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UNIVERSAL
| Track Title | Genre | Track Description | PlayLink |
| (I WANT TO) THANK YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| 50 WAYS TO LEAVE YOUR LOVER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| 59TH STREET BRIDGE SONG (FEELING GROOVY) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| 634-5789 (SOULSVILLE, USA) | Urban/R&B | A classic Memphis Soul track written by Cropper and Floyd. The song was first recorded by Soul legend, Wilson Pickett, in 1966 on Atlantic Records. and the single reached #1 on the Black Singles chart. Featuring Tower of Power’s front man, Larry Braggs. | Click To Listen |
| 634-5789 (SOULSVILLE, USA) (Backing Track w/BGVs) | Urban/R&B | Backing Track or Undeerscore with the Background Vocal refrain. The classic Urban song was first recorded by soul legend, Wilson Pickett, for Atlantic Records. The song reached #1 on the Black Singles chart in 1966. | Click To Listen |
| 634-5789 (SOULSVILLE, USA) (Backing Track) | Urban/R&B | A classic R&B track. The song was first recorded by Soul legend, Wilson Pickett, in 1966 on Atlantic Records. and the single reached #1 on the “Black Singles” chart. Featuring ‘Tower of Power’ front man, Larry Braggs. | Click To Listen |
| A FINE MESS | Movie/TV Themes | From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations. It has been given a contemporary treatment while maintaining its original Funky charm, including full Horn Section. | Click To Listen |
| A FINE MESS (Backing Track w/BGVs) | Movie/TV Themes | Backing Track or Underscore with Backgroud Vocal parts for the Motown produced Theme from the buddy comedy of the same name. It has been given a contemporary treatment while maintaining its original Funky charm,. | Click To Listen |
| A FINE MESS (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the Motown produced Theme from the buddy comedy of the same name. It has been given a contemporary treatment while maintaining its original Funky charm,. | Click To Listen |
| A FINE MESS (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| A FINE MESS (Instrumental w/BGVs) | Movie/TV Themes | From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations. It has been given a contemporary Instrumental treatment while maintaining its original Funky charm, including Background Vocal ensemble and Horns. | Click To Listen |
| A FINE MESS (Instrumental) | Movie/TV Themes | From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations. It has been given a contemporary Instrumental treatment while maintaining its original Funky charm, including full Horn Section. | Click To Listen |
| A FOOL SUCH AS I (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| A LITTLE MORE LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| A SONG FOR YOU | Urban/R&B | Becoming an American standard with it’s identifiable signature Piano intro, Leon Russell’s romantic Ballad has been covered by the likes of Donny Hathaway and Ray Charles. This version is Tower of Power’s front man, Larry Braggs with full Orchestration. | Click To Listen |
| A SONG FOR YOU (Backing Track) | Urban/R&B | Backing Track or Underscore for the contemporary American Standard with it’s identifiable signature Piano intro, Leon Russell’s romantic Ballad has been covered by the likes of Donny Hathaway and Ray Charles. | Click To Listen |
| A SONG FOR YOU (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental Underscore featuring Tenor Sax for the contemporary American Standard with it’s identifiable signature Piano intro, Leon Russell’s romantic Ballad has been covered by the likes of Donny Hathaway and Ray Charles. | Click To Listen |
| A TOUCH OF GREY (Bluegrass) | Country (Bluegrass) | The Grateful Dead have a strong connection to Roots music in their own recordings, this song follows the Folk process one step further, where the next generation of Dead enthusiasts can step forward. | Click To Listen |
| AFTER THE LOVE HAS GONE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| AFTER THE RAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| AIN’T THAT LONELY YET (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALISON | Rock/Pop | From the album ‘My Aim Is True’, classic Pop-Rock Elvis Costello song from the late seventies, faithfully re-arranged, featuring Perry Danos on Vocals. Hammond B3 Organ and Electric Guitar fill throughout. | Click To Listen |
| ALISON (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for ‘Alison’ From the album ‘My Aim Is True’. Classic Pop-Rock Elvis Costello song from the late seventies, faithfully re-arranged, featuring Hammond B3 Organ and Electric Guitar fills throughout. | Click To Listen |
| ALISON (Backing Track) | Rock/Pop | Backing Track or Underscore for ‘Alison’, from the album ‘My Aim Is True’. Classic Pop-Rock Elvis Costello song from the late seventies, faithfully arranged, featuring Hammond B3 Organ, and Electric Guitar fills throughout. | Click To Listen |
| ALISON (Instrumental) | Rock/Pop | Booker T & the MGs styled Instrumental version of Elvis Costello’s seventies hit, ‘Alison’, featuring Hammond B3 on the Verses, Sax Section on the Choruses. | Click To Listen |
| ALL CRIED OUT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALL DAY MUSIC (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALL I HAVE TO GIVE (Background Instrumental) | Rock/Pop | A song from American Pop group, the Backstreet Boys, given the Contemporary Jazz Instrumental treatment ala David Sanborn. Guitar verses, Sax choruses, Trumpet Bridge at 2:00. Full horn section with live group. | Click To Listen |
| ALL I HAVE TO GIVE (Backing Track) | Rock/Pop | Backing Track or Underscore for a song from American Pop group, the Backstreet Boys, given the Contemporary Jazz treatment. At the 1999 Teen Choice Awards, the song won Choice Music: Video of the Year. | Click To Listen |
| ALL I HAVE TO GIVE (Elevated Instrumental) | Rock/Pop | A song from American Pop group, the Backstreet Boys, given the Elevator Music or Muzak Instrumental treatment ala David Sanborn. Guitar verses, Sax choruses, Trumpet Bridge at 2:00. Full horn section with live group. | Click To Listen |
| ALL I WANNA DO IS MAKE LOVE TO YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALL ROADS LEAD TO YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALL THE THINGS (YOUR MAN WON’T DO) (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALL THE THINGS YOU ARE | Jazz (Vocal) | The modulations in this song are very unusual for a Pop song of the period, and present challenges to a singer or improviser. This Vocal Jazz arrangement introduces even further harmonic twists by incorporating Latin rhythms and Percussive elements. | Click To Listen |
| ALL THE THINGS YOU ARE (Backing Track) | Jazz (Latin) | The modulations in this song are very unusual for a Pop song of the period, and present challenges to a singer or improviser. This Backing Track or Underscore introduces even further harmonic twists by incorporating Latin rhythms and Percussive elements. | Click To Listen |
| ALL THE THINGS YOU ARE (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALL THE THINGS YOU ARE (Latin Jazz Instrumental) | Jazz (Latin) | The modulations in this song are very unusual for a Pop song of the period, and present challenges to an improviser. This Contemporary Jazz Instrumental introduces even further harmonic twists by incorporating Latin rhythms and Percussive elements. | Click To Listen |
| ALL THROUGH THE NIGHT (Lauper – Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALONG FOR THE RIDE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ALONG THE NAVAJO TRAIL | Country | Popular Cowboy-Pop song written in 1945. Re-arranged in a Country-Blues style as an Instrumental with Guitar and Pedal Steel. Features Hall of Famer, Tommy White, and Tower of Power’s Jerry Cortez, the funky cowboy. | Click To Listen |
| ALONG THE NAVAJO TRAIL (Elevated Instrumetnal) | Movie/TV Themes | Popular Cowboy-Pop song written in 1945. Re-arranged in a Country-Blues style as an Elevator, or Muzak styled Instrumental with Guitar and Pedal Steel. Features Hall of Famer, Tommy White, and Tower of Power’s Jerry Cortez, the funky cowboy. | Click To Listen |
| ALREADY MISSING YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| AMERICA (Bluegrass) | Country (Bluegrass) | Bluegrass Instrumental for the song on the American experience: with references to struggle, weariness, hard work, confusion, and homesickness. | Click To Listen |
| AMERICA (Country Instrumental) | Country | Classic American Experience, this Country Instrumental interpretation of Simon & Garfunkel refers to two lovers hitch-hiking east through the United States. Poignant and moody featuring Fiddle, Acoustic Guitar & Pedal Steel, backed by Nashville’s finest. | Click To Listen |
| AMERICAN PIE (Background Instrumental) | Rock/Pop | Cheesy Background Instrumental for the classic 70s storybook hit, perfect for the grocery aisle. Nothing like squeezing the cantaloupes to Clarinet, Oboe and Flute, playing your favorite nostalgic trip through memory lane. | Click To Listen |
| AMERICAN PIE (Elevated Instrumental) | Rock/Pop | Cheesy Muzak, Elevator Music Instrumental for the classic 70s storybook hit, perfect for the grocery aisle. Nothing like squeezing the cantaloupes to Clarinet, Oboe and Flute, playing your favorite nostalgic trip through memory lane. | Click To Listen |
| AMERICAN TUNE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ANOTHER NAIL IN MY HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ANY WORLD (THAT I’M WELCOME TO) (Backing Track) | Rock/Pop | Backing Track or Underscore for the Steely Dan hit from the 1975 album, ‘Katy Lied’. This faithful adaptation of the classic features signature Piano changes and Electric Guitar lines. | Click To Listen |
| ANY WORLD (THAT I’M WELCOME TO) (Elevated Instrumental) | Rock/Pop | From the Steely Dan 1975 album, ‘Katy Lied’, this Elevator Music or Muzak Instrumental adaptation of the classic features Flute Verses and three-part Electric Guitar Choruses, and signature Piano changes. | Click To Listen |
| ANY WORLD (THAT I’M WELCOME TO) (Instrumental) | Rock/Pop | From the Steely Dan 1975 album, ‘Katy Lied’, this faithful Instrumental adaptation of the classic features Acoustic Guitar Verses and three-part Electric Guitar Choruses, Flute lines and signature Piano changes. | Click To Listen |
| APRIL COME SHE WILL | Folk | Subtle interpretation of the early Simon & Garfunkel track utilizing Bluegrass instrumentation. From their 1965 “Sounds of Silence” recording, a benchmark beginning of the Folk-Rock phenom. Angelic Vocal by Adrianna Bernal. | Click To Listen |
| APRIL COME SHE WILL (Backing Track) | Folk | Backing Track or Underscore for a subtle interpretation of the early Simon & Garfunkel track utilizing Bluegrass instrumentation. From their 1965 “Sounds of Silence” recording, a benchmark beginning of the Folk-Rock phenom. | Click To Listen |
| APRIL COME SHE WILL (Bluegrass) | Country (Bluegrass) | Subtle interpretation of the early Simon & Garfunkel track utilizing Bluegrass instrumentation. From their 1965 “Sounds of Silence” recording, a benchmark beginning of the Folk-Rock phenom. Fiddle melody by James Taylor’s band member: Andrea Zonn. | Click To Listen |
| ARE YOU SITTING COMFORTABLY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| AT THE ZOO (Country Instrumental) | Country | Country-fied Instrumental interpretation of the Siimon and Garfunkel hit from 1967, the summer of love. Ramble through assorted feels featuring Fiddle and Electric Guitars, with the song that anthropomorphizes the animals in various amusing ways. | Click To Listen |
| AVANT GARDEN (Bluegrass) | Country (Bluegrass) | Recorded by Aerosmith in 2001, re-arranged in the Bluegrass style featuring ensemble Country-style Vocals on the Choruses. Features fully acoustic 6-piece group, the Grassmasters. Quirky and uptempo. | Click To Listen |
| BABY (YOU’VE GOT WHAT IT TAKES) (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BABY COME TO ME (Background Instrumental) | Urban/R&B | Cheesy, light weight, Elevator Music interpretation of the Urban eighties Quincy Jones Production, originally a Duet. Features Oboe, Flute, Vibes and Nylon Guitar sharing melodic duties. Try this dentist chair for comfort . . .? | Click To Listen |
| BABY COME TO ME (Elevated Instrumental) | Urban/R&B | Cheesy, light weight, Elevator Music interpretation of the urban eighties Quincy Jones Production, originally a duet. Features Oboe, Flute, Vibes and Nylon Guitar, sharing melodic duties. Try this dentist chair for comfort . . .? | Click To Listen |
| BABY DRIVER (Bluegrass) | Country (Bluegrass) | Swampy Bluegrass rendition of ‘Baby Driver’, from Simon & Garfunkel’s 1970 Grammy winning album of the year. Fully acoustic 6-piece Grassmasters shred rosin and slide over National Steel coming down from the mountain. | Click To Listen |
| BABY I LOVE YOUR WAY (Background Instrumental) | Rock/Pop | Elevator Music at its cheeziest. This Muzak tainted arrangement features the melodic stylings of Elevated Spirits, an Instrumental version of Frampton’s hit, tailored to the grocery aisle or dental chair, featuring Flutes, Vibes and Soprano Sax. | Click To Listen |
| BABY I LOVE YOUR WAY (Elevated Instrumental) | Rock/Pop | Elevator Music at its cheeziest. This Muzak tainted arrangement features the melodic stylings of Lennie Moore with an Instrumental arrangement for Frampton’s hit, tailored to the grocery aisle or dental chair, featuring English Horn, Vibes & Soprano Sax. | Click To Listen |
| BABY PLEASE DON’T GO (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers. This unlikely candidate for “elavating” is a classic Blues Standard with early Folk roots. | Click To Listen |
| BACK IN YOUR ARMS AGAIN (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BACK TO THE ISLAND (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BAD SNEAKERS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BAREFOOT | Rock/Pop | Quirky, hauntingly beautiful progressive collaboration between Bob Telson and k. d. lang, reformed in 2015 by Kelsey Lockhart with arranging contributions from Nick Manson, Kevin Madill and Donald Marrow. Check it out. | Click To Listen |
| BAREFOOT (Backing Track w/BGvs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the quirky, hauntingly beautiful progressive collaboration between Bob Telson and k. d. lang. Re-formed in 2015 with arranging contributions from Nick Manson, Kevin Madill and Donald Marrow. | Click To Listen |
| BAREFOOT (Backing Track) | Rock/Pop | Backing Track or Underscore for the quirky, hauntingly beautiful progressive collaboration between Bob Telson and k. d. lang. Re-formed in 2015 with arranging contributions from Nick Manson, Kevin Madill and Donald Marrow. Check it out. | Click To Listen |
| BAREFOOT (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Underscore for the quirky, hauntingly beautiful, progressive collaboration between Bob Telson and k. d. lang. Re-formed in 1995 as a Background Instrumental, suitable for any zombie out shopping. | Click To Listen |
| BE HAPPY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BEAUTIFUL MARIA OF MY SOUL (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BEFORE I MET YOU (Bluegrass) | Country (Bluegrass) | Intimate classic Bluegrass Waltz originally from Carl Smith in the fifties, and re-cut here as an Instrumental featuring all acoustic 5-piece ensemble, the Grassmasters, who come from a background of experience that includes the Grand Ole Opry. | Click To Listen |
| BEFORE THE RAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BEFORE YOU WALK OUT OF MY LIFE (Elevated Intrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BEING SO NOT FOR YOU (I HAD NO RIGHT) (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BELIEVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BEST IN THE WEST | Urban/R&B | Often dubbed the “Queen of Funk”, Chaka Khan has never shied away from any style of music, from Jazz to this Countrified Funk Rocker. Seattle based R&B Vocalist, Darelle Holden, tackles this track with the help of Kentucky Thunder Fiddler, Andy Leftwich. | Click To Listen |
| BEST IN THE WEST (Backing Track w/BGvs) | Urban/R&B | Backing Track or Underscore for Chaka Khan’s Countrified Funk Rocker. Cut in Nashville with the help of Kentucky Thunder Fiddler, Andy Leftwich, and the Connye Florance Vocal Trio. Nick Manson on Piano, Pat Bergeson and John Morton on Guitars. | Click To Listen |
| BEST IN THE WEST (Backing Track) | Urban/R&B | Backing Track or Underscore for Chaka Khan’s Countrified Funk Rocker. Cut in Nashville with the help of Kentucky Thunder Fiddler, Andy Leftwich, Nick Manson on Piano, Pat Bergeson and John Morton on Guitars, Marcus Finnie on Drums. | Click To Listen |
| BIRDLAND (Elevated Instrumental) | Jazz (Contemporary) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BIRDS AND THE BEES, THE | World | Jewel Aikens’ sixties hit, based on the “birds and the bees” idiom commonly referenced with regard to affording young people their introductory sex education, has been revamped into a Reggae track featuring Wanda Jackson, and full Horn section. | Click To Listen |
| BIRDS AND THE BEES, THE (Backing Track w/BGVs) | World | Backing Track or Underscore with Background Vocal parts for Jewel Aikens’ 60s hit, based on the “birds and the bees” idiom commonly referenced with regard to affording young people their introductory sex education, revamped into a Reggae track. | Click To Listen |
| BIRDS AND THE BEES, THE (Backing Track) | World | Backing Track or Underscore for Jewel Aikens’ sixties hit, based on the “birds and the bees” idiom commonly referenced with regard to affording young people their introductory sex education, revamped into a Reggae track. | Click To Listen |
| BLACK COW | Rock/Pop | A faithful adaptation of the classic Steely Dan hit featuring Perry Danos and full Horn Section. Signature Rhodes solo at 2:45, Tenor Sax solos out at the fade. | Click To Listen |
| BLACK COW (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the faithful adaptation of the classic Steely Dan hit featuring full Horn Section. Signature Rhodes solo at 2:45, Tenor Sax, solos out at the fade. | Click To Listen |
| BLACK COW (Backing Track) | Rock/Pop | Backing Track or Underscore for a faithful adaptation of the classic Steely Dan hit featuring full Horn Section. Signature Rhodes solo at 2:45, Tenor Sax, solos out at the fade. | Click To Listen |
| BLACK COW (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Underscore for an instrumental adaptation of the classic Steely Dan hit featuring full Horn Section. Electric Guitar feature with Flute and Soprano Sax in unison for the choruses. Tenor Sax solos out at the fade. | Click To Listen |
| BLACK COW (Instrumental w/BGVs) | Rock/Pop | Tenor Sax and Electric Guitar Instrumental with Background Vocal parts for the faithful adaptation of the classic Steely Dan hit featuring full Horn Section. Signature Rhodes solo at 2:45, Tenor Sax solos out at the fade. | Click To Listen |
| BLACK COW (Instrumental) | Rock/Pop | Tenor Sax and Electric Guitar Instrumental for the faithful adaptation of the classic Steely Dan hit featuring full Horn Section. Signature Rhodes solo at 2:45, Tenor Sax solos out at the fade. | Click To Listen |
| BLACK COW (Sax Instrumental) | Rock/Pop | Tenor Sax Instrumental for the faithful adaptation of the classic Steely Dan hit featuring full Horn Section. Signature Rhodes solo at 2:45, Tenor Sax solos out at the fade. | Click To Listen |
| BLESSINGS | Religious | A poignant, inspirational, GMA Dove and Grammy Award winning song written by contemporary Christian artist Laura Story. Arranged for vocalists Kimberly Hope and Mikaela Khan, featuring Nashville studio musicians. Recorded at Ocean Way Studios. | Click To Listen |
| BLESSINGS (Backing Track) | Rock/Pop | Backing Track or Underscore for the poignant Inspirational GMA Dove and Grammy Award winning song written by contemporary Christian artist Laura Story. Featuring Nashville studio musicians. Recorded at Ocean Way. | Click To Listen |
| BLUE CHRISTMAS (Hawaii) | World | Traditional Easy Pop Instrumental Hawaiian version of the Elvis Presley Christmas classic. Cut here with Ukulele, Hawaiian Hand Percussion and Lap Steel (at 1:45). | Click To Listen |
| BLUE EYES | Rock/Pop | Elton John recorded this melancholy bluesy Ballad in 1982, re-arranged as a soulful Country flavored Vocal featuring Perry Danos with Piano, Fiddle and Pedal Steel. Lovely. | Click To Listen |
| BLUE EYES (Backing Track) | Rock/Pop | Elton John recorded this melancholy Bluesy Ballad in 1982, re-arranged as a soulful Country flavored Backing Track or Underscore featuring Piano, Accordion, Fiddle and Pedal Steel. Lovely. | Click To Listen |
| BLUE EYES (Country Instrumental) | Country | Elton John recorded this melancholy Bluesy Ballad in 1982, re-arranged as a soulful Country Instrumental featuring Chromatic Harmonica and Electric Guitar with Fiddle and Pedal Steel in Harmony on the Choruses. Lovely. | Click To Listen |
