zonn, plays violin & sings the chorus refrains. Grand Ol Opry regular, Tommy White, on Dobro and Pedal Steel. Backed by Nashville’s Studio ‘A’ Team. | Click to Listen |
| FAR FROM HOME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FEARLESS LOVE (Background Instrumental) | Rock/Pop | Falling in love can be a leap of faith, throwing caution to the wind, this Bonnie Raitt song concludes. The same sentiment comes through this Instrumental rearrange as a dreamy, laidback, smooth Blues. Electric Guitar and Tenor Saxes cover melodies. | Click to Listen |
| FEARLESS LOVE (Elevated Instrumental) | Rock/Pop | Falling in love can be a leap of faith, throwing caution to the wind, this Bonnie Raitt song concludes. The same sentiment comes through this Elevator Music Instrumental rearrange as a dreamy, laidback, smooth Blues. | Click to Listen |
| FINER THINGS, THE (Elevated Instrumental 1) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FINER THINGS, THE (Elevated Instrumental 2) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FLINTSTONES THEME (Backing Track) | Movie/TV Themes | The animated, prime-time American television sitcom, The Flintstones, was about a working-class Stone Age man’s life with his family. The popular Theme song is played here as a high speed Bebop Jazz Backing Track or Underscore without melodies. | Click to Listen |
| FLINTSTONES THEME (Cue) | Movie/TV Themes | The animated, prime-time American television sitcom, The Flintstones, was about a working-class Stone Age man’s life with his family. The popular theme song is played here as a high speed bebop 30 second Cue or Transitional Jazz Instrumental. | Click to Listen |
| FLINTSTONES THEME (Instrumental) | Movie/TV Themes | The animated, prime-time American television sitcom, The Flintstones, was about a working-class Stone Age man’s life with his family. The popular theme song is played here as a high speed Bebop Jazz Instrumental featuring Hammond B3 Organ and Tenor Sax. | Click to Listen |
| FOR THE COOL IN YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER MINE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FRENCH WALTZ | Rock/Pop | This is one of those songs that makes you pause to reflect on what the fates bring to love and lifelong commitments. Seattle Ballet Orchestra adds to this arrangement featuring Adrianna Bernal, lyrically slipping effortlessly between French and English. | Click to Listen |
| FRENCH WALTZ (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for this reflective Ballad that inspires one to pause and ponder the fates that bring together love and lifelong commitments. The Seattle Ballet Orchestra Strintg Section adds to this arrangement. | Click to Listen |
| FRENCH WALTZ (Backing Track) | Rock/Pop | Backing Track or Underscore for this reflective Ballad that inspires one to pause and ponder the fates that bring together love and lifelong commitments. The Seattle Ballet Orchestra String section adds to this arrangement. | Click to Listen |
| FRENCH WALTZ (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental for this reflective Ballad that inspires one to pause and ponder the fates that bring together love and lifelong commitments. The Seattle Ballet Orchestra String section adds to this arrangement. | Click to Listen |
| FRENCH WALTZ (Instrumental w/BGVs) | Rock/Pop | Instrumental re-arrange for this reflective Ballad that inspires one to pause and ponder the fates that bring together love and lifelong commitments. Featuring English Horn, Flute, Background Vocals, and the Seattle Ballet Orchestra in this arrangement. | Click to Listen |
| FROM HERE TO ETERNITY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FUN TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GONE TO SOON | Urban/R&B | Ryan White was an American teenager who became a national poster child for HIV/AIDS when expelled from school after contracting the disease from a blood transfusion. Michael Jackson paid tribute to Ryan with this poignant song. | Click to Listen |
| GONE TO SOON (Backing Track) | Urban/R&B | Ryan White was an American teenager who became a national poster child for HIV/AIDS when expelled from school after contracting the disease from a blood transfusion. Michael Jackson paid tribute to Ryan with this poignant song. | Click to Listen |
| GOODBYE | Rock/Pop | Although not greatly popular in the United States, “Goodbye” was critically praised and gained a large following outside the country. This paired down, subtle arrangement leans on the maudlin sentimentality of Foster/Thompson’s composition. | Click to Listen |
| GOODBYE (Backing Track) | Rock/Pop | Backing Track or Underscore for the song, “Goodbye”, that was critically praised and gained a large international following. This paired down, subtle arrangement leans on the maudlin sentimentality of Foster/Thompson’s composition. | Click to Listen |
