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| Track Title | Genre | Track Description | PlayLink |
| A HARD DAY’S NIGHT (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the song titled after something said by Beatles’ drummer, Ringo Starr. This version, re-arranged for Traditional Country enthusiasts, puts the Bluegrass spin on it. Featuring 7-piece Grassmasters, Grand Ol’ Opry veterans | Click to Listen |
| A HARD DAY’S NIGHT (Bluegrass) | Country (Bluegrass) | The song’s title originated from something said by Beatles’ drummer, Ringo Starr. This version re-arranged for Traditional Country enthusiasts, and puts the Bluegrass spin on it. 7-piece Grassmasters is made up of Grand Ol’ Opry veterans. | Click to Listen |
| A HARD DAY’S NIGHT (Country Instrumental) | Country | Featured prominantly in the film of the same name, this Beatles classic got its inspiration from a casual remark made by Ringo. This version re-arranged for Country enthusiasts, puts the Americana spin on it. | Click to Listen |
| A HARD DAY’S NIGHT (Kids – Backing Track) | Country | Backing Track or Underscore for a re-arranged Beatle song in Country style. The song’s title originated from something said by Beatles’ drummer, Ringo Starr. | Click to Listen |
| A HARD DAY’S NIGHT (Kids) | Country | The song’s title originated from something said by Beatles’ drummer Ringo Starr. This version re-arranged for Kids with a country slant, featuring ICE, a teenage girl’s chorus. | Click to Listen |
| ALL YOU NEED IS LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AND I LOVE HER | Rock/Pop | Beatles’ romantic Bossa Nova featuring layers of Acoustic Guitars, Hand Percussion and a Vocal performance by the Main Attraction’s Antowaine Richardson, soulful and sincere. | Click to Listen |
| AND I LOVE HER (Backing Track) | Rock/Pop | Backing Track or Underscore for the Beatles’ romantic Bossa featuring layers of Acoustic Guitars and Hand Percussion. | Click to Listen |
| BECAUSE (Lullaby – Acappella – Kelsey) | Rock/Pop | Gorgeous A Cappella arrangement of the dreamy Beatles’ classic from ‘Abbey Road’. Featuring soloist Kelsey Lockhart backed by Teen-aged girl Choir, ICE with layered harmonies, delicate and calming. | Click to Listen |
| BECAUSE (Lullaby – Acappella) | New Age/Relaxation | Gorgeous A Cappella arrangement of the dreamy Beatles’ classic from ‘Abbey Road’. Teen-aged girl Choir with layered harmonies created for the ‘Lullabye of Beatleland’ project, tailored to calm and restore. | Click to Listen |
| BLACKBIRD | Country | Paul McCartney wrote this song in response to the race riots in the 60’s. This Country Vocal puts an Americana spin on it, featuring Dobro, Pedal Steel and Fiddle, supporting the signature Finger-Style Acoustic Guitar part. Vocal Quartet on Backgrounds. | Click to Listen |
| BLACKBIRD (Backing Track) | Rock/Pop | Backing track for the re-arranged Paul McCartney Ballad, written in response to the race riots in the 60’s. Americana flavored. | Click to Listen |
| BLACKBIRD (Country – Backing Track w/BGVs) | Country | Backing Track or Underscore for the Country re-arranged Paul McCartney Ballad, written in response to the race riots in the 60’s. Americana flavored. | Click to Listen |
| BLACKBIRD (Country Instrumental) | Country | Paul McCartney wrote this song in response to the race riots in the 60’s. This version puts the Americana spin on it. A delicate interpretation features signature Acoustic Finger-style Guitar part with Fiddle, Dobro and Pedal Steel on melodic duties. | Click to Listen |
| BLACKBIRD (Elevated Instrumental) | Rock/Pop | Easy Listening Elevator Music re-arrange of the Paul McCartney classic from the Beatles’ White Album. Layers of Woodwinds, Reeds and Brass bring you closer to the grocery aisle. | Click to Listen |
| BLACKBIRD (Guitar Instrumental) | Rock/Pop | Acoustic Guitar solo for Paul McCartney’s poignant Ballad, a reaction to racial tensions escalating in the United States in the spring of 1968. Played by Jerry Cortez from Tower of Power fame. | Click to Listen |
