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NEW HIDDEN VALLEY
| Track Title | Genre | Track Description | PlayLink |
| ANYONE WHO HAD A HEART | Rock/Pop | International hit for Bacharach-David songwriting team, noted for changing time signature constantly, 4/4 to 5/4, & 7/8 bars at the end turnarounds. This version features Paget Knebel with the Seattle Ballet Orch, rhythm section & signature Sax solo. | Click to Listen |
| ANYONE WHO HAD A HEART (Backing Track) | Rock/Pop | Backing Track or Underscore for the international hit by the Bacharach-David songwriting team, noted for changing time signature constantly, 4/4 to 5/4, and 7/8 bars. This version features the Seattle Ballet Orch., rhythm section and signature Sax solo. | Click to Listen |
| ANYONE WHO HAD A HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CLOSE TO YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T MAKE ME OVER | Urban/R&B | Angry at her treatment by the record label and songwriting team, Bacharach/David, Dionne Warwick stormed out of the studio shouting, “Don’t make me over, man. You have to accept me for what I am!” Never to waste life’s inspiration, a song was born. | Click to Listen |
| DON’T MAKE ME OVER (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the classic hit inspired by Dionne Warwick’s moment of frustration when she decried her songwriting team, “Don’t make me over, man. You have to accept me for what I am!” | Click to Listen |
| DON’T MAKE ME OVER (Backing Track) | Urban/R&B | Backing Track or Underscore for the classic hit inspired by Dionne Warwick’s moment of frustration when she decried her songwriting team, “Don’t make me over, man. You have to accept me for what I am!” | Click to Listen |
| DON’T MAKE ME OVER (Country – Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the classic Dionne Warwick sixties hit, revamped into an Acoustic flavored, Finger-style, Country Ballad, with Bluegrass compliments combined with Piano and Electric Guitar. | Click to Listen |
| DON’T MAKE ME OVER (Country – Backing Track) | Country | Backing Track or Underscore for the classic Dionne Warwick sixties hit, revamped into an Acoustic flavored, Finger-style, Country Ballad, with Bluegrass compliments combined with Piano and Electric Guitar. | Click to Listen |
| DON’T MAKE ME OVER (Country) | Country | The classic Burt Bacharach / Hal David hit for Dionne Warwick has been fully revamped into an acoustic flavored, finger-style, Country Ballad, with Bluegrass compliments combined with Piano, Electric Guitar and Vocal Trio Backgrounds. | Click to Listen |
| EVER CHANGING TIMES (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| I DON’T NEED YOU ANYMORE | Rock/Pop | From the 1979 film Soundtrack, ‘Together’, a women is trying to change her life for the better, but everyone in her life is giving her more headache than joy. Jazz Rhapsody Vocalist, Connye Florance, sings with The Seattle Ballet Orchestra String Section | Click to Listen |
| I DON’T NEED YOU ANYMORE (Backing Track) | Rock/Pop | Backing Track or Underscore from the 1979 film Soundtrack, ‘Together’, a women is trying to change her life for the better, but everyone in her life is giving her more headache than joy. Rhodes Piano, Brass, & the Seattle Ballet Orchestra String Section. | Click to Listen |
| I SAY A LITTLE PRAYER | Rock/Pop | Intended by lyricist Hal David to convey a woman’s concern for her beau who’s serving in the Vietnam War, this #1 Hit for Dionne Warwick is a confirmation of lifelong love. Kelsey Lockhart’s version leans on Latin influences with a nod to Aretha Franklin | Click to Listen |
| I SAY A LITTLE PRAYER (Backing Track w/BGVs) | Rock/Pop | Intended to convey a woman’s concern for her beau who’s serving in the Vietnam War, the #1 Hit for Dionne Warwick is a confirmation of lifelong love. This Backing Track or Underscore with Background Vocal parts leans on Latin influences. | Click to Listen |
| I SAY A LITTLE PRAYER (Backing Track) | Rock/Pop | Intended by lyricist Hal David to convey a woman’s concern for her beau who’s serving in the Vietnam War, the #1 Hit for Dionne Warwick is a confirmation of lifelong love. This Backing Track or Underscore leans on Latin influences with a nod to Aretha. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE | Movie/TV Themes | The 1962 James Stewart/John Wayne film produced this Gene Pitney theme song. Recut in 2006 in Nashville with Perry Danos and the ICE Choir, supported by a host of Nashville’s finest on Fiddle, Pennywhistle, and layers of Guitars. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE, THE (Backing Track w/BGVs) | Movie/TV Themes | Backing Track or Underscore with Background Vocal parts for the 1962 Western film, that produced this Gene Pitney theme song. Recut in 2006 with the ICE Choir on backgrounds, supported by Nashville’s finest including Fiddle, Pennywhistle, and Guitars. | Click to Listen |
