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EMI
| Track Title | Genre | Track Description | PlayLink |
| (I KNOW) I’M LOSING YOU | Urban/R&B | 1966 hit single recorded by The Temptations for the Motown label, Gordy. This song was another step away from the group’s softer records and featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the 1966 hit single recorded by The Temptations on the Motown label, Gordy. This song featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Backing Track) | Urban/R&B | Backing Track or Underscore for the 1966 hit single recorded by The Temptations on the Motown label, Gordy. This song was another step away from the group’s softer records and featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Elevated Instrumental) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Instrumental w/BGVs) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Instrumental) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| (IF THERE WAS) ANY OTHER WAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| (I’VE GOT TO USE MY) IMAGINATION (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| 20 20 (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| 500 DAYS | Rock/Pop | Canadian Singer-Songwriter, Zappacosta, born in Italy, composed this dreamy, Italian Café flavored song with Spanish overtones. Accordion and Nylon Guitar fill out this acoustic 7-piece arrangement. One of the coolest songs you’ve never heard. | Click to Listen |
| 500 DAYS (Backing Track) | Rock/Pop | Backing Track or Underscore for this dreamy, Italian Café flavored song with Spanish overtones. Accordion and Nylon Guitar fill out the acoustic 7-piece arrangement. One of the coolest songs you’ve never heard. | Click to Listen |
| 500 DAYS (Elevated Instrumental) | Rock/Pop | Canadian Singer-Songwriter, Zappacosta, born in Italy, composed this dreamy, Italian Café flavored song with Spanish overtones. Accordion and Nylon Guitar fills out this acoustic 7-piece Elevated Instrumental arrangement. | Click to Listen |
| 500 DAYS (Instrumental) | Rock/Pop | Canadian Singer-Songwriter, Zappacosta, born in Italy, composed this dreamy, Italian Café flavored song with Spanish overtones. Accordion and Nylon Guitar fill out this acoustic 7-piece Instrumental arrangement. | Click to Listen |
| A FINE MESS | Movie/TV Themes | From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations. It has been given a contemporary treatment while maintaining its original Funky charm, including full Horn Section. | Click to Listen |
| A FINE MESS (Backing Track w/BGVs) | Movie/TV Themes | Backing Track or Underscore with Backgroud Vocal parts for the Motown produced Theme from the buddy comedy of the same name. It has been given a contemporary treatment while maintaining its original Funky charm,. | Click to Listen |
| A FINE MESS (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the Motown produced Theme from the buddy comedy of the same name. It has been given a contemporary treatment while maintaining its original Funky charm,. | Click to Listen |
| A FINE MESS (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| A FINE MESS (Instrumental) | Movie/TV Themes | From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations. It has been given a contemporary Instrumental treatment while maintaining its original Funky charm, including full Horn Section. | Click to Listen |
| ADVENTURES IN PARADISE | Lounge/Exotica | Languid, laid-back, tropical vibe and Soundtrack Theme for James Michener’s TV Series about a Korean War Vet sailing the Tiki III up the coast of the Western Pacific. Classic Exotica from the fifties, featuring Vibes and Piano, with Mallet Drums. | Click to Listen |
| AFTER THE LOVE HAS GONE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AFTER THE RAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AGAIN (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AIN’T MISBEHAVIN’ | Standards | Selected for the National Recording Registry and RIAA’s ‘Songs of the Century’, Fats Waller’s humorous Jazz piece on fidelity and honesty, was written while Fats claimed he was in ‘alimony prison’. Given the Ella treatment here. Tenor Sax Solo at 1:40 | Click to Listen |
| AIN’T MISBEHAVIN’ (Adrianna) | Standards | Selected for the National Recording Registry and RIAA’s ‘Songs of the Century’, this classic Fats Waller, Louis Armstrong humorous Jazz piece on fidelity and honesty is given an ironic treatment by 16 year old Adrianna Bernal. | Click to Listen |
| AIN’T MISBEHAVIN’ (Backing Track) | Standards | Backing Track or Underscore for Fats Waller’s humorous song of fidelity and honesty, selected for the National Recording Registry and RIAA’s ‘Songs of the Century’, Written while Fats claimed he was in ‘alimony prison’. Tenor Sax Solo at 1:40 | Click to Listen |
| AIN’T NOTHING LIKE THE REAL THING (Elevated Instrumental 1) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AIN’T NOTHING LIKE THE REAL THING (Elevated Instrumental 2) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AIN’T TOO PROUD TO BEG | Urban/R&B | Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Vocals from the Main Attraction fronted by Antowaine Richardson with Tenor Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Backing Track) | Urban/R&B | Backing track or Underscore of the Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Elevated Instrumental) | Urban/R&B | Instrumental Elevator Music or Background Underscore for the Temptations 1966 Motown classic, with all the bells and whistles. Synth Vibes and Electric Guitar take the melody, lotsa Horns. Sax solo ala Jr. Walker at 1:40. Cheezy and dental. | Click to Listen |
| AIR THAT I BREATHE, THE | Rock/Pop | Moody and sublime song rearranged from the Hollies’ 1974 hit and transformed in this 90’s interpretation via k. d. lang. Features dreamy Guitar pads, repetitive Piano lines, hypnotic Vocals. Gentle reflection, post sex. | Click to Listen |
| AIR THAT I BREATHE, THE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the moody and sublime song rearranged from the Hollies’ 1974 hit and transformed in this 90’s version via k. d. lang. Features dreamy Guitar pads, repetitive Piano lines, and Organ textures. | Click to Listen |
| AIR THAT I BREATHE, THE (Backing Track) | Rock/Pop | Backing Track or Underscore for the moody and sublime song rearranged from the Hollies’ 1974 hit and transformed in this 90’s interpretation via k. d. lang. Features dreamy Guitar pads, repetitive Piano lines, and Organ textures. | Click to Listen |
| AIR THAT I BREATHE, THE (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Underscore for the moody and sublime song rearranged from the Hollies’ 1974 hit and transformed in this 90’s interpretation via k. d. lang. Features dreamy Guitar pads, repetitive Piano lines, and Organ textures. | Click to Listen |
| ALL BEHIND US NOW (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL FOUR SEASONS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL I DO | Urban/R&B | Tower of Power’s Lead Vocalist interprets this classic Stevie Wonder love song from the archives of Motown. Strong performance and killer Background Group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Backing Track w/BGVs) | Urban/R&B | Backing Track Underscore with Background Vocal parts for Stevie Wonder’s classic love song from the archives of Motown. Strong performance and killer background group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s classic love song from the archives of Motown. Strong performance and killer background group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Instrumental w/BGVs) | Jazz (Contemporary) | Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Background Vocal parts and Hammond B3 Organ solo at 2:20. From Wonder’s 1980 release, “Hotter Than July”. | Click to Listen |
| ALL I DO (Instrumental) | Urban/R&B | Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL ROADS LEAD TO YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL SHOOK UP | Rock/Pop | The King of Rock and Roll’s #1 1957 classic, faithfully rearranged by a 6-piece Nashville studio group. Upbeat, bluesey, quirky and happy, featuring Perry Danos, direct from the Cumberland Riverboat. Elvis may still be in the building. | Click to Listen |
| ALL SHOOK UP (Backing Track w/Vocal Harmony) | Rock/Pop | Backing Track or Underscore, with the Vocal Harmony only, for the King of Rock and Roll’s #1 1957 classic, faithfully and respectfully arranged by a 6-piece Nashville studio group. Upbeat, bluesey, quirky and happy. | Click to Listen |
| ALL SHOOK UP (Backing Track) | Rock/Pop | Backing Track or Underscore for the King of Rock and Roll’s #1 1957 classic, faithfully rearranged by a 6-piece Nashville studio group. Upbeat, bluesey, quirky and happy. | Click to Listen |
| ALL SHOOK UP (Bluegrass) | Country (Bluegrass) | Elvis’ #1 1957 classic, rearranged for 6-piece Bluegrass group, the Grassmasters. Upbeat, bluesey, quirky and happy. | Click to Listen |
| ALL SHOOK UP (Instrumental) | Rock/Pop | Elevated Elvis . . . Campy Muzak Instrumental version of the #1 hit from 1957. Electric Guitar melody, Tenor Sax takes the Bridges at :45 & 1:20. | Click to Listen |
| ALL THIS TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALMOST LIKE BEING IN LOVE (Acappella) | Standards | A Cappella rendition of the Lerner-Loewe 1940s classic from the Broadway production, ‘Brigadoon’, rearranged for Vocal Quartet. | Click to Listen |
| ALONE AGAIN, NATURALLY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALONG FOR THE RIDE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALRIGHT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALWAYS ON MY MIND | Country | A truly classic Country Ballad recorded by numerous artists throughout the years, most notably Elvis Presley and Willie Nelson, winning Country Music Association awards in two consecutive years. Said to have been written in 10 minutes at a kitchen table. | Click to Listen |
| ALWAYS ON MY MIND (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the classic Country Ballad recorded by numerous artists throughout the years, most notably Elvis Presley and Willie Nelson, winning Country Music Association awards in two consecutive years. | Click to Listen |
| ALWAYS ON MY MIND (Backing Track) | Country | Backing Track or Underscore for the truly classic Country Ballad recorded by numerous artists throughout the years, most notably Elvis Presley and Willie Nelson, winning Country Music Association awards in two consecutive years. | Click to Listen |
| ANGIE (Bluegrass – Backing Track) | Country (Bluegrass) | Featured on the Rolling Stones 1973 album ‘Goats Head Soup’, ‘Angie’ went straight to the top of the Billboard charts. This Backing Track or Underscore has been arranged for Bluegrass Quartet, acoustic and moody. | Click to Listen |
| ANGIE (Bluegrass) | Country (Bluegrass) | Featured on the Rolling Stones 1973 album ‘Goats Head Soup’, ‘Angie’ went straight to the top of the Billboard charts. This Instrumental recording has been rearranged for Bluegrass Quartet, acoustic and moody. | Click to Listen |
| ANGIE (Kids) | Country | Featured on the Rolling Stones 1973 album ‘Goats Head Soup’. ‘Angie’ went straight to the top of the Billboard charts. This recording has been rearranged for Bluegrass Quartet backing ‘Kids Rock the Country’ group, ICE, acoustic and moody. | Click to Listen |
| ANOTHER SOMEBODY DONE SOMEBODY WRONG SONG | Country | An American Country and Pop song that became a #1 single on the Billboard Hot 100 in April 1975. 6-piece Nashville ‘A’ Team provides backdrop for Perry Danos’ tearjerking Vocal. Quintessential Country sadness. . . . Got a beer? | Click to Listen |
