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Welcome to the Publisher’s Master Titles page. Now you can participate in the master side as well as the publishing side of your titles!
Select a Publisher, listen, pitch and license your titles. Disk Eyes owns 100% of these Masters and offers you immediate clearance as well as 25% participation of Master fees when you generate a use.
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PEER
| Track Title | Genre | Track Description | PlayLink |
| A LOVE THAT WILL LAST | Rock/Pop | Light, romantic Pop Jazz song featuring Nylon Guitar, Piano, (solo at 1:50), Upright Bass and Brush Work. From the Princess Diaries 2 Soundtrack. | Click to Listen |
| A LOVE THAT WILL LAST (Backing Track) | Rock/Pop | Backing Track or Underscore for the light, romantic Pop Jazz song featuring Nylon Guitar, Piano, (solo at 1:50), Upright Bass and Brush Work. From the Princess Diaries 2 Soundtrack. | Click to Listen |
| AFTER ALL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANYTHING FOR LOVE (Elevated Instrumental) | Folk | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BIG STAR FALLING | Blues | Country Blues ballad by Northwest Folk singer, Jim Page, backed by Nashville’s ‘A’ team of studio wizards. Blind Willie McTell played with a fluid, syncopated fingerstyle Guitar technique that Page incorporates into his own. Tracked at Tree Studios. | Click to Listen |
| BIG STAR FALLING (Backing Track) | Blues | Backing Track or Underscore for Blind Willie McTell’s Country Blues Ballad , featuring Nashville’s ‘A’ team of studio wizards. Blind Willie played with a fluid, syncopated fingerstyle Guitar technique that incorporates well into this re-arrangement. | Click to Listen |
| CAN I TRUST YOU WITH MY HEART (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DARK HORSE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T HOLD BACK YOUR LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FASCINATION | Standards | A popular Waltz written in 1904, and published in 1932. Think Italian or French Café romance. Accordion and Mandolin fill out an arrangement that features Connye Florance’ sultry and compelling Vocal work. | Click to Listen |
| FASCINATION (Backing Track) | Standards | Backing Track or Underscore for the Popular Waltz written in 1904, and published in 1932. Think Italian or French Café romance. Accordion and Mandolin fill out the Neopolitan arrangement. | Click to Listen |
| FASCINATION (Instrumental) | Standards | Acoustic Instrumental of the Popular Waltz written in 1904, and published in 1932. Think Italian or French Café romance. Violin, Nylon Guitar, Accordion and Mandolin fill out the Neopolitan arrangement. | Click to Listen |
| FOR THE FIRST TIME (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOODBYE | Rock/Pop | Although not greatly popular in the United States, “Goodbye” was critically praised and gained a large following outside the country. This paired down, subtle arrangement leans on the maudlin sentimentality of Foster/Thompson’s composition. | Click to Listen |
| GOODBYE (Backing Track) | Rock/Pop | Backing Track or Underscore for the song, “Goodbye”, that was critically praised and gained a large international following. This paired down, subtle arrangement leans on the maudlin sentimentality of Foster/Thompson’s composition. | Click to Listen |
| GREAT PRETENDER, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| I KNOW YOU BY HEART | Rock/Pop | Poignant song of love and loss, reminiscence and heartache. Beautiful imagery and lyrical depth. Originally by Eva Cassidy but handled with sensitivity by young Dana Sedgwick. Vocal Group Backgrounds, Piano and Acoustic Guitar support. | Click to Listen |
| I KNOW YOU BY HEART (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the poignant song of love and loss, reminiscence and heartache. Beautiful imagery and lyrical depth. Vocal Group Backgrounds, Piano and Acoustic Guitar lend support. | Click to Listen |
| I KNOW YOU BY HEART (Backing Track) | Rock/Pop | Backing Track or Underscore for the poignant song of love and loss, reminiscence and heartache. Beautiful imagery and depth. Piano and Acoustic Guitar lend support. | Click to Listen |
| STANDING ON THE EDGE OF GOODBYE (Backing Track) | Country | Backing Track or Underscore for the John Berry hit that climbed to number 2 on the Billboard Hot Country Singles charts. A bisic Country Rock arrangment with Rhythm Section, Pedal Steel, and Fiddle. | Click to Listen |
| STANDING ON THE EDGE OF GOODBYE (Instrumental) | Country | “Picks up the tempo but continues to travel down the same country/soul road that got him where he is.” – Billboard review. This John Berry Top Ten Country Ballad has been reproduced as a Country Rock Instrumental featuring Fiddle and Tenor Sax. | Click to Listen |
| TICO TICO | Jazz (Mainstream) | “A Latin classic, (by Zequinha Abreu), I first learned on the Piano as a kid, my father constantly telling me it’s got to be faster. He was used to listening to Oscar Peterson’s blistering version. I opted for a medium-up tempo.” – Andy Suzuki | Click to Listen |
| TIE A YELLOW RIBBON (Instrumental) | Rock/Pop | The origin of a yellow ribbon as remembrance may date back to a 19th century practice that some women had of wearing a yellow ribbon in their hair to signify their devotion to a husband serving in the U.S. Cavalry. This is an Instrumental arrangement. | Click to Listen |
| VOICES THAT CARE (Backing Track) | Rock/Pop | Backing Track or Underscore for the popular 1991 song intended to boost morale during Desert Storm and support the International Red Cross. Drum Machine with layers of Synths and Strings. | Click to Listen |
| VOICES THAT CARE (Instrumentlal) | Rock/Pop | Muzak-styled Easy Listening ‘Background’ Instrumental rendition of the popular 1991 song intended to boost morale during Desert Storm and support the International Red Cross. Drum Machine and layers of Synths, with Flute, Tenor Sax and Guitar melodies. | Click to Listen |
| WALK, DON’T RUN | Rock/Pop | The signature Rock and Roll era Ventures Instrumental is reinvented once again, (classics never die). This time, Cortez and Marrow take a ‘run’ at it. Laidback feel and sultry groove make this version hold up to the original. Very cool! | Click to Listen |
