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MPCA
| Track Title | Genre | Track Description | PlayLink |
| AFTER THE RAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEYOND BELIEF | Religious | Living by faith and taking the long journey. Petra’s Christian Rocker is sung by a young girl’s Choir, Jumpin’ Kids o’ Joy. | Click to Listen |
| BEYOND BELIEF (Backing Track) | Religious | Backing Track or Underscore for Petra’s Christian rocker, living by faith and taking the long journey. | Click to Listen |
| BEYOND BELIEF (Cue 1) | Religious | 28 second Cure, Edit or Transition for Petra’s Christian Rocker about living by faith and taking the long journey, sung by a young Girl’s Choir, Jumpin’ Kids o’ Joy. | Click to Listen |
| BEYOND BELIEF (Cue 2) | Religious | 50 second Cue, Edit or Transition for Petra’s Christian Rocker about living by faith and taking the long journey, sung by a young Girl’s Choir, Jumpin’ Kids o’ Joy. | Click to Listen |
| CHANGIN’ | Urban/R&B | Seventies Funk Disco riff track, popular in the clubs during the era. Vocal refrains alter with Horn Section lines and Grooves. Tenor Sax solos from fade at 2:45, featuring Tower of Power’s lead Sax man, Tom E. Politzer. | Click to Listen |
| CHANGIN’ (Backing Track) | Urban/R&B | Backing Track or Underscore for the seventies Funk-Disco riff track, popular in the clubs during the era. Horn Section lines alter with Grooves and classic 4-on-the-floor Beats. Featuring Tower of Power’s lead Tenor Sax man, Tom E. Politzer. | Click to Listen |
| CIRCLE OF FRIENDS | Religious | Gentle song about friends being there for one another, supporting each other, in faith and praise. Sung by kids. | Click to Listen |
| CIRCLE OF FRIENDS (Backing Track) | Religious | Backing Track or Underscore for the gentle song about friends being there for one another, supporting each other, in faith and praise. | Click to Listen |
| CIRCLE OF FRIENDS (Cue) | Religious | 30 second Cue or Transition for the gentle song about friends being there for one another, supporting each other, in faith and praise. | Click to Listen |
| COME ON IN MY KITCHEN | Blues | This classic Blues expresses appreciation for the troubles women can face — amongst others, loss in reputation, how a woman “in trouble” is outcast and friendless. It seems to offer shelter and comfort from these hardships. Country Blues. | Click to Listen |
| COME ON IN MY KITCHEN (Backing Track) | Blues | Backing Track or Underscore for the classic Robert Johnson Blues that expresses appreciation for the troubles women can face. Features 9-piece acoustic group with beautiful interplay between Harmonica and Accordion. | Click to Listen |
| COME ON IN MY KITCHEN (Cue) | Blues | 50 second Cue, Edit or Transition for the classic Robert Johnson Blues that expresses appreciation for the troubles women can face. Features 9-piece acoustic group with beautiful interplay between Harmonica and Accordion. | Click to Listen |
| CROSSROADS (Acoustic – Backing Track) | Blues | Backing Track or Underscore for the signature Robtert Johnson classic. This version is a laid back, loose, funky and relaxed Country Blues with the well-known riff played by Acoustic Guitar. Guitar solos at 2:10 and 3:40, Piano solo at 2:40. | Click to Listen |
| CROSSROADS (Acoustic – Jerry) | Blues | Originally written and recorded by the great Blues artist Robert Johnson in the 1930’s, this version is laid back, loose, funky & relaxed. Country Blues with the well-known riff played on Acoustic Guitar. Guitar solos at 2:10 & 3:40, Piano solo at 2:40. | Click to Listen |
| CROSSROADS (Acoustic – Tony) | Blues | Originally written and recorded by the great Blues artist Robert Johnson in the 1930’s. This version is laid back, loose, funky & relaxed, Country Blues with the well-known riff played by Acoustic Guitar. Guitar solos at 2:10 & 3:40, Piano solo at 2:40. | Click to Listen |
| CROSSROADS (Bluegrass) | Country (Bluegrass) | Bluegrass Blues jam for the signature Robert Johnson classic, originally written and recorded in the 1930’s. This version is acoustic, upbeat and features Nashville’s Grand Ol’ Opry regulars, the Grassmasters, turned loose, pickin’ and grinnin’. | Click to Listen |