| ANOTHER SOMEBODY DONE SOMEBODY WRONG SONG (Backing Track) | Country | Lilting little Country Backing Track or Underscore, fit for any montage, for the classic American Country & Pop song that became a #1 single in 1975. 6-piece Nashville ‘A’ Team provides backdrop for this quintessential Country sadness . . . . Got a beer? | Click to Listen |
| ANOTHER SOMEBODY DONE SOMEBODY WRONG SONG (Elevated Instrumental) | Country | Lilting little Country Elevator Music or Muzak, fit for any montage, for the classic American Country & Pop song that became a #1 single in 1975. 6-piece Nashville ‘A’ Team provides backdrop for this quintessential Country sadness . . . . Got a beer? | Click to Listen |
| ANYTHING YOU WANT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AVANT GARDEN (Bluegrass) | Country (Bluegrass) | Recorded by Aerosmith in 2001, re-arranged in the Bluegrass style featuring ensemble Country-style Vocals on the Choruses. Features fully acoustic 6-piece group, the Grassmasters. Quirky and uptempo. | Click to Listen |
| BABY DON’T YOU DO IT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music”. A song about a man who is at a standstill with his girlfriend. | Click to Listen |
| BABY I’M FOR REAL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BACK IN MY ARMS AGAIN | Urban/R&B | This song presents the old adage, careful how you let your friends influence your love affair. Motown’s 5th number one hit by the Supremes, comes to Connye Florance with ease. Signature Baritone Sax lines run throughout the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Backing Track w/BGVs) | Urban/R&B | Backing track or Underscore with background vocal parts for Motown’s 5th number one hit by the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Backing Track) | Urban/R&B | Backing track or Underscore for Motown’s 5th number one hit for the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Underscore for Motown’s 5th number one hit for the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. Flutes, Vibes and Electric Guitar help with the groceries, (plenty of cheese in this one). | Click to Listen |
| BACK TO LOVE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Smooth Jazz tune from George Benson’s 1998 release, “Standing Together”. This arrangement, like the original, centers around the Fender Rhodes Piano changes with Soprano Sax fills. | Click to Listen |
| BACK TO LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BACK TO THE WORLD (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BE HAPPY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BE STILL MY BEATING HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEAST OF BURDEN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEAUTIFUL IN MY EYES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEEDI | World | ‘Omkara’ is a 2006 Indian crime drama film adapted from Shakespeare’s ‘Othello’. “Beedi” received considerable airplay on Pop radio stations in Brazil becoming the first Hindi song to achieve this. | Click to Listen |
| BEEDI (Backing Track w/Chants) | World | Backing Track or Underscore with Vocal Chants for the song from the Sountrack of ‘Omkara’, a 2006 Indian crime drama film adapted from Shakespeare’s ‘Othello’. | Click to Listen |
| BEEDI (Backing Track) | World | Backing Track or Underscore for the song from the Sountrack of ‘Omkara’, a 2006 Indian crime drama film adapted from Shakespeare’s ‘Othello’. | Click to Listen |
| BEEN TO CANAAN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEFORE YOU WALK OUT OF MY LIFE (Elevated Intrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEN | Movie/TV Themes | ‘Ben’ won a Golden Globe for Best Song in 1972 and was nominated for an Academy Award for the killer rat film sequel to ‘Willard’. Originally performed by Michael Jackson, this Female Vocal version features Darelle Holden & the Seattle Symphony Strings. | Click to Listen |
| BEN (Backing Track) | Movie/TV Themes | Backing Track or Underscore for ‘Ben’, Golden Globe winner for best song in the killer rat film sequel to ‘Willard’. Originally performed by Michael Jackson, this version features Jazz Trio and the Seattle Symphony String section. | Click to Listen |
| BEN (Instrumental) | Movie/TV Themes | ‘Ben’ won a Golden Globe for Best Song in 1972 and was nominated for an Academy Award for the killer rat film sequel to ‘Willard’. Originally performed by Michael Jackson, this Instrumental features Jazz Trio, Flute, and the Seattle Symphony Strings. | Click to Listen |
| BEST IS YET TO COME, THE (Standard – Backing Track) | Standards | Backing Track for the ‘Best Is Yet To Come’, associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Delivered here with the Traditional Swing arrangement featuring big Horn Section. | Click to Listen |
| BEST IS YET TO COME, THE (Standard) | Standards | Associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Nashville performing artist Perry Danos delivers the Traditional Swing arrangement featuring full Horn compliment. | Click to Listen |
| BEST IS YET TO COME, THE (Swing – Elevated Instrumental) | Standards | Elevator Music Instrumental for the ‘The Best Is Yet To Come’, associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Delivered here with the Traditional Swing arrangement. | Click to Listen |
| BIGGER THAN THE BEATLES (Backing Track) | Country | Originally recorded by American Country Music artist, Joe Diffie, this Backing Track or Underscore is for the song about an amateur rocker and his bartender girlfriend. The narrator states that the couple has a love, “Bigger than the Beatles”. | Click to Listen |
| BIGGER THE PUNCH I’M FEELING (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BIRD OF BEAUTY | Urban/R&B | Stevie Wonder classic from 1974’s ‘Fullfillingness’. Treated here as a light Latin Jazz Vocal piece featuring Fender Rhodes based Quartet and sultry Connye Florance on lead Vocals. | Click to Listen |
| BIRD OF BEAUTY (Backing Track) | Urban/R&B | Backing Track or Underscore for the Stevie Wonder classic from 1974’s ‘Fullfillingness’. Treated here as a light Latin Jazz piece featuring a Fender Rhodes Piano based Quartet. | Click to Listen |
| BLACK VELVET (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BLUE MOON (Darelle – Backing Track) | Standards | Backing Track or Underscore for ‘Blue Moon’, referring to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead Retro R&B arrangement features Nashville’s studio finest. | Click to Listen |
| BLUE MOON (Darelle) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead Retro R&B arrangement features Darelle Holden backed by Nashville’s studio finest. | Click to Listen |
| BLUE MOON (Elevated Instrumental) | Standards | Elevator Music or Underscore Instrumental of ‘Blue Moon’, referring to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this Background version features Electric Guitar & Flute on melodies. | Click to Listen |
| BLUE MOON (Halloween – Backing Track) | Standards | Backing Track or Underscore for the Halloween version of ‘Blue Moon’, which refers to an English idiomatic expression: “Once in a blue moon”, meaning “very rarely”. This R&B arrangement is frought with Sound Effects for a ghoulishly fun time. | Click to Listen |
| BLUE MOON (Halloween) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead R&B arrangement is frought with Sound Effects for a ghoulishly fun time. | Click to Listen |
| BLUE MOON (Harmonica – Backing Track) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers and Hart, this straight ahead Jazz Backing Track or Underscore features Harmonica and Acoustic Jazz Quartet. | Click to Listen |
| BLUE MOON (Sax – Backing Track) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers and Hart, this straight ahead Jazz Backing Track or Underscore features Tenor Sax and Acoustic Jazz Quartet. | Click to Listen |
| BLUE MOON (w/Harmonica) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead Jazz Vocal features Nashville Riverboat entertainer, Perry Danos, backed by acoustic Jazz Quintet. | Click to Listen |
| BLUE MOON (w/Sax) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead Jazz Vocal features Nashville Riverboat entertainer, Perry Danos, backed by acoustic Jazz Quintet. | Click to Listen |
| BLUE TRAIN, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BOND ’77 (Cue) | Movie/TV Themes | 1 minute Cue or Transition for, ‘The Spy Who Loved Me’, the 10th spy film in the James Bond series The storyline involves a reclusive megalomaniac named Karl Stromberg, who plans to destroy the world and create a new civilisation under the sea. | Click to Listen |
| BOND ’77 (SPY WHO LOVED ME) | Rock/Pop | ‘The Spy Who Loved Me’, is Ian Flemmings’s tenth spy film in the James Bond series The storyline involves a reclusive megalomaniac named Karl Stromberg, who plans to destroy the world and create a new civilisation under the sea. | Click to Listen |
| BREAKOUT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BUZZ, BUZZ, BUZZ (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CALENDAR GIRL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CANCUN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN’T SAY GOODBYE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CARNIVAL WORLD (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAROL OF THE DRUM (Backing Track w/BGVs) | Traditional/Americana | Backing Track or Underscore with Choral Backgrounds, Lead Vocal removed. Celebratory Choral Christmas song honoring Baby Jesus’ birth, based on a Traditional Czech Carol. Contemporary popularity came in 1957 with the Harry Simone Chorale’s version. | Click to Listen |
| CAROL OF THE DRUM (Backing Track) | Traditional/Americana | Backing Track or Underscore for the celebratory Christmas Standard, AKA ‘Little Drummer Boy’, honoring Baby Jesus’ birth, based on a Traditional Czech Carol. Contemporary popularity came in 1957 with the Harry Simone Chorale’s version. | Click to Listen |
| CAROL OF THE DRUM (Choir) | Traditional/Americana | Celebratory Christmas Choral song honoring Baby Jesus’ birth, based on a Traditional Czech Carol. Contemporary popularity came in 1957 with the Harry Simone Choral’s version. This version features high school aged girls with angelic beauty. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS | Urban/R&B | Most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording, this Stevie Wonder tune was written for and performed by his ex-wife, Syreeta Wright. This arrangement combines the two and features Gospel Choir on Background Vocals. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts the the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Chimes of Freedom Gopel Choir provides Vocal Backgrounds. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Backing Track) | Urban/R&B | Backing Track or Underscore for the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Vintage Fender Rhodes holds down the group that includes French Horn, Muted Trumpet & Nylon Guitar. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental Underscore for the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Vintage Fender Rhodes holds down the group that includes French Horn, Muted Trumpet. | Click to Listen |
| CHANGING HORSES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CLOSE TO YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COME AWAY WITH ME | Rock/Pop | From the debut album of Pianist and Singer-Songwriter, Norah Jones, comes this lovely Ballad of escape and seduction. Re-arranged here with Nylon Guitar, Acoustic Bass, Soprano Sax and Piano supporting a delicate Vocal interpretation by Kelsey Lockhart. | Click to Listen |
| COME AWAY WITH ME (Backing Track) | Rock/Pop | Backing track or Underscore for the Award winning song from the debut album of Pianist and Singer-Songwriter, Norah Jones, a lovely Ballad of escape and seduction. Re-arranged here with Nylon Guitar, Acoustic Bass, Soprano Sax and Piano. | Click to Listen |
