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RICHMOND
| Track Title | Genre | Track Description | PlayLink |
| A WHITER SHADE OF PALE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANOTHER MORNING (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DREAM A LITTLE DREAM OF ME | Standards | First recorded in 1931 by Ozzie Nelson, and covered multiple times throught the years, notably Mama Cass and Chicago. This arrangement borrows from the Chicago charts and features 19 year old Dana Sedgwick, Full Horns and R&B Quartet. | Click to Listen |
| DREAM A LITTLE DREAM OF ME (Backing Track) | Standards | Backing Track or Underscore for a contemporary Jazz-Blues rendition of the classic Gus Kahn composition from the thirties. Full Horns with Rhythm Section supported by Acoustic and Electric Pianos. | Click to Listen |
| DREAM A LITTLE DREAM OF ME (Elevated Instrumental) | Standards | Elevator Music or Muzak Instumental Underscore for a contemporary Jazz-Blues rendition of the classic Gus Kahn composition from the thirties. Full Horns and Woodwinds with Rhythm Section supported by Acoustic Piano melodies. | Click to Listen |
| FOR ALL WE KNOW | Standards | A Popular Standard published in 1934 and covered by many industry luminaries including Billie Holiday, Nat Cole, Ray Charles and now this 2009 recording by Pacific Northwest Vocal Jazz Quartet, Commontone, with Piano accompaniment. | Click to Listen |
| FOREVER AFTERNOON (TUESDAY) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| I BELIEVE (Backing Track with Gospel Choir BGVs) | Religious | Backing Track or Underscore with Background Vocal parts featuring the 36-voice ‘Chimes of Freedom Singers’ backed by a contemporary 6-piece group. This Gospel classic was a popular favorite of Elvis Presley in 1957. | Click to Listen |
| I BELIEVE (Backing Track) | Religious | Backing Track or Underscore for the contemporary re-arrange of the classic Gospel tune made popular in 1957 by Elvis Presley. Features a 6-piece studio group including Hammond B3 Organ, Piano and Guitars. | Click to Listen |
| I BELIEVE (Bluegrass) | Religious | A Bluegrass Waltz, easy and relaxed, with the Jordanaires Background Vocal parts re-created over a 4-piece Nashville ‘A’ team studio group whereby Fiddle and Dobro share melodic duties. | Click to Listen |
| I BELIEVE (Gospel Choir) | Religious | Astonishing performance by Wanda Jackson and the 36-voice ‘Chimes of Freedom Singers’ with contemporary 6-piece Gospel group. This classic was a popular favorite of Elvis Presley in 1957. | Click to Listen |
| SAN TROPEZ (Instrumental) | Rock/Pop | A Rag-Timey, Dixieland Instrumental from “Meddle”, Pink Floyd’s 4th album. A tune about a commune of the Var département in southern France located on the French Riviera, reflecting an idealised vision of what a day in San Tropez might be like. | Click to Listen |