| CROSSROADS (Electric – Backing Track) | Blues | Backing Track or Underscore for the driving Robert Johnson Blues about being at a crossroads with no clear idea of what the future holds. Arranged “Cream-style” with Santana Vocalist, Tony Lindsay, Guitar solos with a nod to Eric Clapton at 1:30 & 2:35. | Click to Listen |
| CROSSROADS (Electric – Cue) | Blues | Cue, Transition or Segue for the driving Robert Johnson Blues about being at a crossroads with no clear idea of what the future holds. Arranged “Creamy-style” with Clapton’s signature riff. | Click to Listen |
| CROSSROADS (Electric) | Blues | Driving Blues about being at a crossroads, no clear idea of what the future holds. Featuring Santana Vocalist, Tony Lindsay, and signature Clapton solos at 1:30 and 2:30 by Tower of Power guitarist Jerry Cortez. From the heart of the Psyche-sixties era. | Click to Listen |
| DUST MY BROOM (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FROM FOUR UNTIL LATE | Blues | Blues classic from the 30s, remade by Eric Clapton and Cream in the late 60s. This version is a combined mix of the two, with Female Vocal and killer Harmonica fills/solo. | Click to Listen |
| FROM FOUR UNTIL LATE (Backing Track) | Blues | Blues classic from the 30s, remade by Clapton & Cream in the 60s. This version is an unplugged mix of the two, with female vocal & killer harmonica fills/solo. | Click to Listen |
| HELLO MY GOOD FRIEND | Religious | Uptempo Christian Rock anthem proposing a conversation with humanity that Jesus might have upon the 2nd coming, done “Kids Bop” style by teen girl Choir. Live Nashville ‘A’ team studio wizards in support. | Click to Listen |
| HELLO MY GOOD FRIEND (Backing Track) | Religious | Backing Track or Underscore for the uptempo Christian Rock anthem proposing a conversation with humanity that Jesus might have upon the 2nd coming. Live Nashville ‘A’ team studio wizards in support. | Click to Listen |
| HELLO MY GOOD FRIEND (Cue 1) | Religious | 25 second Cue or Transition for the uptempo Christian Rock anthem proposing a conversation with humanity that Jesus might have upon the 2nd coming. Live Nashville ‘A’ team studio wizards in support. | Click to Listen |
| HELLO MY GOOD FRIEND (Cue 2) | Religious | 48 second Cue or Transition for the uptempo Christian Rock anthem proposing a conversation with humanity that Jesus might have upon the 2nd coming. Live Nashville ‘A’ team studio wizards in support of ICE, the Island Choral Experience. | Click to Listen |
| I GAVE MY HEART TO JESUS | Religious | ‘Jumpin’ Kids O’ Joy’ are a contemporary Christian Children’s Choir. Here is their song of affirmation and commitment to one’s family and Christ, with live studio accompaniment from Nashville’s finest. | Click to Listen |
| I GAVE MY HEART TO JESUS (Backing Track) | Religious | Backing Track or Underscore for Jumpin’ Kids O’ Joy’s song of affirmation and commitment to one’s family and Christ, featuring a 6-piece studio group selected from Nashville’s finest. | Click to Listen |
| I GAVE MY HEART TO JESUS (Cue) | Religious | 26 second Cue or Transition for Jumpin’ Kids O’ Joy’s song of affirmation and commitment to one’s family and Christ, featuring ICE, the Island Choral Experience with a 6-piece studio group selected from Nashville’s finest. | Click to Listen |
| IN, NOT OF | Religious | Missionary and determined. Contemporary Urban Christian song with teen girl Choir. Features Muted Trumpet fills, Sequenced Drums and layers of Acoustic and Electric Guitars via Nashville. | Click to Listen |
| IN, NOT OF (Backing Track w/Choir BGVs) | Religious | Backing Track or Underscore with Background Vocal parts for the Contemporary Urban Christian song made popular by the group, Avalon. Features Muted Trumpet fills, Sequenced Drums and layers of Acoustic and Electric Guitars. | Click to Listen |
| IN, NOT OF (Backing Track) | Religious | Backing Track or Underscore for the Contemporary Urban Christian song made popular by the group, Avalon. Features Muted Trumpet fills, Sequenced Drums and layers of Acoustic and Electric Guitars. | Click to Listen |
| IN, NOT OF (Cue 1) | Religious | 38 second Cue or Transition for the Contemporary Urban Christian song made popular by the group, Avalon. Features Muted Trumpet fills, Sequenced Drums and layers of Acoustic and Electric Guitars in support of ICE, the Island Choral Experience. | Click to Listen |