| CORINNA (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRAZY (KEEP ON FALLING) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRAZY IN LOVE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRIMINAL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRYING IN THE RAIN | Rock/Pop | Carole King and Gerry Goffin song, and huge hit for the Everly Brothers in 1962, has been re-arranged for young talent, Dana Sedgwick, with a Country flavor. Backed by Gospel Vocal Quartet and 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click to Listen |
| CRYING IN THE RAIN (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Backgroud Vocal parts for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Backed by Gospel Vocal Quartet and 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click to Listen |
| CRYING IN THE RAIN (Backing Track) | Rock/Pop | Backing Track or Underscore for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Featuring a 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click to Listen |
| CRYING IN THE RAIN (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak light Pop Instrumental arrangement for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. | Click to Listen |
| CRYING IN THE RAIN (Instrumental) | Rock/Pop | Light Pop Instrumental arrangement for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Featuring a 7-piece group with Flutes and Electric Guitar covering the melodies. | Click to Listen |
| DANCE THE NIGHT AWAY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCING IN THE MOONLIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCING IN THE STREET (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCING THE NIGHT AWAY | Rock/Pop | From the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”, a nostalgic narrator is reminiscent of happier times when two young lovers danced the night away. Piano, Hammond B3 Organ, and assorted Guitars fill out the arrangement. | Click to Listen |
| DANCING THE NIGHT AWAY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the song from the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”. A nostalgic narrator is reminiscent of happier times when two young lovers danced the night away. | Click to Listen |
| DANCING THE NIGHT AWAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”. Piano, Hammond B3 Organ, and assorted Guitars fill out the arrangement. | Click to Listen |
| DARK END OF THE STREET (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DARK HORSE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DIPAMA | World | Written by Cameroon Jazz Bassist, Richard Bona, and from his fourth solo album, Tiki, released through Universal Music France, has charted in several countries, (#10 in Billboard’s World Charts). In this verion, Northwest America meets West Africa. | Click to Listen |
| DIPAMA (Backing Track w/BGVs) | World | Written by Cameroon Jazz Bassist, Richard Bona, and from his fourth solo album, Tiki, released through Universal Music France, has charted in several countries, (#10 in Billboard’s World Charts). This is the Backing Track with Background Vodcal parts. | Click to Listen |
| DIPAMA (Backing Track) | World | Written by Cameroon Jazz Bassist, Richard Bona, and from his fourth solo album, Tiki, released through Universal Music France, has charted in several countries, (#10 in Billboard’s World Charts). This is the Backing Track or Underscore. | Click to Listen |
| DO RIGHT WOMAN, DO RIGHT MAN (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DO YOU REALLY WANT TO HURT ME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DOIN’ OUR THING (Backing Track) | Urban/R&B | Backing Track or Underscore for the late sixties Funk-Jam R&B Top 10 hit for Clarence Carter. In Carter’s early years, he passed through the Muscle Shoal’s ‘Fame Studios’. This arrangment contains the original Horn charts featuring Tower of Power Horns. | Click to Listen |
| DOIN’ OUR THING (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T BE CRUEL | Rock/Pop | The King of Rock ‘n Roll returns with this contemporary rendering of the 1956 hit, featuring Perry Danos with the ‘Jordanaires’, adding their original Vocal arrangement to the mix. | Click to Listen |
| DON’T BE CRUEL (Backing Track w/Jordanaires BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the King of Rock ‘n Roll’s return with this contemporary rendering of the 1956 hit, featuring the ‘Jordanaires’ adding their original Vocal arrangement to the mix. | Click to Listen |
| DON’T BE CRUEL (Backing Track) | Rock/Pop | Backing Track or Underscore for the King of Rock ‘n Roll’s colossal number one hit from 1956. Faithfully reproduced down to signature licks, Piano rhythm and the percussive Guitar slap. | Click to Listen |
| DON’T BE CRUEL (Bluegrass) | Country (Bluegrass) | The King of Rock and Roll returns to his cultural roots in this Bluegrass rendering of the 1956 monster hit, featuring 6-piece ‘Grassmasters’ with the ‘Jordanaires’ adding their original Vocal arrangement to the mix. | Click to Listen |
| DON’T BE CRUEL (Elevated Instrumental) | Rock/Pop | The King of Rock ‘n Roll is back in the building, returning to the Elevator Lounge with this Muzak Instrumental rendering of the 1956 hit, featuring Oboe, Vibraphone, Horns and Strings. Hokey and outragious. | Click to Listen |
| DON’T BE CRUEL (Instrumental w/Jordanaires BGVs) | Rock/Pop | The King of Rock ‘n Roll returns to the Elevator Lounge with this Instrumental rendering of the 1956 hit, featuring Tenor Sax, Dobro & Electric Guitar with the ‘Jordanaires’ adding their original Vocal arrangement to the mix. Think Muzak with relevance. | Click to Listen |
| DON’T BLAME ME (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T COST YOU NOTHING (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T LET GO | Standards | 1950’s R&B song originally made popular by Roy Hamilton. Uptempo swing with a taste of Doo Wop thrown in for fun. Featuring a Vocal Quartet backed by 5-piece Nashville ‘A’ team studio monsters, including Elvis Costello’s Accordion wizard, Jeff Taylor. | Click to Listen |
| DON’T LET GO (Backing Track w/BGVs) | Standards | Backing Track with Background Vocal parts for the 1950’s Popular R&B Standard written by Jesse Stone. This uptempo, re-arranged Swing features a 5-piece Nashville ‘A’ team of studio monsters, including Elvis Costello’s Accordion wizard, Jeff Taylor. | Click to Listen |
| DON’T LET GO (Backing Track) | Standards | Backing Track or Underscore for 1950’s Popular R&B Standard written by Jesse Stone. This uptempo, re-arranged Swing features a 5-piece Nashville ‘A’ team of studio monsters, including Elvis Costello’s Accordion wizard, Jeff Taylor. | Click to Listen |
| DON’T MESS WITH BILL | Urban/R&B | Million selling gold certified Motown song written by Smokey Robinson for the Marvelettes in 1965. This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ, backing Connye Florance. | Click to Listen |
| DON’T MESS WITH BILL (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocals for the million selling Motown song written by Smokey Robinson for the Marvelettes in 1965. This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ. | Click to Listen |
| DON’T MESS WITH BILL (Backing Track) | Urban/R&B | Backing Track or Underscore for the million selling Motown song written by Smokey Robinson for the Marvelettes in 1965. This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ. | Click to Listen |
| DON’T MESS WITH BILL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T MESS WITH MR. T | Movie/TV Themes | Following his politically charged album, ‘What’s Goin’ On’, Margin Gaye turned his attention to Hollywood, commissioned to create the Soundtrack for ‘Trouble Man’. This Jazz interpretation features Leslie Guitar, Tenor Sax and Harmon Muted Trumpet. | Click to Listen |
| DON’T MESS WITH MR. T (Kidd Afrika) | Jazz (Contemporary) | Fusion Jazz meets Motown, via the ‘Trouble Man’ Soundtrack by Marvin Gaye. Recorded in 1979, from the rare and “Lost Windham Hill” record. Guitar based Kidd Afrika’s re-arrangement veers from laid back to frantic. | Click to Listen |
| DON’T STAND SO CLOSE TO ME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T WANT TO BE A FOOL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T YOU WORRY ‘BOUT A THING (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DOWN BY THE STATION (Children) | Kids | A popular song written by Paul Mills and Slim Gaillard in 1948, and most famously recorded by Tommy Dorsey. The song remains popular today as a Children’s Music Standard. Performed here by a Children’s Chorus, ages 4 – 12, with Piano acompaniment. | Click to Listen |
| DOWN ON THE FARM (Backing Track) | Country | Swampy Blues Underscore and Backing Track for Tim McGraw’s 1994 Country hit. Drivin’ back woods feel with plenty of Bottleneckin’ and Dobro fills. Party’s on, folks! | Click to Listen |
| DOWN UNDER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers. This song is about the selling of Australia, the overdevelopment of the country. | Click to Listen |
| DREAMING ON A WORLD (Elevated Instrumental) | World | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DRIFTING BLUES (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DROWNING IN YOUR EYES (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EASIER SAID THAN DONE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EAST ST. LOUIS TOODLE-OO (Elevated Instrumental) | Jazz (Contemporary) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EL TAMBORILERO (CAROL OF THE DRUM – Spanish) | World | Celebratory Christmas Choral song honoring Baby Jesus birth, based on a Traditional Czech Carol. Contemporary popularity came in 1957 with the Harry Simone Chorale’s arrangement. This version sung in Spanish features young girl group, Chicas de Navidad. | Click to Listen |
| EL TAMBORILERO (CAROL OF THE DRUM) (Backing Track w/BGVs) | World | Backing Track or Underscore with Background Choral parts, sung in Spanish. This celebratory Christmas Choral song honors the birth of Jesus. Based on a Traditional Czech Carol,features young Latino girl group, Chicas de Navidad. | Click to Listen |
| EL TAMBORILERO (CAROL OF THE DRUM) (Backing Track) | World | Backing Track or Underscore for the celebratory Christmas Choral song honoring Baby Jesus’ birth, based on a Traditional Czech Carol. | Click to Listen |
| END OF THE PARTY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ENGLISHMAN IN NEW YORK (Backing Track) | Rock/Pop | The “Englishman” in question is the famous eccentric and gay icon Quentin Crisp. This Backing Track or Underscore features Piano, Nylon Guitar, Sax, Trumpet solo, (in the Swing section), and the signature Reggae feel. | Click to Listen |
| ENGLISHMAN IN NEW YORK (Elevated Instrumental) | Rock/Pop | The “Englishman” in question is the famous eccentric and gay icon Quentin Crisp. This Sting composition was created in the Muzak or Elevator Music style featuring Electric Guitar, Flutes, Soprano and Tenor Saxes in interplay. | Click to Listen |
| ENGLISHMAN IN NEW YORK (Instrumental) | Jazz (Contemporary) | The “Englishman” in question is the famous eccentric and gay icon Quentin Crisp. Sting wrote the song not long after Crisp moved from London to an apartment in New York’s Bowery. This Instrumental arrangement features Piano, Nylon Guitar, Sax & Trumpet. | Click to Listen |
| ESCAPADE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERY HEARTBEAT | Rock/Pop | A Top 10 1991 single by Christian artist Amy Grant, reproduced faithfully with Laurie McKechnie, in standard ‘sound alike’ fashion, original Horn arrangements included. | Click to Listen |
