[maxmegamenu location=max_mega_menu_2]
Welcome to the Publisher’s Master Titles page. Now you can participate in the master side as well as the publishing side of your titles!
Select a Publisher, listen, pitch and license your titles. Disk Eyes owns 100% of these Masters and offers you immediate clearance as well as 25% participation of Master fees when you generate a use.
Visit JukeBox for more titles. For full length songs and track details, Create your JukeBox Log-In.
For licensing contact Disk Eyes Licensing & Sync - Licensing@diskeyes.com, Carla@diskeyes.com
IRVING MUSIC
| Track Title | Genre | Track Description | PlayLink |
| 634-5789 (SOULSVILLE, USA) | Urban/R&B | A classic Memphis Soul track written by Cropper and Floyd. The song was first recorded by Soul legend, Wilson Pickett, in 1966 on Atlantic Records. and the single reached #1 on the Black Singles chart. Featuring Tower of Power’s front man, Larry Braggs. | Click to Listen |
| 634-5789 (SOULSVILLE, USA) (Backing Track w/BGVs) | Urban/R&B | Backing Track or Undeerscore with the Background Vocal refrain. The classic Urban song was first recorded by soul legend, Wilson Pickett, for Atlantic Records. The song reached #1 on the Black Singles chart in 1966. | Click to Listen |
| 634-5789 (SOULSVILLE, USA) (Backing Track) | Urban/R&B | A classic R&B track. The song was first recorded by Soul legend, Wilson Pickett, in 1966 on Atlantic Records. and the single reached #1 on the “Black Singles” chart. Featuring ‘Tower of Power’ front man, Larry Braggs. | Click to Listen |
| A SONG FOR YOU | Urban/R&B | Becoming an American standard with it’s identifiable signature Piano intro, Leon Russell’s romantic Ballad has been covered by the likes of Donny Hathaway and Ray Charles. This version is Tower of Power’s front man, Larry Braggs with full Orchestration. | Click to Listen |
| A SONG FOR YOU (Backing Track) | Urban/R&B | Backing Track or Underscore for the contemporary American Standard with it’s identifiable signature Piano intro, Leon Russell’s romantic Ballad has been covered by the likes of Donny Hathaway and Ray Charles. | Click to Listen |
| A SONG FOR YOU (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental Underscore featuring Tenor Sax for the contemporary American Standard with it’s identifiable signature Piano intro, Leon Russell’s romantic Ballad has been covered by the likes of Donny Hathaway and Ray Charles. | Click to Listen |
| AFTER THE LOVE HAS GONE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BACK TO THE ISLAND (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CALL ME (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAROLINE, NO | Rock/Pop | Originally released as a Brian Wilson single, “Caroline, No” ultimately ended up on the Beach Boys’ seminal “Pet Sounds” recording. It has been closely reproduced by duo J. B. White and Mikaela Kahn in this 2013 redeaux. | Click to Listen |
| CAROLINE, NO (Backing Track) | Rock/Pop | Backing Track or Underscore for the song originally released as a Brian Wilson single, “Caroline, No” ultimately ended up on the Beach Boys’ seminal “Pet Sounds” recording. | Click to Listen |
| CAROLINE, NO (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental Underscore for the song originally released as a Brian Wilson single, “Caroline, No” ultimately ending up on the Beach Boys’ seminal “Pet Sounds” recording. | Click to Listen |
| CAROLINE, NO (Female Vocal) | Rock/Pop | Originally released as a Brian Wilson single, “Caroline, No” ultimately ended up on the Beach Boys’ seminal “Pet Sounds” recording. It has been closely reproduced by Mikaela Kahn in this 2013 redeaux. | Click to Listen |
| CRUSH ON YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCE, DANCE, DANCE (Country Instrumental) | Country | Originally written and performed by the Beach Boys this 1964 hit is a well-known classic. Re-arranged as a Country Rocker featuring Saxophone and 12-String Guitar with Pedal Steel fills. | Click to Listen |
| DANCE, DANCE, DANCE (Cue) | Rock/Pop | 44 second cue of the Country Instrumental interpretation of the Beach Boys 1964 hit, a well-known classic. | Click to Listen |
