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Welcome to the Publisher’s Master Titles page. Now you can participate in the master side as well as the publishing side of your titles!
Select a Publisher, listen, pitch and license your titles. Disk Eyes owns 100% of these Masters and offers you immediate clearance as well as 25% participation of Master fees when you generate a use.
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| Track Title | Genre | Track Description | PlayLink |
| BLOOD IN MY EYES (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BLOWIN’ IN THE WIND | Folk | Freewheelin’ Bob Dylan’s early sixties protest song poses a series of rhetorical questions about peace, war and freedom. This re-arrangement features young Latino singer, Adrianna Bernal, with support from Nashville’s top studio magicians. | Click to Listen |
| BLOWIN’ IN THE WIND (Backing Track) | Folk | Backing Track or Underscore for freewheelin’ Bob Dylan’s early sixties protest song that posed a series of rhetorical questions about peace, war and freedom. This re-arrangement features Nashville’s studio magicians with emphasis on Finger-style Guitar. | Click to Listen |
| BLOWIN’ IN THE WIND (Elevated Instrumental) | Folk | Freewheelin’ Bob Dylan’s early sixties protest song poses a series of rhetorical questions about peace, war and freedom. This Instrumental Elevator Music version poses similar serious questions like: What brand of detergent should I buy? | Click to Listen |
| DON’T THINK TWICE, IT’S ALL RIGHT (Bluegrass) | Country (Bluegrass) | From the ‘Freewheelin’ Bob Dylan’ album, this Bluegrass Instrumental interpretation lifts the spirits of anyone escaping a failed relationship. A statement that maybe you can say to make yourself feel better… as if you were talking to yourself. | Click to Listen |
| GIRL FROM THE NORTH COUNTRY (Bluegrass) | Country (Bluegrass) | Gentle, sensitive Bluegrass version of a Bob Dylan composition, and Duet with Johnny Cash. Fully acoustic Grassmasters do the Instrumental portions and Vocal Quartet enters for the last round, a repeat of the first Verse. | Click to Listen |
| IT AIN’T ME BABE | Country | Inspired by his former girlfriend, Bob Dylan reportedly began writing this song during his visit to Italy in 1963. This 2010 Country re-arrange leans on Folk influences and includes Vocals by Teddy J. Politzer supported by Margie Cates and Her Boys. | Click to Listen |
| IT AIN’T ME BABE (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal refrains, inspired by his former girlfriend, Bob Dylan reportedly began writing this song during his visit to Italy in 1963. This 2010 Country re-arrange leans on Folk influences. | Click to Listen |
| IT AIN’T ME BABE (Backing Track) | Country | Backing Track or Underscore, inspired by his former girlfriend, Bob Dylan reportedly began writing this song during his visit to Italy in 1963. This 2010 Country re-arrange leans on Folk influences. | Click to Listen |
| IT AIN’T ME BABE (Bluegrass) | Country (Bluegrass) | Inspired by his former girlfriend, Bob Dylan reportedly began writing this song during his visit to Italy in 1963. This 2010 Bluegrass re-arrange leans on Celtic influences and includes Vocal refrains by Margie Cates & Her Boys. | Click to Listen |
| IT’S ALL OVER NOW, BABY BLUE | Rock/Pop | Heavily influenced by Symbolist Poetry and bid farewell to the titular “Baby Blue”. There has been much speculation about the real life identity of “Baby Blue”. This 2015 recording draws from the Joni Mitchell arrangement of 2003, lush and ambient. | Click to Listen |
| IT’S ALL OVER NOW, BABY BLUE (Babing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Backgound Vocal parts for Dylan’s 60s classic. There has been much speculation about the real life identity of “Baby Blue”. This 2015 recording draws from the Joni Mitchell arrangement of 2003, lush and ambient. | Click to Listen |
| IT’S ALL OVER NOW, BABY BLUE (Babing Track) | Rock/Pop | Backing Track or Underscore for Dylan’s 60s classic. There has been much speculation about the real life identity of “Baby Blue”. This 2015 recording draws from the Joni Mitchell arrangement of 2003, lush and ambient. | Click to Listen |
| MAKE YOU FEEL MY LOVE | Country | This Bob Dylan penned Ballad has been covered by numerous performers and has proved to be a commercial success repeatedly. Later featured in the 1998 film ‘Hope Floats’. Sung here in a Country flavored arrangement featuring Adrianna Bernal. | Click to Listen |
| MAKE YOU FEEL MY LOVE (Backing Track) | Country | Backing Track or Underscore for the Bob Dylan penned Ballad, a commercial success for multiple artists over the years including Adele and Billy Joel. This Country flavored arrangement feature’s Nashville’s finest studio magicians. | Click to Listen |
| ONE TOO MANY MORNINGS (Bluegrass) | Country (Bluegrass) | The Grassmasters, Grand Ol’ Opry members’ studio Bluegrass band, have reinterpreted this Bob Dylan classic from the 1964 album, “The Times They Are A-Changin”. Features a guest appearance by Chet Atkins’ protégé, Pat Bergeson on Harmonica. | Click to Listen |
| TO MAKE YOU FEEL MY LOVE | Rock/Pop | This song is becoming a Standard from the Bob Dylan songbook, recorded by many illuminaries including Billy Joel, Kelly Clarson, Garth Brooks & Adele. From the Soundtrack of ‘Hope Floats’. This Country flavored arrangement features Kelly Chase on Vocals. | Click to Listen |
| TO MAKE YOU FEEL MY LOVE (Backing Track) | Rock/Pop | This song is becoming a Standard from the Bob Dylan songbook, recorded by many illuminaries including Billy Joel, Kelly Clarson, Garth Brooks and Adele. From the Soundtrack of ‘Hope Floats’. This is a Country flavored Backing Track or Underscore. | Click to Listen |