| BLUE TRAIN, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BORN TO BE WILD (Ska – Backing Track) | Rock/Pop | Backing Track or Underscore for one of Rock’s all-time most recognizable anthems, re-arranged in Ska style, the fusion of Caribbean Mento and Calypso with American Rhythm and Blues. Signature bits include Hammond B3 Organ stabs and Electric Guitar lines. | Click To Listen |
| BORN TO BE WILD (Ska) | Rock/Pop | One of Rock’s all-time most recognizable anthems, re-arranged in Ska style, the fusion of Caribbean Mento and Calypso with American Rhythm and Blues. For this rendition, signature elements include Hammond B3 Organ stabs and Electric Guitar lines. | Click To Listen |
| BOUNCE BOUNCE BACK | Religious | Contemporary sequenced Urban song about being resilient in life, getting back up and pressing forward when adversity strikes. Sung by Sarah Davis and the Jumpin’ Kids o’ Joy, a teen-aged girl Choir. | Click To Listen |
| BOUNCE BOUNCE BACK (Backing Track) | Religious | Backing Track or Underscore for the contemporary sequenced Urban song about being resilient in life, getting back up and pressing forward when adversity strikes. | Click To Listen |
| BOUNCE BOUNCE BACK (Cue 1) | Religious | 30 second Cue or Transition for the contemporary sequenced Urban song about being resilient in life, getting back up and pressing forward when adversity strikes. | Click To Listen |
| BOUNCE BOUNCE BACK (Cue 2) | Religious | 45 second Cue or Transition for the contemporary sequenced Urban song about being resilient in life, getting back up and pressing forward when adversity strikes. | Click To Listen |
| BOXER, THE (Bluegrass) | Country (Bluegrass) | Bluegrass interpretation of the well-known hit for Simon and Garfunkel about fighting the “good” fight and standing up for yourself. Re-arranged with Ricky Scaggs and James Taylor Band Members and Vocalists. | Click To Listen |
| BOXER, THE (Country Instrumental) | Country | A late sixties hit for Simon and Garfunkel about fighting the “good” fight and standing up for yourself. Re-arranged as in instrumental in signature Finger-style Country, featuring Vocal refrains, Wood Flute, Harmonica, and layers of Guitars. | Click To Listen |
| BOXER, THE (Elevated Instrumental) | Rock/Pop | A late sixties hit for Simon and Garfunkel about fighting the “good” fight and standing up for yourself. Re-arranged as in instrumental in Muzak style, elevator music from the lounge. | Click To Listen |
| BREAKAWAY | Rock/Pop | Title track from Kelly Clarkson’s 2nd release, and recorded for the Disney film, ‘Princess Diaries 2’. This version was created for the High School Musical, “Musique”, and features a low ley Duet by a pair of teen girls from Washington State. | Click To Listen |
| BREAKIN’ AWAY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BRIDGE OVER TROUBLED WATER (Backing Track w/Gospel Choir BGVs) | Urban/R&B | Backing Track or Underscore for Paul Simon’s #1 hit and Gospel Anthem. Given the Church Choir send up featuring 36 Voice “Chimes of Freedom Singers”, from Nashville. and 5-piece studio back-up band. | Click To Listen |
| BRIDGE OVER TROUBLED WATER (Backing Track) | Urban/R&B | Backing Track or Underscore for Paul Simon’s Grammy Award winning #1 hit and Gospel Anthem. 5-piece studio back-up band gives an emotional send up. | Click To Listen |
| BRIDGE OVER TROUBLED WATER (Gospel Choir) | Urban/R&B | Paul Simon’s #1 hit and Gospel Anthem is given the full Choir send up featuring 36 Voice “Chimes of Freedom Singers”, from Nashville. Jazz Rhapsody artist, Connye Florance provides the emotional lead Vocal. 5-piece studio back-up band included. | Click To Listen |
| BROWN EYED GIRL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BUG, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| BUTTERFLY KISSES (Guitar Instrumental) | Rock/Pop | Written by Bob Carlisle for his daughter’s 16th birthday, this interpretation features Tower of Power’s Guitarist, Jerry Cortez on Acoustic Guitars. It shows the versatility and softer side of the funk master. | Click To Listen |
| CALENDAR GIRL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CALIFORNIA DREAMIN’ (Background Instrumental – Mix 1) | Rock/Pop | Elevator Music at its cheesiest. Smarmy with the personality of a aisle monitor at Walmart. Muzak-ified with layers of Woodwinds and Brass, perfect for the dentist chair. | Click To Listen |
| CALIFORNIA DREAMIN’ (Background Instrumental – Mix 2) | Rock/Pop | Elevator Music at its cheesiest. Smarmy, with the personality of a aisle monitor at Walmart. Muzak-ified with layers of Woodwinds and Brass, perfect for the dentist chair. | Click To Listen |
| CALIFORNIA DREAMIN’ (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CALL IT LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CALL ME (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CANDLE IN THE WIND (Guitar Instrumental) | Rock/Pop | Fingerstyle Acoustic Guitar version of the Elton John song originally written in 1973, in honour of Marilyn Monroe and later as a tribute to Diana, Princess of Wales. This Fingerestyle Acoustic Guitar version features Tower of Power’s Jerry Cortez. | Click To Listen |
| CANDLE OF LIFE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CAN’T FEEL THE PAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CAN’T STOP THIS THING WE STARTED (Background Instrumental) | Rock/Pop | Grammy nominated 1991 Hit for Bryan Adams, and later became the B. C. Liberal Party’s campaign theme song, (2009). This instrumental recreation takes all the fundamental elements of the song & pats them down to Elevator Music with Flutes, Horns, Guitars. | Click To Listen |
| CAN’T STOP THIS THING WE STARTED (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CAPTAIN OF HER HEART (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CAROLINE, NO | Rock/Pop | Originally released as a Brian Wilson single, “Caroline, No” ultimately ended up on the Beach Boys’ seminal “Pet Sounds” recording. It has been closely reproduced by duo J. B. White and Mikaela Kahn in this 2013 redeaux. | Click To Listen |
| CAROLINE, NO (Backing Track) | Rock/Pop | Backing Track or Underscore for the song originally released as a Brian Wilson single, “Caroline, No” ultimately ended up on the Beach Boys’ seminal “Pet Sounds” recording. | Click To Listen |
| CAROLINE, NO (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental Underscore for the song originally released as a Brian Wilson single, “Caroline, No” ultimately ending up on the Beach Boys’ seminal “Pet Sounds” recording. | Click To Listen |
| CAROLINE, NO (Female Vocal) | Rock/Pop | Originally released as a Brian Wilson single, “Caroline, No” ultimately ended up on the Beach Boys’ seminal “Pet Sounds” recording. It has been closely reproduced by Mikaela Kahn in this 2013 redeaux. | Click To Listen |
| CASEY JONES (Bluegrass) | Country (Bluegrass) | Instrumental Bluegrass arrangement for the perenial Grateful Dead favorite. Features 6-piece Nashville ensemble, the Grassmasters. Down from the mountain, quirky, novel and ironic. | Click To Listen |
| CAUGHT UP IN YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CAVES OF ALTAMIRA (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CENTERPIECE | Jazz (Mainstream) | Originally an Instrumental from the John Handy/Harry ‘Sweets’ Edison Songbook. Jon Hendricks added lyrics and released the Vocal version in 1960 with his group, Lambert, Hendricks & Ross, the “Hottest New Group In Jazz” – Downbeat. | Click To Listen |
| CENTERPIECE (Elevated Instrumental) | Jazz (Mainstream) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CHAIN LIGHTNING | Jazz (Vocal) | A faithful adaptation of the classic Steely Dan song from the brilliant 1975 recording, ‘Katy Lied’, featuring 4-piece Jazz Vocal group, Commontone, and Tower of Power Guitarist, Jerry Cortez. | Click To Listen |
| CHAIN LIGHTNING (Backing Track w/Guitar Solo) | Rock/Pop | Backing Track or Underscore for a faithful adaptation of the classic Steely Dan hit from the 1975 album, ‘Katy Lied’, featuring the signature Electric Guitar solos. | Click To Listen |
| CHAIN LIGHTNING (Backing Track) | Rock/Pop | Backing Track or Underscore for a faithful adaptation of the classic Steely Dan hit from the 1975 album ‘Katy Lied’, with Guitar solos removed. | Click To Listen |
| CHAIN LIGHTNING (Cue) | Rock/Pop | 53 second Cue or Transition for the Instrumental adaptation of the classic Steely Dan hit, featuring Electric Guitar and full Horn Section with a special nod to Tower of Power Horns. | Click To Listen |
| CHAIN LIGHTNING (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental adaptation of the classic Steely Dan hit, featuring Vintage Fender Rhodes Piano, Electric Guitar and full Horn Section. | Click To Listen |
| CHAIN LIGHTNING (Instrumental) | Rock/Pop | A faithful Instrumental adaptation of the classic Steely Dan hit, featuring Electric Guitar and full Horn Section with a special nod to Tower of Power Horns, whose members make a guest appearance here. | Click To Listen |
| CHAIN LIGHTNING (Remix) | Rock/Pop | A faithful adaptation of the classic Steely Dan song from the brilliant 1975 recording, ‘Katy Lied’, featuring 4-piece Jazz Vocal group, Commontone, and Tower of Power Guitarist, Jerry Cortez, a 2012 Remix. | Click To Listen |
| CHAIYYA CHAIYYA | World | An Urdu-language Indian song from the 1998 Hindi film “Bombay Dreams”, directed by Mani Ratnam. The song was composed by A. R. Rahman, lyrics by Gulzar. It quickly became popular upon release, partly because it was filmed on a moving train. | Click To Listen |
| CHAIYYA CHAIYYA (Backing Track w/BGVs) | World | Backing Track or Underscore with Background Vocal parts for the Indian song from the 1998 Hindi film “Bombay Dreams”, composed by A. R. Rahman, lyrics by Gulzar. It quickly became popular upon release, partly because it was filmed on a moving train. | Click To Listen |
| CHAIYYA CHAIYYA (Backing Track) | World | Backing Track or Underscore for an Urdu-language Indian song from the 1998 Hindi film “Bombay Dreams”, composed by A. R. Rahman, lyrics by Gulzar. It quickly became popular upon release, partly because it was filmed on a moving train. | Click To Listen |
| CHANGE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CHANGE THE WORLD | Rock/Pop | Beautiful Gospel Vocal rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. This 7-piece group supports Stephen Hill with Island Sound on BGVs. | Click To Listen |
| CHANGE THE WORLD (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. Featuring 7-piece group and Vocal Quartet. | Click To Listen |
| CHANGE THE WORLD (Backing Track) | Rock/Pop | Backing Track or Underscore for the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. Featuring a 7-piece studio group. | Click To Listen |
| CHANGE THE WORLD (Bluegrass) | Country (Bluegrass) | Bluegrass rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. Grand Ol Opry veterans and the Margie Cates Gospel Vocal Quartet share the space. | Click To Listen |
| CHANGE THE WORLD (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. This group includes Tenor Sax, Electric Guitar and Flute. | Click To Listen |
| CHANGE THE WORLD (Female Vocal) | Rock/Pop | Beautiful Female Vocal rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. This 7-piece group supports Jennifer Ivester with Island Sound on BGVs. | Click To Listen |
| CHANGE THE WORLD (Instrumental w/BGVs) | Rock/Pop | Instrumental rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. This group includes Tenor Sax, Electric Guitar & Flute, with Vocals on the Choruses | Click To Listen |
| CHANGES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CHILDREN OF THE GHETTO (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CHUP CHUP KE | World | English: Quietly, Quietly, ‘Chup Chup Ke’ is the theme song from the 2006 Bollywood film of the same name, directed by Priyadarshan. Jeetu is constantly getting himself and his father into trouble because of his inability to properly manage money. | Click To Listen |
| CHUP CHUP KE (Backing Track w/BGVs) | World | Backing Track or Underscore with Choral Background Vocal parts for ‘Chup Chup Ke’, the theme song from the 2006 Bollywood film of the same name, directed by Priyadarshan. English: “Quietly, Quietly”. | Click To Listen |
| CHUP CHUP KE (Backing Track) | World | Backing Track or Underscore for ‘Chup Chup Ke’, the theme song from the 2006 Bollywood film of the same name, directed by Priyadarshan. English: “Quietly, Quietly”. | Click To Listen |
| CLEANING WINDOWS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CLOSER THAN EVER | World | Indian Pop Soundtrack icon, A R Rahman, penned this moody, ambient dirge for the Bollywood themed Musical, ‘Bombay Dreams’. This dreamy production includes Hand Percussion, Sitar, Wood Flute and Harp & features duet vocals by Priyam Thind & Jeremy Marrow | Click To Listen |
| CLOSER THAN EVER (Backing Track w/BGVs) | World | Backing track with background vocal parts for Indian Pop Soundtrack icon, A R Rahman’s, (Slumdog), moody, ambient dirge for the Bollywood themed Musical, ‘Bombay Dreams’. This dripping production includes Hand Percussion, Sitar, Wood Flute and Harp. | Click To Listen |
| CLOSER THAN EVER (Backing Track) | World | Backing track for Indian Pop Soundtrack icon, A R Rahman’s, (Slumdog Millionaire), moody, ambient dirge for the Bollywood themed Musical, ‘Bombay Dreams’. This dripping production includes Hand Percussion, Sitar, Wood Flute and Harp. | Click To Listen |
| CLUB AT THE END OF THE STREET (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| COLD RAIN AND SNOW (Bluegrass) | Country (Bluegrass) | This Traditional song, made famous by the Grateful Dead, is re-arranged in Bluegrass style with Background Vocals on the refrain. Pickin’ and grinning, down from the mountain, and other cliches apply. | Click To Listen |
| COME A LITTLE BIT CLOSER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| COME DOWN IN TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| COME WITH ME (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| COMING TO YOU (Background Instrumental) | Rock/Pop | From ‘Yacht Rock” to “Muzak” in one fell swoop. This Elevator Music rendition of the 1970s Loggins and Messina tune fits nicely into your favorite island drugstore or grocery aisle. I’ll have a pint of Poke, please. | Click To Listen |
| COMING TO YOU (Elevated Instrumental) | Rock/Pop | From ‘Yacht Rock” to “Muzak” in one fell swoop. This Elevator Music rendition of the 1970s Loggins and Messina tune fits nicely into your favorite island drugstore or grocery aisle. I’ll have a pint of Poke, please. | Click To Listen |
| CONCRETE ANGEL | Country | “Concrete Angel” is a power Ballad, centering around a main theme of child abuse and in a different context, bullying. 17 year old Kelsey Lockhart recreates the song originally released by Martina McBride. | Click To Listen |
| CONCRETE ANGEL (Backing Track) | Country | “Concrete Angel” is a power Ballad, centering around a main theme of child abuse and in a different context, bullying. Nashville’s ‘A’ Team reproduces the Backing Track or Underscore for the song originally released by Martina McBride. | Click To Listen |
| COULD I HAVE THIS DANCE (Backing Track) | Country | Classic formula Country Backing Track or Underscore, performed by Nashville’s finest session players, former and current members of the Grand Ole Opry. This Anne Murray track was featured in the 1980 film, ‘Urban Cowboy’. | Click To Listen |
| COULD I HAVE THIS DANCE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| COUNTRY COMFORT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| COWBOY CASANOVA | Country | “Cowboy Casanova” became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. “We’re not trashing this guy, we’re just warning these other girls about him.” – Underwood. | Click To Listen |
| COWBOY CASANOVA (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for “Cowboy Casanova”, a song that became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. | Click To Listen |
| COWBOY CASANOVA (Backing Track) | Country | Backing Track or Underscore for “Cowboy Casanova”, a song that became the fastest climbing Country single of 2009 and Carrie Underwood’s eighth number one Country single in the United States. | Click To Listen |
| COWBOY TAKE ME AWAY | Country | Sweet lovesong from a girl to the cowboy she loves. The song’s title is derived from a famous slogan used in commercials for Calgon bath and beauty products. It reached Number One on the U.S. Country Charts. | Click To Listen |
| COWBOY TAKE ME AWAY (Backing Track w/BGVs) | Country | Backing Track with the Background Vocal parts for the sweet lovesong from a girl to the cowboy she loves. The song’s title is derived from a famous slogan used in commercials for Calgon bath and beauty products. It reached #1 on the Country charts. | Click To Listen |
| COWBOY TAKE ME AWAY (Backing Track) | Country | Backing Track for the sweet lovesong from a girl to the cowboy she loves. The song’s title is derived from a famous slogan used in commercials for Calgon bath and beauty products. It reached Number One on the U.S Country Charts. | Click To Listen |
| CRAZY ARMS (Backing Track) | Country | Backing Track or Underscore for Songwriter and Pedal Steel player, Ralph Mooney’s, ‘Crazy Arms’, written after his wife left him because of his drinking problem. The song went on to become Ray Price’s first number one hit and a Honky-Tonk Standard. | Click To Listen |
| CRAZY ARMS (Fiddle Instrumental) | Country | Songwriter and Pedal Steel player, Ralph Mooney, said he got the idea for ‘Crazy Arms’ after his wife left him because of his drinking problem. The song went on to become Ray Price’s first number one hit and a Honky-Tonk Standard. Fiddle feature. | Click To Listen |
| CRAZY ARMS (Instrumental) | Country | Songwriter and Pedal Steel player, Ralph Mooney, said he got the idea for ‘Crazy Arms’ after his wife left him because of his drinking problem. The song went on to become Ray Price’s first number one hit and a Honky-Tonk Standard. | Click To Listen |
| CRAZY ARMS (Steel Instrumental) | Country | Songwriter and Pedal Steel player, Ralph Mooney, said he got the idea for ‘Crazy Arms’ after his wife left him because of his drinking problem. The song went on to become Ray Price’s first number one hit and a Honky-Tonk Standard. Pedal Steel feature. | Click To Listen |
| CROCODILE ROCK | Rock/Pop | Inspired by Australian band, Daddy Cool, this rock and roll anthem was written by Elton John in 1972. Re-created by Perry Danos as a nostalgic rocker in 2013 featuring Nashville’s studio ‘A’ team in back-up. | Click To Listen |
| CROCODILE ROCK (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the Rock and Roll anthem, written by Elton John in 1972. Re-created as a nostalgic tune featuring Nashville’s studio ‘A’ team. | Click To Listen |
| CROCODILE ROCK (Backing Track) | Rock/Pop | Backing Track or Underscore for the Rock and Roll anthem, written by Elton John in 1972. Re-created as a nostalgic tune featuring Nashville’s studio ‘A’ team. | Click To Listen |
| CROCODILE ROCK (Country Instrumental) | Country | This Rock and Roll Anthem was written by Elton John in 1972. Re-arranged as a Country-Rock tune featuring Piano, Pedal Steel and Saxophone ala Boots Randolph. Gritty, fun and nostalgic. | Click To Listen |
| CRUEL TO BE KIND (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CRUSH ON YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CRY FOR HELP (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| CRYING IN THE RAIN | Rock/Pop | Carole King and Gerry Goffin song, and huge hit for the Everly Brothers in 1962, has been re-arranged for young talent, Dana Sedgwick, with a Country flavor. Backed by Gospel Vocal Quartet and 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click To Listen |
| CRYING IN THE RAIN (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Backgroud Vocal parts for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Backed by Gospel Vocal Quartet and 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click To Listen |
| CRYING IN THE RAIN (Backing Track) | Rock/Pop | Backing Track or Underscore for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Featuring a 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click To Listen |
| CRYING IN THE RAIN (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak light Pop Instrumental arrangement for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. | Click To Listen |
| CRYING IN THE RAIN (Instrumental) | Rock/Pop | Light Pop Instrumental arrangement for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Featuring a 7-piece group with Flutes and Electric Guitar covering the melodies. | Click To Listen |
| CUMBERLAND BLUES (Bluegrass) | Country (Bluegrass) | This classic Grateful Dead tune is re-arranged in the Bluegrass style with Partial Vocals. 5-piece fully acoustic Nashville group, featuring members of Ricky Scaggs’ Band and regulars from the Grand Ol’ Opry. | Click To Listen |
