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POLYGRAM
| Track Title | Genre | Track Description | PlayLink |
| (I WANT TO) THANK YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AIN’T THAT LONELY YET (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL DAY MUSIC (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL ROADS LEAD TO YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL THE THINGS (YOUR MAN WON’T DO) (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL THE THINGS YOU ARE | Jazz (Vocal) | The modulations in this song are very unusual for a Pop song of the period, and present challenges to a singer or improviser. This Vocal Jazz arrangement introduces even further harmonic twists by incorporating Latin rhythms and Percussive elements. | Click to Listen |
| ALL THE THINGS YOU ARE (Backing Track) | Jazz (Latin) | The modulations in this song are very unusual for a Pop song of the period, and present challenges to a singer or improviser. This Backing Track or Underscore introduces even further harmonic twists by incorporating Latin rhythms and Percussive elements. | Click to Listen |
| ALL THE THINGS YOU ARE (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL THE THINGS YOU ARE (Latin Jazz Instrumental) | Jazz (Latin) | The modulations in this song are very unusual for a Pop song of the period, and present challenges to an improviser. This Contemporary Jazz Instrumental introduces even further harmonic twists by incorporating Latin rhythms and Percussive elements. | Click to Listen |
| ANOTHER NAIL IN MY HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BABY (YOU’VE GOT WHAT IT TAKES) (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BAREFOOT | Rock/Pop | Quirky, hauntingly beautiful progressive collaboration between Bob Telson and k. d. lang, reformed in 2015 by Kelsey Lockhart with arranging contributions from Nick Manson, Kevin Madill and Donald Marrow. Check it out. | Click to Listen |
| BAREFOOT (Backing Track w/BGvs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the quirky, hauntingly beautiful progressive collaboration between Bob Telson and k. d. lang. Re-formed in 2015 with arranging contributions from Nick Manson, Kevin Madill and Donald Marrow. | Click to Listen |
| BAREFOOT (Backing Track) | Rock/Pop | Backing Track or Underscore for the quirky, hauntingly beautiful progressive collaboration between Bob Telson and k. d. lang. Re-formed in 2015 with arranging contributions from Nick Manson, Kevin Madill and Donald Marrow. Check it out. | Click to Listen |
| BAREFOOT (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Underscore for the quirky, hauntingly beautiful, progressive collaboration between Bob Telson and k. d. lang. Re-formed in 1995 as a Background Instrumental, suitable for any zombie out shopping. | Click to Listen |
| BEFORE THE RAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BELIEVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BLUE CHRISTMAS (Hawaii) | World | Traditional Easy Pop Instrumental Hawaiian version of the Elvis Presley Christmas classic. Cut here with Ukulele, Hawaiian Hand Percussion and Lap Steel (at 1:45). | Click to Listen |
| BLUE EYES | Rock/Pop | Elton John recorded this melancholy bluesy Ballad in 1982, re-arranged as a soulful Country flavored Vocal featuring Perry Danos with Piano, Fiddle and Pedal Steel. Lovely. | Click to Listen |
| BLUE EYES (Backing Track) | Rock/Pop | Elton John recorded this melancholy Bluesy Ballad in 1982, re-arranged as a soulful Country flavored Backing Track or Underscore featuring Piano, Accordion, Fiddle and Pedal Steel. Lovely. | Click to Listen |
| BLUE EYES (Country Instrumental) | Country | Elton John recorded this melancholy Bluesy Ballad in 1982, re-arranged as a soulful Country Instrumental featuring Chromatic Harmonica and Electric Guitar with Fiddle and Pedal Steel in Harmony on the Choruses. Lovely. | Click to Listen |
| BROWN EYED GIRL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BUTTERFLY KISSES (Guitar Instrumental) | Rock/Pop | Written by Bob Carlisle for his daughter’s 16th birthday, this interpretation features Tower of Power’s Guitarist, Jerry Cortez on Acoustic Guitars. It shows the versatility and softer side of the funk master. | Click to Listen |
| CANDLE IN THE WIND (Guitar Instrumental) | Rock/Pop | Fingerstyle Acoustic Guitar version of the Elton John song originally written in 1973, in honour of Marilyn Monroe and later as a tribute to Diana, Princess of Wales. This Fingerestyle Acoustic Guitar version features Tower of Power’s Jerry Cortez. | Click to Listen |