| BLACKBIRD (Lullaby) | Rock/Pop | Delicate Lullaby re-arrange of the Paul McCartney classic from the Beatles’ White Album. James Taylor’s Fiddler, Andrea Zonn, leads the path to slumberland. Pedal Steel Hall-of-Famer, Tommy White moonlights on Dobro. Vocal Quartet adds backgrounds. | Click to Listen |
| CAN’T BUY ME LOVE (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Grassmasters acoustic Bluegrass rendition of the classic Beatles hit. “The idea behind it was that all these material possessions are all very well, but they won’t buy me what I really want.” – McCartney | Click to Listen |
| CAN’T BUY ME LOVE (Bluegrass) | Country (Bluegrass) | Grassmasters acoustic Instrumental Bluegrass rendition of the classic Beatles hit. “The idea behind it was that all these material possessions are all very well, but they won’t buy me what I really want.” – McCartney | Click to Listen |
| CAN’T BUY ME LOVE (Kids – Backing Track) | Country | Backing Track or Underscore for the Country interpretation of the classic Beatles hit. Fun, loose, and cheerful with the signature Electric Guitar solo thrown in for good measure. | Click to Listen |
| CAN’T BUY ME LOVE (Kids) | Country | Country interpretation of the classic Beatles hit featuring teen girl group, ICE from the ‘Kids Rock the Country’ series. Fun, loose, and cheerful with the signature Electric Guitar solo thrown in for good measure. | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass version of the popular early Beatles song. This version re-arranged to put the Americana spin on it. Fully acoustic 6-piece group recording. | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Bluegrass) | Country (Bluegrass) | Bluegrass version of the popular early Beatles track. This version re-arranged to put the Americana spin on it. Fully acoustic 6-piece group recording. | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Country Instrumental) | Country | Inspired by a Disney song John Lennon’s mother sang to him as a child, this Beatles classic was tailored for George Harrison’s Vocal. This Instrumental version puts an Americana spin on it. Traditional Country instrumentation and plenty of improvisation | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Kids – Backing Track) | Country | Backing Track or Underscore based on a song John Lennon’s Mother sang to him as a little boy. This version re-arranged for Country enthusiasts, puts the Americana spin on it. | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Kids) | Country | Based on a song John Lennon’s mother sang to him as a little boy. This version re-arranged for Country enthusiasts, sung by Kids, puts the Americana spin on it. | Click to Listen |
| DR. ROBERT (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Intrumental Bluegrass interpretation of the Beatles ode to the drug provider. Fully acoustic, 5-piece Nashville studio heavies provide the entertainment. | Click to Listen |
| DR. ROBERT (Bluegrass) | Country (Bluegrass) | Intrumental Bluegrass interpretation of the Beatles ode to the drug provider. Fully acoustic, 5-piece Nashville studio heavies provide the entertainment. | Click to Listen |
| DR. ROBERT (Kids – Backing Track) | Country | Backing Track or Underscore for this quirky contradiction of styles. Country band covers the Beatles’ ode to the drug provider. A 7-piece group of Nashville studio heavies provide the backing featuring layers of Guitars, Pedal Steel and Fiddle. | Click to Listen |
| DR. ROBERT (Kids) | Country | Ironic and quirky, this contradictory mix of Girl’s Choir and Country band covering the Beatles’ ode to the drug provider. A 7-piece group of Nashville studio heavies provide the backing. Teen-aged Choir, the Vocals. Weird! | Click to Listen |
| ELEANOR RIGBY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| END, THE (Lullaby) | Rock/Pop | From the dreamy ‘Lullaby of Beatle Land’ project, this re-arrange lifts all the signature parts and puts a new spin on the ‘last’ Beatle song. Female Teen Choir provides vocals, 10-piece Nashville studio group lends support. Lush, sleepy and tender. | Click to Listen |
| EVERY NIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET BACK (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GIRL (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for John Lennon’s somber but romantic Ballad of a girl he loves, but with misgivings. | Click to Listen |