| DANCE WITH LIFE (THE BRILLIANT LIFE) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DANCE, DANCE, DANCE (Country Instrumental) | Country | Originally written and performed by the Beach Boys this 1964 hit is a well-known classic. Re-arranged as a Country Rocker featuring Saxophone and 12-String Guitar with Pedal Steel fills. | Click To Listen |
| DANCE, DANCE, DANCE (Cue) | Rock/Pop | 44 second cue of the Country Instrumental interpretation of the Beach Boys 1964 hit, a well-known classic. | Click To Listen |
| DANCE, DANCE, DANCE (Elevated Instrumental) | Rock/Pop | Originally written and performed by the Beach Boys this 1964 hit is a well-known classic. Re-arranged as an Elevator Music or Muzak Instrumental Rocker featuring Saxophone and signature 12-String Guitar lines and solo. | Click To Listen |
| DANIEL | Rock/Pop | New Country Pop arrangement with Celtic overtones featuring Perry Danos on Vocals with Nashville Studio pros, including Pennywhistle and Fiddle in support. Inspired by the events of the Viet Nam war, this Taupin-John composition topped the charts in 1973. | Click To Listen |
| DANIEL (Backing Track) | Rock/Pop | Backing Track or Underscore for the new Country Pop arrangement with Celtic overtones featuring Nashville Studio pros, including Pennywhistle and Fiddle in support. Inspired by the events of the Viet Nam war, the Taupin-John composition charted in 1973. | Click To Listen |
| DANIEL (Country Instrumental) | Country | New Country Pop arrangement with Celtic overtones featuring Pennywhistle, Fiddle and Electric Guitar melodies over Nashville’s ‘A’ team studio rhythm section. | Click To Listen |
| DARE TO FALL IN LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DARK WALTZ | Broadway | Romantic Ballad from “Phantom of the Opera” and later on the highly successful debut album of New Zealander, Hayley Westenra. Katy Lootens wistfully delivers this version, with textural support from Piano, Violin and Mandolin, lush and dreamy. | Click To Listen |
| DARK WALTZ (Backing Track) | Broadway | Backing Track or Underscore for the romantic Ballad from “Phantom of the Opera” and later on the highly successful debut album of New Zealander, Hayley Westenra. This version features Piano, Violin and Mandolin, lush and dreamy, with Celtic overtones. | Click To Listen |
| DEACON BLUES | Rock/Pop | The song, while contrasting winning and losing in life, does so by taking as an image the perennial powerhouse college football team, the Alabama Crimson Tide. This accurate reproduction stays close to the original Steely Dan arrangement. | Click To Listen |
| DEACON BLUES (Backing Track w/BGVs) | Rock/Pop | The song, while contrasting winning and losing in life, does so by taking as an image the perennial powerhouse college football team, the Alabama Crimson Tide. This accurate reproduction is the Backing Track or Underscore with Background Vocal parts. | Click To Listen |
| DEACON BLUES (Backing Track) | Rock/Pop | The song, while contrasting winning and losing in life, does so by taking as an image the perennial powerhouse college football team, the Crimson Tide. This accurate reproduction is the Backing Track or Underscore of the original Steely Dan arrangement. | Click To Listen |
| DEACON BLUES (Elevated Instrumental) | Rock/Pop | The song, while contrasting winning and losing in life, does so by taking as an image the perennial powerhouse college football team, the Alabama Crimson Tide. This Elevator Music or Muzak Instrumental reproduction stays close to the original. | Click To Listen |
| DEACON BLUES (Instrumental) | Rock/Pop | The song, while contrasting winning and losing in life, does so by taking as an image the perennial powerhouse college football team, the Crimson Tide. This Guitar based Instrumental or Underscore pulls closely from the original Steely Dan arrangement. | Click To Listen |
| DEDICATED TO THE ONE I LOVE (Elevated Instrumental) | Rock/Pop | Recreation of the classic top 10 Pop hit for the Mamas and the Papas arrangement into an Elevator Music Instrumental or Muzak-styled Underscore. | Click To Listen |
| DEDICATED TO THE ONE I LOVE (Instrumental) | Rock/Pop | Bizarre recreation of the classic R & B top 10 hit, combining elements of the Shirelles and the Mamas & the Papas arrangements into an Instrumental drunken swagger stumbling around a swing beat. Loose and sloppy with character and attitude. | Click To Listen |
| DEEP DARK TRUTHFUL MIRROR | Rock/Pop | This soulful Elvis Costello classic gets re-arranged in a churchy Gospel Jazz style featuring Perry Danos and full Horn Section, with compliments from Tower of Power. | Click To Listen |
| DEEP DARK TRUTHFUL MIRROR (Backing Track) | Rock/Pop | Backing Track or Underscore for the soulful Elvis Costello classic, re-arranged in a churchy Gospel Jazz style featuring Horn Section, compliments from Tower of Power. | Click To Listen |
| DEEP DARK TRUTHFUL MIRROR (Instrumental) | Rock/Pop | This soulful Elvis Costello classic gets re-arranged in a churchy Instrumental Gospel Jazz style featuring Electric Guitar, Tenor Sax, Muted Trumpet and Horn Section with compliments from Tower of Power. | Click To Listen |
| DIAMOND DUST (Elevated Instrumental) | Jazz (Contemporary) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DID I MAKE YOU UP | Rock/Pop | British Singer-Songwriter and Guitarist, Joan Armatrading, composed this upbeat and mysterious song. This arrangement is built around Finger-Style Nylon by Chet Atkins protégé, Pat Bergeson, supporting Connye Florance on Vocals. | Click To Listen |
| DID I MAKE YOU UP (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore for British Singer-Songwriter and Guitarist, Joan Armatrading’s upbeat and mysterious composition. This arrangement is built around Finger-Style Nylon picking by Chet Atkins protégé, Pat Bergeson, and Background Vocal parts. | Click To Listen |
| DID I MAKE YOU UP (Backing Track) | Rock/Pop | Backing Track or Underscore for British Singer-Songwriter and Guitarist, Joan Armatrading’s upbeat and mysterious composition. This arrangement is built around Finger-Style Nylon picking by Chet Atkins protégé, Pat Bergeson. | Click To Listen |
| DID I MAKE YOU UP (Elevated Instrumental) | Rock/Pop | British Singer-Songwriter and Guitarist, Joan Armatrading, composed this upbeat song. The ‘Elevated’ Instrumental arrangement here, is built around signature Guitar fills ala Mark Knopfler and features Flute Choir and Synth Viraphone melodies. | Click To Listen |
| DINOSAUR (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DIRE WOLF (Bluegrass) | Country (Bluegrass) | Perfect marriage, as Jerry Garcia has provided on many of his own recordings, that the Grateful Dead and Bluegrass belong together. This fine Garcia/Hunter composition floats effortlessly over Bluegrass style and instrumentation. | Click To Listen |
| DIRTY WORK (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DIRTY WORK (Instrumental) | Rock/Pop | Faithful Elevator Music Instrumental adaptation of the classic Steely Dan hit featuring Piano melody on the Verses, Sax section on the Choruses and Electric Guitar on the Bridge. Full Horn Section covers the original written parts. | Click To Listen |
| DOG AND BUTTERFLY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T ANSWER ME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T ASK ME WHY (Eurythmics – Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T ASK ME WHY (Instrumental) | Rock/Pop | Melancholy and bitter lyrics which describe the ending of a love relationship: “Don’t ask me why, I don’t love you anymore, I don’t think I ever did”. Re-cut here as an Elevator Music Instrumental featuring Teneor Sax and Electric Guitar. | Click To Listen |
| DON’T GO AWAY MAD (Elevated Instrumental) | Rock/Pop | Rocking “Elevated” Instrumental rearrange for the tune from the John Haitt/Ry Cooder 1992 collaboration, Little Village. This arrangement centers around Electric Guitar and Tenor Sax, backed by a Bluesey Trio featuring Hammond B3 Organ. | Click To Listen |
| DON’T GO AWAY MAD (Instrumental) | Rock/Pop | Rocking Instrumental rearrange for the tune from the John Haitt/Ry Cooder 1992 collaboration, Little Village. This arrangement centers around Electric Guitar and Tenor Sax, backed by a Bluesey Trio featuring Hammond B3 Organ. | Click To Listen |
| DON’T GO BREAKING MY HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T LEAD ME ON (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T LET THE SUN CATCH YOU CRYING | Standards | “Daddy’s done turned salty”. Blues Standard with Jazz overtones, featuring Perry Danos on lead Vocal with sultry Quartet in support. Beautiful Guitar solo at 2:25. | Click To Listen |
| DON’T LET THE SUN CATCH YOU CRYING (Backing Track) | Standards | Backing Track or Underscore for this Blues Standard with Jazz overtones, featuring a sultry Jazz Quartet with Acoustic Bass, Piano, Brush Work, and Electric Guitar, (solo at 2:25). | Click To Listen |
| DON’T LET THE SUN CATCH YOU CRYING (Elevated Instruymental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T LET THE SUN CATCH YOU CRYING (Sax and Guitar Instrumental) | Standards | Blues Standard with Jazz overtones, featuring Tommy Politzer on Tenor Sax and Pat Bergeson on Guitar with sultry Quartet in support. Beautiful Guitar solo at 2:25. | Click To Listen |
| DON’T LET THE SUN CATCH YOU CRYING (Sax Instrumental) | Standards | Blues Standard with Jazz overtones, featuring Tom E. Politzer on Tenor Sax with sultry Quartet in support. Beautiful Guitar solo at 2:25. | Click To Listen |
| DON’T MAKE ME OVER | Urban/R&B | Angry at her treatment by the record label and songwriting team, Bacharach/David, Dionne Warwick stormed out of the studio shouting, “Don’t make me over, man. You have to accept me for what I am!” Never to waste life’s inspiration, a song was born. | Click To Listen |
| DON’T MAKE ME OVER (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the classic hit inspired by Dionne Warwick’s moment of frustration when she decried her songwriting team, “Don’t make me over, man. You have to accept me for what I am!” | Click To Listen |
| DON’T MAKE ME OVER (Backing Track) | Urban/R&B | Backing Track or Underscore for the classic hit inspired by Dionne Warwick’s moment of frustration when she decried her songwriting team, “Don’t make me over, man. You have to accept me for what I am!” | Click To Listen |
| DON’T MAKE ME OVER (Country – Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the classic Dionne Warwick sixties hit, revamped into an Acoustic flavored, Finger-style, Country Ballad, with Bluegrass compliments combined with Piano and Electric Guitar. | Click To Listen |
| DON’T MAKE ME OVER (Country – Backing Track) | Country | Backing Track or Underscore for the classic Dionne Warwick sixties hit, revamped into an Acoustic flavored, Finger-style, Country Ballad, with Bluegrass compliments combined with Piano and Electric Guitar. | Click To Listen |
| DON’T MAKE ME OVER (Country) | Country | The classic Burt Bacharach / Hal David hit for Dionne Warwick has been fully revamped into an acoustic flavored, finger-style, Country Ballad, with Bluegrass compliments combined with Piano, Electric Guitar and Vocal Trio Backgrounds. | Click To Listen |
| DON’T RUSH ME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T STOP (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the rockin’ upbeat Traditional Bluegrass interpretation of the Fleetwood Mac mega-hit. Fast paced arrangement with 7-piece all acoustic Bluegrass band, Grassmasters, featuring members of the legendary Grand Ole Opry. | Click To Listen |
| DON’T STOP (Bluegrass) | Country (Bluegrass) | Rockin’ upbeat Traditional Bluegrass interpretation via Appelachia. Fast paced arrangement with 7-piece all acoustic Bluegrass band, Grassmasters, featuring members of the legendary Grand Ole Opry. | Click To Listen |
| DON’T STOP (Country Instrumental) | Country | Rockin’ upbeat Traditional interpretation via Appelachia. Fast paced arrangement with 9-piece Country band. Everyone gets a feature in this one, from Guitars, Fiddle, Dobro, Mandolin and Pedal Steel. | Click To Listen |
| DON’T STOP (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T STOP (Kids) | Country | Fast-paced Country styled Kids Bop remake of the Fleetwood Mac hit. Rockin’ upbeat Traditional interpretation via Nashville. Fast paced arrangement with a 9-piece Country band in support of ICE, The Island Choral Experience. Kids Rock the Country! | Click To Listen |
| DON’T TAKE ME ALIVE | Rock/Pop | A faithful Vocal interpretation of the Steely Dan seventies classic from the ‘Royal Scam’ album, featuring signature Guitar fills, Background Vocal parts and Fagan’s classic Fender Rhodes changes. ‘A case of dynamite!’ | Click To Listen |
| DON’T TAKE ME ALIVE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the Steely Dan seventies classic from ‘Royal Scam’, featuring signature Guitar fills and Fagan’s classic Fender Rhodes changes. A case of dynamite! | Click To Listen |
| DON’T TAKE ME ALIVE (Backing Track) | Rock/Pop | Backing Track or Underscore for the Steely Dan seventies classic from ‘Royal Scam’, featuring signature Guitar fills and Fagan’s classic Fender Rhodes changes. A case of dynamite! | Click To Listen |
| DON’T TAKE ME ALIVE (Elevated Instrumental) | Rock/Pop | Adapted for the Background Music business, this Instrumental of the Steely Dan classic features Vibes, Tenor Sax and Flute Choir with Guitar fills, A case of dynamite . . . well maybe poppers. An amusing Elevator Music interpretation for the lobby. | Click To Listen |
| DON’T TAKE ME ALIVE (Instrumental) | Rock/Pop | A faithful instrumental adaptation of the Steely Dan classic, featuring signature Guitar fills, Saxophone, and Horn Section, ala “Crusaders”. A case of dynamite! | Click To Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Country Instrumental) | Country | A haunting love song originally performed by the Beach Boys from the legendary “Pet Sounds” sessions. Re-arranged as an Instrumental featuring a mix of Country and Celtic influences (ie: Pennywhistle, Fiddle, Pedal Steel). Very quirky. | Click To Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Elevated Instrumental) | Rock/Pop | A haunting love song originally performed by the Beach Boys from the legendary “Pet Sounds” sessions. Re-arranged as an Instrumental for Elevator Music distribution. Outrageous Clarinet and Alto Sax feature, moody and languid. | Click To Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Halloween – Backing Track w/BGVs and SFX) | Rock/Pop | Backing Track or Underscore with the ghostly Background Vocals for the haunting love song originally performed by the Beach Boys. Re-arranged as a spectre of Halloween, Very quirky, with plenty of Sound Effects and the ‘Phantom’ on Pipe Organ. | Click To Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Halloween – Backing Track w/SFX) | Rock/Pop | Backing Track or Underscore for the haunting love song originally performed by the Beach Boys. Re-arranged as a spectre of Halloween, Very quirky, with plenty of Sound Effects and the ‘Phantom’ on Pipe Organ. | Click To Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Halloween) | Rock/Pop | A haunting love song originally performed by the Beach Boys. Re-arranged as a spectre of Halloween, spoken like a true Transylvanian, in the dialect of that notorius vampire. Very quirky, with plenty of Sound Effects and the ‘Phantom’ on Pipe Organ. | Click To Listen |
| DON’T TELL ME (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T TOUCH MY HAT (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T WANT TO BE A FOOL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T YOU GET IT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DON’T YOU KNOW WHAT THE NIGHT CAN DO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DREAMLOVER (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DRIVE SOUTH (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DRIVE SOUTH (Instrumental) | Rock/Pop | John Hiatt penned travelling Instrumental. Flute, Tenor Sax and Electric Guitar wander through the melody with a Guitar oriented Rhythm Section in support. The song became a Top 10 hit on the Billboard Country charts for Suzy Bogguss in 1992. | Click To Listen |
| DRIVING WITH THE BRAKES ON (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| DUNCAN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| EASY FOR YOU TO SAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| EL CONDOR PASA (Bluegrass) | Country (Bluegrass) | ‘The Condor Flies By’ is a song from the Zarzuela. ‘El Cóndor Pasa’ by Peruvian composer Daniel Robles written in 1913 and based on a Traditional Inca Andean Folk tune. This version is re-arranged as a Bluegrass Instrumental with an all acoustic 5-piece. | Click To Listen |
| EL CONDOR PASA (Country Instrumental) | Country | ‘The Condor Flies By’ is a song from the Zarzuela ‘El Cóndor Pasa’ by Peruvian composer Daniel Robles written in 1913 & based on a Traditional Inca Andean Folk tune. This well-known melody is re-arranged as a Country Instrumental, with World influences. | Click To Listen |
| EL CONDOR PASA (Guitar Instrumental) | Traditional/Americana | Translated means “The Condor Passes”. Acoustic Guitars and Fender Bass make a sparce treatment of the Traditional Andean Folk song, more recently brought to popularity by Simon and Garfunkel, featuring Tower of Power Guitar man, Jerry Cortez on Slide. | Click To Listen |
| END OF THE DAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| ETHYLENE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| EVEN IT UP (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| EVERY HEARTBEAT | Rock/Pop | A Top 10 1991 single by Christian artist Amy Grant, reproduced faithfully with Laurie McKechnie, in standard ‘sound alike’ fashion, original Horn arrangements included. | Click To Listen |
| EVERY HEARTBEAT (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore for the Top 10 1991 single by Christian artist Amy Grant, reproduced faithfully in standard ‘sound alike’ fashion, original Horn arrangements included. | Click To Listen |
| EVERY HEARTBEAT (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental Undersocore for the Top Ten 1991 single by Christian artist, Amy Grant, reproduced faithfully with original Horn arrangements and featuring Vibes and Nylon Guitar melodies. Suitable for entertaining! | Click To Listen |
| EVERY KINDA PEOPLE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| EVERY TIME YOU LIE | Rock/Pop | Viable Synth-Pop artist from the Disney mold, Demi Lovato’s album cut has been faithfully lifted for young up-and-comer, Gilda Afifi. Signature Synth elements remain in this song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click To Listen |
| EVERY TIME YOU LIE (Backing Track w/BGvs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the reproduction of Synth-Pop artist, Demi Lovato’s 2009 song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click To Listen |
| EVERY TIME YOU LIE (Backing Track) | Rock/Pop | Backing Track or Underscore for the reproduction of Synth-Pop artist, Demi Lovato’s 2009 song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click To Listen |
| EVERYDAY I WRITE THE BOOK | Rock/Pop | Elvis Costello’s classic, recorded with Tower of Power Tenor Sax and Guitar men. Arranged with full Horn Section, Congas, and multiple layers of Keyboard and Background Vocal parts. Nashville’s Perry Danos provides lead Vocal. | Click To Listen |
| EVERYDAY I WRITE THE BOOK (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocals for Elvis Costello’s classic, recorded with Tower of Power Tenor Sax and Guitar men. Arranged with full Horn Section, Congas, and multiple layers of Keyboards and Background Vocal parts. | Click To Listen |
| EVERYDAY I WRITE THE BOOK (Backing Track) | Rock/Pop | Backing Track or Underscore for Elvis Costello’s classic, recorded with Tower of Power Tenor Sax and Guitar men. Arranged with full Horn Section, Congas, and multiple layers of Keyboards. | Click To Listen |
| EVERYDAY I WRITE THE BOOK (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Underscore Intrumental cover of an Elvis Costello classic, re-arranged with Tower of Power Sax, Trumpet and Guitar men on melodic duties, Hammond B3 Organ, Congas, and a few dental chairs. | Click To Listen |
| EVERYDAY I WRITE THE BOOK (Instrumental) | Rock/Pop | Elaborate Contemporary Instrumental cover of an Elvis Costello classic, re-arranged with Tower of Power Sax and Guitar men on melodic duties. ‘Elevated’ jazz arr. with full Horn Section, Congas, and a few sparce Background Vocal parts. Living players! | Click To Listen |
| EVERYDAY WILL BE LIKE A HOLIDAY (Backing Track) | Jazz (Mainstream) | Backing Track or Underscore for the Holly Cole arrangement. This song, written by Stax Records impresarios, William Bell and Booker T. Jones, has been given a light, Gospel flavored Piano and Tenor Sax treatment ala Vince Guarldi, Memphis style. | Click To Listen |
