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BOURNE
| Track Title | Genre | Track Description | PlayLink |
| AMEN | Religious | Gospel Classic with a Blues Shuffle feel and Kids Choir, popularized by Curtis Mayfield and the Impressions in 1965, but originally written for the film ‘Lilies of the Field’ with Sidney Poitier in 1963. | Click to Listen |
| BABY MINE | Movie/TV Themes | This song is from Disney’s 4th animated classic, ‘Dumbo’, released in 1941, and recently renewed by Alison Krauss. This fully acoustic rearrangement features Accordion, Fiddle and the childlike Vocal of Adrianna Bernal. | Click to Listen |
| BABY MINE (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the song from Disney’s 4th animated classic, ‘Dumbo’, released in 1941, and recently redone by Alison Krauss. This fully acoustic re-arrangement features Accordion, Fiddle and Nylon Guitars. | Click to Listen |
| LET’S FALL IN LOVE | Standards | Shuffle Swing interpretation for the 1930s Popular song for the film of the same name. Electric Guitar solo at 1:10, Tenor Sax solo at 1:45, and featuring Jennifer Ivester on Vocal ala Ella Fitzgerald. | Click to Listen |
| LET’S FALL IN LOVE (Backing Track) | Standards | Backing Track or Underscore for the 1930s Popular song for the film of the same name. This re-arrange is an uptempo Shuffle/Swing with an Electric Guitar solo at 1:10, Tenor Sax solo at 1:45. | Click to Listen |
| MEXICAN DIVORCE | Rock/Pop | Ry Cooder’s sublime treatment of the Burt Bacharach composition gets a new life in this Perry Danos version, featuring Margie Cates Vocal Quartet and a mix of Nashville and San Francisco studio pros. Pseudo Reggae-TexMex feel rounds out the arrangement. | Click to Listen |
| MEXICAN DIVORCE (Backing Track w/BGVs) | Rock/Pop | Ry Cooder’s sublime treatment of the Burt Bacharach composition gets a new life in this Backing Track featuring Margie Cates Vocal Quartet and a mix of Nashville and San Francisco studio pros. Pseudo Reggae-TexMex feel rounds out the arrangement. | Click to Listen |
| MEXICAN DIVORCE (Backing Track) | Rock/Pop | Ry Cooder’s sublime treatment of the Burt Bacharach composition gets a new life in this Backing Track or underscore, featuring a mix of Nashville and San Francisco studio pros. Pseudo Reggae-TexMex feel rounds out the arrangement. | Click to Listen |
| OUR DAY WILL COME | Jazz (Latin) | A #1 hit in 1963 for Ruby & the Romantics and subsequently covered by dozens of well known artists. This upbeat Latin Samba re-arrange features Jazz Rhapsody artist, Connye Florance, after k. d. lang’s version for the film “Shag” in 1989. | Click to Listen |
| OUR DAY WILL COME (Backing Track w/BGVs) | Jazz (Latin) | Backing Track or Underscore with Background Vocal parts for the #1 hit in 1963 by Ruby & the Romantics and subsequently covered by dozens of well known artists. This upbeat Latin Samba is rearranged after k. d. lang’s version from the film “Shag”. | Click to Listen |
| OUR DAY WILL COME (Backing Track) | Jazz (Latin) | Backing Track or Underscore for the #1 hit in 1963 by Ruby & the Romantics and subsequently covered by dozens of well known artists. This upbeat Latin Samba is rearranged after k. d. lang’s version from the film “Shag” in 1989. | Click to Listen |
| THEM THERE EYES | Standards | Published in 1930, this classic Standard has run the gamut of Vocal illuminaries from Louis Armstron to Billie Holiday. This version leans heavily on Peggy Lee’s arrangement combining a host of Woodwinds, Brass and Reeds, with Connye Florance featured. | Click to Listen |
| THEM THERE EYES (Backing Track) | Standards | Backing Track or Underscore for this classic Standard that has run the gamut of Vocal illuminaries from Louis Armstron to Billie Holiday. This version leans heavily on Peggy Lee’s 1961 arrangement combining a host of Woodwinds, Brass and Reeds. | Click to Listen |
| UNFORGETTABLE (Instrumental) | Standards | Contemporary Jazz Instrumental Fusion, combining Hip Hop rhythms with Nelson Riddle’s original Nat Cole Orchestrations, featuring the Seattle Symphony. Electric Guitar and Tenor Sax handle melodic duties. | Click to Listen |
| WHEN YOU WISH UPON A STAR | Movie/TV Themes | Jiminy Cricket’s classic and euphoric tune about making and believing wishes from Walt Disney’s 1940 adaptation of Pinocchio. This Rhodes Piano and Female Vocal duet features Brian Withycombe and Jennifer Ivester. | Click to Listen |
| WHEN YOU WISH UPON A STAR (Backing Track) | Kids | Backing Track or Underscore for Jiminy Cricket’s classic and euphoric tune about making and believing wishes, from Walt Disney’s 1940 adaptation of Pinocchio. This Fender Rhodes Piano solo features Brian Withycombe. | Click to Listen |
| WHEN YOU WISH UPON A STAR (Cue) | Kids | 37 second Cue, Segue or Transition for Jiminy Cricket’s classic and euphoric tune about making and believing wishes from Walt Disney’s 1940 adaptation of Pinocchio. This Rhodes Piano and Female Vocal duet features Brian Withycombe and Jennifer Ivester. | Click to Listen |
| WHEN YOU WISH UPON A STAR (Instrumental) | Movie/TV Themes | Solo Rhodes Piano Instrumental for Jiminy Cricket’s classic and euphoric tune about making and believing wishes, from Walt Disney’s 1940 adaptation of Pinocchio, featuring Brian Withycombe. | Click to Listen |
| WHISTLE WHILE YOU WORK (Children) | Kids | Inspirational tune for the 1937 animated Disney film ‘Snow White and the Seven Dwarfs’, performed by the Concino Children’s Chorus, ages 4 – 12, with Piano accompaniment. | Click to Listen |