| DANCE, DANCE, DANCE (Elevated Instrumental) | Rock/Pop | Originally written and performed by the Beach Boys this 1964 hit is a well-known classic. Re-arranged as an Elevator Music or Muzak Instrumental Rocker featuring Saxophone and signature 12-String Guitar lines and solo. | Click to Listen |
| DARE TO FALL IN LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Country Instrumental) | Country | A haunting love song originally performed by the Beach Boys from the legendary “Pet Sounds” sessions. Re-arranged as an Instrumental featuring a mix of Country and Celtic influences (ie: Pennywhistle, Fiddle, Pedal Steel). Very quirky. | Click to Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Elevated Instrumental) | Rock/Pop | A haunting love song originally performed by the Beach Boys from the legendary “Pet Sounds” sessions. Re-arranged as an Instrumental for Elevator Music distribution. Outrageous Clarinet and Alto Sax feature, moody and languid. | Click to Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Halloween – Backing Track w/BGVs and SFX) | Rock/Pop | Backing Track or Underscore with the ghostly Background Vocals for the haunting love song originally performed by the Beach Boys. Re-arranged as a spectre of Halloween, Very quirky, with plenty of Sound Effects and the ‘Phantom’ on Pipe Organ. | Click to Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Halloween – Backing Track w/SFX) | Rock/Pop | Backing Track or Underscore for the haunting love song originally performed by the Beach Boys. Re-arranged as a spectre of Halloween, Very quirky, with plenty of Sound Effects and the ‘Phantom’ on Pipe Organ. | Click to Listen |
| DON’T TALK (PUT YOUR HEAD ON MY SHOULDER) (Halloween) | Rock/Pop | A haunting love song originally performed by the Beach Boys. Re-arranged as a spectre of Halloween, spoken like a true Transylvanian, in the dialect of that notorius vampire. Very quirky, with plenty of Sound Effects and the ‘Phantom’ on Pipe Organ. | Click to Listen |
| DON’T YOU KNOW WHAT THE NIGHT CAN DO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DREAMLOVER (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERYDAY WILL BE LIKE A HOLIDAY (Backing Track) | Jazz (Mainstream) | Backing Track or Underscore for the Holly Cole arrangement. This song, written by Stax Records impresarios, William Bell and Booker T. Jones, has been given a light, Gospel flavored Piano and Tenor Sax treatment ala Vince Guarldi, Memphis style. | Click to Listen |
| EVERYDAY WILL BE LIKE A HOLIDAY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FEELING IN MY HEART FOR YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FINER THINGS, THE (Elevated Instrumental 1) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FINER THINGS, THE (Elevated Instrumental 2) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FROM A DISTANCE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FUN, FUN, FUN (Country Instrumental) | Country | Popular Beach Boys song about a teenage daughter who decides to screw off instead of studying. Re-arranged as an Instrumental Country-Rocker with signature Guitar lines and solo, and featuring Saxophone, Pedal-Steel and Violin with Background Vocals. | Click to Listen |
| GET TOGETHER (Elevated Instrumental 1) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET TOGETHER (Elevated Instrumental 2) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GIRL ON TABLE FOUR (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GIRLS ON THE BEACH (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GO DOWN EASY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOD BLESS AMERICA (Elevated Instrumental) | Traditional/Americana | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOD ONLY KNOWS (Country Instrumental) | Country | One of the first commercial Pop songs with the word “God” in its title, this Beach Boys classic is one of their most widely recognized. Re-arranged as a lovely Country Ballad featuring Violin and Background Vocal interlude. | Click to Listen |
| GOD ONLY KNOWS (Elevated Instrumental) | Rock/Pop | One of the first commercial Pop songs with the word “God” in its title, this Beach Boys classic is one of their most widely recognized. Re-arranged for the Elevator Lounge, (ie: Muzak Instrumental), featuring | Click to Listen |