| CAN’T FEEL THE PAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHAIYYA CHAIYYA | World | An Urdu-language Indian song from the 1998 Hindi film “Bombay Dreams”, directed by Mani Ratnam. The song was composed by A. R. Rahman, lyrics by Gulzar. It quickly became popular upon release, partly because it was filmed on a moving train. | Click to Listen |
| CHAIYYA CHAIYYA (Backing Track w/BGVs) | World | Backing Track or Underscore with Background Vocal parts for the Indian song from the 1998 Hindi film “Bombay Dreams”, composed by A. R. Rahman, lyrics by Gulzar. It quickly became popular upon release, partly because it was filmed on a moving train. | Click to Listen |
| CHAIYYA CHAIYYA (Backing Track) | World | Backing Track or Underscore for an Urdu-language Indian song from the 1998 Hindi film “Bombay Dreams”, composed by A. R. Rahman, lyrics by Gulzar. It quickly became popular upon release, partly because it was filmed on a moving train. | Click to Listen |
| CHANGE THE WORLD | Rock/Pop | Beautiful Gospel Vocal rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. This 7-piece group supports Stephen Hill with Island Sound on BGVs. | Click to Listen |
| CHANGE THE WORLD (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. Featuring 7-piece group and Vocal Quartet. | Click to Listen |
| CHANGE THE WORLD (Backing Track) | Rock/Pop | Backing Track or Underscore for the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. Featuring a 7-piece studio group. | Click to Listen |
| CHANGE THE WORLD (Bluegrass) | Country (Bluegrass) | Bluegrass rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. Grand Ol Opry veterans and the Margie Cates Gospel Vocal Quartet share the space. | Click to Listen |
| CHANGE THE WORLD (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. This group includes Tenor Sax, Electric Guitar and Flute. | Click to Listen |
| CHANGE THE WORLD (Female Vocal) | Rock/Pop | Beautiful Female Vocal rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. This 7-piece group supports Jennifer Ivester with Island Sound on BGVs. | Click to Listen |
| CHANGE THE WORLD (Instrumental w/BGVs) | Rock/Pop | Instrumental rendition of the massive Eric Clapton hit from 1996. The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century. This group includes Tenor Sax, Electric Guitar & Flute, with Vocals on the Choruses | Click to Listen |
| CLEANING WINDOWS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CLOSER THAN EVER | World | Indian Pop Soundtrack icon, A R Rahman, penned this moody, ambient dirge for the Bollywood themed Musical, ‘Bombay Dreams’. This dreamy production includes Hand Percussion, Sitar, Wood Flute and Harp & features duet vocals by Priyam Thind & Jeremy Marrow | Click to Listen |
| CLOSER THAN EVER (Backing Track w/BGVs) | World | Backing track with background vocal parts for Indian Pop Soundtrack icon, A R Rahman’s, (Slumdog), moody, ambient dirge for the Bollywood themed Musical, ‘Bombay Dreams’. This dripping production includes Hand Percussion, Sitar, Wood Flute and Harp. | Click to Listen |
| CLOSER THAN EVER (Backing Track) | World | Backing track for Indian Pop Soundtrack icon, A R Rahman’s, (Slumdog Millionaire), moody, ambient dirge for the Bollywood themed Musical, ‘Bombay Dreams’. This dripping production includes Hand Percussion, Sitar, Wood Flute and Harp. | Click to Listen |
| CLUB AT THE END OF THE STREET (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COME DOWN IN TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CONCRETE ANGEL | Country | “Concrete Angel” is a power Ballad, centering around a main theme of child abuse and in a different context, bullying. 17 year old Kelsey Lockhart recreates the song originally released by Martina McBride. | Click to Listen |
| CONCRETE ANGEL (Backing Track) | Country | “Concrete Angel” is a power Ballad, centering around a main theme of child abuse and in a different context, bullying. Nashville’s ‘A’ Team reproduces the Backing Track or Underscore for the song originally released by Martina McBride. | Click to Listen |
| COULD I HAVE THIS DANCE (Backing Track) | Country | Classic formula Country Backing Track or Underscore, performed by Nashville’s finest session players, former and current members of the Grand Ole Opry. This Anne Murray track was featured in the 1980 film, ‘Urban Cowboy’. | Click to Listen |
| COULD I HAVE THIS DANCE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COUNTRY COMFORT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CROCODILE ROCK | Rock/Pop | Inspired by Australian band, Daddy Cool, this rock and roll anthem was written by Elton John in 1972. Re-created by Perry Danos as a nostalgic rocker in 2013 featuring Nashville’s studio ‘A’ team in back-up. | Click to Listen |
| CROCODILE ROCK (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the Rock and Roll anthem, written by Elton John in 1972. Re-created as a nostalgic tune featuring Nashville’s studio ‘A’ team. | Click to Listen |