| EVERYDAY WILL BE LIKE A HOLIDAY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| EVERYTHING MUST CHANGE | Jazz (Vocal) | Jazz Rhapsody artist, Connye Florance, breathes new life into this Vocal Jazz Standard. A soul searching Ballad that exemplifies the one thing in this universe that is constant is change. Everthing and everyone is in a never ending dance of transition. | Click To Listen |
| EVERYTHING MUST CHANGE (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental version of the classic Soul Standard. A Ballad that exemplifies the one thing in this universe that is constant is change. Everthing and everyone is in a never ending dance of flux and transition. | Click To Listen |
| EVERYTHING MUST CHANGE (Jacob) | Rock/Pop | Australian Pianist, Stephen Jacob, creates a pastoral Instrumental Easy Listening version of the classic Jazz Standard. A soul searching Ballad that exemplifies the one thing in this universe that is constant: change. | Click To Listen |
| EVERYTIME I CRY | Country | This Top 10 Country song chronicles a woman’s continuing disappointment in her ex-lover who keeps putting her heart into misery over and over again. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click To Listen |
| EVERYTIME I CRY (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click To Listen |
| EVERYTIME I CRY (Backing Track) | Country | Backing Track or Underscore for a top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. Recorded live in Nashville’s famed Ocean Way Studio with an 8-piece Country band. | Click To Listen |
| EVERYTIME I CRY (Elevated Instrumental) | Country | Elevator Music Instrumental or Muzak styled Underscore for the top 10 Country song that chronicles a woman’s continuing disappointment in her ex-lover. | Click To Listen |
| FALLEN ANGEL (Background Instrumental) | Rock/Pop | Instrumental Background or ‘Elevator Music’ arrangement to Robbie Robertson’s lead track from the 1987 album. “Fallen Angel” was dedicated to Robertson’s former ‘Band’ mate, Richard Manuel. Cut here with Piano & Woodwinds, Sax & progressive Percussion. | Click To Listen |
| FALLEN ANGEL (Elevated Instrumental) | Rock/Pop | Instrumental Background or ‘Elevator Music’ arrangement to Robbie Robertson’s lead track from the 1987 album. “Fallen Angel” was dedicated to Robertson’s former ‘Band’ mate, Richard Manuel. Cut here with Piano & Woodwinds, Sax & progressive Percussion. | Click To Listen |
| FEELIN’ ALRIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FEELING IN MY HEART FOR YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FEELS LIKE HEAVEN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FERRY CROSS THE MERSEY (Guitar Instrumental) | Rock/Pop | Written as an homage to his home town, Gerry Marsden recorded this sentimental 1960’s hit with Gerry and the Pacemakers at the peak of the British Invasion. Re-arranged for solo Acoustic Steel-String Guitar. Brilliant interpretation, emotive and serene. | Click To Listen |
| FEZ, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FINER THINGS, THE (Elevated Instrumental 1) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FINER THINGS, THE (Elevated Instrumental 2) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FM (NO STATIC AT ALL) (Elevated Instrumental) | Movie/TV Themes | Muzak styled Instrumental arrangement of the Steely Dan classic Rock Theme song, from the movie of the same name. This ‘Elevated’ arrangement features Nylon Guitar, Tenor Sax and Synth Vibes, supported by the Seattle Ballet Orchestra Strings. | Click To Listen |
| FM (NO STATIC AT ALL) (Instrumental w/BGVs) | Rock/Pop | ‘Elevated’ Instrumental arrangement of the Steely Dan classic rock theme song. Tenor Sax and Guitar in call and answer interplay. Smooth Jazz group supported with the Seattle String Ensemble, Trombone solo at 1:50, Guitar improv from 3:00 through fade. | Click To Listen |
| FOR EVERY HEART THAT’S BEEN BROKEN (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FOR MY LADY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FOR SENTIMENTAL REASONS (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FOREVER’S AS FAR AS I’LL GO (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FREEDOM RIDER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FRIEND OF THE DEVIL (Bluegrass) | Country (Bluegrass) | Runnin’ from the law, juggling two women, illegitamate child, yes . . . makings of a good soap. But, this is the Instrumental version. A Bluegrass interpretation as well, with plenty of intrigue. | Click To Listen |
| FROM A DISTANCE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| FROM THIS MOMENT ON (Guitar Instrumental) | Rock/Pop | Shania Twain’s Country Pop Ballad has been re-invented for Acoustic Fingerstyle Guitar by Tower of Power’s Guitarist, Jerry Cortez. Twain recalls writing the song during a soccer game in Italy when her mind wandered from the action. | Click To Listen |
| FUN, FUN, FUN (Country Instrumental) | Country | Popular Beach Boys song about a teenage daughter who decides to screw off instead of studying. Re-arranged as an Instrumental Country-Rocker with signature Guitar lines and solo, and featuring Saxophone, Pedal-Steel and Violin with Background Vocals. | Click To Listen |
| FUNKY LITTLE NOTHING (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GALWAY BAY (Acappella) | World | In the tradition of legendary John McCormack, this Irish Tenor Solo Vocal piece tells the plight of Ireland and may well be heard in the pubs any given day. Made famous by Bing Crosby, it became a huge hit around the world with Irish emigrants. | Click To Listen |
| GET IT RIGHT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GET ON YOUR FEET (Cue) | Techno/Electronica | 45 second Cue, Segue or Transition for the Dance re-mix of the popular Miami Sound Machine recording from the late eighties. Cut here with Techno Drum Loops, layers of Guitars and Keyboards, with full Horn Section. | Click To Listen |
| GET ON YOUR FEET (Dance Mix – Backing Track) | Techno/Electronica | Backing Track or Underscore for the Dance re-mix of the popular Miami Sound Machine recording from the late eighties. Cut here with Techno Drum Loops, layers of Guitars, Keyboards and full Horn Section. Guitar solo at 2:25. | Click To Listen |
| GET ON YOUR FEET (Dance Mix) | Techno/Electronica | Dance re-mix of the popular Miami Sound Machine recording from the late eighties. Cut here with Techno Drum loops, layers of Guitars and Keyboards and full Horn Section. Guitar solo at 2:25. | Click To Listen |
| GET ON YOUR FEET (Elevated Instrumental) | Urban/R&B | Instrumental Muzak or Elevator Music re-mix of the popular Miami Sound Machine recording from the late eighties. Cut here with techno drum loops, layers of Guitars and Keyboards and full Horn Section. 7-11 anyone? | Click To Listen |
| GET TOGETHER (Elevated Instrumental 1) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GET TOGETHER (Elevated Instrumental 2) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GIRL FROM IPANEMA | Jazz (Latin) | Jobim’s most recognized Brazilian Bossa Nova won a Grammy for Record of the Year in 1965. A classic theme of disinterest and desire. The girl “just doesn’t see” her admirer, Keyboard based Latin arrangement with Jennifer Ivester’s sultry interpretation | Click To Listen |
| GIRL FROM IPANEMA (Backing Track) | Jazz (Latin) | Backing Track or Underscore for Jobim’s most recognized Brazilian Bossa Nova that won a Grammy for ‘Record of the Year’ in 1965. A classic theme of disinterest and desire. The girl “just doesn’t see” her admirer. Keyboard based Latin arrangement. | Click To Listen |
| GIRL FROM IPANEMA (Instrumental) | Jazz (Latin) | Keyboard based Latin Intrumental arrangement featuring Flugelhorn for Antonio Carlos Jobim’s most recognized Brazilian Bossa Nova, a Grammy winner for Record of the Year in 1965. A classic theme of disinterest and desire. Horn Section takes the Bridge. | Click To Listen |
| GIRL ON TABLE FOUR (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GIRLS ON THE BEACH (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GO DOWN EASY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GOD BLESS AMERICA (Elevated Instrumental) | Traditional/Americana | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GOD BLESS THE U. S. A. | Country | Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. Given new treatment by Teen-aged Christian group, Jumpin’ Kids O’ Joy, backed by Nashville’s ‘A’ team of studio magicians. | Click To Listen |
| GOD BLESS THE U. S. A. (Backing Track w/Choir BGVs) | Country | Backing Track or Underscore with Background Vocal parts for Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. With Background Vocals by Teen-aged Christian group, Jumpin’ Kids O’ Joy, backed by Nashville’s ‘A’ team of studio magicians. | Click To Listen |
| GOD BLESS THE U. S. A. (Backing Track) | Country | Backing Track or Underscore for Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. Featuring Nashville’s ‘A’ team of studio magicians. | Click To Listen |
| GOD BLESS THE U. S. A. (Cue 1) | Religious | 31 second Cue or Transition for Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. Featuring Nashville’s ‘A’ team of studio magicians, backing ICE, the Island Choral Experience. | Click To Listen |
| GOD BLESS THE U. S. A. (Cue 2) | Religious | 48 second Cue or Transition for Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. Featuring Nashville’s ‘A’ team of studio magicians, backing ICE, the Island Choral Experience. | Click To Listen |
| GOD ONLY KNOWS (Country Instrumental) | Country | One of the first commercial Pop songs with the word “God” in its title, this Beach Boys classic is one of their most widely recognized. Re-arranged as a lovely Country Ballad featuring Violin and Background Vocal interlude. | Click To Listen |
| GOD ONLY KNOWS (Elevated Instrumental) | Rock/Pop | One of the first commercial Pop songs with the word “God” in its title, this Beach Boys classic is one of their most widely recognized. Re-arranged for the Elevator Lounge, (ie: Muzak Instrumental), featuring | Click To Listen |
| GOD’S COMIC (Instrumental) | Rock/Pop | A unique and quirky Elvis Costello classic, re-arranged as a cool Contemporary Swing Instrumental featuring Flute & Double Octave Electric Guitar on melodies. This arrangement includes Marimba & the twisted Horn parts enter at 3:00 and play the fade-out. | Click To Listen |
| GOING OUT OF MY HEAD | Urban/R&B | Little Anthony and the Imperials original recording is the most commonly known version of this popular Soul Ballad and Top 10 Hit. It has been covered numerous times since, including the Luther Vandross arrangement here. | Click To Listen |
| GOING OUT OF MY HEAD (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GOLDEN HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GOOD VIBRATIONS (Elevated Instrumental) | Rock/Pop | “Good Vibrations” succeeds in suggesting the healthy emanations that should result from psychic tranquility and inner peace. This Beach Boys classic has been re-arranged as an Elevator Music Instrumental for the ‘Muzak’ application. A strange dichotomy. | Click To Listen |
| GOODBYE YELLOW BRICK ROAD (Country Instrumental) | Country | Nashville ‘A’ team studio band’s Instrumental interpretation of Elton John’s classic Rock Standard featuring Fiddle, Steel, Electric Guitar and Piano. | Click To Listen |
| GREEN EARRINGS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click To Listen |
| GUS, THE THEATRE CAT | Broadway | Composed by Andrew Lloyd Webber, based on “Old Possum’s Book of Practical Cats” by T. S. Eliot, this re-record of “Gus, the Theatre Cat” gives Dana Sedgwick an expressive opportunity, and she rises to the occasion. Brilliant. | Click To Listen |
| GUS: THE THEATRE CAT (Backing Track) | Broadway | Backing Track or Underscore for the song from the Broadway show, “Cats”, composed by Andrew Lloyd Webber, based on “Old Possum’s Book of Practical Cats” by T. S. Eliot. | Click To Listen |
| HARD TO SAY I’M SORRY (Backing Track) | Rock/Pop | Backing Track or Underscore for Chicago’s #1 Power Ballad from 1982, featuring the 27 piece Seattle Ballet Orchestra Strings. Typical Cetera/Foster Power Pop, identifiable, big and romantic. | Click To Listen |
| HARD TO SAY I’M SORRY (Instrumental) | Rock/Pop | Chicago’s #1 Power Ballad from 1982, rearranged as an Instrumental featuring Tenor Sax and 27 piece String Section, the Seattle Ballet Orchestra. Typical Cetera/Foster Power Pop, identifiable, big and romantic. | Click To Listen |
| HAVE I TOLD YOU LATELY THAT I LOVE YOU (Guitar Instrumental) | Rock/Pop | Written by Northern Irish singer-songwriter Van Morrison, a romantic Ballad often played at weddings, although it was originally written as a prayer. Jerry Cortez from Tower of Power has rearranged this version for solo Acoustic Guitar. | Click To Listen |
| HAZY SHADE OF WINTER (Country Instrumental) | Country | 12-Piece Nashville Country studio band whips this Simon and Garfunkel chestnut into an Instrumental frenzy. Featuring layers of Guitars, including 12-String, Fiddle and Accordion with the signature Trumpet and Oboe lines. | Click To Listen |
| HEALING HANDS (Background Instrumental) | Rock/Pop | ‘Healing Hands’ was Elton John’s last million seller of the eighties, inspired by the Motown hit, “Reach Out and I’ll Be There”, by the 4 Tops. | Click To Listen |
| HEIRLOOMS (Kids) | Kids | The value of family and faith overides ones collected memories and material trappings. Sung by 10 year-old Madison Pearson with support from ICE, the Island Choral Experience, with Piano accompaniment. | Click To Listen |
| HELP ME, RHONDA (Country Instrumental) | Country | This popular sixties Beach Boys song was their second #1 hit single. Re-arranged as a Country-Rock Instrumental, including the signature Guitar solo. | Click To Listen |
| HERE WITH ME (Background Instrumental) | Urban/R&B | Nineties, Smooth Jazz, Hip-Hop take on soul singer, Philip Bailey’s, (Earth, Wind & Fire), tune. Tenor Sax and Electric Guitar feature. Sequenced Drums and Bass, Woodwinds fill out the Rhythm Section. | Click To Listen |
| HIDE AND SEEK (Acappella) | Rock/Pop | A Cappella Choral version of the Imogen Heap Vocoder piece about having painfully lost someone and how others react to things that happen to someone else. Environmental issues could also be loosely tied to the lyrics. This version features 5-octave lead | Click To Listen |
| HIDE AND SEEK (Sheherazade) | Rock/Pop | A Cappella Choral version of the Imogen Heap Vocoder piece about having painfully lost someone and how others react to things that happen to someone else. Environmental issues could also be loosely tied to the lyrics. | Click To Listen |
| HIGH NOON | Country | A signature Western Cowboy Ballad, handled with care and reverence in this arrangement. Winner of the Academy Award for best original song in 1952. Featuring a traditional 5-piece acoustic Country band with Perry Danos on lead Vocal. | Click To Listen |
| HIGH NOON (Backing Track) | Country | Backing Track for the signature western Cowboy Ballad, handled with care and reverence in this arrangement. Winner of the Academy Award for best original song. Featuring a traditional 5-piece acoustic Country band of Nashville ‘A’ team studio cats. | Click To Listen |
| HOLLYWOOD (SOME OTHER KINDA TOWN) (Country Instrumental) | Country | This song of moving on and returning to your roots was recorded by Fleetwood Mac in 1995. Re-arranged in a Country style featuring Hammond B3 Organ and Electric Guitar on melodic duties. | Click To Listen |
| HOMEWARD BOUND (Bluegrass) | Country (Bluegrass) | A classic well-known sixties road song from Simon and Garfunkel, re-arranged in a classic Bluegrass style featuring Acoustic Guitars, Mandolin, Banjo and Fiddle, with partial Vocals by Andrea Zonn and Darrin Vincent. | Click To Listen |
| HOMEWARD BOUND (Country Instrumental) | Country | A classic well-known sixties road song from Simon and Garfunkel, re-arranged Country-style featuring layers of Guitars, Mandolin, Pedal Steel and Fiddle, with partial Vocals by Andrea Zonn and Darrin Vincent. | Click To Listen |
| HONKY CAT | Rock/Pop | An often told tale of a country boy craving the “bright lights and big city”. The popular Elton John song was originally recorded in 1972. This re-interpreted rocker features the classic Piano riffs and Horn Section arrangements. | Click To Listen |
| HONKY CAT (Backing Track) | Rock/Pop | Backing Track or Underscore for the classic tale of a country boy craving the “bright lights and big city”, this popular Elton John song was recorded in 1972. This re-interpreted rocker features the classic Piano riffs and Horn Section arrangements. | Click To Listen |
| HONKY CAT (Country Instrumental) | Country | A classic tale of a country boy craving the “bright lights and big city”, this popular Elton John song was originally recorded in 1972. Arranged as a swampy Instrumental Country Rocker featuring the classic Piano riffs, Horn Section and Acoustic Guitar. | Click To Listen |
| HOPELESSLY (Instrumental) | Rock/Pop | Instrumental interpretation for British Pop artist, Rick Astley’s hit from the early nineties. Multiple layers of Keyboards and Percussion, including the iconic TR-808 Drum Machine, supports Tenor Sax and Guitar melodies. | Click To Listen |
| HOY (Backing Track w/BGVs) | World | Backing Track with Background Vocal parts for the Spanish language song, translated to English means “today”. Peruvian/Inca influences ever present, featuring an 8-piece Latin group with layers of Percussion, Accordion, Flute and Acoustic Guitars. | Click To Listen |
| HOY (Backing Track) | World | Backing Track or Underscore for the Spanish language song, translated to English means “today”. Peruvian/Inca influences ever present, featuring an 8-piece Latin group with layers of Percussion, Accordion, Flute and Acoustic Guitars. | Click To Listen |
| HOY (Spanish) | Rock/Pop | Spanish language song translated to English means “today”. Peruvian/Inca influences ever present. Teen aged Latino, Adrianna Bernal sings with an 8-piece group that features layers of Percussion, Accordion, Flute and Acoustic Guitars. | Click To Listen |
| I AM A ROCK (Bluegrass) | Country (Bluegrass) | A popular Simon and Garfunkel song about being reclusive and withdrawing from the world. This version has been re-arranged as an Instumental in classic Bluegrass style, featuring an acoustic 6-piece group of Grand Ole Opry regulars. | Click To Listen |
| I AM A ROCK (Country Instrumental) | Country | A popular Simon and Garfunkel song about being reclusive and withdrawing from the world. This version has been re-arranged as an Instumental in classic Country-style, featuring Guitar, Fiddle, Hammond B3 Organ, and Dobro on melodic duties. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME | Rock/Pop | On the list for one of the top 500 songs of all time, this popular song, recorded by Bonnie Raitt, is given a genuine, honest and delicate performance by teen phenom, Dana Sedgwick. Heartfelt support from Vocal Quartet, Piano, Hammond B3 & Upright Bass | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Backing Track w/BGVs) | Rock/Pop | Backing Track with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Vocal Quartet, Piano, Guitar, Hammond B3 Organ and Upright Bass. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Backing Track) | Rock/Pop | Backing track for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guiatr, Hammond B3 Organ and Upright Bass. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Bartenetti) | Rock/Pop | On the list for one of the top 500 songs of all time, this popular song, recorded by Bonnie Raitt, is given a genuine, honest and delicate performance by L. A. Jazz Vocalist, Marsha Bartenetti. Heartfelt support from Vocal Quartet, Piano and Hammond B3. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Guitar and Sax Instrumental w/BGVs) | Rock/Pop | Instrumental interpretation with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song is given a genuine, honest and heartfelt arrangement featuring Guitar on the Verses and Tenor Sax on the Choruses. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Guitar Instrumental w/BGVs) | Rock/Pop | Guitar Instrumental with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Vocal Quartet, Piano, Guitar, Hammond B3 Organ & Upright Bass. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Guitar Instrumental) | Rock/Pop | Guitar Instrumental for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ and Upright Bass. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Sax and Guitar Instrumental w/BGVs) | Rock/Pop | Instrumental interpretation with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song is given a genuine, honest and heartfelt arrangement featuring Tenor Sax on the Verses and Electric Guitar on the Choruses. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Sax Instrumental w/BGVs) | Rock/Pop | Tenor Sax Instrumental with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ & Upright Bass. | Click To Listen |
