[maxmegamenu location=max_mega_menu_2]
Welcome to the Publisher’s Master Titles page. Now you can participate in the master side as well as the publishing side of your titles!
Select a Publisher, listen, pitch and license your titles. Disk Eyes owns 100% of these Masters and offers you immediate clearance as well as 25% participation of Master fees when you generate a use.
Visit JukeBox for more titles. For full length songs and track details, Create your JukeBox Log-In.
For licensing contact Disk Eyes Licensing & Sync - Licensing@diskeyes.com, Carla@diskeyes.com
BMG
| Track Title | Genre | Track Description | PlayLink |
| AFTERNOON DELIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL CAUGHT UP IN LOVE | Urban/R&B | Siedah Garrett and Marvin Hamlisch penned Soul Ballad of tormented love, pining away in hopeless anticipation. Layers of Keyboards and Tenor Sax, (solo at 2:30), fill out this 80’s flavored recording, featuring Darelle Holden, (from the Tom Jones’ Band). | Click to Listen |
| ALL CAUGHT UP IN LOVE (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocals for the Siedah Garrett and Marvin Hamlisch penned Soul Ballad of tormented love, pining away in hopeless anticipation. Layers of Keyboards and Tenor Sax fill out this 80’s flavored recording, | Click to Listen |
| ALL CAUGHT UP IN LOVE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Siedah Garrett and Marvin Hamlisch penned Soul Ballad of tormented love, pining away in hopeless anticipation. Layers of Keyboards and Tenor Sax fill out this 80’s flavored recording, | Click to Listen |
| ALL CAUGHT UP IN LOVE (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak styled Instrumental for the Siedah Garrett and Marvin Hamlisch penned Soul Ballad of tormented love, pining away in hopeless anticipation. Layers of Keyboards and Tenor Sax fill out this 80’s flavored recording, | Click to Listen |
| ANTICIPATION (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AVALON (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BACK FOR GOOD (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BACK TO THE WORLD (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEST IS YET TO COME, THE (Standard – Backing Track) | Standards | Backing Track for the ‘Best Is Yet To Come’, associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Delivered here with the Traditional Swing arrangement featuring big Horn Section. | Click to Listen |
| BEST IS YET TO COME, THE (Standard) | Standards | Associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Nashville performing artist Perry Danos delivers the Traditional Swing arrangement featuring full Horn compliment. | Click to Listen |
| BEST IS YET TO COME, THE (Swing – Elevated Instrumental) | Standards | Elevator Music Instrumental for the ‘The Best Is Yet To Come’, associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Delivered here with the Traditional Swing arrangement. | Click to Listen |
| BEST THING, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BLESSINGS | Religious | A poignant, inspirational, GMA Dove and Grammy Award winning song written by contemporary Christian artist Laura Story. Arranged for vocalists Kimberly Hope and Mikaela Khan, featuring Nashville studio musicians. Recorded at Ocean Way Studios. | Click to Listen |
| BLESSINGS (Backing Track) | Rock/Pop | Backing Track or Underscore for the poignant Inspirational GMA Dove and Grammy Award winning song written by contemporary Christian artist Laura Story. Featuring Nashville studio musicians. Recorded at Ocean Way. | Click to Listen |
| BLINDED BY RAINBOWS (Elevated Instrumetnal) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BODY AND SOUL | Jazz (Vocal) | Popular Song and Jazz Standard written in 1930 for the Broadway revue, “Three’s A Crowd”. Over years it has been recorded by, among others, Louis Armstrong, Frank Sinatra, Benny Goodman, Etta James and to this day, is the most recorded Jazz Standard. | Click to Listen |
| BODY AND SOUL (Backing Track) | Jazz (Mainstream) | Backing Track for the Popular song and Jazz Standard written in 1930 for the Broadway revue, “Three’s A Crowd”. Over the years it has been recorded by, among others, Louis Armstrong & Frank Sinatra. To this day it is the most recorded Jazz Standard. | Click to Listen |