| CROCODILE ROCK (Backing Track) | Rock/Pop | Backing Track or Underscore for the Rock and Roll anthem, written by Elton John in 1972. Re-created as a nostalgic tune featuring Nashville’s studio ‘A’ team. | Click to Listen |
| CROCODILE ROCK (Country Instrumental) | Country | This Rock and Roll Anthem was written by Elton John in 1972. Re-arranged as a Country-Rock tune featuring Piano, Pedal Steel and Saxophone ala Boots Randolph. Gritty, fun and nostalgic. | Click to Listen |
| DANCE WITH LIFE (THE BRILLIANT LIFE) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANIEL | Rock/Pop | New Country Pop arrangement with Celtic overtones featuring Perry Danos on Vocals with Nashville Studio pros, including Pennywhistle and Fiddle in support. Inspired by the events of the Viet Nam war, this Taupin-John composition topped the charts in 1973. | Click to Listen |
| DANIEL (Backing Track) | Rock/Pop | Backing Track or Underscore for the new Country Pop arrangement with Celtic overtones featuring Nashville Studio pros, including Pennywhistle and Fiddle in support. Inspired by the events of the Viet Nam war, the Taupin-John composition charted in 1973. | Click to Listen |
| DANIEL (Country Instrumental) | Country | New Country Pop arrangement with Celtic overtones featuring Pennywhistle, Fiddle and Electric Guitar melodies over Nashville’s ‘A’ team studio rhythm section. | Click to Listen |
| DARE TO FALL IN LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T GO BREAKING MY HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T LET THE SUN CATCH YOU CRYING (Elevated Instruymental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DRIVING WITH THE BRAKES ON (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EASY FOR YOU TO SAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| END OF THE DAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERY KINDA PEOPLE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FEELIN’ ALRIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FERRY CROSS THE MERSEY (Guitar Instrumental) | Rock/Pop | Written as an homage to his home town, Gerry Marsden recorded this sentimental 1960’s hit with Gerry and the Pacemakers at the peak of the British Invasion. Re-arranged for solo Acoustic Steel-String Guitar. Brilliant interpretation, emotive and serene. | Click to Listen |
| FREEDOM RIDER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FROM THIS MOMENT ON (Guitar Instrumental) | Rock/Pop | Shania Twain’s Country Pop Ballad has been re-invented for Acoustic Fingerstyle Guitar by Tower of Power’s Guitarist, Jerry Cortez. Twain recalls writing the song during a soccer game in Italy when her mind wandered from the action. | Click to Listen |
| FUNKY LITTLE NOTHING (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOD BLESS THE U. S. A. | Country | Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. Given new treatment by Teen-aged Christian group, Jumpin’ Kids O’ Joy, backed by Nashville’s ‘A’ team of studio magicians. | Click to Listen |
| GOD BLESS THE U. S. A. (Backing Track w/Choir BGVs) | Country | Backing Track or Underscore with Background Vocal parts for Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. With Background Vocals by Teen-aged Christian group, Jumpin’ Kids O’ Joy, backed by Nashville’s ‘A’ team of studio magicians. | Click to Listen |
| GOD BLESS THE U. S. A. (Backing Track) | Country | Backing Track or Underscore for Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. Featuring Nashville’s ‘A’ team of studio magicians. | Click to Listen |
| GOD BLESS THE U. S. A. (Cue 1) | Religious | 31 second Cue or Transition for Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. Featuring Nashville’s ‘A’ team of studio magicians, backing ICE, the Island Choral Experience. | Click to Listen |
| GOD BLESS THE U. S. A. (Cue 2) | Religious | 48 second Cue or Transition for Lee Greenwood’s prideful, flag-cloaked anthem of patriotism. Featuring Nashville’s ‘A’ team of studio magicians, backing ICE, the Island Choral Experience. | Click to Listen |
| GOING OUT OF MY HEAD | Urban/R&B | Little Anthony and the Imperials original recording is the most commonly known version of this popular Soul Ballad and Top 10 Hit. It has been covered numerous times since, including the Luther Vandross arrangement here. | Click to Listen |
| GOING OUT OF MY HEAD (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOODBYE YELLOW BRICK ROAD (Country Instrumental) | Country | Nashville ‘A’ team studio band’s Instrumental interpretation of Elton John’s classic Rock Standard featuring Fiddle, Steel, Electric Guitar and Piano. | Click to Listen |