| I CAN’T MAKE YOU LOVE ME (Sax Instrumental) | Rock/Pop | Tenor Sax Instrumental for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ & Upright Bass. | Click To Listen |
| I COULDN’T SEE YOU LEAVIN’ (Background Instrumental) | Country | Typical Muzak-styled Elevator Music interpretation of the Conway Twitty Top Ten hit from 1990. Ideal for the grocery aisle, insipid and campy. Layers of Woodwinds and Reeds provide the right mood for any audio wallpaper or dentist chair scene. | Click To Listen |
| I DON’T NEED NO DOCTOR | Urban/R&B | Doctor, prescription, chills, critical list. All necessary analogies for Ray’s proclamation of desire per hospital metaphors. Nashville ‘A’ team studio surgeons disect this little heartfelt number featuring Vocalist Perry Danos with Rhodes & Hammond B3. | Click To Listen |
| I DON’T NEED NO DOCTOR (Backing Track) | Urban/R&B | Backing Track or Underscore for Ray Charles’ metaphorical hit from the sixites. Nashville ‘A’ team studio surgeons disect this little heartfelt Soul-Blues featuring Rhodes Piano, Electric Guitar and Hammond B3 Organ. I-V anyone? | Click To Listen |
| I GUESS THAT’S WHY THEY CALL IT THE BLUES | Rock/Pop | Well recognized Elton John hit from 1983, faithfully covered by Nashville performing artist, Perry Danos. Includes signature Chromatic Harmonica solo at 2:45. Allmusic declares the song “likely to stand the test of time as a Standard.” | Click To Listen |
| I GUESS THAT’S WHY THEY CALL IT THE BLUES (Backing Track w/BGvs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for Elton John’s well recognized hit from 1983, faithfully covered, including signature Chromatic Harmonica solo at 2:45. Allmusic declares the song “likely to stand the test of time as a Standard.” | Click To Listen |
| I GUESS THAT’S WHY THEY CALL IT THE BLUES (Backing Track) | Rock/Pop | Backing Track or Underscore for Elton John’s well recognized hit from 1983, faithfully covered, including the signature Chromatic Harmonica solo at 2:45. Allmusic declares the song “likely to stand the test of time as a Standard.” | Click To Listen |
| I GUESS THAT’S WHY THEY CALL IT THE BLUES (Country Instrumental) | Country | Well recognized Elton John hit from 1983. Re-arranged as a Country Blues Rocker featuring Guitar, Pedal Steel and Background Vocals. Chromatic Harmonica solo at 2:45. Allmusic declares the song “likely to stand the test of time as a standard.” | Click To Listen |
| I HAVE A LOVE | Country | A song of confirmation and finality from West Side Story. This arrangement was inspired by the 1996 tribute album that included the Trisha Yearwood Country-styled performance. Featuring the Seattle Symphony String section, Pedal Steel and Piano. | Click To Listen |
| I HAVE A LOVE (Backing Track) | Standards | Backing Track or Underscore for the bittersweet love song of confirmation and finality from ‘West Side Story’. This Country flavored arrangement features the Seattle Symphony String section, Pedal Steel and Acoustic Guitar. | Click To Listen |
| I HOPE YOU DANCE | Country | Grammy Award winning crossover Inspirational Country Pop song originally recorded by Country artist, Lee Ann Womack, considered to be her signature song. Lyrically, to think about children and hope for the future. | Click To Listen |
| I HOPE YOU DANCE (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the Grammy Award winning crossover Inspirational Country Pop song. Recorded by Country artist, Lee Ann Womack, considered to be her signature song, looks to the future with optimism. | Click To Listen |
| I HOPE YOU DANCE (Backing Track) | Country | Backing Track or Underscore for the Grammy Award winning crossover Inspirational Country Pop song recorded by Country artist, Lee Ann Womack, considered to be her signature song. A Pop Anthem regarding hope for the future. | Click To Listen |
| I KNOW THERE’S AN ANSWER (Background Instrumental) | Rock/Pop | The song was written as a reaction to Wilson’s experiences with LSD, as he explained, “I had gotten into that kind of thing. I guess it just came up naturally.” This Instrumental take leans on the Background Underscore approach, suitable for elevators! | Click To Listen |
| I KNOW THERE’S AN ANSWER (Backing Track) | Rock/Pop | The song was written as a reaction to Wilson’s experiences with LSD, as he explained, “I had gotten into that kind of thing. I guess it just came up naturally.” This Backing Track leans on the Background Underscore approach, suitable for Karaoke bars. | Click To Listen |
| I KNOW YOU BY HEART | Rock/Pop | Poignant song of love and loss, reminiscence and heartache. Beautiful imagery and lyrical depth. Originally by Eva Cassidy but handled with sensitivity by young Dana Sedgwick. Vocal Group Backgrounds, Piano and Acoustic Guitar support. | Click To Listen |
| I KNOW YOU BY HEART (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the poignant song of love and loss, reminiscence and heartache. Beautiful imagery and lyrical depth. Vocal Group Backgrounds, Piano and Acoustic Guitar lend support. | Click To Listen |
| I KNOW YOU BY HEART (Backing Track) | Rock/Pop | Backing Track or Underscore for the poignant song of love and loss, reminiscence and heartache. Beautiful imagery and depth. Piano and Acoustic Guitar lend support. | Click To Listen |
| I MISS YOU SO | Standards | The classic Paul Anka hit from 1959, and more recently remade by the likes of Diana Krall and Willie Nelson, has found a new home with Perry Danos in 2015, featuring Nashville’s finest studio pros in support | Click To Listen |
| I MISS YOU SO (Backing Track) | Standards | Backing Track or Underscore for the classic Paul Anka hit from 1959, and more recently remade by the likes of Diana Krall and Willie Nelson. This 2015 recording features Nashville’s finest studio pros recorded at Ocean Way Studios. | Click To Listen |
| I NEED YOU | Country | Beautiful Country Ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros and Vocal Quartet, Margie Cates and Her Boys, back Kimberly Hope on Lead. | Click To Listen |
| I NEED YOU (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for this beautiful country ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros and Vocal Quartet perform. | Click To Listen |
| I NEED YOU (Backing Track) | Country | Backing Track or Underscore for this beautiful Country Ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros play with confidence and sensitivity. | Click To Listen |
| I NEED YOUR LOVIN’ EVERYDAY | Urban/R&B | Don Gardner and Dee Dee Ford’s rambunctious screamer gets the 2013 treatment by Perry Danos and Connye Florance. This new master recording features a false ending, ala the original, coming to an end, then starting up again, typical of Gospel in the era. | Click To Listen |
| I NEED YOUR LOVIN’ EVERYDAY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for Don Gardner and Dee Dee Ford’s rambunctious screamer, getting the 2013 treatment. This new master recording features a false ending ala the original, coming to an end, then starting up again. | Click To Listen |
| I NEED YOUR LOVIN’ EVERYDAY (Backing Track) | Urban/R&B | Backing Track or Underscore for Don Gardner and Dee Dee Ford’s rambunctious screamer, getting the 2013 treatment. This new master recording features a false ending ala the original, coming to an end, then starting up again, typical of Gospel in the era. | Click To Listen |
| I WANT YOU (Gaye – Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Motown classic from Marvin Gaye. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click To Listen |
| I WANT YOU (Gaye – Backing Track) | Urban/R&B | Backing Track or Underscore for the Motown classic from Marvin Gaye. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click To Listen |
| I WANT YOU (Gaye – R&B) | Urban/R&B | Motown classic from Marvin Gaye, newly recorded with Tower of Power’s vocalist, Larry Braggs. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click To Listen |
| IF I HAD MY WAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the 4-Chord Riff-Jam from crossover Soul-Jazz artist Nancy Wilson in the late nineties. Fender Rhodes Piano and Rhythm Electric Guitar hold down the changes. Acoustic Guitar takes a solo at 2:50. | Click To Listen |
| IF MY HEART WAS A HOUSE | Rock/Pop | A song from Indy Electronica Synthpop artist, Owl City, (Adam Young), and released through iTunes as a Bonus Track from the 2009 album, ‘Ocean Eyes’. Re-cut here utilizing a mix of sequences and ‘live’ players, and featuring Toya Marrow on Vocals. | Click To Listen |
| IF MY HEART WAS A HOUSE (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from Indy Electronica Synthpop artist, Owl City, (Adam Young), and released through iTunes as a Bonus Track from the 2009 album, ‘Ocean Eyes’. Re-cut here utilizing a mix of sequences and ‘live’ players. | Click To Listen |
| I’M IN A PHILLY MOOD (Backing Track) | Rock/Pop | There’s a lot of stuff in this Backing Track or Underscore of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click To Listen |
| I’M IN A PHILLY MOOD (Instrumental) | Rock/Pop | There’s a lot of stuff in this Instrumental rendition of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click To Listen |
| I’M JUST A LUCKY SO AND SO | Standards | Duke Ellington Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Piano-Guitar based Quartet backs Jennifer Ivester, Piano solo at 1:50, Guitar solo at 2:45 | Click To Listen |
| I’M JUST A LUCKY SO AND SO (Amy) | Standards | Duke Ellington Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Paino-Guitar based Quartet back 15 year old Amy Gottlieb, Piano solo at 1:50, Guitar solo at 2:45 | Click To Listen |
| I’M JUST A LUCKY SO AND SO (Backing Track) | Standards | Badcking Track or Underscore for Duke Ellington’s Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Piano-Guitar based Quartet , Piano solo at 1:50, Guitar solo at 2:45. | Click To Listen |
| I’M ONLY HUMAN (Background Instrumental) | Urban/R&B | Urban, Smooth Jazz Instrumental interpretation of Luther Vandorss’ 1998 song of human error, regret and begging forgiveness. Layers of Keyboards support Electric Guitar, Trombone, Trumpet and Tenor Sax melodies. Sleazy and laidback. | Click To Listen |
| I’M ONLY HUMAN (Backing Track) | Urban/R&B | Urban, Smooth Jazz Backing Track or Underscore of Luther Vandorss’ 1998 song of human error, regret and begging forgiveness. Sleazy and laidback. | Click To Listen |
| I’M STILL IN LOVE WITH YOU | Urban/R&B | Faithful reproduction of the classic Al Green Top 10 Hit and million seller from 1972. Written by Green, Memphis Producer Willie Mitchell and former MG Drummer, Al Jackson Jr. This recording features Northwest Soul artist, Antowaine Richardson. | Click To Listen |
| I’M STILL IN LOVE WITH YOU (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the faithful reproduction of the classic Al Green Top 10 Hit and million seller from 1972. Written by Green, Memphis Producer Willie Mitchell and former MG Drummer, Al Jackson Jr. | Click To Listen |
| IN MY ROOM | Rock/Pop | Classic tale of teenage angst and escape, a Beach Boys hit in 1963, re-arranged here as a bittersweet Jazz Ballad with a taste of Country for good measure, featuring sultry voiced Jennifer Ivester, Violin solo at 1:50. | Click To Listen |
| IN MY ROOM (Backing Track) | Country | Backing Track or Underscore for the classic tale of teenage angst and escape, a Beach Boys hit in 1963. Re-arranged here as a bittersweet Country Ballad featuring 8-piece Nashville studio heavies. | Click To Listen |
| IN MY ROOM (Country Instrumental) | Country | Classic tale of teenage angst and escape, this Beach Boys hit was recorded in 1963. Re-arranged here as a bittersweet Country Ballad featuring Chromatic Harmonica and Fiddle. | Click To Listen |
| INCH BY INCH | Rock/Pop | Quirky Elvis Costello tune that has been recreated for Nashville Vocalist and Entertainer, Perry Danos. Unique and offbeat with Hammond B3 Organ and Tenor Sax fills. | Click To Listen |
| INCH BY INCH (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the quirky 1984 Elvis Costello tune. Unique and offbeat with Hammond B3 Organ and Tenor Sax fills. | Click To Listen |
| INCH BY INCH (Backing Track) | Rock/Pop | Backing Track or Underscore for the quirky 1984 Elvis Costello tune. Unique and offbeat with Hammond B3 Organ and Tenor Sax fills. | Click To Listen |
| INCH BY INCH (Instrumental) | Rock/Pop | Elvis Costello classic that has been re-arranged as an Instrumental Cool Jazz Swing featuring Flutes and Guitars. Quirky and unique with shades of ‘Muzak’ meets ‘Noir Jazz Lounge’. | Click To Listen |
| INDOOR FIREWORKS (Instrumental) | Country | This song of failing love is re-arranged as a Traditional Instrumental Country Ballad, featuring Pedal Steel and Dobro mournfully wailing through the melodies. 6-piece Nashville ‘A’ team studio group makes the interpretation. | Click To Listen |
| IS YOU IS OR IS YOU AIN’T MY BABY | Standards | a 1944 Louis Jordan song, arranged as Western Swing with a sassy Vocal about love and heartache featuring a 7-piece band of Nashville studio heavies, including Elvis Costello’s accordion wizard, Jeff Taylor, backing Singer-Songwriter, Mikaela Kahn. | Click To Listen |
| IT’S ALL ABOUT YOU (Backing Track) | Urban/R&B | Backing Track or Underscore for the Luther Vandross Love Ballad from 1997. A confirmation of devotion and commitment in a smooth R&B style to take out the millenium. | Click To Listen |
| IT’S ALL ABOUT YOU (Instrumental) | Urban/R&B | Instrumental version of the Luther Vandross love song. Cut in London at the infamous Hatchfarms Studios with a 5-piece group featuring Electric Guitar and Trumpet on leads. | Click To Listen |
| JE T’AIME | World | Banned in several countries due to its sexual content, this beautiful love song was written for Brigitte Bardot, and was a #1 hit in the UK. The arrangement features Violin, Piano and Upright Bass with sweet and clear vocals by Adrianna Bernal. | Click To Listen |
| JE T’AIME (Backing Track) | Standards | Backing Track for the song banned in several countries due to its sexual content. This beautiful love song was written for Brigitte Bardot, and was a #1 hit in the UK. The arrangement features Violin, Piano, Acoustic Guitar and Upright Bass. | Click To Listen |
| JO JO (Backing Track) | Rock/Pop | “Middle Man”, Boz Scaggs’ 1980 album has been described as, “Impeccably tasteful collection of sophisticated white soul”. The lead track, “Jo Jo” has been reproduced as a Backing Track or Underscore with its original orchestrations intact. | Click To Listen |
| JO JO (Instrumental) | Rock/Pop | “Middle Man”, Boz Scaggs 1980 album has been described as, “Impeccably tasteful collection of sophisticated white soul”. The lead track, “Jo Jo” has been reproduced as a slick Tenor Sax Instrumental with its original orchestrations intact. | Click To Listen |
| JOSIE (Instrumental) | Jazz (Contemporary) | From Steely Dan’s benchmark Rock-Jazz album, ‘Aja’. In July 1978, the album won the Grammy Award for Best Engineered Non-Classical Recording. This faithful Instrumental adaptation of the classic, ‘Josie’, features Saxophone and Horn Section. | Click To Listen |
| KID CHARLEMAGNE (Instrumental) | Rock/Pop | A faithful Instrumental adaptation of the classic Steely Dan hit featuring Tenor Sax and Woodwinds. Shades of background Muzak in this live 8-piece studio band. “Blue light special on aisle 4!”. Quirky. | Click To Listen |
| KIDS ARE ALRIGHT, THE | Rock/Pop | One of the great Rock anthems of the 1960’s, this version of the Who hit is done in a classic Rock style featuring Tower of Power’s Guitar man, Jerry Cortez. | Click To Listen |
| KIDS ARE ALRIGHT, THE (Backing Track) | Rock/Pop | Backing Track or Underscore for one of the great Rock anthems of the 1960’s, this version is done in a classic Rock style featuring Tower of Power’s Guitar man, Jerry Cortez. | Click To Listen |
| KISS ME BABY (Country Instrumental) | Country | Lesser known Beach Boys’ beauty about heartache and remorse, re-arranged as a Country Instrumental with Celtic undertones, featuring Nashville’s ‘A’ team of studio wizards. | Click To Listen |
| KISSIN’ CHRISTMAS (Backing Track) | Country | Backing Track or Underscore for the retro Pop Country Christmas song originally recorded by Bobby Vinton in 1995. This arrangment features some of the finest Grand Ole Opry players in Nashville. Smoochin’ under the mistletoe. | Click To Listen |
| KISSIN’ CHRISTMAS (Country) | Country | Break out the corn for this Pop Country Christmas number originally recorded by Bobby Vinton in 1995. This arrangment features Jennifer Ivester with some of the best Grand Ol Opry players in Nashville. Smoochin’ under the mistletoe. | Click To Listen |
| LADY IN RED, THE (Instrumental) | Rock/Pop | Inspired by the memory of when Chris DeBurgh first saw his wife, and how men so often cannot even remember what their wives were wearing when they first met. This Instrumental remake features David Benoit alumni, Andy Suzuki, on Soprano Sax. | Click To Listen |
| LEAVES THAT ARE GREEN (Bluegrass) | Country (Bluegrass) | Subtle interpretation of the early Simon & Garfunkel track utilizing Bluegrass instrumentation. From their 1965 “Sounds of Silence” recording, a benchmark beginning of the Folk-Rock phenom. Acoustic 6-Piece ‘Grassmasters’ fill the bill. | Click To Listen |
| LEAVIN’ ON YOUR MIND (Backing Track) | Rock/Pop | “Leavin’ On Your Mind” is a famous Country-Pop song written by Wayne Walker & Webb Pierce, popularized by Patsy Cline in 1963, at the height of her career. This recording is the Backing Track or Underscore derived from the 1996 Carol Noonan arrangement. | Click To Listen |
| LES CHEMINS DE L’AMOUR (Poulenc) | Classical | Les Chemins de L’Amour translates “So Faithful A Heart” and is the love story of Mozart and Nancy Storace. Written by French composer Francis Poulenc around the end of WWII. Performed here by Soprano, Maria Valenzuela, with Piano accompaniment. | Click To Listen |
| LET FREEDOM RING | Broadway | “Let Freedom Ring” helped expand the Celtic influences from “Riverdance” to a broader global and ethnic experience, drawing from African political struggle and celebration of independence. | Click To Listen |
| LET YOURSELF GO | Movie/TV Themes | A popular song written by Irving Berlin for the 1936 film ‘Follow the Fleet’, where it was introduced by Ginger Rogers. This campy, cheesy Keyboard knock-off was created for the High School Musical, ‘Musique’, in 2007, drawing from Kristin Chenoweth. | Click To Listen |
| LIFTED BY LOVE | Rock/Pop | From the 1993 film, “Even Cowgirls Get the Blues”, written by Tom Robbins, comes this k. d. lang Disco flavored Trance track, simple in its message of longing and placed on a repetitive groove. | Click To Listen |
| LIFTED BY LOVE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for k. d. lang’s groove oriented Disco-Trance tune from the 1993 film, “Even Cowgirls Get the Blues”, based on the novel written by Tom Robbins. | Click To Listen |
| LIFTED BY LOVE (Backing Track) | Rock/Pop | Backing Track or Underscore for k. d. lang’s groove oriented Disco-Trance tune from the 1993 film, “Even Cowgirls Get the Blues”, based on the novel written by Tom Robbins. | Click To Listen |
| LITTLE DEUCE COUPE | Rock/Pop | One of the Beach Boys’ earliest hits. Shuffle Blues with early sixties era Surf and Car vibe. Rampant egos in innocent times. Margie Cates and Her Boys cop the harmonies precisely. | Click To Listen |
| LITTLE DEUCE COUPE (Backing Track – Country) | Rock/Pop | Backing Track or Underscore for one of the Beach Boys’ earliest hits. Shuffle Country Blues with early sixties era Surf and Car vibe. Rampant egos in innocent times. | Click To Listen |
| LITTLE DEUCE COUPE (Backing Track w/Acoustic Guitar) | Rock/Pop | Backing Track or Underscore for one of the Beach Boys’ earliest hits. Shuffle Blues with sixties era Surf and Car vibe. Acoustic Guitar added to this arrangement. Rampant egos in innocent times. | Click To Listen |
| LITTLE DEUCE COUPE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for one of the Beach Boys’ earliest hits. Shuffle Blues with sixties era Surf and Car vibe. Acoustic Guitar added to this arrangement. Rampant egos in innocent times. | Click To Listen |
| LITTLE DEUCE COUPE (Backing Track) | Rock/Pop | Backing Track or Underscore for one of the Beach Boys’ earliest hits. Shuffle Blues with sixties era Surf and Car vibe. Rampant egos in innocent times. | Click To Listen |
| LITTLE DEUCE COUPE (Country Instrumental) | Country | One of the Beach Boys’ earliest hits, re-arranged with Country instrumentation, Tenor Sax and Electric Guitar leads. Shuffle Blues, novelty, Background Instrumental. Rampant egos in innocent times. | Click To Listen |
