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W B MUSIC
| Track Title | Genre | Track Description | PlayLink |
| (I WANT TO) THANK YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| (I’VE GOT TO STOP) THINKIN’ ‘BOUT THAT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| (WHO SAYS) YOU CAN’T HAVE IT ALL (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| 8TH AVENUE SHUFFLE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AFFAIR TO REMEMBER, AN (Backing Track) | Standards | Backing Track or Underscore for the sultry cocktail lounge Cary Grant film Theme, featuring Jazz Quartet. | Click to Listen |
| AFFAIR TO REMEMBER, AN (OUR LOVE AFFAIR) | Standards | Sultry cocktail lounge Standard featuring Female Vocal with Jazz Quartet performing the title song from the Cary Grant/Deborah Kerr 1957 romantic film. Considered one of themost romantic films of all time. | Click to Listen |
| AFFAIR TO REMEMBER, AN (Piano Instrumental) | Movie/TV Themes | Theme from the 1957 Cary Grant film of the same name, considered one of the most romantic movies of all time. Jazz Quartet featuring Acoustic Piano, Acoustic Bass, Nylon Guitar, Brushes, and added Strings. | Click to Listen |
| AFFAIR TO REMEMBER, AN (Sax Instrumental) | Movie/TV Themes | Sultry cocktail lounge Standard featuring Tom Politzer on Tenor Sax with Jazz Quartet and Strings performing the title song from the Cary Grant/Deborah Kerr 1957 romantic film. | Click to Listen |
| AGAIN (Backing Track w/Sax Solo) | Standards | Backing Track or Underscore for the cocktail lounge Swing Combo rendition of the 1950s song about a romantic love affair. Featuring Jazz Quartet with Horn Section. Sax solo begins at 1:40. Ballroom Dancing vibe. | Click to Listen |
| AGAIN (Backing Track w/Trombone and Trumpet Solos) | Standards | Backing Track or Underscore for the cocktail lounge Swing Combo rendition of the 1950s song about a romantic love affair. Featuring Quartet with Horn Section. Trombone/Trumpet solos begin at 1:45. Ballroom dancing vibe. | Click to Listen |
| AGAIN (Instrumental) | Jazz (Mainstream) | Cocktail lounge Swing combo rendition of a 1950s romantic love affair. Sax feature by Tower of Power’s lead Sax man, Tom E. Politzer, Jazz Quartet with Horn Section. Trombone/Trumpet trade the solo @ 1:45. Ballroom dancing vibe. | Click to Listen |
| AGAIN (w/Sax Solo) | Standards | Cocktail lounge Swing Combo rendition of a 1950s romantic love song. Featuring Jazz Quartet with Horn Section. Santana Band’s Tony Lindsay on Vocal, Sax solo @ 1:40. Ballroom dance vibe. | Click to Listen |
| AGAIN (w/Trombone and Trumpet Solos) | Standards | Cocktail lounge Swing Combo rendition of a 1950s romantic love affair. Featuring Jazz Qartet with Horn Hection. Santana Band’s Tony Lindsay on Vocal, Trombone & Trumpet solos begin @ 1:40. Ballroom dance vibe. | Click to Listen |
| ALL IS LOST (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL LA GLORY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANGEL OF MERCY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANYONE WHO HAD A HEART | Rock/Pop | International hit for Bacharach-David songwriting team, noted for changing time signature constantly, 4/4 to 5/4, & 7/8 bars at the end turnarounds. This version features Paget Knebel with the Seattle Ballet Orch, rhythm section & signature Sax solo. | Click to Listen |
| ANYONE WHO HAD A HEART (Backing Track) | Rock/Pop | Backing Track or Underscore for the international hit by the Bacharach-David songwriting team, noted for changing time signature constantly, 4/4 to 5/4, and 7/8 bars. This version features the Seattle Ballet Orch., rhythm section and signature Sax solo. | Click to Listen |
| ANYONE WHO HAD A HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANYTHING YOU WANT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| APRIL LOVE (Backing Track w/Piano Solo) | Standards | Backing Track or Underscore for the upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Piano and Guitar solos. | Click to Listen |
| APRIL LOVE (Backing Track w/Sax Solo) | Standards | Backing Track or Underscore for the upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Tenor Sax and Guitar solos. | Click to Listen |
| APRIL LOVE (Instrumental) | Movie/TV Themes | Instrumental for the upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Tower of Power’s Tenor Sax man, Tom E. Politzer. | Click to Listen |
| APRIL LOVE (w/Piano Solo) | Standards | Upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Piano and Guitar solos beginning at :50. Vocal by Tony Lindsay. | Click to Listen |
| APRIL LOVE (w/Sax Solo) | Standards | Upbeat, lighthearted romantic statement from the 1957 Academy Award nominated song. Flowers, kissing, wishing wells, all the good stuff of innocent romance. This arrangement features Tenor Sax and Guitar solos beginning at :50. Vocal by Tony Lindsay. | Click to Listen |
| ARCADIAN DRIFTWOOD (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BATTLE OF EVERMORE (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ are Opry legends in their own time. For this song, Vocal refrains are included. | Click to Listen |
| BEAUTIFUL LOVE (Guitar Instrumental) | Rock/Pop | A popular Jazz Standard from 1931. It appears in films as diverse as 1932s “The Mummy”, and Woody Allen’s “Crimes and Misdemeanors”, and throughout the decades. This 2005 arrangement of dueling Jazz Guitars features Tower of Power’s Jerry Cortez. | Click to Listen |
