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FORT KNOX
| Track Title | Genre | Track Description | PlayLink |
| DEDICATED TO THE ONE I LOVE (Elevated Instrumental) | Rock/Pop | Recreation of the classic top 10 Pop hit for the Mamas and the Papas arrangement into an Elevator Music Instrumental or Muzak-styled Underscore. | Click to Listen |
| DEDICATED TO THE ONE I LOVE (Instrumental) | Rock/Pop | Bizarre recreation of the classic R & B top 10 hit, combining elements of the Shirelles and the Mamas & the Papas arrangements into an Instrumental drunken swagger stumbling around a swing beat. Loose and sloppy with character and attitude. | Click to Listen |
| DROWN IN MY OWN TEARS (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERY BEAT OF MY HEART (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FEVER | Standards | Originally recorded by the late great R&B singer, Little Willie John, this classic became mainstream when Peggy Lee cut her version in 1958. Since then, it has become a staple for performers worldwide. Done here with Vocal and Jazz Quartet. | Click to Listen |
| FEVER (Backing Track) | Standards | Backing Track for the song originally recorded by the great R&B singer, Little Willie John, this classic became mainstream when Peggy Lee cut her version in 1958. Since then, it has become a staple for performers worldwide. Done here with Jazz Quartet. | Click to Listen |
| FEVER (Instrumental) | Jazz (Contemporary) | Originally recorded by R&B singer, Little Willie John, this classic became mainstream when Peggy Lee cut her 1958 version. Since then, it has become a staple for performers worldwide. Done here as an Instrumental featuring Jazz Guitar and Tenor Sax. | Click to Listen |
| HIDE AWAY | Blues | Blues Guitar instrumental that has become a standard for countless blues and rock musicians. Seattle Studio Guitarist, John Morton, gives his contemporary spin with this new arrangement. Guitar centered Quartet includes a Hammond B3 Organ solo at 1:15. | Click to Listen |
| I GOT YOU (I FEEL GOOD) | Urban/R&B | James Brown’s highest charting song and arguably his most widely known recording. A twelve-bar Blues with a Brass-heavy arrangement that characterized JB’s developing Funk style. 14 year old Serina Sea takes a run at it, with full Horns in support. | Click to Listen |
| I GOT YOU (I FEEL GOOD) | Urban/R&B | James Brown’s highest charting song and arguably his most widely known recording. A twelve-bar Blues with a Brass-heavy arrangement that characterized JB’s developing Funk style. Perry Danos takes a run at it with full Horns covering signature Rhythms. | Click to Listen |
| I GOT YOU (I FEEL GOOD) (Backing Track) | Urban/R&B | James Brown’s highest charting song and arguably his most widely known recording. A twelve-bar Blues with a Brass-heavy arrangement that characterized JB’s developing Funk style. This Backing Track or Underscore features Full Horn Section. | Click to Listen |
| PLEASE COME HOME FOR CHRISTMAS | Blues | Charles Brown’s plea for his ‘baby’ to come home for the holidays. Even the Blues fits into the Christmas schematic. Main Attraction’s Antwaine Richardson with the Nick Manson Quartet, featuring Andy Suzuki on Tenor Sax. | Click to Listen |
| RAIN DOWN TEARS | Blues | Blues classic from 1959, originally by Hank Ballard and the Midnighters on King Records. Re-arranged as a slinky, moderate tempo swing Blues with full Horns and Harmonica fills ala Paul Butterfield and featuring Tower of Power’s Larry Braggs on Lead Vox. | Click to Listen |
| RAIN DOWN TEARS (Backing Track) | Blues | Backing Track or Underscore for the Blues classic from 1959, originally by Hank Ballard and the Midnighters on King Records. Re-arranged as a slinky, moderate tempo swing Blues with full Horns and Harmonica fills ala Paul Butterfield. | Click to Listen |
| SAD NIGHT OWL | Blues | About as epitomized a classic slow Blues can get, featuring Hammond B3 Organ and Piano with Electric Guitar leads. Sonny Thompson’s composition was originally released by the Texas Cannonball, Freddie King. Guitar solo at :50, B3 at 1:40. | Click to Listen |
| TRAIN KEPT A-ROLLIN’ (Bluegrass) | Country (Bluegrass) | After writer Tiny Bradshaw’s 1951 recording, this ‘Jump Blues’ was cut again multiple times, most notably, Johnny Burnette, Yardbirds and Aerosmith. Now crossing over to Bluegrass featuring Sextet, the ‘Grassmasters’ with some serious jamming. | Click to Listen |