| EVERY HEARTBEAT (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore for the Top 10 1991 single by Christian artist Amy Grant, reproduced faithfully in standard ‘sound alike’ fashion, original Horn arrangements included. | Click to Listen |
| EVERY HEARTBEAT (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental Undersocore for the Top Ten 1991 single by Christian artist, Amy Grant, reproduced faithfully with original Horn arrangements and featuring Vibes and Nylon Guitar melodies. Suitable for entertaining! | Click to Listen |
| EVERY TIME YOU LIE | Rock/Pop | Viable Synth-Pop artist from the Disney mold, Demi Lovato’s album cut has been faithfully lifted for young up-and-comer, Gilda Afifi. Signature Synth elements remain in this song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click to Listen |
| EVERY TIME YOU LIE (Backing Track w/BGvs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the reproduction of Synth-Pop artist, Demi Lovato’s 2009 song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click to Listen |
| EVERY TIME YOU LIE (Backing Track) | Rock/Pop | Backing Track or Underscore for the reproduction of Synth-Pop artist, Demi Lovato’s 2009 song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click to Listen |
| EVERYBODY KNOWS (I STILL LOVE YOU) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERYBODY NEEDS LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EXPRESSWAY TO YOUR HEART | Rock/Pop | Pacific Northwest Rock/R&B band, and Windham Hill recording group, Kidd Afika, reinterpreted the classic Top 10 Philly Hit by the Soul Survivors. Replete with Sound Effects and motorized syncopated funkyness, this 1967 track reappeared in 1980. | Click to Listen |
| FACE IN THE CROWD, A (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FAIRY TALES (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FAR AWAY CHRISTMAS BLUES | Blues | Straight ahead slow Blues, featuring Johnny Otis on Vibraphone, (one of his final recordings), and Santana’s Vocal monster, Tony Lindsay, with a three piece Sax Section. It’s a sad and lonesome Christmas. | Click to Listen |
| FERRY CROSS THE MERSEY (Guitar Instrumental) | Rock/Pop | Written as an homage to his home town, Gerry Marsden recorded this sentimental 1960’s hit with Gerry and the Pacemakers at the peak of the British Invasion. Re-arranged for solo Acoustic Steel-String Guitar. Brilliant interpretation, emotive and serene. | Click to Listen |
| FIELDS OF GOLD (Adrianna w/BGVs) | Rock/Pop | Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’, delicately sung by 17 year old Adrianna Bernal. | Click to Listen |
| FIELDS OF GOLD (Adrianna) | Rock/Pop | Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’, delicately sung by 17 year old Adrianna Bernal. | Click to Listen |
| FIELDS OF GOLD (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal refrains for Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’. | Click to Listen |
| FIELDS OF GOLD (Backing Track) | Rock/Pop | Backing Track or Underscore for Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’. | Click to Listen |
| FIELDS OF GOLD (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental arrangement for Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’. Featured leads by English Horn, Flute and Acoustic Guitar. | Click to Listen |
| FIELDS OF GOLD (Mikaela – Backing Track) | Rock/Pop | Backing Track or Underscore for Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’, delicately performed by Nashville’s finest. | Click to Listen |
| FIELDS OF GOLD (Mikaela) | Rock/Pop | Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’, delicately sung by Singer-Songwriter, Mikaela Kahn, and featuring Nashville’s finest in support. | Click to Listen |
| FOLLOW (Elevated Instrumental) | Folk | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOOL FOR YOUR LOVE (Backing Track) | Country | The Backing Track or Underscore for Mickey Gilley’s 16th #1 Country single as a solo artist . . . there’s a sucessful run! This track bears the stamp of the fifties with its sock-hop 12/8 feel, Tenor Sax solo and 8th note Piano riff. Everybody skate! | Click to Listen |
| FOOL FOR YOUR LOVE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOOL, I’M A WOMAN (Backing Track) | Country | Another “Woman needs a man like fish needs a bicycle” song. This Backing Track or Underscore is from Sara Evans’ 1998 release, “No Place That Far”. Nashville’s ‘A’ team session players lend their talents to this song of empowerment. | Click to Listen |
| FOOL, I’M A WOMAN (Elevated Instrumental) | Country | Another “Woman needs a man like fish needs a bicycle” song. This Elevator Music or Muzak Instrumental is from Sara Evans’ 1998 release, “No Place That Far”. Nashville’s ‘A’ team session players lend their talents to this song of empowerment. | Click to Listen |
| FOR YOUR BABIES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOR YOUR LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER YOUNG (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER YOUR GIRL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FROM HERE TO ETERNITY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FROM RUSSIA WITH LOVE (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FUN TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FURTHER ON DOWN THE ROAD (Elevated Instrumental) | Blues | Orignally by Blues artist, Taj Mahal, this classic has been covered Instrumentally for Elevator Music broadcast by Los Angeles arranger, Curtis Brengle in 1991. Popping up in your local Walgreens . . ??!! | Click to Listen |
| FURTHER ON DOWN THE ROAD (Live) | Rock/Pop | Orignally by Blues artist, Taj Mahal, this classic has been covered live in 1976 by Seattle Bar Band, Jr. Cadillac. An uplifting song of commitment and loyalty, passing through life together. | Click to Listen |
| GASOLINE ALLEY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET IT RIGHT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET OUT OF MY LIFE, WOMAN (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GIRLS WITH GUITARS | Country | Classic sweet little “15” theme around a daughter’s desire to become a rock star. Featuring Nashville’s ‘A’ team of crack studio musicians, with guest appearance by Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| GIRLS WITH GUITARS (Backing Track) | Country | Backing Track or Underscore for the classic sweet little “15” theme around a daughter’s desire to become a rock star. Featuring Nashville’s ‘A’ team of crack studio musicians. | Click to Listen |
| GOIN’ WILD FOR YOU BABY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOLDEN LADY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GONE TO SOON | Urban/R&B | Ryan White was an American teenager who became a national poster child for HIV/AIDS when expelled from school after contracting the disease from a blood transfusion. Michael Jackson paid tribute to Ryan with this poignant song. | Click to Listen |
| GONE TO SOON (Backing Track) | Urban/R&B | Ryan White was an American teenager who became a national poster child for HIV/AIDS when expelled from school after contracting the disease from a blood transfusion. Michael Jackson paid tribute to Ryan with this poignant song. | Click to Listen |
| GONE TOO FAR (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GREATEST LOVE OF ALL, THE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GROOVIN’ (Elevated Instrumental 1) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GROOVIN’ (Elevated Instrumental 2) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| HEARTACHE TONIGHT (Backing Track) | Rock/Pop | Backing Track or Underscore for the Eagles’ hit from 1979, featuring copious amounts of slide Guitar, Processed Drums and Piano. | Click to Listen |
| HEARTACHE TONIGHT (Country Instrumental) | Country | Rocking the Country with this Instrumental re-arrange of the Eagles’ hit from 1979, featuring copious amounts of Slide Guitar, Harmonica and Pedal steel. | Click to Listen |
| HEAVEN DOWN HERE | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track w/BGVs) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEY BABY (Background Instrumental) | Rock/Pop | A Brazilian Singer-Songwriter who relocated to the U. S. and had moderate success with this tune, re-produced here as an Elevator Music Instrumental, featuring Harp, Nylon Guitar Woodwinds and Horns. | Click to Listen |
| HIT ME WITH A HOT NOTE | Broadway | The Broadway Musical, “Swing”, utilized music by various artists. It celebrated the music of the Swing era of Jazz, (1930s–1946), including many well-known tunes by artists like Duke Ellington, co-writer of this rousing, upbeat ‘number’. | Click to Listen |
| HIT ME WITH A HOT NOTE (Backing Track) | Broadway | The Broadway Musical, “Swing”, utilized music by various artists. It celebrated the music of the Swing era of Jazz, 1930s–1946, including many well-known tunes by artists like Duke Ellington, co-writer of this rousing, upbeat Backing Track or Underscore | Click to Listen |
| HOUNDS OF WINTER | Rock/Pop | Soulful Jazz Rock Female Vocal version of the 2009 Sting composition, haunted by lost love. Hammond B3 Organ fills and solo around 5-piece Rhythm Section supports Darelle Holden’s masterful Lead Vocal. | Click to Listen |
| HOUNDS OF WINTER (Backing Track) | Rock/Pop | Backing Track or Underscore for the soulful Jazz Rock version of the 2009 Sting composition, haunted by lost love. Hammond B3 Organ fills and solos around a 5-piece rhythm section. | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) | Urban/R&B | From Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars and featuring Tower of Power’s lead vocalist, Larry Braggs. | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts from Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) (Backing Track) | Urban/R&B | Backing Track or Underscore from Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars. | Click to Listen |
| I BELIEVE IN YOU (YOU BELIEVE IN ME) | Rock/Pop | Seattle based Windham Hill group, Kidd Afrika, puts a Northwest spin on a #1 Memphis Stax classic by Johnnie Taylor. Recorded in 1979 and still available on vinyl. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Fender Rhodes Version) | Standards | Classic Jazz Standard originating in the twenties and covered by many major artists over the years. Contemporary Jazz arrangement featuring sultry Connye Florance on Vocal, with Quartet fronted by Rhodes Piano. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Male Vocal – Swing) | Standards | Classic Jazz Standard originating in the twenties and covered by many major artists over the years. Swing arrangement featuring Jazz combo with 6-piece Horn Section and Male Vocal. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Piano – Backing Track) | Standards | Backing Track or Underscore for the classic Jazz Standard originating in the twenties and covered by many major artists over the years. Contemporary Jazz arrangement with Quartet fronted by Acoustic Piano. Guitar solo at :50. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Piano Version) | Standards | Classic Jazz Standard originating in the twenties and covered by many major artists over the years. Contemporary Jazz arrangement featuring sultry Connye Florance on Vocal with Quartet fronted by Acoustic Piano. Guitar solo at :50. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Rhodes – Backing Track) | Standards | Backing Track or Underscore for the classic Jazz Standard originating in the twenties and covered by many major artists over the years. Contemporary Jazz arrangement with Quartet fronted by Rhodes Piano. Guitar solo at :50. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Swing – Backing Track) | Standards | Backing Track for the Classic Jazz Standard originating in the twenties and covered by many major artists over the years. Swing arrangement with Jazz Combo featuring Arch Top Acoustic Guitar, Piano and a 6-piece Horn Section. Piano solo at 1:20. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Swing – Instrumental) | Standards | Classic Jazz Standard originating in the twenties and covered by many major artists over the years. This Instrumental Swing arrangement features Tenor Sax with Jazz combo and 6-piece Horn Section. Piano solo at 1:20. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Backing Track w/Sax) | Standards | Backing Track or Underscore for the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and more. This version features Nick Manson’s Quintet. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Backing Track) | Standards | Backing Track or Underscore for the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and more. This version features Nick Manson’s Quartet. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Female Vocal) | Standards | Sultry Female Jazz Vocal version of the popular Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and many more. This arrangement features Kelsey Lockhart. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Instrumental) | Standards | Sultry Tenor Sax rendition of the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and many more. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Male Vocal) | Standards | Sultry Male Jazz Vocal version of the popular Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Tony Bennett, and many more. This arrangement features Perry Danos. | Click to Listen |