| GOOD VIBRATIONS (Elevated Instrumental) | Rock/Pop | “Good Vibrations” succeeds in suggesting the healthy emanations that should result from psychic tranquility and inner peace. This Beach Boys classic has been re-arranged as an Elevator Music Instrumental for the ‘Muzak’ application. A strange dichotomy. | Click to Listen |
| HELP ME, RHONDA (Country Instrumental) | Country | This popular sixties Beach Boys song was their second #1 hit single. Re-arranged as a Country-Rock Instrumental, including the signature Guitar solo. | Click to Listen |
| I KNOW THERE’S AN ANSWER (Background Instrumental) | Rock/Pop | The song was written as a reaction to Wilson’s experiences with LSD, as he explained, “I had gotten into that kind of thing. I guess it just came up naturally.” This Instrumental take leans on the Background Underscore approach, suitable for elevators! | Click to Listen |
| I KNOW THERE’S AN ANSWER (Backing Track) | Rock/Pop | The song was written as a reaction to Wilson’s experiences with LSD, as he explained, “I had gotten into that kind of thing. I guess it just came up naturally.” This Backing Track leans on the Background Underscore approach, suitable for Karaoke bars. | Click to Listen |
| IF I HAD MY WAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the 4-Chord Riff-Jam from crossover Soul-Jazz artist Nancy Wilson in the late nineties. Fender Rhodes Piano and Rhythm Electric Guitar hold down the changes. Acoustic Guitar takes a solo at 2:50. | Click to Listen |
| I’M STILL IN LOVE WITH YOU | Urban/R&B | Faithful reproduction of the classic Al Green Top 10 Hit and million seller from 1972. Written by Green, Memphis Producer Willie Mitchell and former MG Drummer, Al Jackson Jr. This recording features Northwest Soul artist, Antowaine Richardson. | Click to Listen |
| I’M STILL IN LOVE WITH YOU (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the faithful reproduction of the classic Al Green Top 10 Hit and million seller from 1972. Written by Green, Memphis Producer Willie Mitchell and former MG Drummer, Al Jackson Jr. | Click to Listen |
| IN MY ROOM | Rock/Pop | Classic tale of teenage angst and escape, a Beach Boys hit in 1963, re-arranged here as a bittersweet Jazz Ballad with a taste of Country for good measure, featuring sultry voiced Jennifer Ivester, Violin solo at 1:50. | Click to Listen |
| IN MY ROOM (Backing Track) | Country | Backing Track or Underscore for the classic tale of teenage angst and escape, a Beach Boys hit in 1963. Re-arranged here as a bittersweet Country Ballad featuring 8-piece Nashville studio heavies. | Click to Listen |
| IN MY ROOM (Country Instrumental) | Country | Classic tale of teenage angst and escape, this Beach Boys hit was recorded in 1963. Re-arranged here as a bittersweet Country Ballad featuring Chromatic Harmonica and Fiddle. | Click to Listen |
| JO JO (Instrumental) | Rock/Pop | “Middle Man”, Boz Scaggs 1980 album has been described as, “Impeccably tasteful collection of sophisticated white soul”. The lead track, “Jo Jo” has been reproduced as a slick Tenor Sax Instrumental with its original orchestrations intact. | Click to Listen |
| KISS ME BABY (Country Instrumental) | Country | Lesser known Beach Boys’ beauty about heartache and remorse, re-arranged as a Country Instrumental with Celtic undertones, featuring Nashville’s ‘A’ team of studio wizards. | Click to Listen |
| LET YOURSELF GO | Movie/TV Themes | A popular song written by Irving Berlin for the 1936 film ‘Follow the Fleet’, where it was introduced by Ginger Rogers. This campy, cheesy Keyboard knock-off was created for the High School Musical, ‘Musique’, in 2007, drawing from Kristin Chenoweth. | Click to Listen |
| LITTLE DEUCE COUPE | Rock/Pop | One of the Beach Boys’ earliest hits. Shuffle Blues with early sixties era Surf and Car vibe. Rampant egos in innocent times. Margie Cates and Her Boys cop the harmonies precisely. | Click to Listen |
| LITTLE DEUCE COUPE (Backing Track – Country) | Rock/Pop | Backing Track or Underscore for one of the Beach Boys’ earliest hits. Shuffle Country Blues with early sixties era Surf and Car vibe. Rampant egos in innocent times. | Click to Listen |