| HEAVEN DOWN HERE | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track w/BGVs) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| I CAN’T GET OVER YOU (Backing Track) | Country | Backing Track or Underscore of the American Country music duo, Brooks and Dunn’s top ten hit from 1999. Featuring 8-piece Nashville studio ‘A’ team. | Click to Listen |
| I CAN’T GET OVER YOU (Instrumental) | Country | Instrumental Background Cover of the American Country music duo, Brooks and Dunn’s top ten hit from 1999. Featuring 8-piece Nashville studio ‘A’ team, with melodic duties on Fiddle, Guitar and Pedal Steel. | Click to Listen |
| I DON’T NEED NO DOCTOR | Urban/R&B | Doctor, prescription, chills, critical list. All necessary analogies for Ray’s proclamation of desire per hospital metaphors. Nashville ‘A’ team studio surgeons disect this little heartfelt number featuring Vocalist Perry Danos with Rhodes & Hammond B3. | Click to Listen |
| I DON’T NEED NO DOCTOR (Backing Track) | Urban/R&B | Backing Track or Underscore for Ray Charles’ metaphorical hit from the sixites. Nashville ‘A’ team studio surgeons disect this little heartfelt Soul-Blues featuring Rhodes Piano, Electric Guitar and Hammond B3 Organ. I-V anyone? | Click to Listen |
| I NEED YOU | Country | Beautiful Country Ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros and Vocal Quartet, Margie Cates and Her Boys, back Kimberly Hope on Lead. | Click to Listen |
| I NEED YOU (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for this beautiful country ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros and Vocal Quartet perform. | Click to Listen |
| I NEED YOU (Backing Track) | Country | Backing Track or Underscore for this beautiful Country Ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros play with confidence and sensitivity. | Click to Listen |
| IMPERIAL MARCH | Cinematic | Also called “Darth Vader’s Theme,” the “Imperial March” is a recurring Theme of the Star Wars movies, based on the well known Funeral March from Chopin’s Piano Sonata No. 2 in B flat minor and on “Mars, the Bringer of War” by Gustav Holst. | Click to Listen |
| JEDI MASTER REVEALED MYNOCK CAVE | Cinematic | “You will go to the Dagobah system. There you will learn from Yoda, the Jedi Master who instructed me.” ―Obi-Wan Kenobi | Click to Listen |
| JUST THE WAY IT IS, BABY | Rock/Pop | American Pop Rock duo, the Rembrandts, first hit. With a narrative about a man’s relationship with a woman who does not reciprocate his inherent feelings, regarding their encounter as nothing more than casual, then the tables are turned. | Click to Listen |
| LITTLE BIT, A | Rock/Pop | A mid-tempo Dance-Pop song and the lyrics speak about the protagonist wanting changes in a relationship she is in. This Keyboard and Choir version, (ala Glee), was featured in the High School Musical, ‘Musique’, in 2007. | Click to Listen |
| LITTLE PEOPLE WORK, THE | Cinematic | Ewoks were sentient, diminutive, furry bipeds native to the forest moon of Endor. They were most notable for helping the Rebel Alliance defeat the forces of the Galactic Empire at the Battle of Endor. | Click to Listen |
| LOVE WILL KEEP US ALIVE (Country Instrumental) | Country | This romantic Eagles love song has been re-arranged as an Instrumental Country Ballad. Lush and full, featuring Electric Guitar melody on the Verses, Fiddle on the Bridges. Rhythm section includes textural Pedal Steel and Hammond B3 Organ. | Click to Listen |
| MAMA CAN’T BUY YOU LOVE (Background Instrumental) | Rock/Pop | Looking for cheesy, grocery aisle, dentist chair Instrumental ‘Muzak’. Here it is. Elton John baked in Woodwinds, Horn Section, Drum Machine, Harp glisses, Kitchen sink, Blue Light Special. Elevator Music. | Click to Listen |
| MAMA WHO BORE ME | Broadway | Broadway’s “Spring Awakening” is a 2007 Tony Award winning Rock Musical adaptation of the controversial 1892 German play of the same title. This track from the Folk-infused score, features Fiddle, Accordion, Acoustic Bass and Female Vocal. | Click to Listen |
| MAMA WHO BORE ME (Backing Track) | Broadway | Backing Track for Broadway’s ‘Spring Awakening’, a 2007 Tony Award winning Rock Musical adaptation of the controversial 1892 German play of the same title. This track from the Folk-infused score, features Fiddle, Accordion, Acoustic Bass and Keys. | Click to Listen |
| NEW DAY | Urban/R&B | Poignant Soul Ballad and love song that lyrically transitions into the troubles of the world. Beautifully arranged by Nashville studio pros, Kevin Madill and Donald Marrow and performed by Larry Braggs of ‘Tower of Power’. | Click to Listen |
| NEW DAY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the poignant Soul Ballad originally made popular by George Benson. Beautifully arranged by Nashville studio pros, Kevin Madill and Donald Marrow, with 36-voice Gospel Choir adding Background Vocal parts. | Click to Listen |