| LITTLE DEUCE COUPE (Country) | Country | One of the Beach Boys’ earliest hits. Shuffle Country Blues with early sixties era Surf and Car vibe. Pedal Steel and Fiddle added to the arrangement. Rampant egos in innocent times. Vocal Quartet, Margie Cates & Her Boys, provide the voices. | Click To Listen |
| LITTLE DEUCE COUPE (Instrumental) | Rock/Pop | One of the Beach Boys’ earliest hits, re-arranged for the Elevator Lounge. Novelty shuffle Blues with drug store Muzak overtones. Tenor Sax and Electric Guitar leads. Rampant egos in innocent times. | Click To Listen |
| LORD I HOPE THIS DAY IS GOOD | Country | This would be Don Williams’ twelfth number one hit on the Country charts. Recorded here by California Country girl, Kimberley Hope, with Vocal Quartet, Margie Cates and Her Boys, and 8-piece Acoustic Nashville studio group in back-up. | Click To Listen |
| LORD I HOPE THIS DAY IS GOOD (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for Don Williams’ twelfth number one hit on the country charts. Recorded here by Vocal Quartet with a 7-piece Acoustic Nashville studio group. | Click To Listen |
| LORD I HOPE THIS DAY IS GOOD (Backing Track) | Country | Backing Track or Underscore for Don Williams’ twelfth number one hit on the Country charts. Recorded here by a 7-piece Acoustic Nashville studio group. | Click To Listen |
| LOVE AFFAIR | Movie/TV Themes | From the Academy Award nominated disaster drama film, ‘Twister’, comes this Kelsey Lockhart performance written by Marilyn and Alan Bergman, and ‘Fistfull of Dollars’ composer, Ennio Morricone. Seattle Symphony String section fills out this arrangement. | Click To Listen |
| LOVE AFFAIR (Backing Track) | Movie/TV Themes | From the Academy Award nominated disaster drama film, ‘Twister’, comes this Backing Track or Underscore for the Marilyn and Alan Bergman and Ennio Morricone composition. The Seattle Symphony String section fills out this arrangement. | Click To Listen |
| LOVE AND HAPPINESS | Rock/Pop | Rated in Rolling Stones’ 500 Greatest Songs of All Time, Green stated the song “pulled from the same source of raw and gritty old style soul of my early days”. Originally released in the UK in 1974, this remake features Windham Hill artists, Kidd Afrika. | Click To Listen |
| LOVE AND HAPPINESS (Instrumental) | Urban/R&B | Rated in Rolling Stones’ 500 Greatest Songs of All Time, Green stated the song “pulled from the same source of raw and gritty old style soul of my early days”. Originally released in the UK in 1974, this Instrumental remake from 1998 features Alto Sax. | Click To Listen |
| LOVE IS STRANGE | Rock/Pop | Mickey & Sylvia’s monster hit from 1956 was re-cut in 1990 by Country artist K. T. Oslin. This arrangement leans on K. T.’s version and features layers of Keyboards, Sequenced Drums, Guitar and Central California Country singer, Kimberly Hope. | Click To Listen |
| LOVE IS STRANGE (Backing Track) | Rock/Pop | Backing Track or Underscore for Mickey and Sylvia’s monster hit from 1956, and re-cut in 1990 by Country artist K. T. Oslin. This arrangement leans on K. T.’s version and features layers of Keyboards, Sequenced Drums, and Guitar. | Click To Listen |
| LOVE SPOKEN HERE (Backing Track) | Urban/R&B | Memphis meets New Orleans in this Backing Track or Underscore of the Neville Brothers 1996 Soul track, “Love Spoken Here”. | Click To Listen |
| LOVER MAN | Standards | This classic Torch Song and Jazz Standard is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame. L. A. songstress, Marsha Bartenetti, finds Holiday’s influence compelling. | Click To Listen |
| LOVER MAN (Backing Track) | Jazz (Vocal) | Acoustic Piano Trio Backing Track or Underscore for the classic Torch Song and Jazz Standard, particularly associated with Billie Holiday, for whom it was written, and her version, inducted into the Grammy Hall of Fame. | Click To Listen |
| LOVERS WILL (Backing Track) | Rock/Pop | Backing Track or Underscore for the swampy Blues Instrumental knock off of the Bonnie Raitt album cut from 1998. Rhythm section with Hammond B3 Organ and Full Horns. | Click To Listen |
| LOVERS WILL (Instrumental) | Rock/Pop | Swampy Blues Instrumental knock off of the Bonnie Raitt album cut from 1998. Rhythm section with Hammond B3 Organ and Full Horns supports a Tenor Sax and Electric Guitar feature. | Click To Listen |
| MADE IN ENGLAND (Country Instrumental) | Country | An homage to his “roots” Elton John recorded this song in 1995. Re-arranged as a high energy Country Rocker featuring Pedal Steel, Electric Guitar, Dobro and Background Vocals. | Click To Listen |
| MAMA WHO BORE ME | Broadway | Broadway’s “Spring Awakening” is a 2007 Tony Award winning Rock Musical adaptation of the controversial 1892 German play of the same title. This track from the Folk-infused score, features Fiddle, Accordion, Acoustic Bass and Female Vocal. | Click To Listen |
| MAMA WHO BORE ME (Backing Track) | Broadway | Backing Track for Broadway’s ‘Spring Awakening’, a 2007 Tony Award winning Rock Musical adaptation of the controversial 1892 German play of the same title. This track from the Folk-infused score, features Fiddle, Accordion, Acoustic Bass and Keys. | Click To Listen |
| MANIC MONDAY | Rock/Pop | Lyrically describing a woman waking up on Monday, wishing it were still Sunday, this Prince composition became a late eighties Top 10 Hit for the Bangles. It was added to the High School Musical production, ‘Musique’, in 2007. Insipid but sweet. | Click To Listen |
| MAVERICK | Country | The theme song for a popular late 1950’s, early 1960’s television show starring James Garner about gamblers and justice in the Wild West. This version is a faithful adaptation of the original theme song. | Click To Listen |
| MAVERICK (Backing Track) | Movie/TV Themes | Backing Track or Underscore to the Theme song for a popular late 1950’s early 1960’s television show about a legendary gambler in the Wild West. This version is a faithful adaptation of the original song featuring full acoustic instrumentation. | Click To Listen |
| ME AND JULIO DOWN BY THE SCHOOLYARD (Background Instrumental) | Rock/Pop | “A bit of inscrutable doggerel” said Paul Simon about the three delinquents in his little schoolyard escapade. However, this version eliminates the story and replaces it with an Elevator Music Instrumental, more doggerel in its own right. | Click To Listen |
| MEDICATED GOO | Rock/Pop | From the second release for Steve Winwood’s band ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. This funky arrangement features Tower of Power’s Guitarist, Jerry Cortez. | Click To Listen |
| MEDICATED GOO (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from the second release of Steve Winwood’s band ‘Traffic’. It puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their assorted libations. | Click To Listen |
| MEDICATED GOO (Connye) | Rock/Pop | From the second release for Steve Winwood’s band, ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. This funky arrangement features Jazz Rhapsody artist, Connye Florance. | Click To Listen |
| MEDICATED GOO (Halloween – Backing Track) | Rock/Pop | Backing Track or Underscore for the Halloween arrangement of the song from the second release for Steve Winwood’s band ‘Traffic’. It puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. | Click To Listen |
| MEDICATED GOO (Halloween) | Rock/Pop | From the second release for Steve Winwood’s band ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. This arrangement comes with ghouls and witches brewing on All Hallows Eve. | Click To Listen |
| MEET ME AT NO SPECIAL PLACE | Jazz (Vocal) | The album “I Don’t Worry ‘Bout a Thing” from Mose Allison yielded this Russell Robinson gem, perfect for Allison’s cynical but amusing observations. This re-arrange puts the Western Swing spin on it adding Fiddle & Pedal Steel to the Jazz Quartet & Vocal | Click To Listen |
| MEET ME AT NO SPECIAL PLACE (Backing Track) | Jazz (Mainstream) | Backing Track or Underscore for the Mose Allison 1966 gem written by Russell Robinson and perfect for Allison’s cynical but amusing observations. This re-arrange puts the Western Swing spin on it adding Fiddle and Pedal Steel to the Jazz Quartet. | Click To Listen |
| MIDNIGHT AT THE OASIS | Rock/Pop | Grammy nominated 70s hit for Maria Muldaur and her best-known recording. A saucy, teasing offer of a desert love affair, in a fantasy setting that evokes Rudolph Valentino sheik movies, sensual and evocative. A light Jazzy arrangement for Mikaela Kahn. | Click To Listen |
| MIDNIGHT AT THE OASIS (Backing Track) | Rock/Pop | Backing Track or Underscore for the Grammy nominated 70s hit by Maria Muldaur, and her best-known recording. A saucy, teasing offer of a desert love affair, in a fantasy setting that evokes Rudolph Valentino sheik movies, sensual and evocative. | Click To Listen |
| MISSISSIPPI HALF STEP (Bluegrass) | Country (Bluegrass) | Perfect marriage, as Jerry Garcia has provided on many of his own recordings, that the Grateful Dead and Bluegrass belong together. This fine Garcia/Hunter composition floats effortlessly over Bluegrass style and instrumentation. | Click To Listen |
| MONKEY IN YOUR SOUL (Backing Track) | Rock/Pop | ‘Pretzel Logic’ is the third studio album by the American Rock band, Steely Dan, and yeilded this cynical gem on relationships. This Backing Track or Underscore features signature Wurlitzer Piano and Tower of Power members, Jerry Cortez and Tom Politzer. | Click To Listen |
| MONKEY IN YOUR SOUL (Instrumental) | Rock/Pop | ‘Pretzel Logic’ is the third studio album by the American Rock band, Steely Dan, and yeilded this cynical gem on relationships. This Guitar oriented Instrumental re-arrange features Tower of Power members, Jerry Cortez and Tom Politzer. | Click To Listen |
| MOTOWN SONG, THE (Backing Track) | Rock/Pop | Backing Track or Underscore for the Motown tribute song originally written by McNally for the film ‘Quicksilver’. Rod Stewart made it a bonified hit in 1991. | Click To Listen |
| MOVE RIGHT OUT (Instrumental) | Rock/Pop | Pop–Soul song originally performed by English singer Rick Astley, given the Elevator Music treatment. This Instrumental arrangement features Flute, Electric Guitar and Tenor Sax on melodies. Layers of Synth Keyboards fill in the rhythm section. | Click To Listen |
| MRS. ROBINSON (Bluegrass) | Country (Bluegrass) | A #1 hit and film theme from Simon and Garfunkel, re-arranged in a classic Bluegrass style featuring Nashville’s finest and members of the Grand Ole Opry. | Click To Listen |
| MRS. ROBINSON (Country Instrumental) | Country | From the film ‘The Graduate’, Mrs. Robinson became a number 1 hit for Simon & Garfunkel in the late 60s. Re-cut by Nashvile’s studio finest featuring signature Acoustic Guitar riffs with Electric Guitar and Fiddle covering melodies. | Click To Listen |
| MUSIC NEVER STOPPED, THE (Bluegrass) | Country (Bluegrass) | This classic seventies Grateful Dead tune is re-arranged in Bluegrass style with partial Vocal work tucked in for color. The song pays homage to the Dead’s ability to create a city around a concert, then vanish and slip into another town. | Click To Listen |
| MY HEART WILL GO ON (Guitar Instrumental) | Rock/Pop | Sweet Acoustic Guitar Duet and re-arrange for the “Titanic” Theme, Steel String Finger-style with Nylon Guitar melody and solos. | Click To Listen |
| MY LITTLE TOWN (Country Instrumental) | Country | Popular mid-seventies Simon & Garfunkel hit about being happy to leave one’s small town behind. Re-arranged as an Instrumental in a modern Country style with Celtic overtones. Electric Guitar, Fiddle, Pennywhistle and Mandolin share melodic duties. | Click To Listen |
| NEITHER ONE OF US (WANTS TO BE THE FIRST TO SAY GOODBYE) | Urban/R&B | Top 10 1973 hit for Gladys Knight from the album of the same name. A song of mustering courage and confronting the inevitable end of a memorable relationship. Connye Florance and her own group of Pips are supported by 6-piece band and Symphony players. | Click To Listen |
| NEITHER ONE OF US (WANTS TO BE THE FIRST TO SAY GOODBYE) (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for the Top 10 1973 hit for Gladys Knight from the album of the same name. A song of mustering courage and confronting the inevitable end of a memorable relationship. 6-piece band and Symphony players support. | Click To Listen |
| NEITHER ONE OF US (WANTS TO BE THE FIRST TO SAY GOODBYE) (Backing Track) | Urban/R&B | Backing Track or Underscore for the Top 10 1973 hit for Gladys Knight from the album of the same name. A song of mustering courage and confronting the inevitable end of a memorable relationship. 6-piece band & Symphony String players carry arrangement. | Click To Listen |
| NEVER SAW BLUE LIKE THAT BEFORE | Rock/Pop | With new love comes a new way to view the world and everything in it. Romantic ballad features Piano with Keyboard support and female vocal by 17 year old Adrianna Bernal. | Click To Listen |
| NEVER SAW BLUE LIKE THAT BEFORE (Backing Track) | Rock/Pop | Backing Track or Underscore for the romantic Ballad featuring Piano with Keyboard support. With new love comes a new way to view the world and everything in it. | Click To Listen |
| NIGHT BY NIGHT (Instrumental) | Rock/Pop | ‘Pretzel Logic’ is the third studio album by the American Rock band, Steely Dan, and yeilded this cynical gem on getting by. This Guitar oriented Instrumental re-arrange features signature Horn Section parts and Electric Guitar melodies. | Click To Listen |
| NO ONE NEEDS TO KNOW | Country | Ally Jay’s lighthearted treatment of Robert Lange’s humourous anticipation of the big day, unbeknowst to the spouse . . . yet. Dobro and Harmonica add to this swift, upbeat country shuffle. | Click To Listen |
| NO ONE NEEDS TO KNOW (Backing Track) | Country | Backing Track or Underscore for the lighthearted treatment of Robert Lange’s humourous anticipation of the big day, unbeknowst to the spouse . . . yet. Dobro and Harmonica add to this swift, upbeat Country Shuffle. | Click To Listen |
| NOBODY KNOWS YOU WHEN YOU’RE DOWN AND OUT (Instrumental) | Blues | Raggy Barrelhouse Blues Instrumental of the classic James Cox composition, told from the point of view of a one-time millionaire during the Prohibition era, & originally released by Bessie Smith around the 1929 stock market crash. Sax and Guitar feature. | Click To Listen |
| NOW AND AGAIN (Backing Track) | Urban/R&B | Backing Track or Underscore for Earl Klugh and Roberta Flack’s Smooth Jazz-R&B collaboration, “Now and Again”, features Fender Rhodes Piano and Electric Guitar Rhythms and fills. | Click To Listen |
| ONE MORE RIVER (Instrumental) | Urban/R&B | Straight ahead Gospel flavored, Horn based, Soul Instrumental version of the Max Carl tune. A moderate hit in the nineties pulls the ear to influences from the Classic Soul sessions of the late sixties. Memphis Horn charts and a 5-piece rhythm section. | Click To Listen |
| ONE, THE (Country Instrumental) | Country | This Elton John Pop Anthem was originally recorded in 1992. Re-arranged as an Instrumental Country Ballad, featuring Piano, Electric Guitar and Pedal Steel. “For each man in his time is Cain, until he walks along the beach.” | Click To Listen |
| ONLY FLAME IN TOWN, THE | Rock/Pop | With multiple references to fire, (ember, tinder, torch), this Elvis Costello classic has been arranged as an upbeat vehicle for Perry Danos, featuring Full Horn Section and Fender Rhodes. Tenor Sax and Trombone trade solos at fade beginning at 2:50. | Click To Listen |
| ONLY FLAME IN TOWN, THE (Backing Track w/BGVs) | Rock/Pop | With multiple references to fire, (ember, tinder, torch), this Elvis Costello Backing Track or Underscore has been arranged for Full Horn Section, Fender Rhodes and Background Vocal parts. Tenor Sax and Trombone trade solos at fade beginning at 2:50. | Click To Listen |
| ONLY FLAME IN TOWN, THE (Backing Track) | Rock/Pop | This Elvis Costello Backing Track or Underscore has been arranged for Full Horn Section and Fender Rhodes. Tenor Sax and Trombone trade solos at fade beginning at 2:50. | Click To Listen |
| ONLY FLAME IN TOWN, THE (Cue) | Rock/Pop | This Elvis Costello classic, has been pared down to a 1:11 Cue, Ringtone or Transitional Instrumental Underscore featuring Alto Sax, Full Horn Section and Marimba. | Click To Listen |
| ONLY FLAME IN TOWN, THE (Instrumental) | Rock/Pop | An Elvis Costello classic, has been re-arranged as an upbeat Elevator Lounge Instrumental featuring Piano, Full Horn Section and Mallets. Tenor Sax, Piano and Trombone trade solos at fade beginning at 2:50 | Click To Listen |
| ONLY LOVE | Country | Terrific, confident song about the power and strength of love, originally recorded by Wynnona Judd in 1993. This track features Tower of Power’s Guitar man on Acoustic & Electric, with Hand Percussion & Keyboards. | Click To Listen |
| ONLY LOVE (Backing Track) | Country | Backing Track or Underscore for this terrific, confident song about the power and strength of love, originally recorded by Wynnona Judd in 1993. This track features Tower of Power’s Guitar man on Acoustic and Electric Guitars, Percussion and Keyboards. | Click To Listen |
| OOH LA LA LA (Backing Track w/BGVs) | World | Backing Track or Underscore with Choral Background Vocal parts for the A. R. Rahman song, “Ooh La La La”, from the 1997 Tamil romance film, ‘Minsara Kanavu’, which garnered 4 National Film Awards. Featuring ICE and Keyboardist, Eugene Bien. | Click To Listen |
| OOH LA LA LA (Backing Track) | World | Backing Track or Underscore for the A. R. Rahman song, “Ooh La La La”, from the 1997 Tamil romance film, ‘Minsara Kanavu’, which garnered 4 National Film Awards. Arranged by Keyboardist, Eugene Bien. | Click To Listen |
| OOH LA LA LA (MANNA MADURAI) | World | The 1997 Tamil romance film, ‘Minsara Kanavu’, garnered four National Film Awards, and the Sountrack included this A. R. Rahman song. Young Priyam Thind sings “Ooh La La La” with Keyboard arranger, Eugene Bien. | Click To Listen |
| ORANGE BLOSSOM SPECIAL (Bluegrass) | Country (Bluegrass) | Classic Bluegrass Instrumental about the passenger train of the same name, written in 1938 and often referred to as the “Fiddle Player’s National Anthem”, performed with imitative embellishments that evoke train wheels and whistles. | Click To Listen |
| OUR DAY WILL COME | Jazz (Latin) | A #1 hit in 1963 for Ruby & the Romantics and subsequently covered by dozens of well known artists. This upbeat Latin Samba re-arrange features Jazz Rhapsody artist, Connye Florance, after k. d. lang’s version for the film “Shag” in 1989. | Click To Listen |
| OUR DAY WILL COME (Backing Track w/BGVs) | Jazz (Latin) | Backing Track or Underscore with Background Vocal parts for the #1 hit in 1963 by Ruby & the Romantics and subsequently covered by dozens of well known artists. This upbeat Latin Samba is rearranged after k. d. lang’s version from the film “Shag”. | Click To Listen |
| OUR DAY WILL COME (Backing Track) | Jazz (Latin) | Backing Track or Underscore for the #1 hit in 1963 by Ruby & the Romantics and subsequently covered by dozens of well known artists. This upbeat Latin Samba is rearranged after k. d. lang’s version from the film “Shag” in 1989. | Click To Listen |
| OVER MY HEAD (Bluegrass – Backing Track) | Country (Bluegrass) | “Over My Head” would help propel Fleetwood Mac’s self titled 1975 album to sales of over 8 million units. This backing Track or Underscore turns the Soft Rock hit into a Bluegrass bed, featuring a 7-piece Nashville studio group of Opry masters. | Click To Listen |
| OVER MY HEAD (Bluegrass) | Country (Bluegrass) | “Over My Head” would help propel Fleetwood Mac’s self titled 1975 album to sales of over 8 million units. This contemporary recording turns the Soft Rock hit into a Bluegrass Instrumental Ballad, featuring a 7-piece Nashville studio group of Opry masters. | Click To Listen |
| OVER MY HEAD (Kids) | Country | “Over My Head” would help propel Fleetwood Mac’s self titled 1975 album to sales of over 8 million units. This contemporary recording turns the Soft Rock hit into a Kids Bop Country hoedown, featuring teen Choir, ICE from the Kids-Rock-the-Country series. | Click To Listen |
| PERSONALITY | Urban/R&B | The late fifties hit for Lloyd Price has been given the Reggae treatment in this re-arrange. Connye Florance has a relaxed and charismatic Vocal performance, Guitar solo at 1:00. | Click To Listen |
| PERSONALITY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the late fifties hit from Lloyd Price. This re-arrange has been given the Reggae treatment. Guitar solo at 1:00. | Click To Listen |
| PERSONALITY (Backing Track) | Urban/R&B | Backing Track or Underscore for the late fifties hit from Lloyd Price. This re-arrange has been given the Reggae treatment. Guitar solo at 1:00. | Click To Listen |
| PETER GUNN | Rock/Pop | In the rockin’ 1960s style of Duane Eddy, this remake of the Henry Mancini private eye investigator TV theme song features a screamin’ Tenor Sax by Tower of Power’s Tom E. Politzer. Cut in London at Hatchfarms Studios in 2000, 40 years after the fact. | Click To Listen |