| I JUST CALLED TO SAY I LOVE YOU (Background Instrumental) | Urban/R&B | Instrumental, Muzak rendition of Stevie Wonder’s mega-hit from the 1984 film, ‘The Woman In Red’, featuring Flute as Wonder’s melodic stand-in. Elevator’s worldwide have blessed this particular recording, logging 100s of hours going up and down. | Click to Listen |
| I JUST CAN’T LET GO (Instrumental) | Rock/Pop | A wish for reconciliation and forgiveness. The Ambrosia hit from 1997 has been ‘elevated’ to this poignant Instrumental featuring Tower of Power’s Tom E. Politzer, (Sax), and Jerry Cortez, (Guitar). | Click to Listen |
| I JUST CAN’T LET GO (Backing Track) | Rock/Pop | A wish for reconciliation and forgiveness. Backing Track or Underscore for the Ambrosia hit from 1997. | Click to Listen |
| I NEED YOUR LOVIN’ EVERYDAY | Urban/R&B | Don Gardner and Dee Dee Ford’s rambunctious screamer gets the 2013 treatment by Perry Danos and Connye Florance. This new master recording features a false ending, ala the original, coming to an end, then starting up again, typical of Gospel in the era. | Click to Listen |
| I NEED YOUR LOVIN’ EVERYDAY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for Don Gardner and Dee Dee Ford’s rambunctious screamer, getting the 2013 treatment. This new master recording features a false ending ala the original, coming to an end, then starting up again. | Click to Listen |
| I NEED YOUR LOVIN’ EVERYDAY (Backing Track) | Urban/R&B | Backing Track or Underscore for Don Gardner and Dee Dee Ford’s rambunctious screamer, getting the 2013 treatment. This new master recording features a false ending ala the original, coming to an end, then starting up again, typical of Gospel in the era. | Click to Listen |
| I PUT A SPELL ON YOU | Blues | Screamin’ Jay Hawkins signature hit from 1956 is listed in the Rock ‘n’ Roll Hall of Fame’s 500 songs that shaped Rock and Roll. This contemporary recording captures the charm of the original, with harmony Bari and Tenor Sax lines. Halloween fun! | Click to Listen |
| I PUT A SPELL ON YOU (Backing Track) | Blues | Backing Track for Screamin’ Jay Hawkins signature hit from 1956, listed in the Rock n Roll Hall of Fame’s 500 songs that shaped Rock and Roll. This contemporary recording captures the charm of the original, with harmony Bari and Tenor Sax lines. | Click to Listen |
| I WANNA LOVE YOU FOREVER | Techno/Electronica | This darkly bittersweet Love Ballad which incorporates elements of Pop, Disco and Techno, is generally considered to be one of Jessica Simpson’s signature songs. Re-recorded here with teen Choir for the High School Musical, ‘Musique’. | Click to Listen |
| I WANT YOU (Gaye – Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Motown classic from Marvin Gaye. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| I WANT YOU (Gaye – Backing Track) | Urban/R&B | Backing Track or Underscore for the Motown classic from Marvin Gaye. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| I WANT YOU (Gaye – R&B) | Urban/R&B | Motown classic from Marvin Gaye, newly recorded with Tower of Power’s vocalist, Larry Braggs. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| IF THESE ARE THE THINGS | Rock/Pop | With subtle elements of World Music, Blues, and Jazz, Singer-Songwriter Tracy Chapman became a four-time Grammy Award-winning artist. This song of failed relations was a common thread of political and social activism in her lyrics. | Click to Listen |
| IF THESE ARE THE THINGS (Backing Track) | Rock/Pop | Backing Track or Underscore with subtle elements of World Music, Blues, and Jazz. Singer-Songwriter Tracy Chapman became a four-time Grammy Award-winning artist. This song of failed relations was a common thread of political and social activism. | Click to Listen |
| I’LL BE DOGGONE | Urban/R&B | Top Ten Motown hit for Marvin Gaye. This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine. Great lead Vocal by Nashville’s Perry Danos. | Click to Listen |
| I’LL BE DOGGONE (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Top Ten Motown hit of Marvin Gaye’s. This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine. | Click to Listen |
| I’LL BE DOGGONE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Top Ten Motown hit of Marvin Gaye’s. This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine. | Click to Listen |
| I’M IN A PHILLY MOOD (Backing Track) | Rock/Pop | There’s a lot of stuff in this Backing Track or Underscore of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click to Listen |
| I’M IN A PHILLY MOOD (Instrumental) | Rock/Pop | There’s a lot of stuff in this Instrumental rendition of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click to Listen |
| I’M ONLY HUMAN (Background Instrumental) | Urban/R&B | Urban, Smooth Jazz Instrumental interpretation of Luther Vandorss’ 1998 song of human error, regret and begging forgiveness. Layers of Keyboards support Electric Guitar, Trombone, Trumpet and Tenor Sax melodies. Sleazy and laidback. | Click to Listen |
| I’M ONLY HUMAN (Backing Track) | Urban/R&B | Urban, Smooth Jazz Backing Track or Underscore of Luther Vandorss’ 1998 song of human error, regret and begging forgiveness. Sleazy and laidback. | Click to Listen |
| IN THE HEAT OF THE NIGHT (Instrumental) | Movie/TV Themes | Instrumental Blues of the Quincy Jones composition, originally performed by Ray Charles, for the 1967 film of the same name. This arrangement features a 5-piece Rhythm Section supporting Tower of Power’s Tom Politzer on Tenor Sax, and Full Horns. | Click to Listen |
| IN YOUR EYES | Rock/Pop | Ambient, Progressive Rock anthem from Peter Gabriel, given new life by veteran soul diva, Darelle Holden. Main theme for the film “Say Anything”, lyrically relates to a relationship teetering on the edge. Features layers of Guitars, Percussion & Mandolin | Click to Listen |
| IN YOUR EYES (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the Progressive Rock anthem from Peter Gabriel. Main theme for the film “Say Anything”, features layers of Guitar textures and Percussion colors, with Mandolin tossed in for good measure. | Click to Listen |
| IN YOUR EYES (Backing Track) | Rock/Pop | Backing Track or Underscore for the Progressive Rock anthem from Peter Gabriel. Main theme for the film “Say Anything”, features layers of Guitar textures and Percussion colors, with Mandolin tossed in for good measure. | Click to Listen |
| IN YOUR EYES (Sara) | Rock/Pop | Ambient, progressive rock anthem from Peter Gabriel is given new life by teen-aged up-and-comer, Sara Lindquist. Main theme for the film “Say Anything”, features layers of Guitar textures and Percussion colors, with Mandolin tossed in for good measure. | Click to Listen |
| ISN’T SHE LOVELY (Backing Track) | Jazz (Latin) | Backing Track or Underscore for the delicate laidback Latin Jazz version of the Stevie Wonder hit from ‘Songs in the Key of Life’, circa 1976. Featuring Piano, Percussion, Nylon Guitar and a brilliant Harmonica solo via Pat Bergeson beginning at 1:40. | Click to Listen |
| ISN’T SHE LOVELY (Male Vocal) | Urban/R&B | Delicate laidback Latin Vocal Jazz version of the Stevie Wonder hit from ‘Songs in the Key of Life’, circa 1976, Motown. Featuring Piano, Percussion, Nylon Guitar and a brilliant Harmonica solo via Pat Bergeson beginning at 1:40. Male Vocal. | Click to Listen |
| IT AIN’T RIGHT (LOVIN’ TO BE LOVIN’) | Rock/Pop | Pacific Northwest Rock/R&B band, and Windham Hill recording group, Kidd Afika, tackle this obscure Ike and Tina Turner tune from 1977. Driving Disco Rock and killer Vocals. | Click to Listen |
| IT AIN’T RIGHT (LOVIN’ TO BE LOVIN’) (Backing Track) | Rock/Pop | Pacific Northwest Rock/R&B band, and Windham Hill recording group, Kidd Afika, tackles this obscure Ike and Tina Turner tune from 1977. Driving Disco Rock reference Backing Track or Underscore. | Click to Listen |
| JADED (Bluegrass) | Country (Bluegrass) | One might think “This can’t be done!” A Bluegrass interpretation of “Jaded” by Aerosmith wouldn’t occur to most people, but the Grassmasters give a quirky and novel spin on this Rock classic from 2001. Fully acoustic 6-piece Nashville recording. | Click to Listen |
| JAMES BOND THEME (Cue) | Movie/TV Themes | 40 second Cue, Transition or Realtone for the quintessential ‘James Bond’ theme. Re-arranged in the style of 1977’s Oscar nominated “The Spy Who Loved Me”, Disco, upbeat and signature. | Click to Listen |
| JANIE’S GOT A GUN (Bluegrass) | Country (Bluegrass) | A quirky little oddity. Grammy winning Aerosmith tune re-arranged for 6-piece Bluegrass group, Grassmasters. Features alumni from the Grand Ol’ Opry, the Bill Monroe Band, Ricky Scaggs Band, and a host of other credits, coming together for a bit of fun. | Click to Listen |
| JESUS GAVE ME WATER (Backing Track w/Gospel Choir BGvs) | Religious | A contemporary take on a classic Gospel song from the early 50. This Backing Track or Underscore features 36-Voice ‘Chimes of Freedom Singers’ with a 6-piece Nashville studio group, recorded in 2012 at Ocean Way, Nashville. | Click to Listen |
| JESUS GAVE ME WATER (Backing Track) | Religious | A contemporary take on a classic Gospel song from the early 50. This Backing Track or Underscore features a 6-piece Nashville studio group, recorded in 2012 at Ocean Way, Nashville. | Click to Listen |
| JESUS GAVE ME WATER (Gospel Choir) | Religious | A contemporary take on a classic Gospel song from the early 50s, closely identified to the A Cappella version by Sam Cooke and the Soul Stirrers. This new master features 36-Voice ‘Chimes of Freedom Singers’ with a 6-piece Nashville studio backing group. | Click to Listen |
| JUICY CROCODILE | Urban/R&B | A 1957 novelty song from Doo Wop group, the Cellos, released through classic R&B label “Apollo”. This contemporary recording from 2008 stays true to the original. Great Halloween fun and goofy plot line, with plenty of screams! | Click to Listen |
| JUICY CROCODILE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the 1957 novelty song from Doo Wop group, the Cellos, released through classic R&B label “Apollo”. This contemporary recording from 2008 stays true to the original. Great Halloween fun. | Click to Listen |