| BEST THING, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BIT OF EARTH, A | Broadway | ‘The Secret Garden’ is a Musical based on the 1911 novel of the same name about a young orphaned English girl, sent to live with relatives, her personality blossoming as she and a young gardener bring new life to a neglected garden. | Click to Listen |
| BIT OF EARTH, A (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from ‘Secret Garden’, a Musical based on the 1911 novel about a young orphaned English girl, sent to live with relatives, her personality blossoming as she and a young gardener bring new life to a neglected garden. | Click to Listen |
| BLACK WATER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BODY AND SOUL | Jazz (Vocal) | Popular Song and Jazz Standard written in 1930 for the Broadway revue, “Three’s A Crowd”. Over years it has been recorded by, among others, Louis Armstrong, Frank Sinatra, Benny Goodman, Etta James and to this day, is the most recorded Jazz Standard. | Click to Listen |
| BODY AND SOUL (Backing Track) | Jazz (Mainstream) | Backing Track for the Popular song and Jazz Standard written in 1930 for the Broadway revue, “Three’s A Crowd”. Over the years it has been recorded by, among others, Louis Armstrong & Frank Sinatra. To this day it is the most recorded Jazz Standard. | Click to Listen |
| BREAKAWAY | Rock/Pop | Title track from Kelly Clarkson’s 2nd release, and recorded for the Disney film, ‘Princess Diaries 2’. This version was created for the High School Musical, “Musique”, and features a low ley Duet by a pair of teen girls from Washington State. | Click to Listen |
| BRIDGE OF SIGHS | Rock/Pop | Moody and dark piece composed by Carole King’s daughter, Louise Goffin. Features Tower of Power’s Guitarist, Jerry Cortez. Instrumental Guitar feature on the Verses, Vocals on the Choruses. | Click to Listen |
| BRIDGE OF SIGHS (Backing Track w/BGVs) | Rock/Pop | Moody and dark piece composed by Carole King’s daughter, Louise Goffin. Features Tower of Power’s Guitarist, Jerry Cortez, with Background Vocal parts, Piano and Hammond B3 Organ. | Click to Listen |
| BRIDGE OF SIGHS (Backing Track) | Rock/Pop | Backing Track or Underscore for the moody and dark piece composed by Carole King’s daughter, Louise Goffin. Features Tower of Power’s Guitarist, Jerry Cortez on Guitars, with Piano and Hammond B3 Organ. | Click to Listen |
| BROKEN ARROW (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BROKEN WINGS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BRON-YR-AUR (Bluegrass) | Country (Bluegrass) | Welsh for ‘Golden Hill’, an 18th century cottage used by Led Zeppelin members to recouperate and write songs. This Celtic flavored Instrumental lends itself perfectly to the Bluegrass treatment. | Click to Listen |
| CALL ME UP IN DREAMLAND (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN YOU STOP THE RAIN | Urban/R&B | A number-one R&B single by Peabo Bryson, this version features signature instrumentation, including the programmed TR-808 Percussion and DX-7 Keyboard parts. Main Attraction’s Antowaine Richardson provides Vocals, begging, if you please, on bended knees. | Click to Listen |
| CAN YOU STOP THE RAIN (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the number-one R&B single by Peabo Bryson. This version features signature instrumentation, including the programmed TR-808 Percussion and DX-7 Keyboard parts. | Click to Listen |
| CAN YOU STOP THE RAIN (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental Underscore for the number-one R&B single by Peabo Bryson. This version features signature instrumentation, including the programmed TR-808 Percussion and DX-7 Keyboard parts. | Click to Listen |
| CANCUN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CARAMEL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CARAVAN OF LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAUGHT UP IN YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CELEBRATION | Urban/R&B | Penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by ‘Tower of Power’s’ Tenor Sax man, Tom E. Politzer. Vocals provided by Gospel Choir: ‘Chimes of Freedom Singers’. | Click to Listen |
| CELEBRATION (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for the penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by Tower of Power’s Tenor Sax man, Tom E. Politzer. Backgrounds provided by Gospel Choir, ‘Chimes of Freedom Singers’. | Click to Listen |
| CELEBRATION (Backing Track) | Urban/R&B | Backing Track or Underscore for the penultimate #1 party tune, faithfully reproduced with 3-piece Horn Section fronted by Tower of Power’s Tenor Sax man, Tom E. Politzer. | Click to Listen |
| CHASE THE CLOUDS AWAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHATTAHOOCHEE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHERISH (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHRISTMAS MUST BE TONIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COWBOY CASANOVA | Country | “Cowboy Casanova” became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. “We’re not trashing this guy, we’re just warning these other girls about him.” – Underwood. | Click to Listen |
| COWBOY CASANOVA (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for “Cowboy Casanova”, a song that became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. | Click to Listen |
| COWBOY CASANOVA (Backing Track) | Country | Backing Track or Underscore for “Cowboy Casanova”, a song that became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. | Click to Listen |