| PETER GUNN (Backing Track) | Movie/TV Themes | In the rockin’ 1960s style of Duane Eddy, this remake of the Henry Mancini private eye investigator TV Theme song features signature Guitar lines with the Sax melody and riffs removed. Cut in London at Hatchfarms Studios in 2000, 40 years after the fact. | Click To Listen |
| PETER GUNN (Cue) | Movie/TV Themes | 45 Second Cue, Segue or Transition In the rockin’ 1960s style of Duane Eddy, this remake of the Henry Mancini private eye investigator TV theme song features a screamin’ Tenor Sax by Tower of Power’s Tom E. Politzer with the signature Guitar lines. | Click To Listen |
| PINK (Bluegrass) | Country (Bluegrass) | Another example of how a good song can translate into any genre or style. This 1997 ‘Aerosmith’ classic is re-arranged by Bluegrass sextet, ‘Grassmasters’. | Click To Listen |
| PINK PANTHER | Rock/Pop | The Pink Panther is a large, valuable pink diamond which is first shown in the opening film in the series. Henry Mancini composed the score, of which the popular quirky piece has become a staple. This 1998 recording features all the necessary elements. | Click To Listen |
| PINK PANTHER (Cue) | Movie/TV Themes | The Pink Panther is a large, valuable pink diamond which is first shown in the opening film in the series. This 30 second Cue or Transition, recorded in 1998 features all the necessary elements. | Click To Listen |
| PLEASE REMEMBER ME (Instrumental w/BGVs) | Urban/R&B | Originally a Country song written by Rodney Crowell and Will Jennings, this Elevator Music Instrumental leans on the R&B arrangement from Aaron Neville and Linda Ropnstadt, featuring Electric Guitar and Violin melodies with the Background Vocal refrain. | Click To Listen |
| POETRY MAN | Rock/Pop | The late great Phoebe Snow wrote this classic ballad of a young woman having an affair with an older and wiser man. 6-Piece studio group interprets a light Latin arrangement featuring Flute solos backing delicate Vocals by Dana Sedgwick. | Click To Listen |
| POETRY MAN (Backing Track) | Rock/Pop | The late great Phoebe Snow wrote this classic Ballad of a young woman having an affair with an older and wiser man. 6-Piece studio group interprets this light Latin Backing Track or Underscore arrangement featuring Flute solos. | Click To Listen |
| PRIDE OF CUCAMONGA (Bluegrass) | Country (Bluegrass) | ‘From the Mars Hotel’, the 7th studio album by the Grateful Dead, produced this Phil Lesh vehicle in 1974. In 2006, Nashville’s fleet fingered ensemble, the Grassmasters, have adapted the song in Bluegrass style, very appropriate. | Click To Listen |
| RADIO SWEETHEART (Instrumental) | Country | An Elvis Costello track re-arranged as a Country Swing Instrumental featuring Fiddle and Pedal-Steel Guitar. Vocal Trio in the final refrain lead into some burning Steel soloing. | Click To Listen |
| REELIN’ IN THE YEARS | Rock/Pop | A song by Jazz-Rock band, Steely Dan, this 1973 Classic reached number 11 on the Billboard charts. On their reunion tour in 1995, the arrangement was reinvented to accommodate a more sophisticated audience. This version combines both elements. | Click To Listen |
| REELIN’ IN THE YEARS (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the song by Steely Dan, this 1973 Classic reached # 11 on the Billboard charts. On their reunion tour in 1995, the arrangement was reinvented. This version draws from the newer arrangement. | Click To Listen |
| REELIN’ IN THE YEARS (Backing Track) | Rock/Pop | Backing Track or Underscore for the song by Steely Dan, this 1973 Classic reached number 11 on the Billboard charts. On their reunion tour in 1995, the arrangement was reinvented. This version draws from the newer arrangement. | Click To Listen |
| REELIN’ IN THE YEARS (Instrumental w/BGVs) | Rock/Pop | A popular hit song by Jazz-Rock band, Steely Dan. This 1973 Classic reached number 11 on the Billboard charts. On their reunion tour in 1995, the live arrangement reinvented the original. This Instrumental draws its charts from the live recording. | Click To Listen |
| REELIN’ IN THE YEARS (Instrumental) | Rock/Pop | A popular hit song by Jazz-Rock band, Steely Dan. This 1973 Classic reached number 11 on the Billboard charts. On their reunion tour in 1995, the live arrangement reinvented the original. This Instrumental draws its charts from the live recording. | Click To Listen |
| RHYTHM OF THE NIGHT (Background Instrumental) | Urban/R&B | Latin influenced eighties Soul track, originally from Motown’s Debarge, has been rearranged into an uplifting and upbeat Instrumental featuring layers of Keyboards, Percussion and Horns. Tenor Sax carries the primary leads. | Click To Listen |
| RINGS AROUND THE MOON | Rock/Pop | Neo-Soul Vocal Quartet, Be Scene, provides a fresh approach to the brilliant Bee Gees catalog, working up this novel sequenced arrangement to the 1997 hit augmented by Acoustic Guitar and Soprano Sax. | Click To Listen |
| RINGS AROUND THE MOON (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Neo-Soul Vocal Quartet, Be Scene, providing Background Vocal parts to the brilliant Bee Gees catalog, working up this novel sequenced arrangement to the 1997 hit augmented by Acoustic Guitar and Soprano Sax. | Click To Listen |
| RINGS AROUND THE MOON (Backing Track) | Rock/Pop | Backing Track or Underscore for novel sequenced arrangement to the Bee Gees 1997 hit augmented by Acoustic Guitar and Soprano Sax. | Click To Listen |
| RIPPLE (Bluegrass) | Country (Bluegrass) | This Instrumental Bluegrass re-arrange is notably one of the Grateful Dead’s most popular and recognized songs, written in London by Robert Hunter, reputedly also drinking half a bottle of Retsina in the process, later put to music by Jerry Garcia. | Click To Listen |
| SAATHIYA | World | Magnificent World Fusion, combining Bollywood, Riverdance Celtic, Electronica & Funk, throw in a 20-Voice female Choir and mix it all up. Farsi Language vocal by Priyam Thind, backed by Vocal group Sheherazade, Violin, Pennywhistle and Layers of Guitars. | Click To Listen |
| SAATHIYA (Backing Track w/BGVs) | World | Backing Track or Underscore with Background Vocal parts for the magnificent World Fusion track, combining Bollywood, Riverdance Celtic, Electronica and Funk. Throw in a 20-Voice female Choir and mix it all up. What it is! | Click To Listen |
| SAATHIYA (Backing Track) | World | Backing Track or Underscore for the magnificent World Fusion track, combining Bollywood, Riverdance Celtic, Electronica and Funk. Sequenced track with overdubs by Pennywhistle, Violin, and Acoustic & Electric Guitars. | Click To Listen |
| SALAAM BOMBAY | World | Title song from the Bollywood-themed Musical, with music by A. R. Rahman and Produced by Andrew Lloyd Webber. The London production opened in 2002 and ran for two years. Performed here by High School Musical group, ‘Musique’. | Click To Listen |
| SALAAME | World | A great example of true World Beat music fusion, combining Bollywood/Hindi, Latino/Dance and English/Euro Techno into one party animal, featuring East Indian vocalist, Priyam Thind, Chinese Keyboard wizard, Eugene Bien & U.S. Choir arranger, Cheryl Falk. | Click To Listen |
| SALAAME (Backing Track) | World | Backing Track or Underscore for a great example of true World Beat Music Fusion, combining Bollywood/Hindi, Latino/Dance and English/Euro Techno into one party animal, featuring Chinese Keyboard wizard, Eugene Bien. | Click To Listen |
| SAY YOU LOVE ME (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for one of Fleetwood Mac’s best known songs. Its success helped the group’s eponymous 1975 album sell over 8 million copies worldwide, and counting. This version is rearranged for acoustic Bluegrass ensemble. | Click To Listen |
| SAY YOU LOVE ME (Bluegrass) | Country (Bluegrass) | One of Fleetwood Mac’s best known songs. Its success helped the group’s eponymous 1975 album sell over 8 million copies worldwide, and counting. This reboot as a Bluegrass Instrumental features Grand Ol’ Opry legends in their own time. | Click To Listen |
| SAY YOU LOVE ME (Kids) | Country | One of Fleetwood Mac’s best known songs. Its success helped the group’s eponymous 1975 album sell over 8 million copies worldwide, and counting. This reboot features Grand Ole Opry members backing ICE, the Island Choral Experience. | Click To Listen |
| SCARLET BEGONIAS (Bluegrass) | Country (Bluegrass) | Perfect marriage, as Jerry Garcia has provided on many of his own recordings, that the Grateful Dead and Bluegrass belong together. This fine Garcia/Hunter composition floats effortlessly over Bluegrass style and instrumentation. | Click To Listen |
| SECRET HEART | Rock/Pop | Canadian Singer-Songwriter, Ron Sexsmith’s penned tune has been covered by Rod Stewart, Feist and Nick Lowe among others. This Memphis flavored arrangement features Electric Guitar and Hammond B3 Organ in support of Mikaela Kahn. | Click To Listen |
| SECRET HEART (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for Canadian Singer-Songwriter, Ron Sexsmith’s penned tune that has been covered by Rod Stewart, Feist and Nick Lowe, among others. A Memphis flavored arrangement featuring a 4-piece studio group. | Click To Listen |
| SECRET HEART (Backing Track) | Rock/Pop | Backing Track or Underscore for Canadian Singer-Songwriter, Ron Sexsmith’s penned tune that has been covered by Rod Stewart, Feist and Nick Lowe, among others. This Memphis flavored arrangement features Electric Guitar and Hammond B3 Organ. | Click To Listen |
| SECRETS AND LIES (Backing Track) | Rock/Pop | Backing Track or Underscore for the quirky and brooding Jonatha Brooke composition from 1997, featuring Electric Guitars and Keyboards. More cowbell! | Click To Listen |
| SECRETS AND LIES (Instrumental) | Rock/Pop | Quirky and brooding Jonatha Brooke composition converted into an Elevator Music Instrumental featuring Electric Guitar and Tenor Sax, with Woodwinds and Keyboards in support. More cowbell! | Click To Listen |
| SET ‘EM UP, JOE (Backing Track) | Country | “Set ‘Em Up Joe” was a tribute song to Ernest Tubb and was a number one hit for Vern Gosdin on the Country charts in 1988. This Backing Track or Underscore stays faithful to the original, and features Pedal Steel Hall-of-Fame inductee, Tommy White. | Click To Listen |
| SET ‘EM UP, JOE (Instrumental) | Country | Originally recorded by American Country music artist Vern Gosdin, released in April 1988. a number one Country hit and tribute song to Ernest Tubb. Cut here as a lighthearted Instrumental Country Blues with plenty of Twang. | Click To Listen |
| SHAFT (Cue) | Movie/TV Themes | 28 second Cue or Transition for the theme from “Shaft”, an action film that tells the story of a private detective who travels through Harlem and to the Italian mob neighborhoods in order to find the missing daughter of a mobster. | Click To Listen |
| SHAFT (Instrumental) | Urban/R&B | Theme from “Shaft”, an action film with elements of film noir, and tells the story of a private detective who travels through Harlem and to the Italian mob neighborhoods in order to find the missing daughter of a mobster. This remake stays Instrumental. | Click To Listen |
| SHAKALAKA BABY | World | A single by Preeya Kalidas, initially featured in the 2002 Musical, “Bombay Dreams”. It is a reworked version of the track from 1999 Tamil film, “Mudhalvan”. Featured Vocalist on this version is Priyam Thind, with support from Choral group, ICE. | Click To Listen |
| SHAKALAKA BABY (Backing Track w/BGVs) | World | Backing Track or Underscore with Backgroud Vocal parts for the single by Preeya Kalidas, initially featured in the 2002 Musical, “Bombay Dreams”. It is a reworked version of the track from 1999 Tamil film, “Mudhalvan”. ICE provides the Vocals. | Click To Listen |
| SHAKALAKA BABY (Backing Track) | World | Backing Track or Underscore for the single by Preeya Kalidas, initially featured in the 2002 Musical, “Bombay Dreams”. It is a reworked version of the track from 1999 Tamil film, “Mudhalvan”. | Click To Listen |
| SHE KNOWS ME TOO WELL (Country Instrumental) | Country | A classic Beach Boy’s Ballad originally recorded in 1964. Re-arranged as a Country Instrumental featuring Electric Guitar and Pedal Steel leads with Mandolin and Fiddle fills and trills. | Click To Listen |
| SHE RUNS HOT (Background Instrumental) | Rock/Pop | Fast cars and hot sex metaphors run rampant in this song, but are only implied in the Instrumental version here. Nothing rampant but Flutes, Saxes and Guitars in this Elevator Music rendition, an infomercial cue waiting to happen. | Click To Listen |
| SHELTER ME | Rock/Pop | A powerful opener from the 1986 album ‘Cocker’, this 2010 Rock anthem recreation features a rousing performances from guitarist, John Morton, (solos at 2:40 and 3:45). Nashville artist Perry Danos brings his own soulful interpretation. | Click To Listen |
| SHELTER ME (Backing Track) | Rock/Pop | Backing Track or Underscore for the powerful opener to the 1986 album ‘Cocker’. This 2010 Rock anthem recreation features a rousing performances from Guitarist, John Morton, (solos at 2:40 and 3:45). | Click To Listen |
| SHIPBUILDING | Rock/Pop | Left of center, Gospel flavored Elvis Costello track. Lyrically it discusses the contradiction of the Falklands war bringing back prosperity to traditional shipbuilding, whilst sending off their sons to potentially lose their lives in those same ships. | Click To Listen |
| SHIPBUILDING (Backing Track) | Rock/Pop | Backing Track or Underscore for left of center, Gospel flavored Elvis Costello track, featuring Piano, Hammond B3 Organ, and languid Trumpet solos. | Click To Listen |
| SHIPBUILDING (Instrumental) | Rock/Pop | Left of center, Gospel flavored Elvis Costello Instrumental, re-arranged as a Smooth Jazz Ballad featuring Flute, Trumpet, Tenor Sax and Electric Guitar. | Click To Listen |
| SHOW SOME EMOTION | Rock/Pop | Title track from British singer-songwriter, Joan Armatrading’s, second effort. A progressive Funk-Jazz song built around an Electric Bass figure and support from Rhodes Piano, Hammond B3 Organ and Acoustic Guitar lines. Good energy and frenetic tempo. | Click To Listen |
| SHOW SOME EMOTION (Backing Track) | Rock/Pop | Backing Track or Underscore for the title track from British singer-songwriter, Joan Armatrading’s, second effort. A progressive Funk-Jazz song built around an Electric Bass figure and Acoustic Guitar lines. Good energy and frenetic tempo. | Click To Listen |
| SHUT DOWN (Cue) | Rock/Pop | 35 second Instrumental Cue, Transition or Segue for the Beach Boys’ “Car-Tune” from 1963 detailing a drag race between a Super-Stock 413 cubic inch powered 1962 Dodge Dart and a fuel-injected 1963 Chevrolet Corvette Sting Ray. | Click To Listen |
| SIMPLE | Rock/Pop | Canadian Singer-Songwriter, k. d. lang, has written and recorded so many eclectic, beautiful and diverse songs in her career. This quirky, ambient tune is anything but ‘simple’. This unique love song features Mikaela Kahn’s Vocal interpretation. | Click To Listen |
| SIMPLE (Backing Track w/BGVs) | Rock/Pop | Backing track or Underscore with Background Vocal parts for Canadian Singer-Songwriter, k. d. lang’s eclectic, beautiful, quirky, ambient, anything but ‘simple’ tune. Featuring Jerry Cortez, (Tower of Power), on Guitar with sporatic Vocal Quartet bits. | Click To Listen |
| SIMPLE (Backing Track) | Rock/Pop | Backing Track or Underscore for Canadian Singer-Songwriter, k. d. lang’s eclectic, beautiful, quirky, ambient tune that is anything but ‘simple’. Featuring Jerry Cortez, (Tower of Power), on Guitar. | Click To Listen |
| SITTING IN LIMBO | World | Jamaican heavy, Jimmy Cliff, penned this popular Caribbean favorite for the film “The Harder They Come” in the early 70s. This current re-arrangement gives it justice and adds an Americana spin on it with the addition of Accordion. | Click To Listen |
| SITTING IN LIMBO (Backing Track w/BGVs) | World | Backing Track with Background Vocal parts for Jamaican heavy, Jimmy Cliff’s self-penned popular Caribbean favorite. Used in the film “The Harder They Come” in the early 70s. Features Gospel Quartet on BGVs, Accordion and Hammond B3 Organ. | Click To Listen |
| SITTING IN LIMBO (Backing Track) | World | Backing Track or Underscore for Jamaican heavy, Jimmy Cliff’s self-penned popular Caribbean favorite. Features Tower of Power’s Guitar man, Jerry Cortez, with 5-piece band including Accordion and Hammond B3 Organ. Sweet, lazy and laid back. | Click To Listen |
| SKIES THE LIMIT (Country Instrumental) | Country | This inspirational and upbeat love song was recorded by Fleetwood Mac in 1990. Re-arranged as a Country love song, featuring Fiddle, Nylon Guitar and Pedal Steel melodies, with Electric Guitar solo at 1:45. | Click To Listen |
| SKYFALL | Movie/TV Themes | Big and ominous Soundtrack Theme for the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden. | Click To Listen |
| SKYFALL (Backing Track w/BGVs) | Movie/TV Themes | Backing Track or Underscore with Background Vocal parts for the big and ominous Soundtrack Theme from the 2012 addition of the Bond franchise, fully orchestrated. | Click To Listen |
| SKYFALL (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the big and ominous Soundtrack Theme from the 2012 addition of the Bond franchise, fully orchestrated. | Click To Listen |
| SKYFALL (Cue – 1st Verse) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the 1st verse of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click To Listen |
| SKYFALL (Cue – Big Finish w/No Vocals) | Movie/TV Themes | 26 second Cue, Transition or Ringtone for the Big Finish, with the Vocals removed, of the ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click To Listen |
| SKYFALL (Cue – Big Finish) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Big Finish of the ominous Soundtrack Theme from the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click To Listen |
| SKYFALL (Cue – Bridge w/No Vocals) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Bridge, with the Vocals removed, of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click To Listen |
| SKYFALL (Cue – Bridge) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Bridge of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click To Listen |
| SKYFALL (Cue – Chorus w/BGVs) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Chorus, with Background Vocal parts, of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden. | Click To Listen |
| SKYFALL (Cue – Chorus w/No Vocals) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Chorus, with the Vocals removed, of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click To Listen |
| SKYFALL (Cue – Chorus) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Chorus of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click To Listen |
| SKYFALL (Cue – Interlude) | Movie/TV Themes | 24 second Cue, Transition or Ringtone for the Interlude section of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click To Listen |
| SKYFALL (Cue – Intro-Outro) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the intro and outro of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click To Listen |
| SKYFALL (Cue – Theme) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click To Listen |
| SMILIN’ (Backing Track) | Country | Backing Track or Underscore for the song from Tim McGraw’s 2001 album, “Set This Circus Down”. This track features layers of Guitars, Hammond B3 Organ and Fiddle with a ‘New Country Rock’ feel. | Click To Listen |
| SMOKE GETS IN YOUR EYES | Standards | A showtune written for the Broadway show, ‘Roberta’, the most famous version was the 1956 Platters. This song is one of the most covered in modern history with litereally hundreds of recordings. This arrangement leans towards a ‘Smooth Jazz’ style. | Click To Listen |
| SMOKE GETS IN YOUR EYES (Backing Track) | Standards | Backing Track or Underscore for the 1933 showtune written for Broadway’s ‘Roberta’, the most famous version was the 1956 Platters recording. This arrangement leans towards a ‘Smooth Jazz’ style. | Click To Listen |
| SMOKE GETS IN YOUR EYES (Instrumental) | Jazz (Contemporary) | The most famous version of this 1933 composition was released in 1956 by the Platters, and one of the most covered in modern history. This arrangement leans towards a ‘Smooth Jazz’ style featuring Piano, Tenor Sax, Guitar and Seattle Symphony Strings. | Click To Listen |
| SOMEONE LIKE YOU | Urban/R&B | Combine the Traditional style of a classic Standard with Jazz Vocal and smooth R & B and you find this gem from Van Morrison. Brought to sensuous life by Main Attraction lead vocalist, Antowaine Richardson, backed by Seattle Symphony Strings & Jazz Trio. | Click To Listen |
| SOMEONE LIKE YOU (Backing Track) | Rock/Pop | Combine the traditional style of a classic Standard with Jazz sensitivities and smooth R & B and you find this gem from Van Morrison. This Backing Underscore is brought to sensuous life by the Nick Manson Trio, backed by Seattle Symphony String section. | Click To Listen |