| NEW DAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the poignant Soul Ballad originally made popular by George Benson. Beautifully arranged by Nashville studio pros, Kevin Madill and Donald Marrow. Guitar solo at 2:15. | Click to Listen |
| PEACE IN THE VALLEY (Bluegrass) | Religious | Classic Gospel Waltz featuring Bluegrass instrumentation and Vocal Quintet. Originally written for Mahalia jackson in 1937, later covered by Elvis Presley in the fifties. It is among the first Gospel recordings to sell one million copies. | Click to Listen |
| PEOPLE GET READY | Religious | 3 essential members of Tower of Power join forces to deliver the word from Curtis Mayfield. Astonishing re-arrange with contemporary instrumentation. Brilliant Tenor Sax solo from Tom E. Politzer (1:30), and Guitar solo from Jerry Cortez (2:50). | Click to Listen |
| PEOPLE GET READY (Backing Track w/Gospel Choir BGvs) | Religious | 36-voice Chimes of Freedom Singers adds to this Backing Track for Curtis Mayfield’s anthem of faith and belief. Astonishing re-arrange with Gospel Soul and contemporary instrumentation. Brilliant Tenor Sax solo from Tower’s Tom E. Politzer at 1:30. | Click to Listen |
| PEOPLE GET READY (Backing Track) | Religious | Backing Track or Underscore for Curtis Mayfield’s anthem of faith and belief. Astonishing re-arrange with Gospel Soul and contemporary instrumentation. Brilliant Tenor Sax solo from Tower’s Tom E. Politzer at 1:30 and Jerry Cortez’s Guiatr solo at 2:50. | Click to Listen |
| PEOPLE GET READY (Gospel Choir) | Religious | 3 essential members of Tower of Power join forces with 36-voice Chimes of Freedom Singers to deliver the word from Curtis Mayfield. Astonishing re-arrange with Gospel Soul and contemporary instrumentation. Brilliant Tenor Sax solo from Tom E. Politzer. | Click to Listen |
| PEOPLE GET READY (Instrumental) | Religious | 2 essential members of Tower of Power join forces to deliver the Instrumental re-arrange of Curtis Mayfield’s Gospel Standard. Contemporary instrumentation. Brilliant Tenor Sax solo from Tom E. Politzer at 1:30. Interplay with Guitar at 2:45. | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND | Urban/R&B | The Stylistics are a Soul Music Vocal Group that, with the guidance of writer/producer Thom Bell, became synonomous with the ‘Philly Sound’. This contemporary Female Vocal by Connye Florance features Muted Trumpet, Piano, and Tenor Sax, (solo at 3:00). | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND (Background Instrumental) | Urban/R&B | The Stylistics are a Soul Music Vocal Group that, with the guidance of writer/producer Thom Bell, became synonymous with the ‘Philly Sound’. This Background Instrumental version features Alto Flute, Marimba, Piano, Sax and Clarinet. | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND (Backing Track – Alternate) | Urban/R&B | The Stylistics are a Soul music Vocal group that, with the guidance of writer/producer Thom Bell, became synonymous with the ‘Philly Sound’. This Backing Track or Underscore features Alto Flute, Marimba and Piano. | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND (Backing Track) | Urban/R&B | The Stylistics are a Soul music Vocal group that, with the guidance of writer/producer Thom Bell, became synonymous with the ‘Philly Sound’. This Backing Track or Underscore features Fender Rhodes, Muted Trumpet and Piano. | Click to Listen |
| PEOPLE MAKE THE WORLD GO ROUND (Instrumental) | Jazz (Contemporary) | The Stylistics are a Soul Music Vocal Group that, with the guidance of writer/producer Thom Bell, became synonomous with the ‘Philly Sound’. This Contemporary Instrumental arrangement features Muted Trumpet, Piano, and Tenor Sax, (solo at 3:00). | Click to Listen |
| PRINCESS LEIA | Cinematic | Princess Leia’s Theme is the musical leitmotif in the Star Wars saga that represents Princess Leia Organa. The Theme’s first appearance is in “A New Hope”. It is first heard when Princess Leia is captured by Darth Vader. | Click to Listen |
| SMILIN’ (Backing Track) | Country | Backing Track or Underscore for the song from Tim McGraw’s 2001 album, “Set This Circus Down”. This track features layers of Guitars, Hammond B3 Organ and Fiddle with a ‘New Country Rock’ feel. | Click to Listen |
| SUPERFLY (Instrumental) | Movie/TV Themes | Instrumental Theme song from ‘Superfly”, a crime drama about an African-American cocaine dealer who is trying to quit the underworld drug business. One of the few films ever to have been outgrossed by its Soundtrack. Sax and Electric Guitar feature. | Click to Listen |
| THERE’S A RUGGED ROAD | Country | Extraordinary composition from the late American Singer-Songwriter, Judee Sill. Influenced by Bach’s metric forms and suites, Sill’s lyrical work drew substantially on Christian themes of rapture and redemption. Nashville A-team supports Amber Nicholson. | Click to Listen |