| DANCING THE NIGHT AWAY | Rock/Pop | From the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”, a nostalgic narrator is reminiscent of happier times when two young lovers danced the night away. Piano, Hammond B3 Organ, and assorted Guitars fill out the arrangement. | Click to Listen |
| DANCING THE NIGHT AWAY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the song from the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”. A nostalgic narrator is reminiscent of happier times when two young lovers danced the night away. | Click to Listen |
| DANCING THE NIGHT AWAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”. Piano, Hammond B3 Organ, and assorted Guitars fill out the arrangement. | Click to Listen |
| DIAMONDS IN THE ROUGH (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DIXIE MOON (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T LET ME BE MISUNDERSTOOD (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T MESS WITH MR. T | Movie/TV Themes | Following his politically charged album, ‘What’s Goin’ On’, Margin Gaye turned his attention to Hollywood, commissioned to create the Soundtrack for ‘Trouble Man’. This Jazz interpretation features Leslie Guitar, Tenor Sax and Harmon Muted Trumpet. | Click to Listen |
| DON’T MESS WITH MR. T (Kidd Afrika) | Jazz (Contemporary) | Fusion Jazz meets Motown, via the ‘Trouble Man’ Soundtrack by Marvin Gaye. Recorded in 1979, from the rare and “Lost Windham Hill” record. Guitar based Kidd Afrika’s re-arrangement veers from laid back to frantic. | Click to Listen |
| DOWN BY THE SEASIDE (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ play this 2-part environmental plea whereby tempo shifts into high gear at 1:40. | Click to Listen |
| DREAM A LITTLE DREAM OF ME | Standards | First recorded in 1931 by Ozzie Nelson, and covered multiple times throught the years, notably Mama Cass and Chicago. This arrangement borrows from the Chicago charts and features 19 year old Dana Sedgwick, Full Horns and R&B Quartet. | Click to Listen |
| DREAM A LITTLE DREAM OF ME (Backing Track) | Standards | Backing Track or Underscore for a contemporary Jazz-Blues rendition of the classic Gus Kahn composition from the thirties. Full Horns with Rhythm Section supported by Acoustic and Electric Pianos. | Click to Listen |
| DREAM A LITTLE DREAM OF ME (Elevated Instrumental) | Standards | Elevator Music or Muzak Instumental Underscore for a contemporary Jazz-Blues rendition of the classic Gus Kahn composition from the thirties. Full Horns and Woodwinds with Rhythm Section supported by Acoustic Piano melodies. | Click to Listen |
| DREAMLOVER (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DROWNING IN YOUR TEARS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| END IS NOT IN SIGHT, THE (Elevated Instrumental) | Rock/Pop | Russell Smith and the Amazing Rhythm Aces had a #12 Country Hit with this tune , covered here in contemporary Elevator Music style by John Morton, combining signature licks with layers of Rhythm Guitars, fills and solo jams. | Click to Listen |
| FALLEN ANGEL (Background Instrumental) | Rock/Pop | Instrumental Background or ‘Elevator Music’ arrangement to Robbie Robertson’s lead track from the 1987 album. “Fallen Angel” was dedicated to Robertson’s former ‘Band’ mate, Richard Manuel. Cut here with Piano & Woodwinds, Sax & progressive Percussion. | Click to Listen |
| FALLIN’ IN LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FEELS LIKE HEAVEN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FLY BY NIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER MORE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER YOUNG (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOUND OUT ABOUT YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET HERE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET IT THROUGH YOUR HEART (Elevated Instrumental) | Jazz (Mainstream) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOIN’ TO CALIFORNIA (Bluegrass – Backing Track) | Country (Bluegrass) | Wonderful how well this song translates into the Bluegrass genre. This Backing Track or Underscore Features 6-piece Grassmasters, and the additional Accordion contribution from Jeff Taylor. | Click to Listen |
| GOIN’ TO CALIFORNIA (Bluegrass) | Country (Bluegrass) | Wonderful how well this song translates into the Bluegrass genre. Featuring Margie Cates and Her Boys in 4-part harmony, backed by 6-piece Grassmasters, and additional contribution from Jeff Taylor on Accordion. | Click to Listen |
| GOOD TIMES, BAD TIMES (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 5-piece ‘Grassmasters’ play this classic Rock lead-off track to Zeppelin’s first album, complete with signature licks. | Click to Listen |
| HATS OFF TO (ROY) HARPER | Blues | This song is a tribute to American Folk Blues singer, Bukka White, who recorded from the 1930s – 1970s. Performed here as a Dobro solo. Standard back porch, whiskey drinking, late night fare. | Click to Listen |
| HEART OF ROCK AND ROLL | Rock/Pop | Top 10 Hit for Huey Lewis in 1984. This re-arrangement slips a little deeper into the R&B side, featuring Tower of Power’s front man, Larry Braggs, with a 4-piece Sax Section. Sax solo at 2:00, Harmonica on the ride out at 3:10. | Click to Listen |
| HEART OF ROCK AND ROLL (Backing Track) | Rock/Pop | Backing Track or Underscore for the Top 10 Hit of Huey Lewis in 1984. This re-arrangement slips a little deeper into the R&B side, with a 4-piece Sax Section. Sax solo at 2:00, Harmonica on the ride out at 3:10. | Click to Listen |
