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SONGWRITERS GUILD
| Track Title | Genre | Track Description | PlayLink |
| ACROSS THE WIDE MISSOURI | Traditional/Americana | A Traditional American Folk song of uncertain origin, dating at least to the early 19th century as “Oh, Shenendoah”. Re-defined for the Kingston Trio and film of the same name in 1959 and 1965 respectively. | Click to Listen |
| ACROSS THE WIDE MISSOURI (Backing Track w/BGVs) | Traditional/Americana | Backing Track with Background Vocal Parts for the Traditional American Folk song of uncertain origin, dating at least to the early 19th century as “Oh, Shenendoah”. Redefined for the Kingston Trio and film of the same name in 1959 and 1965 respectively. | Click to Listen |
| ACROSS THE WIDE MISSOURI (Backing Track) | Traditional/Americana | Backing Track or Underscore for the Traditional American Folk song of uncertain origin, dating at least to the early 19th century as “Oh, Shenendoah”. Re-defined for the Kingston Trio and film of the same name in 1959 and 1965 respectively. | Click to Listen |
| COFFEE TIME | Standards | Percussive, upbeat, Latin Jazz track about indulging in a cup of Java, made popular by Carmen McCrea in the fifties. This updated arrangement features Connye Florance backed by an 8-piece ensemble including Trumpet and Flute. | Click to Listen |
| COFFEE TIME (Backing Track) | Standards | Backing Track or Underscore for the percussive, upbeat, Latin Jazz track about indulging in a cup of Java, made popular by Carmen McCrea in the fifties. This updated arrangement features an 8-piece ensemble including Trumpet and Flute. | Click to Listen |
| COFFEE TIME (Elevated Instrumental) | Standards | Elevator Music or Muzak Instrumental for the percussive, upbeat, Latin Jazz track about indulging in a cup of Java, made popular by Carmen McCrea in the fifties. This updated arrangement features an 8-piece ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE | Standards | Fully orchestrated Vocal Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement: Female vocal with Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Ally Jay) | Standards | Fully orchestrated Vocal Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement: Female Vocal with Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Backing Track) | Standards | Backing Track or Underscore for the fully orchestrated Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement: Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Bartenetti) | Standards | Fully orchestrated Vocal Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement: Female Vocal with Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Elevated Instrumental) | Standards | Fully orchestrated Erlevator Music or Muzak styled Instrumental interpretation of the Billie Holiday classic from 1946, and later featured in the film, “Lady Sings the Blues”, with Diana Ross. This arrangement: Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Serina Sea) | Standards | Fully orchestrated Vocal Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement features 14 year old, Serina Sea, with Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| I BELIEVE (Backing Track with Gospel Choir BGVs) | Religious | Backing Track or Underscore with Background Vocal parts featuring the 36-voice ‘Chimes of Freedom Singers’ backed by a contemporary 6-piece group. This Gospel classic was a popular favorite of Elvis Presley in 1957. | Click to Listen |
| I BELIEVE (Backing Track) | Religious | Backing Track or Underscore for the contemporary re-arrange of the classic Gospel tune made popular in 1957 by Elvis Presley. Features a 6-piece studio group including Hammond B3 Organ, Piano and Guitars. | Click to Listen |
| I BELIEVE (Bluegrass) | Religious | A Bluegrass Waltz, easy and relaxed, with the Jordanaires Background Vocal parts re-created over a 4-piece Nashville ‘A’ team studio group whereby Fiddle and Dobro share melodic duties. | Click to Listen |
| I BELIEVE (Gospel Choir) | Religious | Astonishing performance by Wanda Jackson and the 36-voice ‘Chimes of Freedom Singers’ with contemporary 6-piece Gospel group. This classic was a popular favorite of Elvis Presley in 1957. | Click to Listen |
| WHAT A DIFFERENCE A DAY MAKES | Standards | Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song. A romantic tale of how quickly one’s life can turn around, performed by Mikaela Kahn and 5-piece Jazz combo. Retro. | Click to Listen |
| WHAT A DIFFERENCE A DAY MAKES (Backing Track w/Sax) | Standards | Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song. A romantic tale of how quickly one’s life can turn around, This Backing Track or Underscore is performed by a 5-piece Jazz Combo. Retro. | Click to Listen |
| WHAT A DIFFERENCE A DAY MAKES (Backing Track) | Standards | Dinah Washington won a Grammy Award in 1959 for Best Rhythm and Blues Performance with this song. A romantic tale of how quickly one’s life can turn around, This Backing Track or Underscore is performed by a 4-piece Jazz Combo. Retro. | Click to Listen |