| THERE’S A RUGGED ROAD (Backing Track w/BGVs) | Country | Backing Track or Underscore for the extraordinary composition from the late American Singer-Songwriter, Judee Sill, influenced by Bach’s metric forms and suites. Nashville “A” team supports Gospel Quartet on Background Vocals. | Click to Listen |
| THERE’S A RUGGED ROAD (Backing Track) | Country | Backing Track or Underscore for the extraordinary composition from the late American Singer-Songwriter, Judee Sill, influenced by Bach’s metric forms and suites. Nashville “A” team of crack studio musicians includes Mandolin, Slide Guitar and Piano. | Click to Listen |
| THREE LITTLE GIRLS (Bluegrass) | Country (Bluegrass) | Everyone gets a piece of this charming Bluegrass version of Eric Clapton’s ode to his family. Opry legends in their own time, the Grassmasters, nestle into this quaint and precious love song. | Click to Listen |
| VOICES THAT CARE (Backing Track) | Rock/Pop | Backing Track or Underscore for the popular 1991 song intended to boost morale during Desert Storm and support the International Red Cross. Drum Machine with layers of Synths and Strings. | Click to Listen |
| VOICES THAT CARE (Instrumentlal) | Rock/Pop | Muzak-styled Easy Listening ‘Background’ Instrumental rendition of the popular 1991 song intended to boost morale during Desert Storm and support the International Red Cross. Drum Machine and layers of Synths, with Flute, Tenor Sax and Guitar melodies. | Click to Listen |
| WARM AND FUZZY | Kids | 8 year old Tara Lawrence with ICE, the Island Choral Experience, performs this childlike interpretation of the Billy Gilman Christmas tune, backed by a 5-piece Jazz combo. | Click to Listen |
| WHIP APPEAL (Backing Track) | Urban/R&B | “Whip Appeal” peaked at number six on the US Billboard Hot 100 singles chart in April 1990. This Backing Track or Underscore stays true to the original, cut live in Nashville at famed Sony/Tree Studios. | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) | Country | This Number One Billboard Hot Country Single in 1987 for Restless Heaart gets new legs from Margie Cates and Her Boys, premier Nashville Vocal Quartet, and featuring Stephen Hill. An age-old question, “How can I have my cake and eat it too?” | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for this Number One Billboard Hot Country Single in 1987 from Restless Heart. Vocal Quartet, layers of Acoustic and Electric Guitars fill out this recording from 2011. | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) (Backing Track) | Country | Backcing Track or Underscore for this Number One Billboard Hot Country Single in 1987 from Restless Heart. Layers of Acoustic and Electric Guitars fill out this recording from 2011. An age old question, “How can I have my cake and eat it too?” | Click to Listen |
| WOLF OF VELVET FORTUNE | Rock/Pop | A Psychedelic fantasy about a mythical rescue of a flower maiden trapped in a dark and foreboding forest, delivered to the open meadow. This recreation of the Beau Brummels 1967 composition brings an air of Halloween to the festivities. | Click to Listen |
| WOLF OF VELVET FORTUNE (Backing Track) | Rock/Pop | Backing Track or Underscore for the Beau Brummels’ 1967 Psychedelic fantasy, recreated in the spirit of the era, with an air of Halloween to the dreamy landscape. | Click to Listen |
| YODA’S THEME | Cinematic | A recurring Theme in the Star Wars saga, composed by John Williams and associated with Jedi Master Yoda. It was first played on Dagobah during Star Wars Episode V: The Empire Strikes Back. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW | Urban/R&B | Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with Tower of Power’s Larry Braggs, Vocal Quartet ‘Commontone’, and a 4-piece Rhythm Section with Tenor Sax fills. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with Vocal Quartet ‘Commontone’, 4-piece Rhythm Section and Tenor Sax fills. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW (Backing Track) | Urban/R&B | Backing Track or Underscore for the Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with a 4-piece Rhythm Section and Tenor Sax fills. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW (Commontone) | Urban/R&B | Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with Tower of Power’s Larry Braggs, Vocal Quartet ‘Commontone’, and a 4-piece Rhythm Section with Tenor Sax fills. | Click to Listen |
| YOU MAKE ME FEEL BRAND NEW (Instrumental) | Urban/R&B | Stylistcs Philly Soul Ballad, a huge hit in 1974, re-created here with Tower of Power’s Mic Gillette (Trombone) and Tom Politzer (Tenor Sax) as a sultry romantic retro Instrumental supported by a 4-piece Rhythm Section. | Click to Listen |