| HOT DOG (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ play this late 70s composition that perfectly suits itself to the Bluegrass genre. | Click to Listen |
| HUMAN NATURE (Background Instrumental) | Urban/R&B | Background Music Instrumental interpretation from Michael Jackson’s early 80s megahit album, ‘Thriller’. This arrangement is intentionally disjointed, sloppy and mixed to sound like it’s broadcast in the parking lot of a 7-11 to discourage loitering. | Click to Listen |
| I DON’T KNOW WHY | Rock/Pop | From Shawn Colvin’s second release through Columbia Records in 1992. A bittersweet Ballad on the complexities of love and the overwhelming depth of the emotional commitment. Seattle Ballet Orchestra adds color to this arrangement. | Click to Listen |
| I DON’T NEED YOU ANYMORE | Rock/Pop | From the 1979 film Soundtrack, ‘Together’, a women is trying to change her life for the better, but everyone in her life is giving her more headache than joy. Jazz Rhapsody Vocalist, Connye Florance, sings with The Seattle Ballet Orchestra String Section | Click to Listen |
| I DON’T NEED YOU ANYMORE (Backing Track) | Rock/Pop | Backing Track or Underscore from the 1979 film Soundtrack, ‘Together’, a women is trying to change her life for the better, but everyone in her life is giving her more headache than joy. Rhodes Piano, Brass, & the Seattle Ballet Orchestra String Section. | Click to Listen |
| I DREAMED A DREAM | Broadway | From the musical, ‘Les Misérables’, a lament sung by the anguished Fantine, who has just been fired from her job at the factory and thrown onto the streets. Los Angelest Jazz Vocalist, Marsha Bartenetti, puts her spin on this classic stage Standard. | Click to Listen |
| I DREAMED A DREAM (Backing Track) | Broadway | Backing Track or Underscore for the song from the Musical, ‘Les Misérables’, a lament sung by the anguished Fantine, who has just been fired from her job at the factory and thrown onto the streets. | Click to Listen |
| I ONLY HAVE EYES FOR YOU | Urban/R&B | A popular romantic love song by composer Harry Warren, written in 1934 for the film. ‘Dames’. Rolling Stone magazine ranked the Flamingos’ version on their list of ‘500 Greatest Songs of All Time’. Santana Vocalist, Tony Lindsay’s version here. | Click to Listen |
| I ONLY HAVE EYES FOR YOU (Instrumental) | Jazz (Mainstream) | This popular love song and Standard has been covered by thousands of musicians, originally appearing in the 1934 film “Dames”. The arrangement here, a classic Jazz Quartet featuring Piano with a Jazz Guitar solo at 2:00. | Click to Listen |
| I SAY A LITTLE PRAYER | Rock/Pop | Intended by lyricist Hal David to convey a woman’s concern for her beau who’s serving in the Vietnam War, this #1 Hit for Dionne Warwick is a confirmation of lifelong love. Kelsey Lockhart’s version leans on Latin influences with a nod to Aretha Franklin | Click to Listen |
| I SAY A LITTLE PRAYER (Backing Track w/BGVs) | Rock/Pop | Intended to convey a woman’s concern for her beau who’s serving in the Vietnam War, the #1 Hit for Dionne Warwick is a confirmation of lifelong love. This Backing Track or Underscore with Background Vocal parts leans on Latin influences. | Click to Listen |
| I SAY A LITTLE PRAYER (Backing Track) | Rock/Pop | Intended by lyricist Hal David to convey a woman’s concern for her beau who’s serving in the Vietnam War, the #1 Hit for Dionne Warwick is a confirmation of lifelong love. This Backing Track or Underscore leans on Latin influences with a nod to Aretha. | Click to Listen |
| I WANNA BE AROUND | Standards | Johnny Mercer’s classic Jazz Vocal track about break up, anticipation and revenge. Piano Trio with Male Vocal and Tenor Sax solo, (:50), Swing, Tony Bennett style. | Click to Listen |
| I WANNA BE AROUND (Backing Track) | Standards | Backing Track or Underscore for Johnny Mercer’s classic Jazz piece about break up, anticipation and revenge. Piano Trio with Tenor Sax solo, (:50), swing Tony Bennett style. | Click to Listen |
| I WISH I KNEW (Instrumental) | Jazz (Latin) | Quintet featuring Tower of Power’s lead Tenor Sax on this Latin Jazz Instrumental and Harry Warren Standard, light hearted and romantic. Guitar solo at 1:00, Vintage Fender Rhodes solo at 1:45. Covered by everyone from Betty Grable to Keith Jarrett. | Click to Listen |
| IF YOU HADN’T, BUT YOU DID | Broadway | From ‘Two On the Aisle’, an evening of comedy routines and splashy musical numbers was developed to showcase the talents of Bert Lahr. Lahr and co-star Dolores Gray didn’t get along, so the show became notorious for their efforts to upstage each other. | Click to Listen |
| I’LL BE GONE (Fiddle Solo – Backing Track) | Country | Backing Track or Underscore forn the classic Rhythm Aces 1976 Shuffle Blues gem, with a taste of Western Swing for good measure. This version features Kentucky Thunder Fiddle ‘Ace’, Andy Leftwich, sharing solos withTommy White on Pedal Steel. | Click to Listen |
| I’LL BE GONE (Fiddle Solo) | Country | “Too Stuffed To Jump”, classic Rhythm Aces 1976 release yeilded this Shuffle Blues gem, with a taste of Western Swing for good measure. This version features Kentucky Thunder Fiddle ‘Ace’, Andy Leftwich with Perry Danos on Vocal duties. | Click to Listen |
| I’LL BE GONE (Guitar Solo – Backing Track) | Rock/Pop | Backing Track or Underscore forn the classic Rhythm Aces 1976 Shuffle Blues gem, with a taste of Western Swing for good measure. This version features Northwest Guitar ‘Ace’, Roger Bark sharing solos with Hall of Famer, Tommy White on Pedal Steel. | Click to Listen |