| GIRL (Backing Track) | Rock/Pop | Backing Track or Underscore for John Lennon’s somber but romantic ballad of a girl he loves, but with misgivings. | Click to Listen |
| GIRL (Country Instrumental w/BGVs) | Country | John Lennon’s somber but romantic Ballad of a girl he loves, but with misgivings. Re-arranged for Country enthusiasts, featuring Nylon Guitar melodies, Accordion Bridge ala French Café and Vocal Quartet on the Choruses. | Click to Listen |
| GIRL (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak styled Instrumental Underscore for John Lennon’s somber but romantic Ballad of a girl he loves, however with misgivings. Re-arranged for Nylon Guitar. | Click to Listen |
| GIRL (Instrumental w/BGVs) | Rock/Pop | John Lennon’s somber but romantic Ballad of a girl he loves, however with misgivings. Re-arranged for Nylon Guitar. Vocals on the Choruses and the Bridge. | Click to Listen |
| GOLDEN SLUMBERS (Backing Track) | Rock/Pop | Backing Track or Underscore for the Beatle song based on the poem “Cradle Song”, a Lullaby by the dramatist Thomas Dekker. Acoustic and Electric Guitars, Violin, Piano and Acoustic Bass put a new spin on these beautiful changes. | Click to Listen |
| GOLDEN SLUMBERS (Jerry) | Rock/Pop | Based on the poem “Cradle Song”, a lullaby by the dramatist Thomas Dekker. Tower of Power’s Guitarist, Jerry Cortez, gives his take with Acoustic and Electric Guitars, and support from Ocean Way Nashville studio pros on Violin, Piano and Acoustic Bass. | Click to Listen |
| GOLDEN SLUMBERS (Kelsey) | Rock/Pop | Based on the poem “Cradle Song”, a lullaby by the dramatist Thomas Dekker. Kelsey Lockhart gives her take with this languid, peaceful acoustic rendition of the Beatles’ 1969 Abbey Road track. | Click to Listen |
| GOLDEN SLUMBERS (Lullaby – Backing Track w/BGVs) | Rock/Pop | Based on the poem “Cradle Song”, a Lullaby by the dramatist Thomas Dekker. This Backing Track or Underscore, from the “Lullaby of Beatle Land” collection features Piano, Violin, Accordion and Acoustic Guitars with ICE on Background Vocals. | Click to Listen |
| GOLDEN SLUMBERS (Lullaby – Backing Track) | Rock/Pop | Based on the poem “Cradle Song”, a Lullaby by the dramatist Thomas Dekker. This Backing Track or Underscore, from the “Lullaby of Beatle Land” collection features Piano, Violin, Accordion and Acoustic Guitars. | Click to Listen |
| GOLDEN SLUMBERS (Lullaby) | New Age/Relaxation | From the “Lullaby of Beatle Land” compilation, this languid ‘Abbey Road’ track is said to be based on the poem “Cradle Song”, a Lullaby by the dramatist Thomas Dekker. Electric Guitar melody with interspersed Choral Vocals create an atmosphere of peace. | Click to Listen |
| GOOD DAY SUNSHINE (Elevated Instrumental) | Rock/Pop | Light hearted Elevator Music Instrumental re-arrange of the ‘Revolver’ era Beatle classic that radiates optimism and good vibes. Featuring Flutes, Clarinets and plenty of pizzazz. . . . 4th floor, please. | Click to Listen |
| GOOD DAY SUNSHINE (Instrumental) | Rock/Pop | Light hearted Instrumental re-arrange of the ‘Revolver’ era Beatle classic that radiates optimism and good vibes. Featuring Tenor Sax and layers of Guitars. Signature Piano solo at 1:00. | Click to Listen |
| GOOD DAY SUNSHSINE (Backing Track) | Rock/Pop | Backing Track or Underscore for the ‘Revolver’ era Beatle classic. The song “radiates optimism and good vibes”, and shows the Beatles at their effortless best. Signature Piano solo at 1:00. | Click to Listen |
| GOODNIGHT (Lullaby – Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Children’s Choir, (Background Vocal parts), for the Beatles’ ‘White Album’ Lullaby, re-arranged with Jazz Quartet and Keyboard Strings. Relaxing, sleepy and mellow. | Click to Listen |
| GOODNIGHT (Lullaby – Backing Track) | Rock/Pop | Backing Track or Underscore from the Beatles’ ‘White Album’ Lullaby, re-arranged for light Jazz Quartet and Keyboard Strings. Relaxing, sleepy and mellow. | Click to Listen |