| GUS, THE THEATRE CAT | Broadway | Composed by Andrew Lloyd Webber, based on “Old Possum’s Book of Practical Cats” by T. S. Eliot, this re-record of “Gus, the Theatre Cat” gives Dana Sedgwick an expressive opportunity, and she rises to the occasion. Brilliant. | Click to Listen |
| GUS: THE THEATRE CAT (Backing Track) | Broadway | Backing Track or Underscore for the song from the Broadway show, “Cats”, composed by Andrew Lloyd Webber, based on “Old Possum’s Book of Practical Cats” by T. S. Eliot. | Click to Listen |
| HAVE I TOLD YOU LATELY THAT I LOVE YOU (Guitar Instrumental) | Rock/Pop | Written by Northern Irish singer-songwriter Van Morrison, a romantic Ballad often played at weddings, although it was originally written as a prayer. Jerry Cortez from Tower of Power has rearranged this version for solo Acoustic Guitar. | Click to Listen |
| HEALING HANDS (Background Instrumental) | Rock/Pop | ‘Healing Hands’ was Elton John’s last million seller of the eighties, inspired by the Motown hit, “Reach Out and I’ll Be There”, by the 4 Tops. | Click to Listen |
| HERE WITH ME (Background Instrumental) | Urban/R&B | Nineties, Smooth Jazz, Hip-Hop take on soul singer, Philip Bailey’s, (Earth, Wind & Fire), tune. Tenor Sax and Electric Guitar feature. Sequenced Drums and Bass, Woodwinds fill out the Rhythm Section. | Click to Listen |
| HONKY CAT | Rock/Pop | An often told tale of a country boy craving the “bright lights and big city”. The popular Elton John song was originally recorded in 1972. This re-interpreted rocker features the classic Piano riffs and Horn Section arrangements. | Click to Listen |
| HONKY CAT (Backing Track) | Rock/Pop | Backing Track or Underscore for the classic tale of a country boy craving the “bright lights and big city”, this popular Elton John song was recorded in 1972. This re-interpreted rocker features the classic Piano riffs and Horn Section arrangements. | Click to Listen |
| HONKY CAT (Country Instrumental) | Country | A classic tale of a country boy craving the “bright lights and big city”, this popular Elton John song was originally recorded in 1972. Arranged as a swampy Instrumental Country Rocker featuring the classic Piano riffs, Horn Section and Acoustic Guitar. | Click to Listen |
| I COULDN’T SEE YOU LEAVIN’ (Background Instrumental) | Country | Typical Muzak-styled Elevator Music interpretation of the Conway Twitty Top Ten hit from 1990. Ideal for the grocery aisle, insipid and campy. Layers of Woodwinds and Reeds provide the right mood for any audio wallpaper or dentist chair scene. | Click to Listen |
| I GUESS THAT’S WHY THEY CALL IT THE BLUES | Rock/Pop | Well recognized Elton John hit from 1983, faithfully covered by Nashville performing artist, Perry Danos. Includes signature Chromatic Harmonica solo at 2:45. Allmusic declares the song “likely to stand the test of time as a Standard.” | Click to Listen |
| I GUESS THAT’S WHY THEY CALL IT THE BLUES (Backing Track w/BGvs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for Elton John’s well recognized hit from 1983, faithfully covered, including signature Chromatic Harmonica solo at 2:45. Allmusic declares the song “likely to stand the test of time as a Standard.” | Click to Listen |
| I GUESS THAT’S WHY THEY CALL IT THE BLUES (Backing Track) | Rock/Pop | Backing Track or Underscore for Elton John’s well recognized hit from 1983, faithfully covered, including the signature Chromatic Harmonica solo at 2:45. Allmusic declares the song “likely to stand the test of time as a Standard.” | Click to Listen |
| I GUESS THAT’S WHY THEY CALL IT THE BLUES (Country Instrumental) | Country | Well recognized Elton John hit from 1983. Re-arranged as a Country Blues Rocker featuring Guitar, Pedal Steel and Background Vocals. Chromatic Harmonica solo at 2:45. Allmusic declares the song “likely to stand the test of time as a standard.” | Click to Listen |
| I’M JUST A LUCKY SO AND SO | Standards | Duke Ellington Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Piano-Guitar based Quartet backs Jennifer Ivester, Piano solo at 1:50, Guitar solo at 2:45 | Click to Listen |
| I’M JUST A LUCKY SO AND SO (Amy) | Standards | Duke Ellington Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Paino-Guitar based Quartet back 15 year old Amy Gottlieb, Piano solo at 1:50, Guitar solo at 2:45 | Click to Listen |
| I’M JUST A LUCKY SO AND SO (Backing Track) | Standards | Badcking Track or Underscore for Duke Ellington’s Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Piano-Guitar based Quartet , Piano solo at 1:50, Guitar solo at 2:45. | Click to Listen |
| JE T’AIME | World | Banned in several countries due to its sexual content, this beautiful love song was written for Brigitte Bardot, and was a #1 hit in the UK. The arrangement features Violin, Piano and Upright Bass with sweet and clear vocals by Adrianna Bernal. | Click to Listen |