| I’LL BE GONE (Guitar Solo) | Rock/Pop | “Too Stuffed To Jump”, classic Rhythm Aces 1976 release yeilded this Shuffle Blues gem, with a taste of Western Swing for good measure. This version features Northwest Guitar ‘Ace’, Roger Bark with Perry Danos on Vocal duties. | Click to Listen |
| I’M AN OLD COWHAND (FROM THE RIO GRANDE) | Country | Western swing with a Blusey Vocal, featuring 7-piece Nashville ‘A’ team studio cats. Pedal Steel solo at 1:10. Lyrics: A 20th century cowboy who has little in common with cowpunchers of old. | Click to Listen |
| I’M AN OLD COWHAND (FROM THE RIO GRANDE) (Backing Track w/BGVs) | Standards | Backing Track or Underscore with Background Vocal parts for the Western Swing Standard featuring 7-piece Nashville ‘A’ team studio cats. Pedal Steel solo at 1:10. | Click to Listen |
| I’M AN OLD COWHAND (FROM THE RIO GRANDE) (Backing Track) | Standards | Backing Track or Underscore for the Western Swing Standard featuring 7-piece Nashville ‘A’ team studio cats. Pedal Steel solo at 1:10. | Click to Listen |
| I’M IN A PHILLY MOOD (Backing Track) | Rock/Pop | There’s a lot of stuff in this Backing Track or Underscore of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click to Listen |
| I’M IN A PHILLY MOOD (Instrumental) | Rock/Pop | There’s a lot of stuff in this Instrumental rendition of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click to Listen |
| IMMIGRANT SONG (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ play this early 70s composition ala ‘Orange Blossom Special’, pickin’ and grinnin’. | Click to Listen |
| IS IT LOVE (Background Instrumental) | Rock/Pop | Top 10 hit for ‘Mr. Mister’, and chosen for the closing credits of the blockbuster film, ‘Stakeout’. This Techno, Progressive and Synth oriented Rock Instrumental version drifts precariously into the realm of Elevator Music. | Click to Listen |
| JUST THE WAY IT IS, BABY | Rock/Pop | American Pop Rock duo, the Rembrandts, first hit. With a narrative about a man’s relationship with a woman who does not reciprocate his inherent feelings, regarding their encounter as nothing more than casual, then the tables are turned. | Click to Listen |
| JUST THE WAY IT IS, BABY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore for the American Pop Rock duo, Rembrandts, first hit. With a narrative about a man’s relationship with a woman who does not reciprocate his inherent feelings, regarding their encounter as nothing more than casual. | Click to Listen |
| KASHMIR (Bluegrass) | Country (Bluegrass) | This is the off-the-wall results you can get when you take an ‘outside’ track like Kashmir and convert it into an acoustic Bluegrass rendition. Bizarre, amusing, unique, clever and engaging. Great Dobro work by Opry regular, Tommy White. | Click to Listen |
| LAURA | Standards | ‘Laura’ has become a Jazz Standard, with more than 400 known recordings, from the 1944 American Film Noir. Recorded here in the moody, lush style that features Piano & Vocal with a mix of Horns & Woodwinds. Trombone & Trumpet solos begin at 2:00. | Click to Listen |
| LAURA (Backing Track) | Standards | ‘Laura’ has become a Jazz Standard, with more than 400 known recordings, from the 1944 American ‘Film Noir’. Recorded here in the moody, brooding style that features Piano with a mix of Horns and Woodwinds. Trombone and Trumpet solos begin at 2:00. | Click to Listen |
| LOVE WILL COME SOMEDAY | Urban/R&B | Beautiful re-arrange of the David Sanborn/Michael Sembello collaboration featuring Tower of Power’s lead Tenor Sax man, Tom Politzer, lead vocal by Perry Danos, 6-piece backup group and Gospel Choir backgrounds. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/BGVs and Sax) | Urban/R&B | Backing Track or Underscore with Gospel Choir Background Vocals for the beautiful re-arrange of David Sanborn/Michael Sembello’s collaboration from 1980, featuring a 6-piece Nashville Studio Group. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group, with Gospel Choir Background Vocals, (No Sax). | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/Sax) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group, with Sax parts and no Background Vocals. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE | Movie/TV Themes | The 1962 James Stewart/John Wayne film produced this Gene Pitney theme song. Recut in 2006 in Nashville with Perry Danos and the ICE Choir, supported by a host of Nashville’s finest on Fiddle, Pennywhistle, and layers of Guitars. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE, THE (Backing Track w/BGVs) | Movie/TV Themes | Backing Track or Underscore with Background Vocal parts for the 1962 Western film, that produced this Gene Pitney theme song. Recut in 2006 with the ICE Choir on backgrounds, supported by Nashville’s finest including Fiddle, Pennywhistle, and Guitars. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE, THE (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the 1962 James Stewart/John Wayne Western film that produced this Gene Pitney theme song. Recut in 2006 with a host of Nashville’s finest, including Fiddle, Pennywhistle, and layers of Guitars. | Click to Listen |
| MEET ME AT NO SPECIAL PLACE | Jazz (Vocal) | The album “I Don’t Worry ‘Bout a Thing” from Mose Allison yielded this Russell Robinson gem, perfect for Allison’s cynical but amusing observations. This re-arrange puts the Western Swing spin on it adding Fiddle & Pedal Steel to the Jazz Quartet & Vocal | Click to Listen |
