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STONE AGATE
| Track Title | Genre | Track Description | PlayLink |
| (I KNOW) I’M LOSING YOU | Urban/R&B | 1966 hit single recorded by The Temptations for the Motown label, Gordy. This song was another step away from the group’s softer records and featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the 1966 hit single recorded by The Temptations on the Motown label, Gordy. This song featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Backing Track) | Urban/R&B | Backing Track or Underscore for the 1966 hit single recorded by The Temptations on the Motown label, Gordy. This song was another step away from the group’s softer records and featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Elevated Instrumental) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Instrumental w/BGVs) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Instrumental) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| AIN’T TOO PROUD TO BEG | Urban/R&B | Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Vocals from the Main Attraction fronted by Antowaine Richardson with Tenor Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Backing Track) | Urban/R&B | Backing track or Underscore of the Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Elevated Instrumental) | Urban/R&B | Instrumental Elevator Music or Background Underscore for the Temptations 1966 Motown classic, with all the bells and whistles. Synth Vibes and Electric Guitar take the melody, lotsa Horns. Sax solo ala Jr. Walker at 1:40. Cheezy and dental. | Click to Listen |
| ALL I DO | Urban/R&B | Tower of Power’s Lead Vocalist interprets this classic Stevie Wonder love song from the archives of Motown. Strong performance and killer Background Group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Backing Track w/BGVs) | Urban/R&B | Backing Track Underscore with Background Vocal parts for Stevie Wonder’s classic love song from the archives of Motown. Strong performance and killer background group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s classic love song from the archives of Motown. Strong performance and killer background group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Instrumental w/BGVs) | Jazz (Contemporary) | Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Background Vocal parts and Hammond B3 Organ solo at 2:20. From Wonder’s 1980 release, “Hotter Than July”. | Click to Listen |
| ALL I DO (Instrumental) | Urban/R&B | Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. | Click to Listen |
| BABY DON’T YOU DO IT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music”. A song about a man who is at a standstill with his girlfriend. | Click to Listen |
| BACK IN MY ARMS AGAIN | Urban/R&B | This song presents the old adage, careful how you let your friends influence your love affair. Motown’s 5th number one hit by the Supremes, comes to Connye Florance with ease. Signature Baritone Sax lines run throughout the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Backing Track w/BGVs) | Urban/R&B | Backing track or Underscore with background vocal parts for Motown’s 5th number one hit by the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Backing Track) | Urban/R&B | Backing track or Underscore for Motown’s 5th number one hit for the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Underscore for Motown’s 5th number one hit for the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. Flutes, Vibes and Electric Guitar help with the groceries, (plenty of cheese in this one). | Click to Listen |
| BUZZ, BUZZ, BUZZ (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCING IN THE STREET (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERYBODY NEEDS LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| PLEASE MR. POSTMAN | Urban/R&B | An early cover for the Beatles, this Motown classic from 1961 made a contribution to the “Girl Group” phenom. Faithful reproduction features Connye Florance with 5-piece R&B Band and Background Vocal group. | Click to Listen |
| PLEASE MR. POSTMAN (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the early Beatles cover. This classic Motown hit from 1961 also made a contribution to the “Girl Group” phenom. Faithful reproduction features a 5-piece R&B Band and Background Vocal group. | Click to Listen |
| PLEASE MR. POSTMAN (Backing Track) | Urban/R&B | Backing Track or Underscore for the early Beatles cover. This classic Motown hit from 1961 also made a contribution to the “Girl Group” phenom. Faithful reproduction features a 5-piece R&B Band. | Click to Listen |
| STONED LOVE | Urban/R&B | A message anthem for bringing the world together, free from doubt and strife, if you just believe, in classic Motown fashion. Interplay between Lead and Background Vocals, supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| STONED LOVE (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Motown message anthem, bringing the world together, free from doubt and strife, just believe. Supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| STONED LOVE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Motown message anthem, bringing the world together, free from doubt and strife, just believe. Supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| THIS OLD HEART OF MINE (IS WEAK FOR YOU) | Rock/Pop | Isley Brothers only major hit while with Motown, recorded by numerous artists through the years. This re-arrange loosly patterns the Rod Stewart version and features Brass lines, layered Keyboards and Pop-Soul artist, Perry Danos, on Vocals. | Click to Listen |
| THIS OLD HEART OF MINE (IS WEAK FOR YOU) (Backing Track) | Rock/Pop | Backing Track or Underscore for the Isley Brothers only major hit while with Motown, recorded by numerous artists through the years. This re-arrange loosly patterns the Rod Stewart version and features Brass lines and layered Keyboards | Click to Listen |
| YOU CAN’T HURRY LOVE | Rock/Pop | Written and produced by Motown production team Holland–Dozier–Holland, this song topped the U. S. Billboard Pop singles chart in 1966. The song, a memory of a mother’s words of encouragement, that with patience you’ll find that special someone. | Click to Listen |