| LITTLE DEUCE COUPE (Backing Track w/Acoustic Guitar) | Rock/Pop | Backing Track or Underscore for one of the Beach Boys’ earliest hits. Shuffle Blues with sixties era Surf and Car vibe. Acoustic Guitar added to this arrangement. Rampant egos in innocent times. | Click to Listen |
| LITTLE DEUCE COUPE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for one of the Beach Boys’ earliest hits. Shuffle Blues with sixties era Surf and Car vibe. Acoustic Guitar added to this arrangement. Rampant egos in innocent times. | Click to Listen |
| LITTLE DEUCE COUPE (Backing Track) | Rock/Pop | Backing Track or Underscore for one of the Beach Boys’ earliest hits. Shuffle Blues with sixties era Surf and Car vibe. Rampant egos in innocent times. | Click to Listen |
| LITTLE DEUCE COUPE (Country Instrumental) | Country | One of the Beach Boys’ earliest hits, re-arranged with Country instrumentation, Tenor Sax and Electric Guitar leads. Shuffle Blues, novelty, Background Instrumental. Rampant egos in innocent times. | Click to Listen |
| LITTLE DEUCE COUPE (Country) | Country | One of the Beach Boys’ earliest hits. Shuffle Country Blues with early sixties era Surf and Car vibe. Pedal Steel and Fiddle added to the arrangement. Rampant egos in innocent times. Vocal Quartet, Margie Cates & Her Boys, provide the voices. | Click to Listen |
| LITTLE DEUCE COUPE (Instrumental) | Rock/Pop | One of the Beach Boys’ earliest hits, re-arranged for the Elevator Lounge. Novelty shuffle Blues with drug store Muzak overtones. Tenor Sax and Electric Guitar leads. Rampant egos in innocent times. | Click to Listen |
| LOVE AND HAPPINESS | Rock/Pop | Rated in Rolling Stones’ 500 Greatest Songs of All Time, Green stated the song “pulled from the same source of raw and gritty old style soul of my early days”. Originally released in the UK in 1974, this remake features Windham Hill artists, Kidd Afrika. | Click to Listen |
| LOVE AND HAPPINESS (Instrumental) | Urban/R&B | Rated in Rolling Stones’ 500 Greatest Songs of All Time, Green stated the song “pulled from the same source of raw and gritty old style soul of my early days”. Originally released in the UK in 1974, this Instrumental remake from 1998 features Alto Sax. | Click to Listen |
| LOVERS WILL (Backing Track) | Rock/Pop | Backing Track or Underscore for the swampy Blues Instrumental knock off of the Bonnie Raitt album cut from 1998. Rhythm section with Hammond B3 Organ and Full Horns. | Click to Listen |
| LOVERS WILL (Instrumental) | Rock/Pop | Swampy Blues Instrumental knock off of the Bonnie Raitt album cut from 1998. Rhythm section with Hammond B3 Organ and Full Horns supports a Tenor Sax and Electric Guitar feature. | Click to Listen |
| MY HEART WILL GO ON (Guitar Instrumental) | Rock/Pop | Sweet Acoustic Guitar Duet and re-arrange for the “Titanic” Theme, Steel String Finger-style with Nylon Guitar melody and solos. | Click to Listen |
| ONE MORE RIVER (Instrumental) | Urban/R&B | Straight ahead Gospel flavored, Horn based, Soul Instrumental version of the Max Carl tune. A moderate hit in the nineties pulls the ear to influences from the Classic Soul sessions of the late sixties. Memphis Horn charts and a 5-piece rhythm section. | Click to Listen |
| PERSONALITY | Urban/R&B | The late fifties hit for Lloyd Price has been given the Reggae treatment in this re-arrange. Connye Florance has a relaxed and charismatic Vocal performance, Guitar solo at 1:00. | Click to Listen |
| PERSONALITY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the late fifties hit from Lloyd Price. This re-arrange has been given the Reggae treatment. Guitar solo at 1:00. | Click to Listen |
| PERSONALITY (Backing Track) | Urban/R&B | Backing Track or Underscore for the late fifties hit from Lloyd Price. This re-arrange has been given the Reggae treatment. Guitar solo at 1:00. | Click to Listen |
| PLEASE REMEMBER ME (Instrumental w/BGVs) | Urban/R&B | Originally a Country song written by Rodney Crowell and Will Jennings, this Elevator Music Instrumental leans on the R&B arrangement from Aaron Neville and Linda Ropnstadt, featuring Electric Guitar and Violin melodies with the Background Vocal refrain. | Click to Listen |