| JE T’AIME (Backing Track) | Standards | Backing Track for the song banned in several countries due to its sexual content. This beautiful love song was written for Brigitte Bardot, and was a #1 hit in the UK. The arrangement features Violin, Piano, Acoustic Guitar and Upright Bass. | Click to Listen |
| LEAVIN’ ON YOUR MIND (Backing Track) | Rock/Pop | “Leavin’ On Your Mind” is a famous Country-Pop song written by Wayne Walker & Webb Pierce, popularized by Patsy Cline in 1963, at the height of her career. This recording is the Backing Track or Underscore derived from the 1996 Carol Noonan arrangement. | Click to Listen |
| LIFTED BY LOVE | Rock/Pop | From the 1993 film, “Even Cowgirls Get the Blues”, written by Tom Robbins, comes this k. d. lang Disco flavored Trance track, simple in its message of longing and placed on a repetitive groove. | Click to Listen |
| LIFTED BY LOVE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for k. d. lang’s groove oriented Disco-Trance tune from the 1993 film, “Even Cowgirls Get the Blues”, based on the novel written by Tom Robbins. | Click to Listen |
| LIFTED BY LOVE (Backing Track) | Rock/Pop | Backing Track or Underscore for k. d. lang’s groove oriented Disco-Trance tune from the 1993 film, “Even Cowgirls Get the Blues”, based on the novel written by Tom Robbins. | Click to Listen |
| LORD I HOPE THIS DAY IS GOOD | Country | This would be Don Williams’ twelfth number one hit on the Country charts. Recorded here by California Country girl, Kimberley Hope, with Vocal Quartet, Margie Cates and Her Boys, and 8-piece Acoustic Nashville studio group in back-up. | Click to Listen |
| LORD I HOPE THIS DAY IS GOOD (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for Don Williams’ twelfth number one hit on the country charts. Recorded here by Vocal Quartet with a 7-piece Acoustic Nashville studio group. | Click to Listen |
| LORD I HOPE THIS DAY IS GOOD (Backing Track) | Country | Backing Track or Underscore for Don Williams’ twelfth number one hit on the Country charts. Recorded here by a 7-piece Acoustic Nashville studio group. | Click to Listen |
| MADE IN ENGLAND (Country Instrumental) | Country | An homage to his “roots” Elton John recorded this song in 1995. Re-arranged as a high energy Country Rocker featuring Pedal Steel, Electric Guitar, Dobro and Background Vocals. | Click to Listen |
| MEDICATED GOO | Rock/Pop | From the second release for Steve Winwood’s band ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. This funky arrangement features Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| MEDICATED GOO (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from the second release of Steve Winwood’s band ‘Traffic’. It puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their assorted libations. | Click to Listen |
| MEDICATED GOO (Connye) | Rock/Pop | From the second release for Steve Winwood’s band, ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. This funky arrangement features Jazz Rhapsody artist, Connye Florance. | Click to Listen |
| MEDICATED GOO (Halloween – Backing Track) | Rock/Pop | Backing Track or Underscore for the Halloween arrangement of the song from the second release for Steve Winwood’s band ‘Traffic’. It puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. | Click to Listen |
| MEDICATED GOO (Halloween) | Rock/Pop | From the second release for Steve Winwood’s band ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. This arrangement comes with ghouls and witches brewing on All Hallows Eve. | Click to Listen |
| NEITHER ONE OF US (WANTS TO BE THE FIRST TO SAY GOODBYE) | Urban/R&B | Top 10 1973 hit for Gladys Knight from the album of the same name. A song of mustering courage and confronting the inevitable end of a memorable relationship. Connye Florance and her own group of Pips are supported by 6-piece band and Symphony players. | Click to Listen |
| NEITHER ONE OF US (WANTS TO BE THE FIRST TO SAY GOODBYE) (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for the Top 10 1973 hit for Gladys Knight from the album of the same name. A song of mustering courage and confronting the inevitable end of a memorable relationship. 6-piece band and Symphony players support. | Click to Listen |
| NEITHER ONE OF US (WANTS TO BE THE FIRST TO SAY GOODBYE) (Backing Track) | Urban/R&B | Backing Track or Underscore for the Top 10 1973 hit for Gladys Knight from the album of the same name. A song of mustering courage and confronting the inevitable end of a memorable relationship. 6-piece band & Symphony String players carry arrangement. | Click to Listen |