| SONG FOR THE ASKING (Country Instrumental) | Country | This beautiful simple melody is a favorite of Simon and Garfunkel fans. This Celtic influenced Country Instrumental Waltz features Pennywhistle, Fiddle, and Piano, delicate and sweet. | Click To Listen |
| SONGBIRD (Backing Track – Country) | Country | Backing Track or Underscore for Fleetwood Mac’s touching love song from 1977, re-arranged as a Country “Lullaby” featuring Piano, Violin, and Pedal Steel, delicate and poignant. | Click To Listen |
| SONGBIRD (Backing Track – Piano Only) | Rock/Pop | Backing Track or Underscore for Fleetwood Mac’s touching love song from 1977, cut as a solo Piano piece, no Vocal. | Click To Listen |
| SONGBIRD (Country Instrumental) | Country | Fleetwood Mac recorded this touching love song in 1977. Re-arranged here as a Country “Lullaby” featuring Piano, Violin, Pedal Steel and Choral Background Vocals, lush and delicate. | Click To Listen |
| SONGBIRD (Kids) | Country | Fleetwood Mac recorded this touching love song in 1977. Re-arranged here as a Country “Lullaby” featuring solo Piano with Choral Vocals, lush and delicate. | Click To Listen |
| SONGBIRD (Mikaela) | Country | Fleetwood Mac recorded this touching love song in 1977. Re-arranged here as a Country “Lullaby” featuring Piano, Violin, Pedal Steel and Mikaela Kahn’s delicate Vocal. | Click To Listen |
| SORRY SEEMS TO BE THE HARDEST WORD (Background Instrumental) | Rock/Pop | Elton John recorded this melancholy love song that soon became a hit in 1977. Re-arranged as an Instrumental Ballad with Elevator Music sensitivites, featuring Acoustic Guitar and Tenor Sax with Flute counterpoint, and a Vibes interlude. | Click To Listen |
| SORRY SEEMS TO BE THE HARDEST WORD (Country Instrumental) | Country | Elton John recorded this melancholy love song that soon became a hit in 1977. Re-arranged as an instrumental ballad with a world flair featuring Accordian, Acoustic Guitar, Pennywhistle and Piano. | Click To Listen |
| SOUNDS OF SILENCE (Bluegrass) | Country (Bluegrass) | This quintessential Folk-Rock release reached #1 in 1966, re-arranged here in a classic uptempo Bluegrass style featuring Nashville’s finest studio ‘A’ team and members of the Grand Ole Opry band. | Click To Listen |
| SOUNDS OF SILENCE (Country Instrumental) | Country | Quintessential Folk-Rock release and first major hit for Simon & Garfunkel, this classic has been set to high speed train beat in this Country Instrumental rendition. Everyone gets a shot at the melody, including Fiddle, Guitar, Banjo, Steel & Mandolin. | Click To Listen |
| STRANGE BREW | Rock/Pop | A 1967 song from British supergroup Cream and the lead single from their 2nd album, ‘Disraeli Gears’. Re-arranged here as if Steely Dan had covered the track, with Tower of Power’s Guitarist, Jerry Cortez, providing Vocals and Guitar work. | Click To Listen |
| STRANGE BREW (Backing Track) | Rock/Pop | Backing Track or Underscore to the 1967 song from British supergroup Cream, the lead single from their 2nd album, ‘Disraeli Gears’. Re-arranged here as if Steely Dan had covered the track, featuring Tower of Power’s Guitarist, Jerry Cortez. | Click To Listen |
| STRANGER IN THE HOUSE (instrumental) | Country | Retro Country interpretation of the Elvis Costello song from 1977. Traditional Roots Country instrumentation from Nashville’s finest, featuring Piano, Pedal Steel, Fiddle and Acoustic Guitar on melodic duties. | Click To Listen |
| SUDDENLY (Background Instrumental) | Urban/R&B | Nylon Guitar Instrumental of the classic Billy Ocean Soul Ballad from 1985. The title track from Trinidad born Ocean’s break out album, “Suddenly” leans on Elevator Music for this arrangement, keeping it in a Smooth Jazz/Background Music vein. | Click To Listen |
| SURE KNOW SOMETHING (Background Instrumental) | Rock/Pop | Gene Simmons made a personal request of Disk Eyes Productions to produce a “Background Music” version of this tune that could be broadcast on “Muzak”. So here it is . . . layers of Guitars, Tenor Sax and Flutes. Going up? | Click To Listen |
| TAKE ME AWAY (INTO THE NIGHT) | Techno/Electronica | Techno Euro-Pop, with a High School Musical/Glee spin on it. Originally by Carlo Resoort, Dutch DJ, Re-mixer and Producer. He is best known for the main act of ‘4 Strings’. This sequenced club Disco track appeared in the stage show, ‘Musique’. | Click To Listen |
| TAKE ME OR LEAVE ME | Broadway | A Rock Musical based on Puccini’s ‘La Bohème’, in which the “luscious splendor of Puccini’s world would be replaced with the coarseness and noise of modern New York. In this song, Maureen’s beauty draws too much attention, much to her partner’s chagrin. | Click To Listen |
| TAKE ME OR LEAVE ME (Backing Track) | Broadway | Backing Track or Underscore for the song from “Rent”, a Rock Musical based on Puccini’s ‘La Bohème’, in which the “luscious splendor of Puccini’s world would be replaced with the coarseness and noise of modern New York”. Featuring a 5-piece studio band. | Click To Listen |
| TAUBA | World | The song is a plea from a man to the woman that he loves for her to not bruise his heart and run away. He’s a hopeless romantic who can’t be apart from this woman and wants her to commit to the relationship. | Click To Listen |
| TAUBA (Backing Track) | World | Backing Track or Underscore for ‘Tauba’, the plea from a man to the woman that he loves for her to not bruise his heart and run away. He’s a hopeless romantic who can’t be apart from this woman and wants her to commit to the relationship. | Click To Listen |
| TEQUILA (Cue) | Rock/Pop | 42 second Cue, Transition or Ringtone for the #1 hit by the Champs on both the Pop and R&B charts and continues to be strongly referenced in pop culture to this day. This arrangement leans on Larry Carlton’s fine re-harm of the original changes. | Click To Listen |
| THIS ONE’S FOR THE GIRLS | Country | A salute to women of various ages, dealing with the struggles of different phases of life, starting high school and facing new pressures, coping with uncertainty about a career, and reaching middle age, and tells them “You’re beautiful the way you are.” | Click To Listen |
| THIS ONE’S FOR THE GIRLS (Backing Track w/BGVs) | Country | Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. | Click To Listen |
| THIS ONE’S FOR THE GIRLS (Backing Track) | Country | Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. | Click To Listen |
| THIS TRAIN DON’T STOP THERE ANYMORE | Country | A classic tale of coming to terms with getting older, giving in and moving on. This song was recorded in 2001 by Elton John, and re-arranged in 2012 as a Country Ballad with Perry Danos and featuring Tommy White on Pedal Steel Guitar. | Click To Listen |
| THIS TRAIN DON’T STOP THERE ANYMORE (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the classic tale of coming to terms with getting older, giving in and moving on. Re-arranged as a Country Ballad featuring Grand Ole Opry’s Tommy White on Pedal Steel Guitar. | Click To Listen |
| THIS TRAIN DON’T STOP THERE ANYMORE (Backing Track) | Country | Backing Track or Underscore for the classic tale of coming to terms with getting older, giving in and moving on. Re-arranged as a Country Ballad featuring Grand Ole Opry’s Tommy White on Pedal Steel Guitar. | Click To Listen |
| THIS TRAIN DON’T STOP THERE ANYMORE (Country Instrumental) | Country | A classic tale of coming to terms with getting older, giving in and moving on. This song was recorded in 2001 by Elton John. Re-arranged as an Instrumental Country ballad featuring Guitars, Piano & Pedal Steel with Background Vocal parts. | Click To Listen |
| THRILL IS GONE, THE | Blues | A minor-key Blues song written by West Coast Blues musicians Roy Hawkins and Rick Darnell in 1951, and became the biggest hit of B. B. King’s illustrious career, earning a Grammy Award and a spot on Rolling Stone list of 500 greatest songs of all time. | Click To Listen |
| THRILL IS GONE, THE (Backing Track) | Blues | Backing Track or Underscore for the Blues song written in 1951 that became the biggest hit of B. B. King’s illustrious career in 1969, earning a Grammy Award and a spot on Rolling Stone list of 500 greatest songs of all time. | Click To Listen |
| TIME PASSAGES (Backing Track) | Rock/Pop | The original recording of this Top 10 hit was produced by Alan Parsons, and co-written by Al Stewart’s bandmember, Peter White, who has gone on to be a successful Smooth Jazz solo artist. This Backing Track or Underscore stays close to the original. | Click To Listen |
| TINY DANCER (Country – Backing Track) | Country | Sterling Backing Track or Underscore of the Country interpretation of Elton John’s classic Pop anthem, featuring a 9-piece Country band of Nashville’s finest studio “A” team. | Click To Listen |
| TINY DANCER (Country Instrumental) | Country | Sterling Instrumental interpretation of Elton John’s classic Pop anthem, played by a 9-piece Country band of Nashville’s finest “A” team studio musicians. Everyone gets a shot at the melodies in this arrangement. | Click To Listen |
| TINY DANCER (Country) | Country | Sterling Vocal interpretation of Elton John’s classic Pop anthem, backed by a 9-piece Country band of Nashville’s finest studio “A” team. | Click To Listen |
| TRUCKIN’ (Bluegrass) | Country (Bluegrass) | The Grateful Dead have a strong connection to Roots music in their own recordings, this song follows the Folk process to Nashville’s Grand Ol’ Opry, where veteran Bluegrass masters swamp this popular tune. Margie Cates & Her Boys add Vocal refrains. | Click To Listen |
| TURNING TABLES | Rock/Pop | A Pop Ballad with a soulful sound. Lyrically, the song describes a domestic dispute in which its narrator assumes a defensive stance against a manipulative ex-lover. | Click To Listen |
| TURNING TABLES (Backing Track) | Rock/Pop | Backing Track or Underscore for Adele’s Pop Ballad with a soulful sound. Lyrically, the song describes a domestic dispute in which its narrator assumes a defensive stance against a manipulative ex-lover. This arrangement stays close to the original. | Click To Listen |
| VERONICA | Rock/Pop | The song focuses on an older woman who has experienced severe memory loss. Costello’s inspiration for this is said to be his grandmother. Co-written by Paul McCartney. This arrangement stays true to the original. | Click To Listen |
| VERONICA (Backing Track) | Rock/Pop | Backing Track or Underscore for the Elvis Costello song that focuses on an older woman who has experienced severe memory loss, said to be his grandmother. Co-written by Paul McCartney. This arrangement stays true to the original. | Click To Listen |
| VERONICA (Instrumental) | Rock/Pop | Retro, trippy, happy, sock-hop, elevator arrangement for the classic Elvis Costello hit from 1989. Features full Horn Section, Woodwinds and layers of Guitars. | Click To Listen |
| VINCENT (STARRY, STARRY NIGHT) | Rock/Pop | The song clearly demonstrates a deep-seated admiration for the work of Van Gogh. Celtic maiden Katy Lootens delivers a heartfelt, poignant performance filled with emotion and understated tragedy. Upright Bass, Nylon Guitar and Oboe fill out the support. | Click To Listen |
| VINCENT (STARRY, STARRY NIGHT) (Backing Track) | Rock/Pop | Backing Track for Don McLean’s song that clearly demonstrates a deep-seated admiration for the work of Van Gogh. Heartfelt, poignant performance filled with emotion and understated tragedy. Upright Bass, Nylon Guitar and Oboe fill out the group support. | Click To Listen |
| VOICES THAT CARE (Backing Track) | Rock/Pop | Backing Track or Underscore for the popular 1991 song intended to boost morale during Desert Storm and support the International Red Cross. Drum Machine with layers of Synths and Strings. | Click To Listen |
| VOICES THAT CARE (Instrumentlal) | Rock/Pop | Muzak-styled Easy Listening ‘Background’ Instrumental rendition of the popular 1991 song intended to boost morale during Desert Storm and support the International Red Cross. Drum Machine and layers of Synths, with Flute, Tenor Sax and Guitar melodies. | Click To Listen |
| WALK OF LIFE (Background Instrumental) | Rock/Pop | Easy listening ‘Dire Straits’? . . . Get out! Tis true. Imagine yourself in the grocery aisle, or perhaps the dentist chair for this Muzak-styled re-arrangement of the Knopfler hit from 1986. Alto Sax melody at :45, Guitar at 1:30, Soprano Sax at 2:15. | Click To Listen |
| WARM LOVE | Rock/Pop | Essential romance about a getaway to be alone, encountering nature and song, and eventually escaping to shelter from the rain. Beautiful imagery and eclectic writing from British Singer-Songwriter, Joan Armatrading, recreated here with Mikaela Kahn. | Click To Listen |
| WARM LOVE (Backing Track) | Rock/Pop | Backing Track or Underscore of the essential romance about a couple’s getaway, encountering nature and song, and eventually escaping to shelter from the rain. Featuring the Seattle Ballet Orchestra String Section, Fender Rhodes Piano & Acoustic Guitar. | Click To Listen |
| WARMTH OF THE SUN, THE | Rock/Pop | Lush Country-Jazz re-arrange for the Beach Boys 1964 ballad of lost love, from the peak era of their success. This arrangment features Nashville’s ‘A’ team with Hall of Famer Tommy White on Pedal Steel, Jeff Taylor on Accordion & Ally Jay’s sultry vocal. | Click To Listen |
| WARMTH OF THE SUN, THE (Backing Track) | Country | Backing Track or Underscore for the Country-Jazz re-arrange of the Beach Boys’ 1964 Ballad of lost love. This arrangement features Nashville’s ‘A’ team with Hall of Famer Tommy White on Pedal Steel, Jeff Taylor on Accordion. | Click To Listen |
| WARMTH OF THE SUN, THE (Country Instrumental) | Country | Dreamy Country Jazz Instrumental rendition of the classic Beach Boys’ Ballad from 1964. Featuring Accordion, Electric Guitar and Fiddle. With its melancholy and haunting melody, it invokes memories of lost love, moving on. | Click To Listen |
| WHAT A DIFFERENCE A DAY MAKES | Standards | Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song. A romantic tale of how quickly one’s life can turn around, performed by Mikaela Kahn and 5-piece Jazz combo. Retro. | Click To Listen |
| WHAT A DIFFERENCE A DAY MAKES (Backing Track w/Sax) | Standards | Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song. A romantic tale of how quickly one’s life can turn around, This Backing Track or Underscore is performed by a 5-piece Jazz Combo. Retro. | Click To Listen |
| WHAT A DIFFERENCE A DAY MAKES (Backing Track) | Standards | Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song. A romantic tale of how quickly one’s life can turn around, This Backing Track or Underscore is performed by a 4-piece Jazz Combo. Retro. | Click To Listen |
| WHEN CHRISTMAS COMES TO TOWN | Rock/Pop | From the animated motion picture, “The Polar Express”, this lovely childish Ballad features young sisters, Serina Sea and Sydney Rae, supported by Nashville Keyboard performance artist, Kevin Madill. | Click To Listen |
| WHEN CHRISTMAS COMES TO TOWN (Backing Track) | Rock/Pop | Backing Track or Underscore From the animated motion picture, “The Polar Express”, this lovely Keyboard textured Ballad features Nashville performance artist, Kevin Madill. | Click To Listen |
| WHEN YOU COME BACK DOWN | Country (Bluegrass) | The debut single by progressive Bluegrass band, Nickel Creek, has been arranged for Singer-Songwriter, Mikaela Kahn, featuring a 6-piece acoustic group and Background Vocals. | Click To Listen |
| WHEN YOU COME BACK DOWN (Backing Track w/BGVs) | Country (Bluegrass) | Backing Track or Underscore for the debut single from progressive Bluegrass band, Nickel Creek. arranged for a 6-piece acoustic group and Background Vocals. | Click To Listen |
| WHEN YOU COME BACK DOWN (Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the debut single from progressive Bluegrass band, Nickel Creek. arranged for a 6-piece acoustic group. | Click To Listen |
| WHERE ARE YOU CHRISTMAS | Rock/Pop | Cindy Lou Who’s poignant moment in Dr. Suess’s “How the Grinch Stole Christmas”, is redone with Central California Country girl, Kimberly Hope. Classic Power Ballad production, dramatic and hopeful. | Click To Listen |
| WHERE ARE YOU CHRISTMAS (Backing Track) | Rock/Pop | AKA “Christmas, Why Can’t I Find You?”, was written for the movie, “How the Grinch Stole Christmas”, and sung by Cindy Lou Who. This recording is the Backing Track or Underscore of the song, staying close to the original arrangement. | Click To Listen |
| WHERE ARE YOU CHRISTMAS (Serina & Sydney) | Rock/Pop | Cindy Lou Who’s poignant moment in Dr. Suess’s “How the Grinch Stole Christmas”, is redone by pacific Northwest high school sisters, Serina Sea and Sydney Rae. Classic Power Ballad production, dramatic and hopeful. | Click To Listen |
| WHIP APPEAL (Backing Track) | Urban/R&B | “Whip Appeal” peaked at number six on the US Billboard Hot 100 singles chart in April 1990. This Backing Track or Underscore stays true to the original, cut live in Nashville at famed Sony/Tree Studios. | Click To Listen |
| WHITE CHRISTMAS (Hawaii) | World | Ukulele and acoustic Guitars support Female Hawaiian Vocalist on this Pacific Islander recording from the Big Island. | Click To Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) | Country | This Number One Billboard Hot Country Single in 1987 for Restless Heaart gets new legs from Margie Cates and Her Boys, premier Nashville Vocal Quartet, and featuring Stephen Hill. An age-old question, “How can I have my cake and eat it too?” | Click To Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for this Number One Billboard Hot Country Single in 1987 from Restless Heart. Vocal Quartet, layers of Acoustic and Electric Guitars fill out this recording from 2011. | Click To Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) (Backing Track) | Country | Backcing Track or Underscore for this Number One Billboard Hot Country Single in 1987 from Restless Heart. Layers of Acoustic and Electric Guitars fill out this recording from 2011. An age old question, “How can I have my cake and eat it too?” | Click To Listen |
| WORLD TURNING (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the song from the iconic self titled number one Fleetwood Mac album from 1975 and first album to include Buckingham and Nicks. This Buckingham/McVie composition tools along with fleet fingered style and swampy Blues feel. | Click To Listen |
| WORLD TURNING (Bluegrass) | Country (Bluegrass) | From the iconic self titled number one Fleetwood Mac album from 1975 and first album to include Buckingham and Nicks. This Buckingham/McVie composition tools along with fleet fingered style and swampy Blues feel. | Click To Listen |
| WORLD TURNING (Kids) | Country | From the iconic self titled number one Fleetwood Mac album from 1975, and first album to include Buckingham and Nicks. This Buckingham/McVie composition tools along with fleet fingered style and swampy Blues feel. Kids Bop Vocals by ICE. | Click To Listen |
| WORRIED LIFE BLUES | Blues | Tower of Power’s front man, Larry Braggs delivers the Sleepy John Estes Blues made popular in the 50s by Ray Charles. Acoustic 4-piece lends support. Driven but laid back. | Click To Listen |
| WORRIED LIFE BLUES (Backing Track) | Blues | Backing Track or Underscore for the Sleepy John Estes Blues made popular in the 50s by Ray Charles. Acoustic 4-piece lends support. Driven but laid back. | Click To Listen |
| WRAPPED (“HOY” in English) | Rock/Pop | A song about two lovers who drifted apart and only to get back together later in life. Adrianna Bernal sings with an 8-piece group that features layers of Percussion, Accordion, Flute and Acoustic Guitars. Peruvian/Inca influences prevail. | Click To Listen |
| YOU NEED A MAN (Background Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental version of the Jim Messina composition from 1973. An oddity that combines the funky-ness of the original with the insipid fluff of Background Music. Soprano Sax, Clarinet and Sax Section interplay melodies. | Click To Listen |
| YOUR SONG (Country Instrumental) | Country | Poignant Instrumental interpretation of Elton John’s innocent and expressive Ballad. Performed beautifully by Nashville’s ‘A’ team 9 -piece studio group. Dobro, Fiddle and Nylon Guitar share melodies. | Click To Listen |
| YOU’VE GOT YOUR TROUBLES (Background Instrumental) | Rock/Pop | This mid-sixties Top 10 hit for British group, the Fortunes, has been converted into the classic dental chair, cheeze-whiz, audio wallpaper that supports the Muzak reputation to a tee. Oboe, Vibraphone and Trumpet fill the void. | Click To Listen |
| YUN HI CHALA CHAL | World | A love song to the world and how colorful this world is, written by one of India’s top composers, A. R. Rahman, and sund by young contemporary artist, Priyam Thind. | Click To Listen |
| YUN HI CHALA CHAL (Backing Track) | World | Backing Track or Underscore for a love song to the world and how colorful this world is, written by one of India’s top composers, A. R. Rahman. | Click To Listen |