| JUICY CROCODILE (Backing Track) | Rock/Pop | Backing Track or Underscore for the 1957 novelty song from Doo Wop group, the Cellos, released through classic R&B label “Apollo”. This contemporary recording from 2008 stays true to the original. Great Halloween fun. | Click to Listen |
| JUST BETWEEN YOU AND ME (Background Instrumental) | Rock/Pop | Top 10 hit from ‘Foreigner’ Lou Gramm’s solo effort, reproduced here as an Elevator Music Instrumental. Most everything is thrown at this arrangement. Dig deep . . . I’m sure you’ll find a kitchen sink. | Click to Listen |
| KISS AND SAY GOODBYE | Urban/R&B | Philly Soul arrangement of the classic seventies hit Ballad by the Manhattans. Tower of Power’s front man, Larry Braggs, delivers big time, supported by an 8-piece group including Piano, Guitar, Hammond B3 Organ and Full Horn Section. | Click to Listen |
| KISS AND SAY GOODBYE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Philly Soul classic seventies Ballad by the Manhattans. Featuring an 8-piece group including Piano, Guitar, Hammond B3 Organ and Full Horn Section. | Click to Listen |
| KISS AND SAY GOODBYE (Instrumental) | Jazz (Contemporary) | Tower of Power’s lead Tenor Sax man, Tom E. Politzer, is featured on this Instrumental arrangement for the classic seventies Soul Ballad by the Manhattans. Supported by an 8-piece group including Piano, Guitar, Hammond B3 Organ and Full Horn Section. | Click to Listen |
| LAUGHTER IN THE RAIN (Instrumental) | Rock/Pop | Neil Sedaka’s number one hit in 1975, has been transformed into a Smooth Jazz Funk Instrumental featuring Alto Sax, Electric Guitar and 3-piece Horn Section. Solid performances from L. A. session players, lead by Andy Suzuki and Lennie Moore. | Click to Listen |
| LITTLE DRUMMER BOY (Celtic) | World | Christmas classic, Little Drummer Boy featuring Bouzouki, Concertina and Pennywhistle in the Celtic tradition. | Click to Listen |
| LITTLE DRUMMER BOY (Children – Cue) | Kids | Cue or Transition for the well known Christmas favorite of the poor shepherd boy who plays his drum for the Baby Jesus. This charming version features a father/daughter duet with Piano accompaniment. Home spun, poignant, tender and vaguely amatuerish. | Click to Listen |
| LITTLE DRUMMER BOY (Contemporary Jazz Instrumental) | Jazz (Contemporary) | Contemporary Jazz arrangement with Latin influences for the classic Christmas Carol. 6/8 swing feel that ebbs and flows through peaks and valleys. Percussion interlude at 2:00, Alto Sax feature with solo out at the fade. | Click to Listen |
| LITTLE DRUMMER BOY (Duet) | Kids | Well known Christmas favorite of the poor shepherd boy who plays his drum for the Baby Jesus. This charming version features a father/daughter Duet with Piano accompaniment. Home spun, poignant, tender and charmingly amatuerish. | Click to Listen |
| LITTLE DRUMMER BOY / CHRISTMAS EVE (Medley – Celtic) | World | This two part Christmas celebration begins with a rendition of Little Drummer Boy featuring Bouzouki and Concertina, then launches into a Celtic frenzy for the Traditional Jig, ‘Christmas Eve’. Beautiful and celebratory. | Click to Listen |
| LITTLE RUB-BOARD BOY (Cajun) | World | Cajun Roots band, the Sundogs, arrangement for the classic Christmas Carol, Little Drummer Boy, has been magically transformend into the Little Zydeco Rub-Board Boy featuring Fiddle, Accordion, Guitars and Washboard. | Click to Listen |
| LIVING FOR THE CITY | Urban/R&B | Stevie Wonder’s poignant plea for equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From pivital 1970s release ‘Innervisions’. Larry Braggs from Tower of Power puts in his spin. | Click to Listen |
| LIVING FOR THE CITY (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for Stevie Wonder’s poignant plea, equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From the pivital 1970s release, ‘Innervisions’. | Click to Listen |
| LIVING FOR THE CITY (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s poignant plea, equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From the pivital 1970s release, ‘Innervisions’. | Click to Listen |
| LONGER (Guitar Instrumental) | Rock/Pop | Singer-songwriter Dan Fogelberg commented on ‘Longer’ as “the song that put me on the elevators”. Acoustic Guitar duet featuring Nylon and Steel String. | Click to Listen |
| LOOK OF LOVE, THE (Guitar Instrumental) | Jazz (Latin) | 2 Nylon Guitars share lead and rhythm on this romantic Instrumental interpretation of the 1960s Academy Award nominated Burt Bacharach song. Rubato through the first minute, then laid back Bossa Nova feel for the remainder. Solos at 2:10 and 3:30. | Click to Listen |
| L-O-V-E | Standards | One of the last recordings made by Nat Cole before his death. The popular Standard has been covered by several artists, including Cole’s daughter, Natalie, in her 1991 tribute album, “Unforgettable”. | Click to Listen |
| L-O-V-E (Backing Track) | Standards | Backing Track or Underscore for one of the last recordings made by Nat Cole before his death. The popular Standard has been covered by several artists, including Cole’s daughter, Natalie, in her 1991 tribute album, “Unforgettable”. | Click to Listen |
| LOVE AFFAIR | Movie/TV Themes | From the Academy Award nominated disaster drama film, ‘Twister’, comes this Kelsey Lockhart performance written by Marilyn and Alan Bergman, and ‘Fistfull of Dollars’ composer, Ennio Morricone. Seattle Symphony String section fills out this arrangement. | Click to Listen |
| LOVE AFFAIR (Backing Track) | Movie/TV Themes | From the Academy Award nominated disaster drama film, ‘Twister’, comes this Backing Track or Underscore for the Marilyn and Alan Bergman and Ennio Morricone composition. The Seattle Symphony String section fills out this arrangement. | Click to Listen |
| LOVE WILL KEEP US ALIVE (Country Instrumental) | Country | This romantic Eagles love song has been re-arranged as an Instrumental Country Ballad. Lush and full, featuring Electric Guitar melody on the Verses, Fiddle on the Bridges. Rhythm section includes textural Pedal Steel and Hammond B3 Organ. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY | Urban/R&B | Wake up call via Stevie Wonder. Beautiful re-arrange for 1977’s “Songs in the Key of Life” opening track, featuring Tower of Power’s, Larry Braggs, backed by 7-piece studio band and Background Vocal group. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY (Backing Track w/BGVs) | Urban/R&B | Wake up call, via Stevie Wonder. Beautiful re-arranged Backing Track or Underscore for 1977’s “Songs in the Key of Life” opening track, featuring 7-piece studio band and Background Vocal parts. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s wake-up call. Beautiful re-arrange for 1977’s “Songs in the Key of Life” lead track, featuring a 7-piece studio band that includes Hammond B3, Clavinet, Congas, with layers of Keys and Guitars. | Click to Listen |
| MEMORIES ARE MADE OF THIS | Standards | This song was made famous by Dean Martin. This version is loosely patterned after the Everly Brothers Country arrangement, but sung with Dino’s inflection. Nashville’s ‘A’ Team round out the rhythm section, including Pedal Steel and Fiddle. | Click to Listen |
| MEMORIES ARE MADE OF THIS (Backing Track w/BGVs) | Standards | This song was made famous by Dean Martin. This Backing Track with Background Vocal parts is loosely patterned after the Everly Brothers Country arrangement. Nashville’s ‘A’ Team rounds out the Rhythm Section, including Pedal Steel and Fiddle. | Click to Listen |
| MEMORIES ARE MADE OF THIS (Backing Track) | Standards | This song was made famous by Dean Martin. This Backing Track or Underscore is loosely patterned after the Everly Brothers Country arrangement. Nashville’s ‘A’ Team rounds out the Rhythm Section, including Pedal Steel and Fiddle. | Click to Listen |
| MERRY CREOLE CHRISTMAS | World | Allen Toussaint’s contribution to the holiday spirit features Maria Muldaur and Cajun swamp boogie specialists, the Sundogs. Romp through the French Quarter with bells on bobbed tail. | Click to Listen |
| MOON GLOW | Standards | A 1933 Popular Song, ‘Moon Glow’ has become a well known Standard, appearing in Jazz fake books and multiple recordings throughout the years. Jazz Trio supports versatile Vocalist, Perry Danos in this medium tempo cocktail lounge rendition. | Click to Listen |
| MOON GLOW (Background Instrumental) | Standards | Background Instrumental of the popular 1933 song, Moon Glow. It has become a well known Standard, appearing in Jazz fake books and multiple recordings throughout the years. This time, a light swing treatment featuring Flute and Electric Guitar melodies. | Click to Listen |
| MOON GLOW (Backing Track) | Standards | Backing Track for the 1933 Popular song, ‘Moon Glow’. It has become a well known Standard, appearing in Jazz fake books and multiple recordings throughout the years. Jazz Trio Underscore with this medium tempo cocktail lounge rendition. | Click to Listen |
| MOTHER’S PRAYER, A | Rock/Pop | Sweet and heartfelt Lullaby, expressing gratitude for the bond between Mother and Child, and the overwhelming desire for one’s children to find peace and happiness throughout life. | Click to Listen |
| MOTHER’S PRAYER, A (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the sweet and heartfelt Lullaby, expressing gratitude for the bond between Mother and Child, and the overwhelming desire for one’s children to find peace and happiness throughout life. | Click to Listen |
| MOTHER’S PRAYER, A (Backing Track) | Rock/Pop | Backing Track or Underscore for the sweet and heartfelt Lullaby, expressing gratitude for the bond between Mother and Child, and the overwhelming desire for one’s children to find peace and happiness throughout life. | Click to Listen |
| MOULIN ROUGE (Backing Track) | World | Backing Track or Underscore for the Song from “Moulin Rouge”, also known as “Where Is Your Heart”, a popular song that first appeared in the 1952 film. This contemporary re-arrangement combines mainstream Jazz Quartet, Accordion and Violin. | Click to Listen |
| MOULIN ROUGE (WHERE IS YOUR HEART) (Instrumental) | World | The Song from “Moulin Rouge”, also known as “Where Is Your Heart”, is a popular song that first appeared in the 1952 film. This contemporary re-arrangement combines mainstream Jazz Quartet, Harmonica, Accordion and Violin to create the cabaret ambience. | Click to Listen |
| NEW KID IN TOWN (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the # 1 Grammy Award winning song about the fleeting nature of fame and love, this 1976-77 Eagles classic is re-cut as a Bluegrass styled Instrumental featuring past and present Grand Ol’ Opry members, the Grassmasters. | Click to Listen |
| NEW KID IN TOWN (Bluegrass) | Country (Bluegrass) | Number one, Grammy Award winning song about the fleeting nature of fame and love, this 1976-77 Eagles classic is re-cut as a Bluegrass styled Instrumental featuring past and present Grand Ol’ Opry members, the Grassmasters. | Click to Listen |
| NEW KID IN TOWN (Country Instrumental) | Country | Number one, Grammy Award winning song about the fleeting nature of fame and love, this 1976-77 Eagles classic is re-cut as a Country-styled Instrumental with select Background Vocal parts performed by ICE, the Island Choral Experience. | Click to Listen |
| NEW KID IN TOWN (Kids) | Country | Number one, Grammy Award winning song about the fleeting nature of fame and love, this 1976-77 Eagles classic is re-cut as a Country-styled Kids Bop arrangement featuring ICE, the Island Choral Experience. Kids Rock the Country ala Glee. | Click to Listen |
