[maxmegamenu location=max_mega_menu_2]
Welcome to the Publisher’s Master Titles page. Now you can participate in the master side as well as the publishing side of your titles!
Select a Publisher, listen, pitch and license your titles. Disk Eyes owns 100% of these Masters and offers you immediate clearance as well as 25% participation of Master fees when you generate a use.
Visit JukeBox for more titles. For full length songs and track details, Create your JukeBox Log-In.
For licensing contact Disk Eyes Licensing & Sync - Licensing@diskeyes.com, Carla@diskeyes.com
CARLIN
| Track Title | Genre | Track Description | PlayLink |
| BEYOND THE SEA | Standards | This Top 10 hit for Bobby Darin in 1959 was taken from a 1946 French song, ‘La Mer’, meaning ‘The Sea’. Arranged here with Jazz Quintet backing Nashville Riverboat performing artist, Perry Danos. Electric Guitar and Flute solos begin at 1:30. | Click to Listen |
| BEYOND THE SEA (Backing Track) | Standards | Backing Track or Underscore for Bobby Darin’s Top 10 hit in 1959, was taken from a 1946 French song ‘La Mer’ meaning ‘The Sea’. Arranged here with Jazz Quintet. Electric Guitar and Flute solos begin at 1:30. | Click to Listen |
| BEYOND THE SEA (Elevated Instrumental) | Standards | Elevator Music or Muzak Instrumental Underscore for Bobby Darin’s Top 10 hit in 1959, was taken from a 1946 French song ‘La Mer’ meaning ‘The Sea’. Arranged here with Jazz Quintet. Electric Guitar and Flute solos begin at 1:30. | Click to Listen |
| BIG TEN INCH RECORD (Bluegrass) | Country (Bluegrass) | This 1975 Aerosmith cover is re-arranged in Bluegrass style, featuring Dobro, Acoustic Guitar and Harmonica on melodic duties. Originally a Bull Moose Jackson number from the 50s. Down-from-the-mountain generic acoustic Blues with a Western Swing feel. | Click to Listen |
| BODY AND SOUL | Jazz (Vocal) | Popular Song and Jazz Standard written in 1930 for the Broadway revue, “Three’s A Crowd”. Over years it has been recorded by, among others, Louis Armstrong, Frank Sinatra, Benny Goodman, Etta James and to this day, is the most recorded Jazz Standard. | Click to Listen |
| BODY AND SOUL (Backing Track) | Jazz (Mainstream) | Backing Track for the Popular song and Jazz Standard written in 1930 for the Broadway revue, “Three’s A Crowd”. Over the years it has been recorded by, among others, Louis Armstrong & Frank Sinatra. To this day it is the most recorded Jazz Standard. | Click to Listen |
| BY MY SIDE | Broadway | From the 1976 Broadway Musical, ‘Godspell’, the structure of which is a series of parables, mostly based on the Gospel of Matthew. One woman is cast out as an adulteress. She entreats Jesus to remain “By My Side”. | Click to Listen |
| BY MY SIDE (Backing Track) | Broadway | Backing Track or Underscore from the 1976 Broadway Musical, ‘Godspell’, the structure of which is a series of parables, mostly based on the Gospel of Matthew. One woman is cast out as an adulteress. She entreats Jesus to remain “By My Side”. | Click to Listen |
| GIVE MY REGARDS TO BROADWAY | Broadway | Jennifer Ivester redirects this funky, Contemporary Vocal Jazz interpretation from the 1904 Broadway musical, ‘Little Johnny Jones’, and later featured prominately in the Oscar winning performance by James Cagney in ‘Yankee Doodle Dandy’. Sax solo at :55 | Click to Listen |
| GIVE MY REGARDS TO BROADWAY (Backing Track w/BGVs) | Broadway | Backing Track with Background Vocal parts for this funky, Contemporary Jazz interpretation from the 1904 Broadway Musical, ‘Little Johnny Jones’, and later featured prominately in the Oscar winning performance by James Cagney in ‘Yankee Doodle Dandy’. | Click to Listen |
| GIVE MY REGARDS TO BROADWAY (Backing Track) | Broadway | Backing Track or Underscore for this funky, Contemporary Jazz interpretation from the 1904 Broadway musical, ‘Little Johnny Jones’, and later featured prominately in the Oscar winning performance by James Cagney in ‘Yankee Doodle Dandy’. Sax solo at :55. | Click to Listen |
| I’LL BE HOME FOR CHRISTMAS | Blues | Rollicking funky Blues version of the classic 40s Christmas song from ‘White Christmas’. Skat Vocals by Tony Lindsay from the Santana Band. Clavinet and Hammond B3 percolate in the rhythm section. Electric Guitar and Tenor Sax share melodic duties. | Click to Listen |
| LADIES WHO LUNCH | Broadway | Quirky little Broadway song from Sondheim’s “Company”. Think ‘Desparate Housewives’ at the ice cream social. Acoustic 5 piece backs 19 year old Dana Sedgwick. Brilliant personality over a light Latin Samba feel. | Click to Listen |
| LADIES WHO LUNCH (Backing Track) | Broadway | Backing Track or Underscore for the quirky little Broadway song from Sondheim’s “Company”. Think ‘Desparate Housewives’ at the ice cream social. Acoustic 5 piece featured over a light Latin Samba feel. | Click to Listen |
| MANHATTAN (Backing Track) | Standards | Backing Track or Underscore for the Rodgers and Hart song often known as “We’ll Have Manhattan”, and part of the Great American Songbook. | Click to Listen |
| MERCHANT MARINES SONG (HEAVE HO!, MY LADS, HEAVE HO!) (Marching Band) | Traditional/Americana | Songwriter and lyricist Jack Lawrence was a mariner during World War II, and wrote the official United States Merchant Marine song, “Heave Ho! My Lads, Heave Ho!”. Performed here by the Central Washington University Concert Band. | Click to Listen |
| TOO CLOSE FOR COMFORT | Rock/Pop | Psuedo, amaturish remake for the popular fifties Swing tune originally recorded by Ella Fitzgerald. Pieced together with Synth Horns, Piano Trio and Female Vocalist from ‘Musique’, the High School Musical from 2007. | Click to Listen |
| TRAIN KEPT A-ROLLIN’ (Bluegrass) | Country (Bluegrass) | After writer Tiny Bradshaw’s 1951 recording, this ‘Jump Blues’ was cut again multiple times, most notably, Johnny Burnette, Yardbirds and Aerosmith. Now crossing over to Bluegrass featuring Sextet, the ‘Grassmasters’ with some serious jamming. | Click to Listen |