| MEET ME AT NO SPECIAL PLACE (Backing Track) | Jazz (Mainstream) | Backing Track or Underscore for the Mose Allison 1966 gem written by Russell Robinson and perfect for Allison’s cynical but amusing observations. This re-arrange puts the Western Swing spin on it adding Fiddle and Pedal Steel to the Jazz Quartet. | Click to Listen |
| NEVER SAW BLUE LIKE THAT BEFORE | Rock/Pop | With new love comes a new way to view the world and everything in it. Romantic ballad features Piano with Keyboard support and female vocal by 17 year old Adrianna Bernal. | Click to Listen |
| NEVER SAW BLUE LIKE THAT BEFORE (Backing Track) | Rock/Pop | Backing Track or Underscore for the romantic Ballad featuring Piano with Keyboard support. With new love comes a new way to view the world and everything in it. | Click to Listen |
| NEW YORK MINUTE (Country Instrumental) | Country | Everything can change in a New York Minute, so protect your own. They can dissappear in a flash. Brooding Instrumental featuring Guitar, Pedal Steel and Fiddle, Vocal chorus lines, with full String Section and Muted Trumpet break. Desparate and tense. | Click to Listen |
| OH YEAH (Background Instrumental) | Urban/R&B | Bill Withers’ Top 40 AC hit from the mid-eighties converts effortlessly into an Elevator Music / Smooth Jazz Instrumental. The tune that goes from falling in love to wedding plans features Tenor Sax, Electric Guitar and Synth Vibes for leads. | Click to Listen |
| OUR LOVE IS HERE TO STAY | Standards | Gershwin Brothers 1938 classic is more well known from 1951’s film ‘An American In Paris’. This Standard has been recorded by a massive list of illuminaries from Nat Cole to Eric Clapton. The arrangement here features 27-piece Seattle Symphony Strings. | Click to Listen |
| OUR LOVE IS HERE TO STAY (Backing Track) | Standards | Backing Track or Underscore for the Gershwin Brothers 1938 classic that has been recorded by a massive list of illuminaries from Nat Cole to Eric Clapton. This arrangement features 27-piece Seattle Symphony Strings, Trumpet and Tenor Sax solo at 1:05 | Click to Listen |
| PEACEFUL EASY FEELIN’ (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the mellow-in-the-groove, Instrumental Bluegrass interpretation of the classic seventies mega hit from the Eagles. Featuring Grand Ol’ Opry members Tommy White, Dobro, Andrea Zonn, Fiddle, and Fred Newell, Guitar. | Click to Listen |
| PEACEFUL EASY FEELIN’ (Bluegrass) | Country (Bluegrass) | Mellow in the groove, Instrumental Bluegrass interpretation of the classic seventies mega hit from the Eagles. Featuring Grand Ole Opry members Tommy White, Dobro, Andrea Zonn, Fiddle, Fred Newell, Guitar, and Tammy Rogers, Mandolin. | Click to Listen |
| PEACEFUL EASY FEELIN’ (Kids) | Country | Mellow in the groove, Country Kids Vocal interpretation of the classic seventies mega hit from the Eagles. Featuring ICE, the Island Choral Experience, from the ‘Kids Rock the Coutry’ Series. Grand Ole Opry members add support. | Click to Listen |
| PIANO IN THE DARK | Rock/Pop | This Grammy Award nominated ‘Song of the Year’ for Singer-songwriter Brenda Russell, became her biggest hit in 1988. Re-cut with teen-ager, Adrianna Bernal and a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PIANO IN THE DARK (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Grammy Award nominated ‘Song of the Year’ from Singer-songwriter Brenda Russell. Faithfully re-cut with a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PIANO IN THE DARK (Backing Track) | Rock/Pop | Backing Track or Underscore for the Grammy Award nominated ‘Song of the Year’ from Singer-songwriter Brenda Russell. Faithfully re-cut with a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| POWER OF LOVE, THE (Background Instrumental) | Rock/Pop | Academy Award nominated Huey Lewis & the News track, (Back To the Future), was their 1st #1 hit on Billboard’s Hot 100. This Elevator Music Instrumental version features Tenor Sax with signature Trumpet stabs. | Click to Listen |
| RAMBLE ON (Bluegrass) | Country (Bluegrass) | As the song’s title suggests, this Instrumental Bluegrass re-creation of the late 60s Zeppelin classic, rambles up the Mountain to jam on the front porch. 6-piece ‘Grassmasters’ bring in some signature licks for identification. | Click to Listen |
| RIGHT AS RAIN (Backing Track) | Rock/Pop | Finding solace in the arms of your lover after a long time on the road. This Backing track or Underscore stays close to the original, including the Hammond Leslie Speaker Guitar lines. | Click to Listen |
| SERENADE IN BLUE | Standards | Re-arranged as a 6/8 Blues, this 1942 Harry Warren composition made its first appearance by Glenn Miller in the film, ‘Orchestra Wives”. Piano and Hammond B3 Organ round out the 6-piece group behind Santana vocalist, Tony Lindsay. Solos at 2:10. | Click to Listen |
| SERENADE IN BLUE (Backing Track) | Standards | Underscore re-arranged as a 6/8 Blues, this 1942 Harry Warren composition made its first appearance by Glenn Miller in the film, ‘Orchestra Wives”. Piano and Hammond B3 Organ round out the 6-piece group. Guitar solo at 2:10, Tenor Sax solo at 2:30. | Click to Listen |
| SERENADE IN BLUE (Instrumental) | Movie/TV Themes | Re-arranged as a 6/8 Instrumental Blues, this 1942 Harry Warren composition made its first appearance by Glenn Miller in the film, ‘Orchestra Wives”. Piano and Hammond B3 Organ round out the 6-piece group, featuring Tenor Sax and Electric Guitar. | Click to Listen |