| SHAFT (Cue) | Movie/TV Themes | 28 second Cue or Transition for the theme from “Shaft”, an action film that tells the story of a private detective who travels through Harlem and to the Italian mob neighborhoods in order to find the missing daughter of a mobster. | Click to Listen |
| SHAFT (Instrumental) | Urban/R&B | Theme from “Shaft”, an action film with elements of film noir, and tells the story of a private detective who travels through Harlem and to the Italian mob neighborhoods in order to find the missing daughter of a mobster. This remake stays Instrumental. | Click to Listen |
| SHE KNOWS ME TOO WELL (Country Instrumental) | Country | A classic Beach Boy’s Ballad originally recorded in 1964. Re-arranged as a Country Instrumental featuring Electric Guitar and Pedal Steel leads with Mandolin and Fiddle fills and trills. | Click to Listen |
| SHOW SOME EMOTION | Rock/Pop | Title track from British singer-songwriter, Joan Armatrading’s, second effort. A progressive Funk-Jazz song built around an Electric Bass figure and support from Rhodes Piano, Hammond B3 Organ and Acoustic Guitar lines. Good energy and frenetic tempo. | Click to Listen |
| SHOW SOME EMOTION (Backing Track) | Rock/Pop | Backing Track or Underscore for the title track from British singer-songwriter, Joan Armatrading’s, second effort. A progressive Funk-Jazz song built around an Electric Bass figure and Acoustic Guitar lines. Good energy and frenetic tempo. | Click to Listen |
| SHUT DOWN (Cue) | Rock/Pop | 35 second Instrumental Cue, Transition or Segue for the Beach Boys’ “Car-Tune” from 1963 detailing a drag race between a Super-Stock 413 cubic inch powered 1962 Dodge Dart and a fuel-injected 1963 Chevrolet Corvette Sting Ray. | Click to Listen |
| WARM LOVE | Rock/Pop | Essential romance about a getaway to be alone, encountering nature and song, and eventually escaping to shelter from the rain. Beautiful imagery and eclectic writing from British Singer-Songwriter, Joan Armatrading, recreated here with Mikaela Kahn. | Click to Listen |
| WARM LOVE (Backing Track) | Rock/Pop | Backing Track or Underscore of the essential romance about a couple’s getaway, encountering nature and song, and eventually escaping to shelter from the rain. Featuring the Seattle Ballet Orchestra String Section, Fender Rhodes Piano & Acoustic Guitar. | Click to Listen |
| WARMTH OF THE SUN, THE | Rock/Pop | Lush Country-Jazz re-arrange for the Beach Boys 1964 ballad of lost love, from the peak era of their success. This arrangment features Nashville’s ‘A’ team with Hall of Famer Tommy White on Pedal Steel, Jeff Taylor on Accordion & Ally Jay’s sultry vocal. | Click to Listen |
| WARMTH OF THE SUN, THE (Backing Track) | Country | Backing Track or Underscore for the Country-Jazz re-arrange of the Beach Boys’ 1964 Ballad of lost love. This arrangement features Nashville’s ‘A’ team with Hall of Famer Tommy White on Pedal Steel, Jeff Taylor on Accordion. | Click to Listen |
| WARMTH OF THE SUN, THE (Country Instrumental) | Country | Dreamy Country Jazz Instrumental rendition of the classic Beach Boys’ Ballad from 1964. Featuring Accordion, Electric Guitar and Fiddle. With its melancholy and haunting melody, it invokes memories of lost love, moving on. | Click to Listen |
| WHERE ARE YOU CHRISTMAS | Rock/Pop | Cindy Lou Who’s poignant moment in Dr. Suess’s “How the Grinch Stole Christmas”, is redone with Central California Country girl, Kimberly Hope. Classic Power Ballad production, dramatic and hopeful. | Click to Listen |
| WHERE ARE YOU CHRISTMAS (Backing Track) | Rock/Pop | AKA “Christmas, Why Can’t I Find You?”, was written for the movie, “How the Grinch Stole Christmas”, and sung by Cindy Lou Who. This recording is the Backing Track or Underscore of the song, staying close to the original arrangement. | Click to Listen |
| WHERE ARE YOU CHRISTMAS (Serina & Sydney) | Rock/Pop | Cindy Lou Who’s poignant moment in Dr. Suess’s “How the Grinch Stole Christmas”, is redone by pacific Northwest high school sisters, Serina Sea and Sydney Rae. Classic Power Ballad production, dramatic and hopeful. | Click to Listen |
| WHITE CHRISTMAS (Hawaii) | World | Ukulele and acoustic Guitars support Female Hawaiian Vocalist on this Pacific Islander recording from the Big Island. | Click to Listen |