| GOODNIGHT (Lullaby) | New Age/Relaxation | From the ‘White Album’, the classic Beatles’ Lullaby has been re-arranged for Female Vocal and Children’s Choir, supported by Upright Bass, Piano, Guitar and light Brush Work. Relaxing, sleepy and mellow. | Click to Listen |
| HELP! (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass interpretation of the hit Beatles track from the movie of the same name. Features 6-piece acoustic “Grassmasters”, comprised of Grand Ol’ Opry regulars. | Click to Listen |
| HELP! (Bluegrass) | Country (Bluegrass) | Bluegrass interpretation of the hit Beatles track from the movie of the same name. Features 6-piece acoustic “Grassmasters”, comprised of Grand Ol’ Opry regulars. | Click to Listen |
| HELP! (Country Instrumental) | Country | John Lennon’s musical plea for assistance became the title song for The Beatles’ second movie. This Instrumental version re-arranged for Country enthusiasts features a 10-piece Nashville studio ensemble. | Click to Listen |
| HELP! (Kids – Backing Track) | Country | Backing Track or Underscore for the “Kids Bop” Country interpretation of the hit Beatles’ track that became the title theme of their 2nd movie. Features an 8-piece Nashville studio band. | Click to Listen |
| HELP! (Kids) | Country | “Kids Bop” Country interpretation of the hit Beatles’ track that became the title theme for their 2nd movie. Features ICE, (teen-aged girl group), backed by an 8-piece Nashville studio band in support. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Bertenetti) | Rock/Pop | Arguably one of Paul McCartney’s most romantic Love Ballads. This Female Vocal version features L. A. Jazz Vocalist, Marsha Bartenetti, with an all acoustic 6-piece Nashville ‘A’ team studio group, and all-girl Vocal Backgrounds. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass interpretation of this Beatle classic from the “Revolver” era. Featuring an all acoustic 6-piece studio group, ‘Grassmasters’, comprised of Grand Ol’ Opry regulars. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Bluegrass) | Country (Bluegrass) | Arguably one of Paul McCartney’s most romantic love ballads. This Instrumental version re-arranged for Country enthusiasts, puts the Bluegrass spin on it, with an all acoustic 6-piece studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Country Instrumental) | Country | Arguably one of Paul McCartney’s most romantic love ballads. This Instrumental version re-arranged for Country enthusiasts, puts the Americana spin on it, with an all acoustic 6-piece studio group featuring Fiddle and Dobro leads. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Female Vocal) | Rock/Pop | Arguably one of Paul McCartney’s most romantic Love Ballads. This Country flavored Female Vocal version features graceful teenager, Kelsey Lockhart, with an all acoustic 6-piece Nashville ‘A’ team studio group, and all-girl Vocal Backgrounds. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Kids – Backing Track) | Country | Backing Track or Underscore for the Country flavored ‘Kids Bop’ arrangement of this Beatle classic from the ‘Revolver’ era. Featuring an all acoustic 7-piece Nashville ‘A’ team Country band. Considered one of McCartney’s finest moments. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Kids) | Country | ICE, the Island Choral Experience, takes a ‘Kids Bop’ turn at this Beatle classic from the ‘Revolver’ era. Featuring graceful teenager, Kelsey Lockhart, with an all acoustic 7-piece Nashville ‘A’ team Country band. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Lullaby – Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore of the delicate Lullaby interpretation for one of McCartney’s favorite ballads. Sleepy, dreamy and languid, featuring a 7-piece acoustic studio group with Choral Background Vocals. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Lullaby – Backing Track) | Rock/Pop | Backing Track or Underscore of the delicate Lullaby interpretation for one of McCartney’s favorite Ballads. Sleepy, dreamy and languid, featuring a 7-piece acoustic studio group. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Lullaby) | New Age/Relaxation | Delicate Lullaby interpretation for one of McCartney’s favorite ballads. This is sleepy, dreamy and languid, featuring Flute and Nylon Guitar melodies, with Choral Backgrounds. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Piano and Mandolin Mix – Backing Track) | Rock/Pop | Backing Track or Underscore of the delicate Lullaby interpretation for one of McCartney’s favorite Ballads. Sleepy, dreamy and languid, featuring a 6-piece acoustic studio group with Choral Background Vocals. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Piano Mix – Backing Track) | Rock/Pop | Backing Track or Underscore of the delicate Lullaby interpretation for one of McCartney’s favorite ballads. Sleepy, dreamy and languid, featuring a 6-piece acoustic studio group with Choral Background Vocals. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the uptempo Bluegrass interpretation of the hit from the ‘Beatles VI’ album. Re-arranged by 8-piece Nashville ‘A’ team studio musicians and Grand Ol’ Opry regulars, pickin’ and grinnin’. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Bluegrass) | Country (Bluegrass) | Uptempo Bluegrass interpretation of the hit from the ‘Beatles VI’ album. Re-arranged by 8-piece Nashville ‘A’ team studio musicians and Grand Ol’ Opry regulars, pickin’ and grinnin’. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Country Instrumental) | Country | Uptempo Country interpretation of the Beatles’ hit from the ‘Beatles For Sale’ album, (‘Beatles VI’ in the U. S.). Re-arranged by 9-piece Nashville ‘A’ team studio musicians. Featured leads: Mandolin, Banjo, Dobro, Acoustic Guitar and Fiddle. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Kids – Backing Track) | Country | Backing Track or Underscore for an uptempo Country interpretation of the Beatles’ hit from the ‘Beatles VI’ album. Re-arranged by 8-piece Nashville ‘A’ team studio musicians. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Kids) | Country | Uptempo Country interpretation of the Beatles’ hit from the ‘Beatles VI’ album. Re-arranged by 8-piece Nashville ‘A’ team studio musicians, and ‘Kidsbop’ High School Musical Group: ICE, (Teen Girl Choir). Quirky and goofy. | Click to Listen |
| I’LL FOLLOW THE SUN (Backing Track) | Rock/Pop | Bare bones Backing Track or Underscore for Paul McCartney’s melancholy Ballad giving rise to hope for the future and moving on. Originally released on the ‘Beatles For Sale’ album in 1964, but written much earlier. Known recordings exist from 1960. | Click to Listen |
| I’LL FOLLOW THE SUN (Country Instrumental) | Country | Paul McCartney’s song of hope for the future and moving on gets re-arranged as a lighthearted Country Rock Instrumental. Electric Guitar feature with Pedal Steel taking the solo at 1:00. | Click to Listen |
| I’LL FOLLOW THE SUN (Instrumental) | Rock/Pop | Paul McCartney’s mid-sixties song of optimism and hope for the future and moving on, gets re-arranged as an Instrumental Guitar feature including the signature solo at 1:00. | Click to Listen |
| I’M LOOKING THROUGH YOU (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for McCartney’s song from ‘Rubber Soul’ reflecting dissatisfaction with a relationship. Re-arranged here with a Bluegrass treatment, featuring the Grassmasters, a studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| I’M LOOKING THROUGH YOU (Bluegrass) | Country (Bluegrass) | McCartney’s song from ‘Rubber Soul’ reflecting dissatisfaction with a relationship. Re-arranged here with a Bluegrass treatment, featuring the Grassmasters, a studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| I’M LOOKING THROUGH YOU (Kids – Backing Track) | Country | Backing Track or Underscore for McCartney’s song from ‘Rubber Soul’ reflecting dissatisfaction with a relationship. Re-arranged here for Country enthusiasts. | Click to Listen |
| I’M LOOKING THROUGH YOU (Kids) | Country | McCartney’s song from ‘Rubber Soul’ reflecting dissatisfaction with a relationship. Re-arranged here for teen girl group, ICE with Country-flavored backing support from Nashville’s finest studio magicians, the ‘Grassmasters’ | Click to Listen |
| I’VE JUST SEEN A FACE (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass re-arrangement of the Beatles classic from ‘Rubber Soul’. The 6-piece acoustic Grassmasters cut loose, energized, unique and kitchy. | Click to Listen |