| IN, NOT OF (Cue 2) | Religious | 53 second Cue or Transition for the Contemporary Urban Christian song made popular by the group, Avalon. Features Muted Trumpet fills, Sequenced Drums and layers of Acoustic and Electric Guitars in support of ICE, the Island Choral Experience. | Click to Listen |
| KIND HEARTED WOMAN | Blues | Trials and tribulations ala Robert Johnson. More woman troubles. She’ll do anything for him, but also keeps him on his toes, and stirs up jealousy. Classic Blues form with live 5-piece band, killer Vocal with Sax fills. | Click to Listen |
| KIND HEARTED WOMAN (Backing Track) | Blues | Backing Track or Underscore for the Robert Johnson classic Blues form with live 5-piece band and Sax fills. Recently covered by Eric Clapton. | Click to Listen |
| LAST FAIR DEAL GONE DOWN | Blues | High engergy, upbeat arrangement for this Robert Johnson chestnut, a Rag-Timey Blues about a man trying to get by in depression times. Work is tough and he yearns for his woman. Plenty of Dobro fills and Piano spills! | Click to Listen |
| LAST FAIR DEAL GONE DOWN (Backing Track) | Blues | Backing Track or Underscore for the Robert Johnson high engergy, upbeat arrangement. A Rag-timey Blues about a man trying to get by in depression times. Work is tough and he yearns for his woman. Plenty of Dobro fills and driving Electric Guitar. | Click to Listen |
| LITTLE QUEEN OF SPADES | Blues | Everyman contemporary slow Blues with standard Rock Quartet plus Harmonica and Hammond B3 Organ. Robert Johnson classic from the thirties recently revisited by Eric Clapton in 2004. B3 solo at 2:30, Guitar at 4:00. | Click to Listen |
| LITTLE QUEEN OF SPADES (Backing Track) | Blues | Backing Track or Underscore for the everyman slow Blues, featuring the standard Rock Quartet plus Harmonica and Hammond B3 Organ, (solo at 2:30), Guitar solo at 4:00. | Click to Listen |
| LOVE IN VAIN | Blues | Slow Blues classic from the 30s, remade in the 60s by the Rolling Stones. Theme: All he could do couldn’t save her from leaving. Features former Tower of Power front man, Larry Braggs on lead Vocal, Slide Guitar solo at 3:00. A sad story. | Click to Listen |
| LOVE IN VAIN (Backing Track) | Blues | Backing track for the slow blues classic from the 30s, remade in the 60s by the Rolling Stones. Theme: All he could do couldn’t save her from leaving him. Features Tower of Power’s guitar man Jerry Cortez, including the Slide Guitar solo at 3:00. | Click to Listen |
| LOVE WILL COME SOMEDAY | Urban/R&B | Beautiful re-arrange of the David Sanborn/Michael Sembello collaboration featuring Tower of Power’s lead Tenor Sax man, Tom Politzer, lead vocal by Perry Danos, 6-piece backup group and Gospel Choir backgrounds. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/BGVs and Sax) | Urban/R&B | Backing Track or Underscore with Gospel Choir Background Vocals for the beautiful re-arrange of David Sanborn/Michael Sembello’s collaboration from 1980, featuring a 6-piece Nashville Studio Group. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group, with Gospel Choir Background Vocals, (No Sax). | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track w/Sax) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group, with Sax parts and no Background Vocals. | Click to Listen |
| LOVE WILL COME SOMEDAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a 6-piece Nashville Studio group. | Click to Listen |
| ME AND THE DEVIL BLUES | Blues | Wicked Blues shouter, built around the atypical jealousy battle of the sexes, urban, lowdown, murderous and nasty. Acoustic picker with Harmonica fills, Female perspective. | Click to Listen |
| ME AND THE DEVIL BLUES (Backing Track) | Blues | Wicked blues backing track for Robert Johnson’s atypical jealosy battle of the sexes, urban, lowdown, murderous and nasty. Acoustic picker with Harmonica fills. | Click to Listen |
| MOVIN’ | Urban/R&B | Club jam ala seventies Disco riff band, Brass Construction. Cut here with full Horn figures, Hand Percussion, Fender Rhodes and Vocals. Upbeat night club Funk Boogie from the heart of the Disco Era. | Click to Listen |