| NO MORE TEARS (ENOUGH IS ENOUGH) | Rock/Pop | This 1979 Disco song of intolerance and being fed up with a failed relationship, recorded as a Duet by Barbra Streisand and Donna Summer, has been re-sequenced and edited for the High School Musical, ‘Musique’, performed in 2007. | Click to Listen |
| NOTHING | Urban/R&B | Drifting apart, deception, struggling to come to terms with infidelity. Darelle Holden’s plaintive interpretation of Nikka Costa’s Contemporary Pop-Soul tune from 2001 features Piano, Wurlitzer Piano and Acoustic Guitar, slow and steep. | Click to Listen |
| NOTHING (Backing Track) | Urban/R&B | Backing Track or Underscore for the song of drifting apart, deception, struggling to come to terms with infidelity. Nikka Costa’s Contemporary Pop-Soul tune from 2001 features Piano, Wurlitzer Piano and Acoustic Guitar, slow and steep. | Click to Listen |
| OH, HAPPY DAY | Religious | ‘Oh Happy Day’ is a Gospel Standard first written in 1704 and later re-woked by Edwin Hawkins in 1967. This arrangement is a funky Blues Gospel track with Kids Vocals. | Click to Listen |
| OH, HAPPY DAY (Backing Track) | Religious | Backing Track or Underscore for ‘Oh Happy Day’, a Gospel Standard first written in 1704 and later re-woked by Edwin Hawkins in 1967. This re-arranged bed is a funky Blues track with Gospel overtones featuring Keys, Guatr and Hammond B3 Organ fills. | Click to Listen |
| ON BROADWAY | Urban/R&B | Antowaine Richardson featured on the Drifters hit written by Mann and Weil in collaboration with Leiber and Stoller. The Drifters down and out Ballad signifies the obstacles in ones search for success in the entertainment jugernaut. | Click to Listen |
| ON BROADWAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the Drifters hit written by Mann and Weil in collaboration with Leiber and Stoller. The Drifters down and out Ballad signifies the obstacles in ones search for success in the entertainment jugernaut. | Click to Listen |
| ON BROADWAY (Guitar Instrumental) | Rock/Pop | Sultry, slow, and swampy Slack-Key solo Acoustic Guitar interpretation of the classic Drifters hit from 1963. The down and out Ballad signifies the obstacles in ones search for success in the entertainment jugernaut. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Male Vocal – Swing) | Standards | Signature Frank Sinatra piece arranged in the classic Big Band style. This standard has been recorded and performed by dozens of major artists icluding Louis Armstron & Ella Fitzgerald. Cut here with Male Vocal and full Horn Section and Flutes. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Samba – Backing Track) | Standards | Backing Track for the light, upbeat, cointemporary Samba re-arrangement of the classic Popular Standard, recorded and performed by dozens of major artists icluding Louis Armstron & Ella Fitzgerald. Cut here with a 7-piece including an Alto Flute solo. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Samba) | Standards | Light, upbeat, cointemporary Samba re-arrange for the classic Popular Standard, recorded and performed by dozens of major artists icluding Louis Armstron and Ella Fitzgerald. Cut here with Female Vocal and Alto Flute solo. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Swing – Backing Track) | Standards | Backing Track or Underscore for the signature Frank Sinatra Standard arranged in the classic Swing style. This recording features just the Quartet, sans Horns. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Swing w/Horns – Backing Track) | Standards | Backing Track or Underscore for the signature Frank Sinatra Standard arranged in the classic Swing style. This recording features Quartet with full Horns and Flutes, Vocal removed. | Click to Listen |
| OUT HERE ON MY OWN | Broadway | This Ballad from the Broadway Musical & 1980 film was nomated for Academy Awards Best Original Song, a sensitive Vocal reading with Piano supporting Amy Gottlieb’s graceful voice. It has became an anthem for young performers following their passions. | Click to Listen |
| OUT HERE ON MY OWN (Backing Track) | Broadway | Solo Piano Backing Track or Underscore for this Ballad from the Broadway Musical & 1980 film was nomated for Academy Awards Best Original Song. It has became an anthem for young performers following their passions. | Click to Listen |
| PACK IN THE PIECES (Dance Medley) | Techno/Electronica | Millenium Dance Club Medley featuring: ‘Pick Up the Pieces’, ‘Cold Sweat’, ‘Ain’t No Mountain High Enough’, ‘I Can See Clearly’, and ‘Master Blaster’. Strung together with 4-on-the-Floor. | Click to Listen |
| PAPA CAN YOU HEAR ME (Excerpt) | Movie/TV Themes | A 1983 song, performed by Barbra Streisand for the film Yentl, and by Charlotte Church on her album, ‘Enchantment’. This version is a Duet: Female Vocal supported by Synth Piano accompaniment, produced for the High School Musical, ‘Musique’. | Click to Listen |
| PEOPLE GOT TO BE FREE (Background Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental interpretation of the Rascals inspirational Top 40 hit from 1968. To paraphase the lyrics: “Ask me my opinion, my opinion will be: Dated, but NEVER out of date.” | Click to Listen |
| PIANO IN THE DARK | Rock/Pop | This Grammy Award nominated ‘Song of the Year’ for Singer-songwriter Brenda Russell, became her biggest hit in 1988. Re-cut with teen-ager, Adrianna Bernal and a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PIANO IN THE DARK (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Grammy Award nominated ‘Song of the Year’ from Singer-songwriter Brenda Russell. Faithfully re-cut with a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PIANO IN THE DARK (Backing Track) | Rock/Pop | Backing Track or Underscore for the Grammy Award nominated ‘Song of the Year’ from Singer-songwriter Brenda Russell. Faithfully re-cut with a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PINK (Bluegrass) | Country (Bluegrass) | Another example of how a good song can translate into any genre or style. This 1997 ‘Aerosmith’ classic is re-arranged by Bluegrass sextet, ‘Grassmasters’. | Click to Listen |
| PINK PANTHER | Rock/Pop | The Pink Panther is a large, valuable pink diamond which is first shown in the opening film in the series. Henry Mancini composed the score, of which the popular quirky piece has become a staple. This 1998 recording features all the necessary elements. | Click to Listen |
| PINK PANTHER (Cue) | Movie/TV Themes | The Pink Panther is a large, valuable pink diamond which is first shown in the opening film in the series. This 30 second Cue or Transition, recorded in 1998 features all the necessary elements. | Click to Listen |
| PLEASE MR. POSTMAN | Urban/R&B | An early cover for the Beatles, this Motown classic from 1961 made a contribution to the “Girl Group” phenom. Faithful reproduction features Connye Florance with 5-piece R&B Band and Background Vocal group. | Click to Listen |
| PLEASE MR. POSTMAN (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the early Beatles cover. This classic Motown hit from 1961 also made a contribution to the “Girl Group” phenom. Faithful reproduction features a 5-piece R&B Band and Background Vocal group. | Click to Listen |
| PLEASE MR. POSTMAN (Backing Track) | Urban/R&B | Backing Track or Underscore for the early Beatles cover. This classic Motown hit from 1961 also made a contribution to the “Girl Group” phenom. Faithful reproduction features a 5-piece R&B Band. | Click to Listen |
| POUR QUE TU M’AIMES ENCORE | World | The biggest song of Celine Dion’s French career, translates as, “So That You’ll Love Me Again”. The lyrics tell of a woman who is emotionally dependent on a partner that has left her for another. Reproduced for the High School Musical, ‘Musique’. | Click to Listen |
| SANTA CLAUS IS COMIN’ TO TOWN | Blues | Slow Blues rendition of the classic Christmas song featuring Santana Vocalist, Tony Lindsay, backed by a San Francisco Quartet helmed by Brian Withycombe. First sung on Eddie Cantor’s radio show in November 1934, it became an instant hit. | Click to Listen |
| SATURDAY NIGHT | Rock/Pop | Originally released by the Scottish Pop Rock band, Bay City Rollers, this upbeat number with a memorable hook has been re-recorded by Grammy winning Tony Lindsay during his stint as Lead Vocalist for Santana. | Click to Listen |
| SATURDAY NIGHT (Backing Track) | Rock/Pop | Backing Track or Underscore for “Saturday Night”, originally released by the Scottish Pop Rock band, Bay City Rollers, this upbeat number with a memorable hook has been reproduced with Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| SEARCH YOUR HEART | Urban/R&B | Tower of Power’s front man lends his dynamic soulful voice to this contemporary remake of the Wilson Pickett late 60s hit. Full Horn Section augments 5-Piece Rhythm Section. Pleadin’ and signifying! | Click to Listen |
| SEARCH YOUR HEART (Backing Track) | Urban/R&B | Backing Track or Underscore to this contemporary remake of the Wilson Pickett late 60s hit. Full Horn Section augments 5-Piece Rhythm Section, featuring Hammond B3 organ, Piano, and double Guitar work. | Click to Listen |
| SERPENTINE FIRE (Cue) | Techno/Electronica | 35 second Cue or edited Transition for Techno Dance re-arrange of the ‘Earth Wind and Fire’ hit from the 70s. Intro and brief high energy rhythm impact. | Click to Listen |
| SERPENTINE FIRE (Dance Mix – Backing Track) | Techno/Electronica | Backing Track or Underscore for the Techno Dance re-arrange of the ‘Earth Wind and Fire’ hit from the 70s. This uptempo track kicks with full Horns, complimenting a Sequenced Rhythm Section and Drum Loops. Intense and funky. | Click to Listen |
| SERPENTINE FIRE (Dance Mix) | Techno/Electronica | Techno Dance re-arrange for the Earth Wind and Fire hit from the 70s. This uptempo track kicks. Tower of Power’s Larry Braggs handles Vocal duties with intensity and enthusiasm. Full Horns compliment Sequenced Rhythm Section and Drum Loops. | Click to Listen |
| SHADOW OF YOUR SMILE (Instrumental) | Standards | Also known as the ‘Love Theme from the Sandpiper’, this classic Standard won the Grammy and Academy Award for Best Song in 1965, and has been covered by many artists troughout the years. This Solo Jazz Guitar version floats loosely through the changes. | Click to Listen |
| SHAPES OF THINGS, THE (Background Instrumental) | Rock/Pop | This Yarbirds hit can justifiably be classified as the first Psychedelic Rock Classic, released in time for the ‘Summer of Love’. The Instrumental here has been completely rearranged, while keeping melody and the signature double-time solo. Quirky! | Click to Listen |
| SHINING STAR | Urban/R&B | Earth, Wind & Fire’s #1 Grammy winning motivational R&B Funk tune about affirmation and pride, is given a faithful send up by Jazz Vocal Quartet, Commontone. | Click to Listen |
| SLEIGH RIDE (Hallmark Jazz) | Jazz (Mainstream) | The popular Leroy Anderson Christmas Standard gets the jazzy treatment from the Andy Suzuki Quintet, featuring Trombone solo at :50, and Tenor Sax solo at 1:30. Zippy, uptempo, shopping madness, glint in the eyes, super Santa, cocktail Christmas. | Click to Listen |
| SOME KIND OF WONDERFUL | Urban/R&B | Bluesy little rockin’ Motown Soul number written by Carole King and Jerry Goffin, covered multiple times, notably by Marvin Gaye and Huey Lewis, Features 6-piece Horn Section, Hammond B3 Organ, and kick-ass Vocal by Tim Scott. | Click to Listen |
| SOME KIND OF WONDERFUL (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocals for the bluesy little rockin’ Motown Soul number written by Carole King & Jerry Goffin, covered multiple times, notably by Marvin Gaye & Huey Lewis, Features 6-piece Horn Section, Hammond B3 Organ, and rhythm Guitar. | Click to Listen |
