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HARMONY
| Track Title | Genre | Track Description | PlayLink |
| A HOUSE IS NOT A HOME | Urban/R&B | Lush arrangement of the Bacharach/David song of heart break, but with hopeful reconciliation. Aptly performed by Tower of Power lead vocalist Larry Braggs supported by the Seattle Symphony String section and R&B Quartet. Soulful and heart rending. | Click to Listen |
| A HOUSE IS NOT A HOME (Backing Track) | Urban/R&B | Backing Track or Underscore for the lush arrangement for Burt Bacharach and Hal David’s song of heart break, but with hopeful reconciliation. | Click to Listen |
| A HOUSE IS NOT A HOME (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental version or Underscore for the lush orchestrated arrangement of Burt Bacharach and Hal David’s song of heartbreak, but with hopeful reconciliation, featuring Tenor Sax lead. | Click to Listen |
| A HOUSE IS NOT A HOME (Instrumental) | Jazz (Contemporary) | Instrumental version or Underscore for the lush orchestrated arrangement of Burt Bacharach and Hal David’s song of heartbreak, but with hopeful reconciliation, featuring Tenor Sax lead. | Click to Listen |
| ALREADY HOME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BABY ELEPHANT WALK | Movie/TV Themes | One of Mancini’s most memorable hits, from the John Wayne film “Hatari”, involving safari action in Eastern Africa. This arrangement features signature Organ riffs, Guitar and Flute melody and 4-piece Sax Section. Good old fashioned kick up your heels. | Click to Listen |
| BABY ELEPHANT WALK (Cue) | Movie/TV Themes | 40 second Cue or Transition for one of Mancini’s most memorable hits, from the John Wayne film “Hatari”, involving safari action in Eastern Africa. This arrangement features signature Organ riffs, Guitar and Flute Melody and 4-piece Sax Section. | Click to Listen |
| CRY ME A RIVER | Standards | Sultry popular American torch song, first published in 1953 and covered by a long list of illuminaries from Ella Fitzgerald to Joe Cocker. A classic “I told you so” theme of regret and satisfaction. Guitar solo at 2:40. | Click to Listen |
| CRY ME A RIVER (Backing Track) | Standards | Backing Track or Underscore for the sultry popular American Torch song, first published in 1953 and covered by a long list of illuminaries from Ella Fitzgerald to Joe Cocker. Guitar solo at 2:40. | Click to Listen |
| CRY ME A RIVER (Bartenetti) | Standards | Sultry popular American Torch Song, first published in 1953 and covered by a long list of illuminaries from Ella Fitzgerald to Joe Cocker. A classic “I told you so” theme of regret and satisfaction. Guitar solo at 2:40. | Click to Listen |
| CRY ME A RIVER (Instrumental) | Standards | Instrumental Bluesy Popular American Torch song, first published in 1953 and covered by a long list of illuminaries from Ella Fitzgerald to Joe Cocker. This Instrumental arrangement features Tenor Sax melody with Guitar solo at 2:40. | Click to Listen |
| DIG DOWN DEEP (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T GET AROUND MUCH ANYMORE (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers. First recorded by Duke Ellington in 1940, this re-arrange is a Smooth Jazz/Hip-Hop Instrumental. | Click to Listen |
| EAST ST. LOUIS TOODLE-OO (Elevated Instrumental) | Jazz (Contemporary) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EASY TO REMEMBER (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GHOST TRAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOLDEN EARRINGS | Standards | From a romantic spy film in 1947, this haunting melody was a hit for Peggy Lee. In this classic retro ultra-lounge styled Rhumba, Connye Florance breathes exotic new life. Seattle Symphony string section provides orchestrations. Alto Flute added. | Click to Listen |
| GOLDEN EARRINGS (Backing Track) | Standards | Backing Track or Underscore from a romantic spy film in 1947, this haunting song was a hit for Peggy Lee. Into this classic retro ultra-lounge styled Rhumba, Nick Manson breathes exotic new life. Seattle Symphony String Section provides Orchestrations. | Click to Listen |
| GOLDEN EARRINGS (Elevated Instrumental) | Standards | Elevator Music or Muzak Underscore for the Theme from a romantic spy film in 1947, this haunting song was a hit for Peggy Lee. This classic retro ultra-lounge styled Rhumba features the Seattle Symphony String Section providing Orchestrations. | Click to Listen |
| HATARI | Movie/TV Themes | Henry Mancini’s dynamic and percussive theme song from the John Wayne, Howard Hawks Soundtrack, gets a contemporary re-focus via Brian Withycombe, the San Francisco Keyboardist, Arranger and Studio Musician. | Click to Listen |
| HATARI (Cue) | Movie/TV Themes | 50 second Cue, Transition or Segue for Henry Mancini’s dynamic and percussive theme song from the John Wayne, Howard Hawks Soundtrack. It gets a contemporary re-focus via Brian Withycombe, the San Francisco Keyboardist, Arranger and Studio Musician. | Click to Listen |
| I’M IN THE MOOD FOR LOVE (Female Vocal – Jazz Trio) | Standards | Relaxed, Cocktail Jazz Trio re-arrangement for the classic Standard from the 30s that has literally been covered by 100s of top artists over the last century. Feauting Torch Jazz Vocalist, Connye Florance, with Guitar based Trio. | Click to Listen |
| I’M IN THE MOOD FOR LOVE (Jazz Trio – Backing Track) | Standards | Relaxed, Cocktail Jazz Trio re-arrangement for the classic Standard from the 30s that has literally been covered by 100s of top artists over the last century. Featuring Torch Jazz Vocalist Connye Florance with Guitar based Trio. | Click to Listen |