| MOVIN’ (Backing Track) | Urban/R&B | Backing Track or Underscore for the Club Jam ala seventies Disco riff band, Brass Construction. Cut here with full Horn figures, Hand Percussion, Fender Rhodes and Electric Guitar. Upbeat nightclub Funk-Boogie from the heart of the Disco Era. | Click to Listen |
| STOP BREAKIN’ DOWN | Blues | Kick-ass Blues track featuring Larry Braggs of Tower of Power fame. Full Horns and Harmonica round out a rhythm section that includes Congas. Guitar solo at 1:30 and the ride out at 2:15. | Click to Listen |
| STOP BREAKIN’ DOWN (Backing Track) | Blues | Backing Track or Underscore for the kick-ass Blues track featuring full Horns and Harmonica rounding out a rhythm section that includes Congas. Guitar solo at 1:30 & the ride out at 2:15. | Click to Listen |
| STOP BREAKIN’ DOWN (Cue) | Blues | 56 second Transition, Cue or Ringtone for the kick-ass Blues track featuring Tower of Power’s Larry Braggs with full Horns and Harmonica rounding out a rhythm section that includes Congas. | Click to Listen |
| SWEET HOME CHICAGO | Blues | Former Santana vocalist, Tony Lindsay kicks into high gear with Robert Johnson’s Standard and most recognized Blues anthem, ‘Sweet Home Chicago’. 4-piece Horn Section augments a swinging rhythm section which includes Congas. | Click to Listen |
| SWEET HOME CHICAGO (Backing Track) | Blues | Backing Track or Underscore for Robert Johnson’s Standard and most recognized Blues anthem, ‘Sweet Home Chicago’. 4-piece Horn Section augments a swinging rhythm section which includes Congas. | Click to Listen |
| SWEET HOME CHICAGO (Cue) | Blues | 26 second Cue or Transition for Robert Johnson’s Standard and most recognized Blues anthem, ‘Sweet Home Chicago’. 4-piece Horn Section augments a swinging rhythm section which includes Congas. | Click to Listen |
| SWEET HOME CHICAGO (Instrumental) | Blues | Jerry Cortez, (Tower of Power), plays this smokin’ Guitar Instrumental of Robert Johnson’s standard and most recognized Blues anthem, ‘Sweet Home Chicago’. 4-piece Horn Section augments this swinging rhythm section which includes Congas. | Click to Listen |
| THEY’RE RED HOT | Blues | Based on a common Ragtime chord progression, this Robert Johnson penned Blues is re-arranged as an uptempo Western Swing with Northwest Vocalist, Jennfer Ivester. Solos: Steel (:40 & 2:00), Piano (1:00), Harmonica (1:40), Dobro (2:15). | Click to Listen |
| THEY’RE RED HOT (Backing Track) | Blues | Backing track based on a common Ragtime chord progression, this Robert Johnson penned blues is re-arranged as an uptempo Western Swing. Solos: Steel (:40 & 2:00), Piano (1:00), Harmonica (1:40), Dobro (2:15). | Click to Listen |
| WE NEED JESUS | Religious | Nominated for a Grammy Award for Best Pop/Contemporary Gospel Album in 1997, Petra’s song of praise is performed here by teen group, Jumpin’ Kids o’ Joy and features layers of Guitars, Hammond B3 Organ and Hand Percussion in support. | Click to Listen |
| WE NEED JESUS (Backing Track) | Religious | Nominated for a Grammy Award for Best Pop/Contemporary Gospel Album in 1997, this Backing Track or Underscore for Petra’s song of praise is performed here by Nashville’s ‘A’ team of crack studio musicians. | Click to Listen |
| WE NEED JESUS (Cue) | Religious | Nominated for a Grammy Award for Best Pop/Contemporary Gospel Album in 1997, this 28 second Cue or Transition for Petra’s song of praise is performed here by Nashville’s ‘A’ team of crack studio musicians in support of Jumpin’ Kids o’ Joy, a teen Choir. | Click to Listen |
| WHEN YOU GOT A GOOD FRIEND | Blues | Screamin’ T. J. belts this Robert Johnson chestnut, supported by Bay Area Blues veterans, compliments of Tower of Power and Johnny Otis. Harmonica solo at 1:30. | Click to Listen |
| WHEN YOU GOT A GOOD FRIEND (Backing Track) | Blues | Backing Track or Underscore for this Robert Johnson chestnut, supported by Bay Area Blues veterans, compliments of Tower of Power and Johnny Otis. Harmonica solo at 1:30. | Click to Listen |
| WHEN YOU GOT A GOOD FRIEND (Cue) | Blues | 1 minute Cue or Transitional Edit for this Robert Johnson chestnut, supported by Bay Area Blues veterans, compliments of Tower of Power and Johnny Otis. | Click to Listen |