| BODY AND SOUL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN’T TELL YOU WHY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHILDREN OF THE NIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRAZY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCE WITH LIFE (THE BRILLIANT LIFE) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T LOOK BACK (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T MAKE ME OVER | Urban/R&B | Angry at her treatment by the record label and songwriting team, Bacharach/David, Dionne Warwick stormed out of the studio shouting, “Don’t make me over, man. You have to accept me for what I am!” Never to waste life’s inspiration, a song was born. | Click to Listen |
| DON’T MAKE ME OVER (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the classic hit inspired by Dionne Warwick’s moment of frustration when she decried her songwriting team, “Don’t make me over, man. You have to accept me for what I am!” | Click to Listen |
| DON’T MAKE ME OVER (Backing Track) | Urban/R&B | Backing Track or Underscore for the classic hit inspired by Dionne Warwick’s moment of frustration when she decried her songwriting team, “Don’t make me over, man. You have to accept me for what I am!” | Click to Listen |
| DON’T MAKE ME OVER (Country – Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the classic Dionne Warwick sixties hit, revamped into an Acoustic flavored, Finger-style, Country Ballad, with Bluegrass compliments combined with Piano and Electric Guitar. | Click to Listen |
| DON’T MAKE ME OVER (Country – Backing Track) | Country | Backing Track or Underscore for the classic Dionne Warwick sixties hit, revamped into an Acoustic flavored, Finger-style, Country Ballad, with Bluegrass compliments combined with Piano and Electric Guitar. | Click to Listen |
| DON’T MAKE ME OVER (Country) | Country | The classic Burt Bacharach / Hal David hit for Dionne Warwick has been fully revamped into an acoustic flavored, finger-style, Country Ballad, with Bluegrass compliments combined with Piano, Electric Guitar and Vocal Trio Backgrounds. | Click to Listen |
| EVERYBODY’S BEEN BURNED (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FEARLESS | Country | “Fearless”, in regard to the fearlessness of falling in love and eventually titled Taylor Swift’s second studio album. Musically, it contains qualities commonly found in Pop-Rock music and, lyrically, is about a perfect first date. | Click to Listen |
| FOR EVERY HEART THAT’S BEEN BROKEN (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER YOUNG (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER’S AS FAR AS I’LL GO (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| HEAVEN DOWN HERE | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track w/BGVs) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| I JUST WANNA BE LOVED (Backing Track) | Rock/Pop | Backing Track or Underscore for this tune that became Culture Club’s ninth Top 10 hit, arranged in a British Psuedo-Reggae style. Original Horn charts augment the 6-piece rhythm section. | Click to Listen |
| I’LL BE SEEING YOU | Broadway | The popular song published in 1938, was inserted into the Broadway musical ‘Right This Way’, which closed after 15 performances, and yet became a staple of the Standards book. Jazz Quartet fronted by Nick Manson, backs Dana Sedgwick’s clear performance. | Click to Listen |
| I’LL BE SEEING YOU (Acappella) | Standards | A Popular Standard published in 1938 and inserted into the Broadway show, ‘Right This Way’, which closed after 15 performances. It has become one of the most recorded songs in recent history. This Acappella version features Vocal Jazz Quartet Commontone | Click to Listen |
| I’LL BE SEEING YOU (Backing Track) | Standards | Backing Track or Underscore for the popular song published in 1938, and inserted into the Broadway musical ‘Right This Way’, became a staple of the Standards book. This arrangement features Jazz Quartet with Tenor Sax solo at 2:00, Piano solo at 3:00. | Click to Listen |
| IT’S NOW OR NEVER (Instrumental w/Jordanaires BGVs) | Rock/Pop | Elvis is leaving the building . . and he’s in the elevator. Dig this crazy Muzak track. Layers of Reeds, Woods, Accordion and Fiddle mark this tongue-in-cheek grocery isle cheese rendition of the Elvis hit, originally the Neopolitan classic “O Solo Mio” | Click to Listen |