| MAN WHO SHOT LIBERTY VALENCE, THE (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the 1962 James Stewart/John Wayne Western film that produced this Gene Pitney theme song. Recut in 2006 with a host of Nashville’s finest, including Fiddle, Pennywhistle, and layers of Guitars. | Click to Listen |
| MEXICAN DIVORCE | Rock/Pop | Ry Cooder’s sublime treatment of the Burt Bacharach composition gets a new life in this Perry Danos version, featuring Margie Cates Vocal Quartet and a mix of Nashville and San Francisco studio pros. Pseudo Reggae-TexMex feel rounds out the arrangement. | Click to Listen |
| MEXICAN DIVORCE (Backing Track w/BGVs) | Rock/Pop | Ry Cooder’s sublime treatment of the Burt Bacharach composition gets a new life in this Backing Track featuring Margie Cates Vocal Quartet and a mix of Nashville and San Francisco studio pros. Pseudo Reggae-TexMex feel rounds out the arrangement. | Click to Listen |
| MEXICAN DIVORCE (Backing Track) | Rock/Pop | Ry Cooder’s sublime treatment of the Burt Bacharach composition gets a new life in this Backing Track or underscore, featuring a mix of Nashville and San Francisco studio pros. Pseudo Reggae-TexMex feel rounds out the arrangement. | Click to Listen |
| THIS GIRL’S IN LOVE WITH YOU | Rock/Pop | Herb Alpert asked Burt Bacharach, “Say, do you happen to have any old compositions lying around that you and Hal never recorded, maybe one I might use?” Herb’s version reached #1 in Billboard and was subsequently gender reversed by Aretha Franklin. | Click to Listen |
| THIS GIRL’S IN LOVE WITH YOU (Backing Track) | Rock/Pop | Herb Alpert asked Burt Bacharach, “Say, do you happen to have any old compositions lying around that you and Hal never recorded, maybe one I might use?” This Backing Track or Underscore features a contemporary re-arrange of the classic. | Click to Listen |
| TURN AROUND | Rock/Pop | Eighties Pop song written by Burt Bacharach, Neil Diamond and Carole Sager. The singer’s plea, “Don’t walk away, keep this love together”. Jazz Rhapsody Vocalaist, Connye Florance sings this version, supported by classic eighties styled Rhodes Piano. | Click to Listen |
| TURN AROUND (Backing Track) | Rock/Pop | Backing Track or Underscore for the 80s Pop song written by Burt Bacharach, Neil Diamond and Carole Bayer Sager. The singer’s plea, “Don’t walk away, keep this love together”. This version is supported by vintage Rhodes Piano. | Click to Listen |
| WALK ON BY | Urban/R&B | This Bacharach/David collaboration has charted numerous times in various countries, with wildly different arrangements. This soulful rendition features the rich, sultry vocals of Connye Florance, supported by layers of Keys, Percussion and Woodwinds. | Click to Listen |
| WALK ON BY (Backing Track) | Urban/R&B | Backing Track or Underscore for the Bacharach/David collaboration that has charted numerous times in various countries, with wildly different arrangements. This soulful rendition is supported by layers of Keys, Percussion and Woodwinds. | Click to Listen |
| WHAT THE WORLD NEEDS NOW | Urban/R&B | There is enough beauty in the world, this song imparts, and now it’s time to bring people together. Sixties hit by jackie DeShannon, re-arranged, with Wanda Jackson, signature Background Vocals and an 8-piece studio band, featuring a Flute solo at 2:10. | Click to Listen |
| WHAT THE WORLD NEEDS NOW (Backing Track w/BGVs) | Urban/R&B | There is enough beauty in the world, this song imparts, and now it’s time to bring people together. Backing Track or Underscore for 60s chart hit by jackie DeShannon, arranged with Background Vocal parts and an 8-piece studio band featuring a Flute solo. | Click to Listen |
| WHAT THE WORLD NEEDS NOW (Backing Track) | Urban/R&B | There is enough beauty in the world, this song imparts, and now it’s time to bring people together. Backing Track or Underscore for Sixties chart hit by jackie DeShannon, re-arranged, with an 8-piece studio band featuring a Flute solo. | Click to Listen |
| WHAT THE WORLD NEEDS NOW (Instrumental) | Urban/R&B | There is enough beauty in the world, this song imparts, and now it’s time to bring people together. 60s hit for Jackie DeShannon is re-arranged for a studio Soul band as an Instrumental Tenor Sax & Guitar feature, Smooth Jazz and Retro Urban flavored. | Click to Listen |
| WHAT THE WORLD NEEDS NOW (Sax Instrumental) | Urban/R&B | There is enough beauty in the world, this song imparts, and now it’s time to bring people together. Sixties hit for Jackie DeShannon is re-arranged for a studio Soul band as an Instrumental Tenor Sax feature, Smooth Jazz and Retro Urban flavored. | Click to Listen |