| SOME KIND OF WONDERFUL (Backing Track) | Urban/R&B | Backing Track or Underscore for the bluesy little rockin’ Motown Soul number written by Carole King and Jerry Goffin, covered multiple times, notably by Marvin Gaye and Huey Lewis, Features 6-piece Horn Section, Hammond B3 Organ, and rhythm Guitar. | Click to Listen |
| SOMEWHERE OVER THE RAINBOW | Movie/TV Themes | Remarkable duet featuring Ally Jay with Fender Rhodes for the classic, (in every sense of the word), Harold Arlen/Yip Harburg theme from 1939’s ‘The Wizard of Oz’. “Do you suppose there is such a place, Toto?” | Click to Listen |
| SOMEWHERE OVER THE RAINBOW (Alternate – Backing Track) | Movie/TV Themes | Backing Track or Underscore for the classic, (in every sense of the word), Harold Arlen/Yip Harburg theme from 1939’s ‘The Wizard of Oz’. “Do you suppose there is such a place, Toto?” | Click to Listen |
| SOMEWHERE OVER THE RAINBOW (Backing Track) | Standards | Backing Track or Underscore with Fender Rhodes for the classic, (in every sense of the word), Harold Arlen/Yip Harburg theme from 1939’s ‘The Wizard of Oz’. “Do you suppose there is such a place, Toto?” | Click to Listen |
| SOMEWHERE OVER THE RAINBOW (Bartenetti) | Movie/TV Themes | L. A. Jazz Vocalist and performing artist, Marsha Bartenetti, tackles this classic, (in every sense of the word), and Harold Arlen/Yip Harburg theme from 1939’s ‘The Wizard of Oz’. “Do you suppose there is such a place, Toto?” | Click to Listen |
| STONED LOVE | Urban/R&B | A message anthem for bringing the world together, free from doubt and strife, if you just believe, in classic Motown fashion. Interplay between Lead and Background Vocals, supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| STONED LOVE (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Motown message anthem, bringing the world together, free from doubt and strife, just believe. Supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| STONED LOVE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Motown message anthem, bringing the world together, free from doubt and strife, just believe. Supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| STONED SOUL PICNIC (Acappella) | Standards | Late sixties Laura Nyro song was a Top 10 hit for the 5th Dimension. Wine, sassafras, moonshine, golden dust . . . .? Sounds like a mellow picnic to me. High School Acappella group, Commontone’s new arrangement is for Vocal Quartet, and very cool! | Click to Listen |
| STRAIGHTEN UP AND FLY RIGHT | Standards | First performed in the Nat Cole Trio in 1944, this comical ditty became their most popular single, reaching #1 on the Harlem Hit Parage for 10 weeks. This Western Swing arrangement features Pedal Steel, Fiddle and Sax Section, backing Mikaela Kahn. | Click to Listen |
| STRAIGHTEN UP AND FLY RIGHT (Backing Track) | Standards | First performed in the Nat Cole Trio in 1944, this comical ditty became their most popular single, reaching #1 on the Harlem Hit Parage for 10 weeks. This Western Swing Backing Track or Underscore features Pedal Steel, Accordion, Fiddle and Sax Section. | Click to Listen |
| TEARDROPS (Backing Track w/BGVs) | Urban/R&B | Cecil and Linda Womack (daughter of Sam Cooke), wrote this groove oriented disco tune about infedelity and love lost. This Backing Track or Underscore with Background Vocal parts features a large live ensemble with Horn Section figures added. | Click to Listen |
| TEARDROPS (Backing Track) | Urban/R&B | Cecil and Linda Womack (daughter of Sam Cooke), wrote this groove oriented disco tune about infedelity and love lost. This Backing Track or Underscore features a large live ensemble with Hand Percussion and Horn Section figures added. | Click to Listen |
| TEARDROPS (Female Vocal) | Urban/R&B | Cecil and Linda Womack (daughter of Sam Cooke), wrote this groove oriented disco tune about infedelity and love lost. This arrangement features longtime Tom Jones associate, Darelle Holden backed by a large live ensemble with Horn Section figures added. | Click to Listen |
| TEARDROPS (Male Vocal) | Rock/Pop | Cecil and Linda Womack (daughter of Sam Cooke), wrote this groove oriented Disco tune about infedelity and love lost. This arrangement features Nashville Vocalist and Entertainer, Pery Danos, backed by crack studio players including Horn Section. | Click to Listen |
| TEMPTATION | Standards | Spooky, Exotica Lounge, romantic song from the 30s. This arrangement incorporates it’s original moodiness with contemporary voicings and instrumentation. Layers of Keys, Nylon Guitar fills, Mallet Drums and Upright Bass support the smoky Vocal. | Click to Listen |
| TEMPTATION (Backing Track) | Standards | Backing Track or Underscore for the spooky, exotica lounge, romantic song from the 30s. This arrangement incorporates its original moodiness with contemporary voicings and Instrumentation. Layers of Keys, Nylon Guitar fills, Mallet Drums & Upright Bass. | Click to Listen |
| TEQUILA (Cue) | Rock/Pop | 42 second Cue, Transition or Ringtone for the #1 hit by the Champs on both the Pop and R&B charts and continues to be strongly referenced in pop culture to this day. This arrangement leans on Larry Carlton’s fine re-harm of the original changes. | Click to Listen |
| TESTIFY (I WANNA) (Background Instrumental) | Urban/R&B | The first hit single by the Detroit Soul singing group, ‘The Parliaments’, has made its way into several repertoirs over the years. This ‘elevated’ Instrumental version primarily pulls from the Johnnie Taylor Stax arrangement released in 1969. | Click to Listen |
| THANK YOU | Rock/Pop | English Singer-Songwriter, Dido’s hit was first released on the 1998 Soundtrack of ‘Sliding Doors’. It is a tribute to her boyfriend. This recording takes the sequenced track and reproduces the arrangement with ‘live’ studio players. | Click to Listen |
| THANK YOU (Backing Track) | Rock/Pop | Backing Track or Underscore for English Singer-Songwriter, Dido’s hit, first released on the 1998 Soundtrack of ‘Sliding Doors’. This recording takes the sequenced track and reproduces the arrangement with ‘live’ studio players. | Click to Listen |
| THAT’S THE THING ABOUT LOVE (Backing Track) | Country | #1 single from the 1984 Don Williams album, ‘Café Carolina’. This Backing Track or Underscore does not bring visions or George Orwell to mind, rather just a sweet, typical Country Ballad featuring Nashville’s finest studio pros including Tenor Sax fills. | Click to Listen |
| THIS OLD HEART OF MINE (IS WEAK FOR YOU) | Rock/Pop | Isley Brothers only major hit while with Motown, recorded by numerous artists through the years. This re-arrange loosly patterns the Rod Stewart version and features Brass lines, layered Keyboards and Pop-Soul artist, Perry Danos, on Vocals. | Click to Listen |
| THIS OLD HEART OF MINE (IS WEAK FOR YOU) (Backing Track) | Rock/Pop | Backing Track or Underscore for the Isley Brothers only major hit while with Motown, recorded by numerous artists through the years. This re-arrange loosly patterns the Rod Stewart version and features Brass lines and layered Keyboards | Click to Listen |
| TIN MAN (Backing Track) | Country | Interesting side note: The Video of the 2001 version of this song was scheduled to be filmed in the afternoon of September 11, 2001, at the World Trade Center in New York City, but was canceled because of equipment delays. The fickle fates. | Click to Listen |
| TROUBLE MAN | Movie/TV Themes | Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’, re-arranged for Tower of Power’s front man, Larry Braggs. Shuffle Urban Blues with Sax fills, Congas, and Hammond B3 Organ. Woodwinds and Brass on the bridge. Very cool! | Click to Listen |
| TROUBLE MAN (Backing Track) | Movie/TV Themes | Backing Track or Underscore for Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’. Shuffle Urban Blues with Tenor Sax fills, Congas, and Hammond B3 Organ. Woodwinds and Brass on the bridge. Very cool! | Click to Listen |
| WALK MY WAY | Rock/Pop | Lost love, broken heart, moving on, lesson learned. Unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK MY WAY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK MY WAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WHO WILL SAVE YOUR SOUL | Rock/Pop | The 1st song released from Jewel’s 1st album, ‘Pieces of You’, and subsequently became her 1st hit. She came up with the song while traveling across America and Mexico and said, “It seemed like everybody else was looking for somebody to save them”. | Click to Listen |
| WORK TO DO | Urban/R&B | Isley Brothers’ classic Soul track, also covered by the Average White Band, re-arranged here for Larry Braggs of ‘Tower of Power’ fame. 7-piece studio band features Percussionist, Acoustic & Electric Guitars, and Piano. “Don’t bug me . . . I’m working!” | Click to Listen |
| WORK TO DO (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for the Isley Brothers’ classic Soul track, also covered by the Average White Band. 7-piece studio band features Percussionist, Acoustic and Electric Guitars, and Piano. “Don’t bug me . . . I’m working!” | Click to Listen |
| WORK TO DO (Backing Track) | Urban/R&B | Backing Track or Underscore for the Isley Brothers’ classic Soul track, also covered by the Average White Band. 7-piece studio band features Percussionist, Acoustic and Electric Guitars, and Piano. “Don’t bug me . . . I’m working!” | Click to Listen |
| YOU ARE THE SUNSHINE OF MY LIFE (Instrumental) | Urban/R&B | The Grammy Award winnning song became Wonder’s third #1 single on the Billboard Hot 100, and on the Rolling Stone list of ‘500 Greatest Songs of All Time’. This Keyboard oriented Smooth Jazz Instrumental also features Nylon Guitar on the Verses. | Click to Listen |
| YOU CAN’T HURRY LOVE | Rock/Pop | Written and produced by Motown production team Holland–Dozier–Holland, this song topped the U. S. Billboard Pop singles chart in 1966. The song, a memory of a mother’s words of encouragement, that with patience you’ll find that special someone. | Click to Listen |
| YOUR PRECIOUS LOVE | Urban/R&B | Classic romantic Motown Soul Duet from the summer of love in the sixties, re-arranged in contemporary style with a studio 8-piece group. From the compelling Ashford and Simpson songbook, this tune has been covered extensively. | Click to Listen |
| YOUR PRECIOUS LOVE (Backing Track – Minus Her) | Urban/R&B | Classic romantic Motown Soul Duet with the Female Vocal part removed. Ashford and Simpson wrote the song that first hit in the summer of love in the sixties. Re-arranged in contemporary style with an 8-piece studio group in Nashville. | Click to Listen |
| YOUR PRECIOUS LOVE (Backing Track – Minus Him) | Urban/R&B | Classic romantic Motown Soul Duet with the Male Vocal part removed. Ashford and Simpson wrote the song that first hit in the summer of love in the sixties. Re-arranged in contemporary style with an 8-piece studio group in Nashville. | Click to Listen |
| YOUR PRECIOUS LOVE (Backing Track) | Urban/R&B | Backing Track or Underscore for the classic romantic Motown Soul Duet. Ashford and Simpson wrote the song that first hit in the summer of love in the sixties. Re-arranged in contemporary style with an 8-piece studio group in Nashville. | Click to Listen |
| YOU’VE GOT A FRIEND (Bluegrass) | Country (Bluegrass) | Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. | Click to Listen |
| YOU’VE GOT YOUR TROUBLES (Background Instrumental) | Rock/Pop | This mid-sixties Top 10 hit for British group, the Fortunes, has been converted into the classic dental chair, cheeze-whiz, audio wallpaper that supports the Muzak reputation to a tee. Oboe, Vibraphone and Trumpet fill the void. | Click to Listen |
| YOU’VE REALLY GOT A HOLD ON ME (Acappella) | Urban/R&B | 4-Voice A Cappella rendition of the early 60s Motown ‘Miracles’ track written by Smokey Robinson. Windham Hill recording artists, Kidd Afrika, lend their Vocal talents to this classic hit. | Click to Listen |