| LEAVING ON A JET PLANE | Folk | Written by John Denver in 1966 and most famously recorded by Peter, Paul and Mary in 1969, it was their penultimate #1 single of the 1960s. This re-arrange features Margie Cates’ Vocal Quartet, with Margie on lead. | Click to Listen |
| LEAVING ON A JET PLANE (Background Instrumental) | Folk | Written by John Denver in 1966 and most famously recorded by Peter, Paul and Mary in 1969, it was their penultimate #1 single of the 1960s. This Instrumental Elevator Music rearrange features copious amounts of Brass, Woodwinds and Reeds. | Click to Listen |
| LEAVING ON A JET PLANE (Backing Track w/BGVs) | Folk | Written by John Denver in 1966 and most famously recorded by Peter, Paul and Mary in 1969, it was their penultimate #1 single of the 1960s. This Backing Track or Underscore with Background Vocal parts features Margie Cates’ Vocal Quartet. | Click to Listen |
| LEAVING ON A JET PLANE (Backing Track) | Folk | Written by John Denver in 1966 and most famously recorded by Peter, Paul and Mary in 1969, it was their penultimate #1 single of the 1960s. This Backing Track or Underscore features layers of Acoustic Guitars, Keyboards, Acoustic Bass, and Percussion. | Click to Listen |
| MELODY OF LIFE | World | Contemporary Celtic song reflecting youthful times gone by, when days were long and carefree. Originally made popular by Lynn Hilary and Celtic Women. This languid arrangment features former Miss Idaho, Katy Lootens. | Click to Listen |
| MELODY OF LIFE (Backing Track) | World | Backing Track or Underscore for the Contemporary Celtic song reflecting youthful times gone by, when days were long and carefree. Originally made popular by Lynn Hilary & Celtic Women. Featuring an ambient backdrop of Keys and Violin. | Click to Listen |
| ROCKIN’ ROBIN | Urban/R&B | First Top 10 appeance of this song was in 1958 by Bobby Day, then in 1972, Michael Jackson scored for Motown, each reaching the #2 slot on Billboard’s Hot 100. This arrangement with Perry Danos stays close to the original, including Piccolo solo. | Click to Listen |
| ROCKIN’ ROBIN (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the 1958 Top 10 Bobby Day Rock and Roll anthem, then in 1972, Michael Jackson scored for Motown. This arrangement stays close to the original, including the signature Piccolo solo. | Click to Listen |
| ROCKIN’ ROBIN (Backing Track) | Urban/R&B | Backing track or underscore for the 1958 Top 10 Bobby Day Rock and Roll anthem, then in 1972, Michael Jackson scored for Motown. This arrangement stays close to the original, including the signature Piccolo solo. | Click to Listen |
| SILLY | Urban/R&B | 80’s Philly Soul Ballad of unrequited love and ‘silly’ expectations, sung with tormented passion by Darelle Holden, who spent many years in the Backup Group for Tom Jones. Strings and Fender Rhodes Piano fill out this spacious and subtle arrangement. | Click to Listen |
| SILLY (Backing Track) | Urban/R&B | Backing Track or Underscore for the 80’s Philly Soul Ballad of unrequited love and ‘silly’ expectations. Strings and Fender Rhodes Piano fill out this spacious and subtle arrangement. | Click to Listen |
| STAY GONE (Backing Track) | Country | Backing Track or Underscore for another one of those classic Country laments, in this case the protagonist tells his ex-lover that he is over her and wants her to “stay gone”. Pedal Steel, Mandolin and Fiddle add to this delicate track. | Click to Listen |
| STAY WITH YOU (Backing Track) | Urban/R&B | From the debut album by R&B artist, John Legend, which won the 2006 Grammy Award. This Backing Track or Underscore stays true to the original with it’s easy Memphis-styled groove. | Click to Listen |
| STORM WARNING | Rock/Pop | Early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”, this languid song uses the tossed at sea metaphor to equate lost love and rough waters ahead. Tormented Vocal performance courtesy of Amber Nicholson, supported by a faithful arrangement. | Click to Listen |
| STORM WARNING (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”, this languid song uses the ‘tossed at sea’ metaphor to equate lost love and rough waters ahead. | Click to Listen |
| STORM WARNING (Backing Track) | Rock/Pop | Backing Track or Underscore for the early 90s album cut from Bonnie Raitt’s “Longing In Their Hearts”. This languid song uses the ‘tossed at sea’ metaphor to equate lost love and rough waters ahead. | Click to Listen |