| I’VE JUST SEEN A FACE (Bluegrass) | Country (Bluegrass) | Hold your horses. This Bluegrass re-arrangement kicks into high octane. From ‘Rubber Soul’, the 6-piece acoustic Grassmasters share features on the Beatles classic, energized, unique and kitchy. | Click to Listen |
| I’VE JUST SEEN A FACE (Kids – Backing Track) | Country | Hold your horses. Backing Track or Underscore for the high speed Country re-arrangement of the Beatles 1966 “Rubber Soul” classic. Screamin’ Pedal Steel solo at :25. | Click to Listen |
| I’VE JUST SEEN A FACE (Kids) | Country | Hold your horses, bring on the corn. This Country Kids re-arrangement gallops into high gear. Screamin’ Pedal Steel solo at :25. Teen girls Choir on Vocals. | Click to Listen |
| LET IT BE (Backing Track w/Gospel Choir BGvs) | Rock/Pop | Backing Track with Gospel Choir Background parts for the powerful Gospel arrangement of the classic Inspirational Beatles song from 1970. 36-Voice ‘Chimes of Freedom Singers’ and 5-piece Nashville Studio heavies combine talents for a new testimony. | Click to Listen |
| LET IT BE (Backing Track) | Rock/Pop | Backing Track or Underscore for the powerful Gospel arrangement of the classic Inspirational Beatles song from 1970. 5-piece Nashville Studio heavies combine their efforts for a new testimony. | Click to Listen |
| LET IT BE (Gospel Choir) | Rock/Pop | Powerful Gospel arrangement of the classic Inspirational Beatles song from 1970. 36-Voice ‘Chimes of Freedom Singers’ and 5-piece Nashville Studio heavies support Tower of Power’s frontman, Larry Braggs in this astonishing performance. | Click to Listen |
| ROCKY RACCOON (Backing Track) | Rock/Pop | Backing Track or Underscore for Paul McCartney’s fun, folksy ramble that could have come right out of the Old West, with true to the original Honky Tonk flair, featuring Acoustic Guitars and Fiddle. | Click to Listen |
| ROCKY RACCOON (Country Instrumental) | Country | Paul McCartney’s folksy, storybook ramble could have come right out of the Old West. This Instrumental combines Tex-Mex and Swamp to the original Honky Tonk Saloon flair, featuring Accordion, Electric Guitar and Dobro on lead duties, Fiddle solo at 2:00. | Click to Listen |
| THINGS WE SAID TODAY (Background Instrumental) | Rock/Pop | Background Instrumental for the Beatle song from the film ‘A Hard Days Night’. Re-arranged here with an Elevator Music approach. Cheezy and predictable with Soprano Sax taking the snake charming melody lines. Good drug store background music. | Click to Listen |
| THINGS WE SAID TODAY (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Beatles song from the film ‘A Hard Days Night’. Re-arranged here with a Bluegrass treatment, featuring the Grassmasters, a studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| THINGS WE SAID TODAY (Bluegrass) | Country (Bluegrass) | It’s down from the mountain for the Beatle song from the film ‘A Hard Days Night’. Re-arranged here with a Bluegrass treatment, featuring the Grassmasters, a studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| THINGS WE SAID TODAY (Kids – Backing Track) | Country | Backing Track or Underscore for the Beatles Country-styled arrangment of the Folk-Rock classic. “We’ll remember the things we said today, sometime in the future, so the song projects itself into the future.” – McCartney. | Click to Listen |
| THINGS WE SAID TODAY (Kids) | Country | ‘Kids Bop’ Country-styled arrangement of the Folk-Rock Beatles classic featuring 12 year old Adrianna Bernal and ICE. “We’ll remember the things we said today, sometime in the future, so the song projects itself into the future.” – McCartney. | Click to Listen |
| WE CAN WORK IT OUT (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the lively uptempo Bluegrass rendition of the Beatles’ classic from 1965, featuring 6-piece ‘Grassmasters’, fully acoustic. Pickin’ and grinnin’. | Click to Listen |
| WE CAN WORK IT OUT (Bluegrass) | Country (Bluegrass) | Lively uptempo Bluegrass rendition of the Beatles’ classic from 1965, featuring 6-piece ‘Grassmasters’, comprised of Grand Ol’ Opry members, fully acoustic recording. Pickin’ and grinnin’. | Click to Listen |
