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FOUR JAYS
Track Title | Genre | Track Description | PlayLink |
CALL ME A FOOL (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers. In Harry Warren’s last years, he wrote a series of Piano Vignettes. This piece is from that period. | Click to Listen |
COFFEE TIME | Standards | Percussive, upbeat, Latin Jazz track about indulging in a cup of Java, made popular by Carmen McCrea in the fifties. This updated arrangement features Connye Florance backed by an 8-piece ensemble including Trumpet and Flute. | Click to Listen |
COFFEE TIME (Backing Track) | Standards | Backing Track or Underscore for the percussive, upbeat, Latin Jazz track about indulging in a cup of Java, made popular by Carmen McCrea in the fifties. This updated arrangement features an 8-piece ensemble including Trumpet and Flute. | Click to Listen |
COFFEE TIME (Elevated Instrumental) | Standards | Elevator Music or Muzak Instrumental for the percussive, upbeat, Latin Jazz track about indulging in a cup of Java, made popular by Carmen McCrea in the fifties. This updated arrangement features an 8-piece ensemble. | Click to Listen |
INNAMORATA | Standards | “Innamorata” by definition, Italian for “Soulmate” or “Sweetheart”. This ‘sound-alike’ features Perry Danos with his best Dean Martin impersonation. Accordion, Violin and Piano round out the arrangement. Have a cocktail. | Click to Listen |
INNAMORATA (Backing Track) | Standards | Backing Track or Underscore for the Dean Martin hit from 1955. “Innamorata”, by definition, is Italian for “Soulmate” or “Sweetheart”. This arrangement features Accordion, Violin and Piano. | Click to Listen |
THAT’S AMORE | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. The song first appeared in the Soundtrack of the Martin and Lewis film, ‘The Caddy’. It remains closely identified with Dino. | Click to Listen |
THAT’S AMORE (Backing Track w/BGVs) | Standards | Backing Track for “That’s Amore”, a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here with signature Accordion and Mandolin parts with lotsa girls covering Background Vocal parts. | Click to Listen |
THAT’S AMORE (Backing Track) | Standards | Backing Track or Underscore for “That’s Amore”, a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here with signature Accordion and Mandolin parts. | Click to Listen |
THAT’S AMORE (Instrumental w/BGVs) | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here as a Guitar feature with signature Accordion and Mandolin parts with lotsa girls covering Background Vocal parts. | Click to Listen |
THAT’S AMORE (Instrumental) | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here as a Guitar Instrumental feature with signature Accordion and Mandolin parts. | Click to Listen |
THERE WILL NEVER BE ANOTHER YOU | Standards | A popular Harry Warren / Mack Gordon song for the 1942 Twentieth Century Fox Musical, “Iceland”. Recorded dozens of times by high profile artists like Nat Cole and Frank Sinatra. This Contemporary Jazz arrangement features Perry Danos. | Click to Listen |
THERE WILL NEVER BE ANOTHER YOU (Backing Track) | Standards | Backing Track or Underscore for the popular Harry Warren / Mack Gordon song from the 1942 Twentieth Century Fox musical “Iceland”. This Contemporary Jazz arrangement features Piano, Tenor Sax and Electric Guitar solos. | Click to Listen |
THERE WILL NEVER BE ANOTHER YOU (Instrumental) | Jazz (Contemporary) | Jazz Quintet Instrumental for the popular Harry Warren / Mack Gordon song from the 1942 Twentieth Century Fox musical “Iceland”. This Contemporary Jazz arrangement features Piano, Tenor Sax and Electric Guitar solos. | Click to Listen |