| SHADOW OF YOUR SMILE (Instrumental) | Standards | Also known as the ‘Love Theme from the Sandpiper’, this classic Standard won the Grammy and Academy Award for Best Song in 1965, and has been covered by many artists troughout the years. This Solo Jazz Guitar version floats loosely through the changes. | Click to Listen |
| SHIPBUILDING | Rock/Pop | Left of center, Gospel flavored Elvis Costello track. Lyrically it discusses the contradiction of the Falklands war bringing back prosperity to traditional shipbuilding, whilst sending off their sons to potentially lose their lives in those same ships. | Click to Listen |
| SHIPBUILDING (Backing Track) | Rock/Pop | Backing Track or Underscore for left of center, Gospel flavored Elvis Costello track, featuring Piano, Hammond B3 Organ, and languid Trumpet solos. | Click to Listen |
| SHIPBUILDING (Instrumental) | Rock/Pop | Left of center, Gospel flavored Elvis Costello Instrumental, re-arranged as a Smooth Jazz Ballad featuring Flute, Trumpet, Tenor Sax and Electric Guitar. | Click to Listen |
| SHOTGUN DOWN THE AVALANCHE | Rock/Pop | Co-dependent, unstable, passionate love affair metaphor beautifully written by Shawn Colvin and Producer, John Leventhal. This arrangement leans on the Country Folk influences with Mandolin and Fiddle added to the ensemble backing Amber Nicholson. | Click to Listen |
| SOMEONE TO WATCH OVER ME | Broadway | George and Ira Gershwin’s timeless Standard from the 1926 Broadway show, ‘Oh, Kay!”. It has been performed by numerous artists since its debut, and is a key work in the Great American Songbook. 17 year old Dana Sedgwick treats this version with beauty. | Click to Listen |
| SOMEONE TO WATCH OVER ME (Backing Track) | Standards | Backing Track or Underscore for George and Ira Gershwin’s timeless Standard from the 1926 Broadway show, ‘Oh, Kay!”. It has been performed by numerous artists since its debut, and is a key work in the Great American Songbook. | Click to Listen |
| SOMEONE TO WATCH OVER ME (Bartenetti) | Standards | George and Ira Gershwin’s timeless Standard from the 1926 Broadway show, ‘Oh, Kay!”. It has been performed by numerous artists since its debut, and is a key work in the Great American Songbook. L. A. performing artist Marsha Bartenetti sings this one. | Click to Listen |
| SOUL INSPIRATION (Background Instrumental) | Urban/R&B | Lush Instrumental interpretation for Anita Baker’s love song and 2nd single from her platinum debut album. Keyboard heavy in support of Woodwinds and Reeds. | Click to Listen |
| STORM WARNING | Rock/Pop | Early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”, this languid song uses the tossed at sea metaphor to equate lost love and rough waters ahead. Tormented Vocal performance courtesy of Amber Nicholson, supported by a faithful arrangement. | Click to Listen |
| STORM WARNING (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”, this languid song uses the ‘tossed at sea’ metaphor to equate lost love and rough waters ahead. | Click to Listen |
| STORM WARNING (Backing Track) | Rock/Pop | Backing Track or Underscore for the early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”. This languid song uses the ‘tossed at sea’ metaphor to equate lost love and rough waters ahead. | Click to Listen |
| SUMMERTIME | Movie/TV Themes | An Aria composed by George Gershwin for the 1935 Opera ‘Porgy and Bess’, and has become a popular Jazz Standard, described as “without doubt, one of the finest songs the composer ever wrote”. Jazz Quintet & Kelsey Lockhart provide this 2009 recording. | Click to Listen |
| SUMMERTIME (Backing Track) | Standards | An Aria composed by George Gershwin for the 1935 Opera ‘Porgy and Bess’, and has become a Popular Jazz Standard, described as “without doubt, one of the finest songs the composer ever wrote”. Jazz Quintet provides this 2009 underscore. | Click to Listen |
| TAKE A BOW (Background Instrumental) | Rock/Pop | Tongue-in-cheek distinctly ‘Muzak-ified’ Instrumental re-creation of the 1994 Madonna/Babyface hit. Roll through the grocery isle and you will hear this lilting, placid arrangement in the background. Features Piano, Synth Vibes, Flute and Tenor Sax. | Click to Listen |
| TANGERINE (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 5-piece ‘Grassmasters’ play this early 70s Rock classic. Dobro and Fiddle trade 4s at the Outro beginning around 2:00. | Click to Listen |
| THAT’S THE WAY (Bluegrass) | Country (Bluegrass) | Bluegrass Led Zeppelin, reinterpreted, re-arranged and played in the fleet fingered spirit of Traditional Acoustic Mountain Music. 6-piece ‘Grassmasters’ are Opry legends in their own time. Pickin’ and grinnin’. | Click to Listen |
| THIRD RATE ROMANCE | Rock/Pop | The third-person lyrics tell the story of a man and woman who meet at a bar and depart together for what presumably will prove to be a one night stand at a motel. This version features the “Ace”, Barry ‘Byrd’ Burton recreating his signature Guitar licks. | Click to Listen |
| THIRD RATE ROMANCE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the Amazing Rhythm Aces hit from 1975. This version features the “Ace”, Barry ‘Byrd’ Burton recreating his signature Guitar licks. | Click to Listen |
| THIRD RATE ROMANCE (Backing Track) | Rock/Pop | Backing Track or Underscore for the “Amazing Rhythm Aces” hit from 1975. This version features the “Ace”, Barry ‘Byrd’ Burton recreating his signature Guitar licks. | Click to Listen |