| NO ONE NEEDS TO KNOW | Country | Ally Jay’s lighthearted treatment of Robert Lange’s humourous anticipation of the big day, unbeknowst to the spouse . . . yet. Dobro and Harmonica add to this swift, upbeat country shuffle. | Click to Listen |
| NO ONE NEEDS TO KNOW (Backing Track) | Country | Backing Track or Underscore for the lighthearted treatment of Robert Lange’s humourous anticipation of the big day, unbeknowst to the spouse . . . yet. Dobro and Harmonica add to this swift, upbeat Country Shuffle. | Click to Listen |
| NOW AND AGAIN (Backing Track) | Urban/R&B | Backing Track or Underscore for Earl Klugh and Roberta Flack’s Smooth Jazz-R&B collaboration, “Now and Again”, features Fender Rhodes Piano and Electric Guitar Rhythms and fills. | Click to Listen |
| ONE, THE (Country Instrumental) | Country | This Elton John Pop Anthem was originally recorded in 1992. Re-arranged as an Instrumental Country Ballad, featuring Piano, Electric Guitar and Pedal Steel. “For each man in his time is Cain, until he walks along the beach.” | Click to Listen |
| OOH LA LA LA (Backing Track w/BGVs) | World | Backing Track or Underscore with Choral Background Vocal parts for the A. R. Rahman song, “Ooh La La La”, from the 1997 Tamil romance film, ‘Minsara Kanavu’, which garnered 4 National Film Awards. Featuring ICE and Keyboardist, Eugene Bien. | Click to Listen |
| OOH LA LA LA (Backing Track) | World | Backing Track or Underscore for the A. R. Rahman song, “Ooh La La La”, from the 1997 Tamil romance film, ‘Minsara Kanavu’, which garnered 4 National Film Awards. Arranged by Keyboardist, Eugene Bien. | Click to Listen |
| OOH LA LA LA (MANNA MADURAI) | World | The 1997 Tamil romance film, ‘Minsara Kanavu’, garnered four National Film Awards, and the Sountrack included this A. R. Rahman song. Young Priyam Thind sings “Ooh La La La” with Keyboard arranger, Eugene Bien. | Click to Listen |
| SALAAM BOMBAY | World | Title song from the Bollywood-themed Musical, with music by A. R. Rahman and Produced by Andrew Lloyd Webber. The London production opened in 2002 and ran for two years. Performed here by High School Musical group, ‘Musique’. | Click to Listen |
| SET ‘EM UP, JOE (Backing Track) | Country | “Set ‘Em Up Joe” was a tribute song to Ernest Tubb and was a number one hit for Vern Gosdin on the Country charts in 1988. This Backing Track or Underscore stays faithful to the original, and features Pedal Steel Hall-of-Fame inductee, Tommy White. | Click to Listen |
| SET ‘EM UP, JOE (Instrumental) | Country | Originally recorded by American Country music artist Vern Gosdin, released in April 1988. a number one Country hit and tribute song to Ernest Tubb. Cut here as a lighthearted Instrumental Country Blues with plenty of Twang. | Click to Listen |
| SHAKALAKA BABY | World | A single by Preeya Kalidas, initially featured in the 2002 Musical, “Bombay Dreams”. It is a reworked version of the track from 1999 Tamil film, “Mudhalvan”. Featured Vocalist on this version is Priyam Thind, with support from Choral group, ICE. | Click to Listen |
| SHAKALAKA BABY (Backing Track w/BGVs) | World | Backing Track or Underscore with Backgroud Vocal parts for the single by Preeya Kalidas, initially featured in the 2002 Musical, “Bombay Dreams”. It is a reworked version of the track from 1999 Tamil film, “Mudhalvan”. ICE provides the Vocals. | Click to Listen |
| SHAKALAKA BABY (Backing Track) | World | Backing Track or Underscore for the single by Preeya Kalidas, initially featured in the 2002 Musical, “Bombay Dreams”. It is a reworked version of the track from 1999 Tamil film, “Mudhalvan”. | Click to Listen |
| SIMPLE | Rock/Pop | Canadian Singer-Songwriter, k. d. lang, has written and recorded so many eclectic, beautiful and diverse songs in her career. This quirky, ambient tune is anything but ‘simple’. This unique love song features Mikaela Kahn’s Vocal interpretation. | Click to Listen |
| SIMPLE (Backing Track w/BGVs) | Rock/Pop | Backing track or Underscore with Background Vocal parts for Canadian Singer-Songwriter, k. d. lang’s eclectic, beautiful, quirky, ambient, anything but ‘simple’ tune. Featuring Jerry Cortez, (Tower of Power), on Guitar with sporatic Vocal Quartet bits. | Click to Listen |
| SIMPLE (Backing Track) | Rock/Pop | Backing Track or Underscore for Canadian Singer-Songwriter, k. d. lang’s eclectic, beautiful, quirky, ambient tune that is anything but ‘simple’. Featuring Jerry Cortez, (Tower of Power), on Guitar. | Click to Listen |
| SITTING IN LIMBO | World | Jamaican heavy, Jimmy Cliff, penned this popular Caribbean favorite for the film “The Harder They Come” in the early 70s. This current re-arrangement gives it justice and adds an Americana spin on it with the addition of Accordion. | Click to Listen |