| I’M IN THE MOOD FOR LOVE (Male Vocal – Samba) | Standards | Relaxed, romantic Samba re-arrangement for the classic Standard from the 30s that has literally been covered by 100s of top artists over the last century. Dependable stalwart to any wedding reception . . . !! Fully acoustic Brazilian treatment. | Click to Listen |
| I’M IN THE MOOD FOR LOVE (Samba – Backing Track) | Standards | Backing Track or Underscore for the relaxed, romantic Samba re-arrange of the classic Standard from the 30s that has literally been covered by 100s of top artists over the last century. Fully acoustic Brazilian treatment. Tenor Sax solo at 1:50. | Click to Listen |
| I’M JUST A LUCKY SO AND SO | Standards | Duke Ellington Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Piano-Guitar based Quartet backs Jennifer Ivester, Piano solo at 1:50, Guitar solo at 2:45 | Click to Listen |
| I’M JUST A LUCKY SO AND SO (Amy) | Standards | Duke Ellington Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Paino-Guitar based Quartet back 15 year old Amy Gottlieb, Piano solo at 1:50, Guitar solo at 2:45 | Click to Listen |
| I’M JUST A LUCKY SO AND SO (Backing Track) | Standards | Badcking Track or Underscore for Duke Ellington’s Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Piano-Guitar based Quartet , Piano solo at 1:50, Guitar solo at 2:45. | Click to Listen |
| INNAMORATA | Standards | “Innamorata” by definition, Italian for “Soulmate” or “Sweetheart”. This ‘sound-alike’ features Perry Danos with his best Dean Martin impersonation. Accordion, Violin and Piano round out the arrangement. Have a cocktail. | Click to Listen |
| INNAMORATA (Backing Track) | Standards | Backing Track or Underscore for the Dean Martin hit from 1955. “Innamorata”, by definition, is Italian for “Soulmate” or “Sweetheart”. This arrangement features Accordion, Violin and Piano. | Click to Listen |
| LOVE LETTERS | Standards | ‘Love Letters’ was the Academy Award Nominated Victor Young song in 1945, and became a top 10 charting hit for Ketty Lester in 1962. This R&B classic features a rich Connye Florance Vocal with the signature Piano fills creating classic interplay. | Click to Listen |
| LOVE LETTERS (Backing Track) | Standards | ‘Love Letters’ was the Academy Award Nominated Victor Young song in 1945, and became a top 10 charting hit for Ketty Lester in 1962. This classic R&B underscore features the signature Piano fills and interplay. Tenor Sax solo at 1:55. | Click to Listen |
| MY HEART WILL GO ON (Guitar Instrumental) | Rock/Pop | Sweet Acoustic Guitar Duet and re-arrange for the “Titanic” Theme, Steel String Finger-style with Nylon Guitar melody and solos. | Click to Listen |
| SILVER BELLS (Country Instrumental) | Country | First performed by Bob Hope and Marilyn Maxwell in the 1951 motion picture ‘Lemon Drop Kid’, although first recorded by Bing Crosby in 1950, the popular Christmas song has been around the block. This 1998 recording is a classic Country Waltz Instrumental | Click to Listen |
| SILVER BELLS (Hawaii) | World | Combine Bing Crosby’s classic Christmas Song, Ukulele and Contemporary Synths and you have this fusion of style and culture. Layers of Keyboards supports this millenium ending version of the classic first released in 1950. | Click to Listen |
| SILVER BELLS (Latin Jazz Instrumental) | Jazz (Latin) | First performed by Bob Hope and Marilyn Maxwell in the motion picture ‘The Lemon Drop Kid’ in 1951, although first recorded by Bing Crosby in 1950, the popular Christmas song has been around the block. This Instrumental Latin Jazz version is from 2003. | Click to Listen |
| THAT OLD BLACK MAGIC (Instrumental) | Standards | A popular song first recorded and released by Glenn Miller in 1942. David Benoit’s touring Saxaphonist, Andy Suzuki, gives the Contemporary Jazz treatment to this arrangement, featuring Sax, Electric Guitar, and Piano solo at 1:55. | Click to Listen |
| THAT’S AMORE | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. The song first appeared in the Soundtrack of the Martin and Lewis film, ‘The Caddy’. It remains closely identified with Dino. | Click to Listen |
| THAT’S AMORE (Backing Track w/BGVs) | Standards | Backing Track for “That’s Amore”, a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here with signature Accordion and Mandolin parts with lotsa girls covering Background Vocal parts. | Click to Listen |
| THAT’S AMORE (Backing Track) | Standards | Backing Track or Underscore for “That’s Amore”, a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here with signature Accordion and Mandolin parts. | Click to Listen |
| THAT’S AMORE (Instrumental w/BGVs) | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here as a Guitar feature with signature Accordion and Mandolin parts with lotsa girls covering Background Vocal parts. | Click to Listen |
| THAT’S AMORE (Instrumental) | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here as a Guitar Instrumental feature with signature Accordion and Mandolin parts. | Click to Listen |
| THIS ONE’S FOR THE GIRLS | Country | A salute to women of various ages, dealing with the struggles of different phases of life, starting high school and facing new pressures, coping with uncertainty about a career, and reaching middle age, and tells them “You’re beautiful the way you are.” | Click to Listen |
| THIS ONE’S FOR THE GIRLS (Backing Track w/BGVs) | Country | Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. | Click to Listen |
| THIS ONE’S FOR THE GIRLS (Backing Track) | Country | Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. | Click to Listen |