| THIS GIRL’S IN LOVE WITH YOU | Rock/Pop | Herb Alpert asked Burt Bacharach, “Say, do you happen to have any old compositions lying around that you and Hal never recorded, maybe one I might use?” Herb’s version reached #1 in Billboard and was subsequently gender reversed by Aretha Franklin. | Click to Listen |
| THIS GIRL’S IN LOVE WITH YOU (Backing Track) | Rock/Pop | Herb Alpert asked Burt Bacharach, “Say, do you happen to have any old compositions lying around that you and Hal never recorded, maybe one I might use?” This Backing Track or Underscore features a contemporary re-arrange of the classic. | Click to Listen |
| TIME AFTER TIME | Rock/Pop | The title inspired by the 1979 Sci-Fi film of the same name, this award winning Cindi Lauper song is re-arranged in a pastoral, ambient, dreamy style. It’s a love song of devotion featuring National Steel, (solo at 2:00), and Finger-style Acoustic. | Click to Listen |
| TIME AFTER TIME (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the award winning Cyndi Lauper song, re-arranged in a pastoral, ambient, dreamy style. It’s a love song of devotion featuring National Steel, (solo at 2:00), and Finger-style Acoustic Guitar. | Click to Listen |
| TIME AFTER TIME (Backing Track) | Rock/Pop | Backing Track or Underscore for the award winning Cyndi Lauper song, re-arranged in a pastoral, ambient, dreamy style. It’s a love song of devotion featuring National Steel, (solo at 2:00), and Finger-style Acoustic. | Click to Listen |
| TIME AFTER TIME (Instrumental) | Rock/Pop | Instrumental Tenor Sax feature for the award winning Cindi Lauper song, re-arranged in a pastoral, ambient, dreamy style. It’s a love song of devotion with National Steel, Finger-style Acoustic and Contemporary Keyboard textures. | Click to Listen |
| TROUBLE MAN | Movie/TV Themes | Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’, re-arranged for Tower of Power’s front man, Larry Braggs. Shuffle Urban Blues with Sax fills, Congas, and Hammond B3 Organ. Woodwinds and Brass on the bridge. Very cool! | Click to Listen |
| TROUBLE MAN (Backing Track) | Movie/TV Themes | Backing Track or Underscore for Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’. Shuffle Urban Blues with Tenor Sax fills, Congas, and Hammond B3 Organ. Woodwinds and Brass on the bridge. Very cool! | Click to Listen |
| TWO PEOPLE | Urban/R&B | Released as the third single from Tina Turner’s sixth solo album “Break Every Rule” (1986), international hit “Two People” has been given a faithful reproduction by Darelle Holden, supported by Keyboard specialist, Curtis Brengle. | Click to Listen |
| TWO PEOPLE (Backing Track w/BGvs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the single from Tina Turner’s sixth solo album “Break Every Rule” (1986). The international hit has been given a faithful reproduction by Keyboard specialist, Curtis Brengle. | Click to Listen |
| TWO PEOPLE (Backing Track) | Urban/R&B | Backing Track or Underscore for the single from Tina Turner’s sixth solo album “Break Every Rule” (1986). The international hit has been given a faithful reproduction by Keyboard specialist, Curtis Brengle. | Click to Listen |
| WALK MY WAY | Rock/Pop | Lost love, broken heart, moving on, lesson learned. Unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK MY WAY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK MY WAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK ON BY | Urban/R&B | This Bacharach/David collaboration has charted numerous times in various countries, with wildly different arrangements. This soulful rendition features the rich, sultry vocals of Connye Florance, supported by layers of Keys, Percussion and Woodwinds. | Click to Listen |
| WALK ON BY (Backing Track) | Urban/R&B | Backing Track or Underscore for the Bacharach/David collaboration that has charted numerous times in various countries, with wildly different arrangements. This soulful rendition is supported by layers of Keys, Percussion and Woodwinds. | Click to Listen |
| WALKING IN A WINTER WONDERLAND (Hawaii) | World | Combine a classic Christmas Song, Lap Steel, & layers of Guitars and you have this fusion of style and culture. First recorded in 1934 by the Ritz-Carlton Orchestra for Bluegird records. Now It’s been done by Hawaiian group Manawa Pono. A little swing. | Click to Listen |
| WALKING IN A WINTER WONDERLAND (Western Swing) | Country | Popularly treated as a Christmas Standard, written in 1934 and inspired by Honesdale’s Central Park, Pennsylvania, covered in snow. This Instrumental Western Swing arrangement features Pedal Steel, Electric Guitar and Tenor Sax. | Click to Listen |
| WHITE SUMMER/BLACK MOUNTAIN SIDE (Medley) | Country | An Acoustic Instrumental Guitar Medley combining two of Jimmy Page’s Traditional Guitar pieces into a brilliant performance by Tower of Power’s lead Guitar man, Jerry Cortez. | Click to Listen |
| YOU’RE NOT THE ONLY OYSTER IN THE STEW | Jazz (Vocal) | influential Jazz Pianist, Singer and Comedic Entertainer, Fats Waller, whose innovations to the Harlem Stride style laid the groundwork for Modern Jazz Piano, had this tune in his repertoire. Cut with an acoustic Jazz Quartet and Vocalist, Perry Danos. | Click to Listen |
| YOU’RE NOT THE ONLY OYSTER IN THE STEW (Backing Track) | Jazz (Stride Piano) | influential Jazz Pianist, Singer and Comedic Entertainer, Fats Waller, whose innovations to the Harlem Stride style laid the groundwork for Modern Jazz Piano, had this tune in his repertoire. Old timey style cut with an acoustic Jazz Quartet. | Click to Listen |