| SITTING IN LIMBO (Backing Track w/BGVs) | World | Backing Track with Background Vocal parts for Jamaican heavy, Jimmy Cliff’s self-penned popular Caribbean favorite. Used in the film “The Harder They Come” in the early 70s. Features Gospel Quartet on BGVs, Accordion and Hammond B3 Organ. | Click to Listen |
| SITTING IN LIMBO (Backing Track) | World | Backing Track or Underscore for Jamaican heavy, Jimmy Cliff’s self-penned popular Caribbean favorite. Features Tower of Power’s Guitar man, Jerry Cortez, with 5-piece band including Accordion and Hammond B3 Organ. Sweet, lazy and laid back. | Click to Listen |
| SKYFALL | Movie/TV Themes | Big and ominous Soundtrack Theme for the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden. | Click to Listen |
| SKYFALL (Backing Track w/BGVs) | Movie/TV Themes | Backing Track or Underscore with Background Vocal parts for the big and ominous Soundtrack Theme from the 2012 addition of the Bond franchise, fully orchestrated. | Click to Listen |
| SKYFALL (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the big and ominous Soundtrack Theme from the 2012 addition of the Bond franchise, fully orchestrated. | Click to Listen |
| SKYFALL (Cue – 1st Verse) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the 1st verse of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click to Listen |
| SKYFALL (Cue – Big Finish w/No Vocals) | Movie/TV Themes | 26 second Cue, Transition or Ringtone for the Big Finish, with the Vocals removed, of the ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click to Listen |
| SKYFALL (Cue – Big Finish) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Big Finish of the ominous Soundtrack Theme from the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click to Listen |
| SKYFALL (Cue – Bridge w/No Vocals) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Bridge, with the Vocals removed, of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click to Listen |
| SKYFALL (Cue – Bridge) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Bridge of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click to Listen |
| SKYFALL (Cue – Chorus w/BGVs) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Chorus, with Background Vocal parts, of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden. | Click to Listen |
| SKYFALL (Cue – Chorus w/No Vocals) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Chorus, with the Vocals removed, of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click to Listen |
| SKYFALL (Cue – Chorus) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the Chorus of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click to Listen |
| SKYFALL (Cue – Interlude) | Movie/TV Themes | 24 second Cue, Transition or Ringtone for the Interlude section of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click to Listen |
| SKYFALL (Cue – Intro-Outro) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the intro and outro of the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated. | Click to Listen |
| SKYFALL (Cue – Theme) | Movie/TV Themes | 29 second Cue, Transition or Ringtone for the big and ominous Soundtrack Theme of the 2012 addition to the Bond franchise, fully orchestrated with dynamic Vocal work from Darelle Holden | Click to Listen |
| SMOKE GETS IN YOUR EYES | Standards | A showtune written for the Broadway show, ‘Roberta’, the most famous version was the 1956 Platters. This song is one of the most covered in modern history with litereally hundreds of recordings. This arrangement leans towards a ‘Smooth Jazz’ style. | Click to Listen |
| SMOKE GETS IN YOUR EYES (Backing Track) | Standards | Backing Track or Underscore for the 1933 showtune written for Broadway’s ‘Roberta’, the most famous version was the 1956 Platters recording. This arrangement leans towards a ‘Smooth Jazz’ style. | Click to Listen |
| SMOKE GETS IN YOUR EYES (Instrumental) | Jazz (Contemporary) | The most famous version of this 1933 composition was released in 1956 by the Platters, and one of the most covered in modern history. This arrangement leans towards a ‘Smooth Jazz’ style featuring Piano, Tenor Sax, Guitar and Seattle Symphony Strings. | Click to Listen |
| SOMEONE LIKE YOU | Urban/R&B | Combine the Traditional style of a classic Standard with Jazz Vocal and smooth R & B and you find this gem from Van Morrison. Brought to sensuous life by Main Attraction lead vocalist, Antowaine Richardson, backed by Seattle Symphony Strings & Jazz Trio. | Click to Listen |
| SOMEONE LIKE YOU (Backing Track) | Rock/Pop | Combine the traditional style of a classic Standard with Jazz sensitivities and smooth R & B and you find this gem from Van Morrison. This Backing Underscore is brought to sensuous life by the Nick Manson Trio, backed by Seattle Symphony String section. | Click to Listen |