| WE CAN WORK IT OUT (Country Instrumental) | Country | Lively uptempo Nashville rendition of the Beatles’ classic from 1965, featuring a 10-piece studio Country Band, including Dobro, Fiddle, Acoustic Guitar, Mandolin and Vocal Group Backgrounds. | Click to Listen |
| WE CAN WORK IT OUT (Kids – Backing Track) | Country | Backing Track or Underscore for the lively uptempo Bluegrass flavored rendition of the Beatles’ classic from 1965, featuring 7-piece Nashville ‘A’ Team studio band, pickin’ and grinnin’. | Click to Listen |
| WE CAN WORK IT OUT (Kids) | Country | Lively uptempo Kids Vocal Bluegrass flavored rendition of the Beatles’ classic from 1965, featuring a 7-piece Nashville studio group, mostly acoustic, pickin’ and grinnin’. | Click to Listen |
| WHAT GOES ON (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for a Beatles’ truly “Country” composition, taken to the full blown Bluegrass limit with this arrangement. Serious pickin’ and grinnin’ by the Grassmasters, an acoustic studio band comprised of Grand Ole Opry regulars. | Click to Listen |
| WHAT GOES ON (Bluegrass) | Country (Bluegrass) | One of the Beatles truly “Country” compositions, taken to the full blown Bluegrass limit with this arrangement. Serious pickin’ and grinnin’ by the Grassmasters, an acoustic studio band comprised of Grand Ole Opry regulars. | Click to Listen |
| WHAT GOES ON (Kids – Backing Track) | Country | Backing Track or Underscore for a Beatles’ truly “Country” composition, taken to the full blown Bluegrass limit with this arrangement. Serious pickin’ and grinnin’ by the Grassmasters, an acoustic studio band comprised of Grand Ole Opry regulars. | Click to Listen |
| WHAT GOES ON (Kids) | Country | One of the Beatles truly “Country” compositions, taken to the full blown Bluegrass limit with this arrangement. Serious pickin’ and grinnin’ by the Grassmasters, an acoustic studio band comprised of Grand Ole Opry regulars, in support of Teen Choir, ICE. | Click to Listen |
| YELLOW SUBMARINE (Country Instrumental) | Country | Quaint Country-styled adaption of the Beatles’ lighthearted psychedelic adventure to Pepperland. Features Electric Guitar and Pedal Steel for melodies, the signature Marching Band break and plenty of sound effects. Children’s Choir joins in at the outro. | Click to Listen |
| YELLOW SUBMARINE (Instrumental) | Rock/Pop | A charming sing-a-long written by Paul McCartney as a simple child’s tune. This Instrumental version is designed to mimic the characteristics of the original. Electric Guitar & Sax Section cover melodic duties, Children’s Chorus takes over at the fade. | Click to Listen |
| YESTERDAY (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for one of the most covered songs in history. The popular McCartney composition is reinvented in Bluegrass style, reformed into a Waltz, and features the 6-piece ‘Grassmasters’, comprised of Grand Ol’ Opry members. | Click to Listen |
| YESTERDAY (Bluegrass) | Country (Bluegrass) | One of the most covered songs in history, the popular McCartney composition is reinvented in a Bluegrass style, reformed into a Waltz, and features a 6-piece studio group, the ‘Grassmasters’, comprised of Grand Ol’ Opry regulars. | Click to Listen |
| YESTERDAY (Kids – Backing Track) | Country | Backing Track or Underscore for the popular McCartney song from ‘Rubber Soul’, reinvented in the Bluegrass style, reformed into a Waltz, and featuring 6-piece studio group, ‘Grassmasters’. | Click to Listen |
| YESTERDAY (Kids) | Country | Kids, ala High School Musical, Country style, sing the popular McCartney song, reinvented with Bluegrass instrumentation, reformed into a Waltz and featuring 6-piece ‘Grassmasters’ supporting Ally Jay and the Island Choral Experience on Vocals. | Click to Listen |
| YOU CAN’T DO THAT (Instrumental) | Rock/Pop | A recurrent jealousy theme in John Lennon’s compositions with tense threats, sexual paranoia and nagging. This arrangment, however, replaces the Vocal with Tenor Sax and Electric Guitars in harmony. Signature 12-String and Cowbell throughout. | Click to Listen |