| STORMY WEATHER | Standards | 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features contemporary Blues combo supporting a stricken Jennifer Ivester, mournful and cloudy. | Click to Listen |
| STORMY WEATHER (Blues – Backing Track) | Standards | Backing Track or Underscore for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features a contemporary Blues Combo, recorded in London. | Click to Listen |
| STORMY WEATHER (Blues Instrumental) | Blues | Blues Instrumental for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features Guitar lead in the Verses, Trumpet on the Choruses. Cut in London. | Click to Listen |
| STORMY WEATHER (Flute Blues) | Blues | Blues Instrumental for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features Flute. Cut in London. | Click to Listen |
| STORMY WEATHER (Groove – Backing Track) | Standards | Backing track for the Smooth Jazz Instrumental from the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features a Contemporary Jazz combo, recorded in London. | Click to Listen |
| STORMY WEATHER (Groove Instrumental) | Standards | Smooth Jazz Instrumental for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features Tenor Sax and Trumpet leads supported by a Contemporary Jazz combo, | Click to Listen |
| STORMY WEATHER (Guitar Blues) | Blues | Guitar Blues Instrumental for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features Guitar lead supported by a Contemporary Blues combo, recorded in London. | Click to Listen |
| STORMY WEATHER (Sax Blues) | Blues | Blues Instrumental for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features Tenor Sax. Cut in London. | Click to Listen |
| STORMY WEATHER (Sax Groove) | Standards | Smooth Jazz Instrumental for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features Tenor Sax lead supported by a Contemporary Jazz combo, recorded in London. | Click to Listen |
| STORMY WEATHER (Trumpet Blues) | Blues | Blues Instrumental for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features Trumpet. Cut in London. | Click to Listen |
| STORMY WEATHER (Trumpet Groove) | Standards | Smooth Jazz Instrumental for the 1933 Arlen/Koehler penned Standard that has been recorded numerous times by some of the greatest artists over 80 years. This arrangement features Trumpet lead supported by a Contemporary Jazz combo, recorded in London. | Click to Listen |
| TRAIN KEPT A-ROLLIN’ (Bluegrass) | Country (Bluegrass) | After writer Tiny Bradshaw’s 1951 recording, this ‘Jump Blues’ was cut again multiple times, most notably, Johnny Burnette, Yardbirds and Aerosmith. Now crossing over to Bluegrass featuring Sextet, the ‘Grassmasters’ with some serious jamming. | Click to Listen |
| WHEN YOU BELIEVE (Backing Track – Alternate Mix – Sparse) | Movie/TV Themes | Backing Track or Underscore for the Academy Award winning Inspirational song from the animated feature film, ‘The Prince of Egypt’, an adaptation of the Biblical story of the Exodus. This arrangement is somewhat leaner than the bombastic original. | Click to Listen |
| WHEN YOU BELIEVE (Backing Track w/Gospel Choir BGVs) | Movie/TV Themes | Backing Track or Underscore with Gospel Choir Background Vocal parts for the Academy Award winning Inspirational song from the animated feature film, ‘The Prince of Egypt’, an adaptation of the Biblical story of the Exodus. | Click to Listen |
| WHEN YOU BELIEVE (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the Academy Award winning Inspirational song from the animated feature film, ‘The Prince of Egypt’, an adaptation of the Biblical story of the Exodus. | Click to Listen |
| WHEN YOU BELIEVE (Duet – Alternate Mix – Sparce) | Movie/TV Themes | Academy Award winning Inspirational song from the animated feature film, ‘The Prince of Egypt’, an adaptation of the Biblical story of the Exodus. The protagonists of this Ballad recall tough times that have caused them to question their own faith. | Click to Listen |
| WHEN YOU BELIEVE (Duet) | Movie/TV Themes | Academy Award winning Inspirational song from the animated feature film, ‘The Prince of Egypt’, an adaptation of the Biblical story of the Exodus. The protagonists of this Ballad recall tough times that have caused them to question their own faith. | Click to Listen |