| SORRY SEEMS TO BE THE HARDEST WORD (Background Instrumental) | Rock/Pop | Elton John recorded this melancholy love song that soon became a hit in 1977. Re-arranged as an Instrumental Ballad with Elevator Music sensitivites, featuring Acoustic Guitar and Tenor Sax with Flute counterpoint, and a Vibes interlude. | Click to Listen |
| SORRY SEEMS TO BE THE HARDEST WORD (Country Instrumental) | Country | Elton John recorded this melancholy love song that soon became a hit in 1977. Re-arranged as an instrumental ballad with a world flair featuring Accordian, Acoustic Guitar, Pennywhistle and Piano. | Click to Listen |
| SURE KNOW SOMETHING (Background Instrumental) | Rock/Pop | Gene Simmons made a personal request of Disk Eyes Productions to produce a “Background Music” version of this tune that could be broadcast on “Muzak”. So here it is . . . layers of Guitars, Tenor Sax and Flutes. Going up? | Click to Listen |
| TAKE ME AWAY (INTO THE NIGHT) | Techno/Electronica | Techno Euro-Pop, with a High School Musical/Glee spin on it. Originally by Carlo Resoort, Dutch DJ, Re-mixer and Producer. He is best known for the main act of ‘4 Strings’. This sequenced club Disco track appeared in the stage show, ‘Musique’. | Click to Listen |
| THIS TRAIN DON’T STOP THERE ANYMORE | Country | A classic tale of coming to terms with getting older, giving in and moving on. This song was recorded in 2001 by Elton John, and re-arranged in 2012 as a Country Ballad with Perry Danos and featuring Tommy White on Pedal Steel Guitar. | Click to Listen |
| THIS TRAIN DON’T STOP THERE ANYMORE (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the classic tale of coming to terms with getting older, giving in and moving on. Re-arranged as a Country Ballad featuring Grand Ole Opry’s Tommy White on Pedal Steel Guitar. | Click to Listen |
| THIS TRAIN DON’T STOP THERE ANYMORE (Backing Track) | Country | Backing Track or Underscore for the classic tale of coming to terms with getting older, giving in and moving on. Re-arranged as a Country Ballad featuring Grand Ole Opry’s Tommy White on Pedal Steel Guitar. | Click to Listen |
| THIS TRAIN DON’T STOP THERE ANYMORE (Country Instrumental) | Country | A classic tale of coming to terms with getting older, giving in and moving on. This song was recorded in 2001 by Elton John. Re-arranged as an Instrumental Country ballad featuring Guitars, Piano & Pedal Steel with Background Vocal parts. | Click to Listen |
| TIME PASSAGES (Backing Track) | Rock/Pop | The original recording of this Top 10 hit was produced by Alan Parsons, and co-written by Al Stewart’s bandmember, Peter White, who has gone on to be a successful Smooth Jazz solo artist. This Backing Track or Underscore stays close to the original. | Click to Listen |
| TINY DANCER (Country – Backing Track) | Country | Sterling Backing Track or Underscore of the Country interpretation of Elton John’s classic Pop anthem, featuring a 9-piece Country band of Nashville’s finest studio “A” team. | Click to Listen |
| TINY DANCER (Country Instrumental) | Country | Sterling Instrumental interpretation of Elton John’s classic Pop anthem, played by a 9-piece Country band of Nashville’s finest “A” team studio musicians. Everyone gets a shot at the melodies in this arrangement. | Click to Listen |
| TINY DANCER (Country) | Country | Sterling Vocal interpretation of Elton John’s classic Pop anthem, backed by a 9-piece Country band of Nashville’s finest studio “A” team. | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) | Country | This Number One Billboard Hot Country Single in 1987 for Restless Heaart gets new legs from Margie Cates and Her Boys, premier Nashville Vocal Quartet, and featuring Stephen Hill. An age-old question, “How can I have my cake and eat it too?” | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for this Number One Billboard Hot Country Single in 1987 from Restless Heart. Vocal Quartet, layers of Acoustic and Electric Guitars fill out this recording from 2011. | Click to Listen |
| WHY DOES IT HAVE TO BE (WRONG OR RIGHT) (Backing Track) | Country | Backcing Track or Underscore for this Number One Billboard Hot Country Single in 1987 from Restless Heart. Layers of Acoustic and Electric Guitars fill out this recording from 2011. An age old question, “How can I have my cake and eat it too?” | Click to Listen |
| YOUR SONG (Country Instrumental) | Country | Poignant Instrumental interpretation of Elton John’s innocent and expressive Ballad. Performed beautifully by Nashville’s ‘A’ team 9 -piece studio group. Dobro, Fiddle and Nylon Guitar share melodies. | Click to Listen |
