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CRAZY CROW
| Track Title | Genre | Track Description | PlayLink |
| CAR ON A HILL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CIRCLE GAME, THE (Elevated Instrumental) | Folk | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COME IN FROM THE COLD | Rock/Pop | The retrospective single release, “Come in from the Cold”, about childhood and middle age, and the aspirations of free and creative thinking. Given a faithful interpretation by Kelsey Lockhart and a slew of Studio pros under the direction of Nick Manson. | Click to Listen |
| COME IN FROM THE COLD (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the retrospective single release about the aspirations of free and creative thinking. Given a faithful interpretation by a slew of Studio Pros under the direction of Nick Manson. | Click to Listen |
| COME IN FROM THE COLD (Backing Track) | Rock/Pop | Backing Track or Underscore for the retrospective single release about the aspirations of free and creative thinking. Given a faithful interpretation by a slew of Studio Pros under the direction of Nick Manson. | Click to Listen |
| COME IN FROM THE COLD (Elevated Instrumental) | Rock/Pop | Elevator Music Instrumental or Muzak Underscore of the retrospective single release about the aspirations of free and creative thinking. Given a faithful interpretation by a slew of Studio Pros under the direction of Nick Manson. | Click to Listen |
| COURT AND SPARK (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COYOTE | Rock/Pop | Lyrically, “Coyote” is concerned with the difficulty of establishing any sort of connection with people who come from “different sets of circumstance”. Reproduced by Mikaela Kahn with most of the original elements intact. | Click to Listen |
| COYOTE (Backing Track) | Rock/Pop | Lyrically, “Coyote” is concerned with the difficulty of establishing any sort of connection with people who come from “different sets of circumstance”. This Backing Track or Underscore is reproduced with most of the original elements intact. | Click to Listen |
| COYOTE (Elevated Instrumental) | Rock/Pop | This Elevator Music or Muzak Instrumental Underscore is reproduced with most of the original elements intact. Featuring Clarinet and Tenor Sax on melodic duties. | Click to Listen |
| CRAZY CRIES OF LOVE (Backing Track) | Rock/Pop | From Joni Mitchell’s late 90s release, ‘Taming the Tiger’, this Backing Track or Underscore was recorded at Sony/Tree Studios in Nashville the following year, staying close to the original Progressive Pop-Jazz structure. | Click to Listen |
| CRAZY CRIES OF LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EDITH AND THE KINGPIN | Rock/Pop | Joni Mitchell’s 1970’s track, ‘Edith’ marks a return to Jazz in a story of a gangster’s new moll arriving in his home town. Faithful reproduction of the original, complete with Trumpet and Flute lines. | Click to Listen |
| EDITH AND THE KINGPIN (Backing Track) | Rock/Pop | Backing Track or Underscore for Joni Mitchell’s 1970’s song that marked a return to Jazz in a story of a gangster’s new moll arriving in his home town. Faithful reproduction of the original, complete with Trumpet and Flute lines. | Click to Listen |
| EDITH AND THE KINGPIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FREE MAN IN PARIS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| HISSING OF SUMMER LAWNS, THE | Rock/Pop | Title track from Joni Mitchell’s 1975 album about a woman who is treated as part of her husband’s portfolio, with a central image of the lawn sprinklers hissing their disapproval of the materialistic culture. A faithful adaption by Connye Florance. | Click to Listen |
| HISSING OF SUMMER LAWNS, THE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the title song from Joni Mitchell’s 1975 album, about a woman who is treated as part of her husband’s portfolio, with a central image of the lawn sprinklers hissing their disapproval. | Click to Listen |
| HISSING OF SUMMER LAWNS, THE (Backing Track) | Rock/Pop | Backing Track or Underscore for the title song from Joni Mitchell’s 1975 album, about a woman who is treated as part of her husband’s portfolio, with a central image of the lawn sprinklers hissing their disapproval of the materialistic culture. | Click to Listen |
| HISSING OF SUMMER LAWNS, THE (Kelsey) | Rock/Pop | Title track from Joni Mitchell’s 1975 album about a woman who is treated as part of her husband’s portfolio, with a central image of the lawn sprinklers hissing their disapproval of the materialistic culture. A faithful adaption by Kelsey Lockhart. | Click to Listen |
| IN FRANCE THEY KISS ON MAIN STREET | Rock/Pop | Joni Mitchell’s romantic allegory gets a faithful send up from Northwest Teen artist, Mikaela Kahn. Originally appearing on 1976 release “Hissing of Summer Lawns”. A carefree romp through the night, high sprited and nostalgic. | Click to Listen |
| IN FRANCE THEY KISS ON MAIN STREET (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for Joni Mitchell’s romantic allegory, getting a faithful send up from arrangers Nick Manson, John Morton and Donald Marrow. Originally appearing on 1976 release “Hissing of Summer Lawns”. | Click to Listen |
| IN FRANCE THEY KISS ON MAIN STREET (Backing Track) | Rock/Pop | Backing Track or Underscore for Joni Mitchell’s romantic allegory, getting a faithful send up from arranger Nick Manson, and the improvisational Guitar work of John Morton. Originally appearing on 1976 release “Hissing of Summer Lawns”. | Click to Listen |
| JUST LIKE THIS TRAIN | Rock/Pop | From Joni Mitchell’s quintessential 1974 release, ‘Court & Spark’, infusing her folk-rock style with jazz inflections, becoming the most commercially successful of her career. Covered here by Ally Jay and staying true to the original. | Click to Listen |
| JUST LIKE THIS TRAIN (Backing Track) | Rock/Pop | Backing Track or Underscore from Joni Mitchell’s quintessential 1974 release, ‘Court and Spark’, infusing her Folk-Rock style with Jazz inflections, becoming the most commercially successful of her career. This arrangement staying true to the original. | Click to Listen |
| NIGHT RIDE HOME | Rock/Pop | Inspired by a moonlit night in Hawaii, ‘Night Ride Home’ is the title track from Joni Mitchell’s early nineties Geffen release. Faithfully reproduced by youngster, Mikaela Kahn and featuring a 5-piece studio group in support. | Click to Listen |
| NIGHT RIDE HOME (Backing Track) | Rock/Pop | Backing Track or Underscore, inspired by a moonlit night in Hawaii, ‘Night Ride Home’ is the title track from Joni Mitchell’s early nineties Geffen release. Featuring a 5-piece studio group in faithful reproduction. | Click to Listen |
| PEOPLE’S PARTIES | Rock/Pop | Classic Joni Mitchell observations. This dreamy and moody piece seems to reflect on casual encounters at social gatherings. Tower of Power’s Guitarist, jerry Cortez provides support to teen Vocalist, Kelsey Lockhart in this faithful reproduction. | Click to Listen |
| PEOPLE’S PARTIES (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocals on the end refrain for this dreamy and moody piece that seems to reflect on casual observations at social gatherings. Tower of Power’s Guitarist, Jerry Cortez provides rhythmic support. | Click to Listen |
| PEOPLE’S PARTIES (Backing Track) | Rock/Pop | Backing Track or Underscore for this dreamy and moody piece that seems to reflect on casual observations at social gatherings. Tower of Power’s Guitarist, Jerry Cortez provides rhythmic support. | Click to Listen |
