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BLACK BULL
| Track Title | Genre | Track Description | PlayLink |
| ALL I DO | Urban/R&B | Tower of Power’s Lead Vocalist interprets this classic Stevie Wonder love song from the archives of Motown. Strong performance and killer Background Group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Backing Track w/BGVs) | Urban/R&B | Backing Track Underscore with Background Vocal parts for Stevie Wonder’s classic love song from the archives of Motown. Strong performance and killer background group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s classic love song from the archives of Motown. Strong performance and killer background group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Instrumental w/BGVs) | Jazz (Contemporary) | Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Background Vocal parts and Hammond B3 Organ solo at 2:20. From Wonder’s 1980 release, “Hotter Than July”. | Click to Listen |
| ALL I DO (Instrumental) | Urban/R&B | Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. | Click to Listen |
| BIRD OF BEAUTY | Urban/R&B | Stevie Wonder classic from 1974’s ‘Fullfillingness’. Treated here as a light Latin Jazz Vocal piece featuring Fender Rhodes based Quartet and sultry Connye Florance on lead Vocals. | Click to Listen |
| BIRD OF BEAUTY (Backing Track) | Urban/R&B | Backing Track or Underscore for the Stevie Wonder classic from 1974’s ‘Fullfillingness’. Treated here as a light Latin Jazz piece featuring a Fender Rhodes Piano based Quartet. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS | Urban/R&B | Most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording, this Stevie Wonder tune was written for and performed by his ex-wife, Syreeta Wright. This arrangement combines the two and features Gospel Choir on Background Vocals. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts the the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Chimes of Freedom Gopel Choir provides Vocal Backgrounds. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Backing Track) | Urban/R&B | Backing Track or Underscore for the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Vintage Fender Rhodes holds down the group that includes French Horn, Muted Trumpet & Nylon Guitar. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental Underscore for the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Vintage Fender Rhodes holds down the group that includes French Horn, Muted Trumpet. | Click to Listen |
| DON’T YOU WORRY ‘BOUT A THING (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOLDEN LADY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) | Urban/R&B | From Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars and featuring Tower of Power’s lead vocalist, Larry Braggs. | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts from Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) (Backing Track) | Urban/R&B | Backing Track or Underscore from Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars. | Click to Listen |
| I JUST CALLED TO SAY I LOVE YOU (Background Instrumental) | Urban/R&B | Instrumental, Muzak rendition of Stevie Wonder’s mega-hit from the 1984 film, ‘The Woman In Red’, featuring Flute as Wonder’s melodic stand-in. Elevator’s worldwide have blessed this particular recording, logging 100s of hours going up and down. | Click to Listen |
| ISN’T SHE LOVELY (Backing Track) | Jazz (Latin) | Backing Track or Underscore for the delicate laidback Latin Jazz version of the Stevie Wonder hit from ‘Songs in the Key of Life’, circa 1976. Featuring Piano, Percussion, Nylon Guitar and a brilliant Harmonica solo via Pat Bergeson beginning at 1:40. | Click to Listen |
| ISN’T SHE LOVELY (Male Vocal) | Urban/R&B | Delicate laidback Latin Vocal Jazz version of the Stevie Wonder hit from ‘Songs in the Key of Life’, circa 1976, Motown. Featuring Piano, Percussion, Nylon Guitar and a brilliant Harmonica solo via Pat Bergeson beginning at 1:40. Male Vocal. | Click to Listen |
| LIVING FOR THE CITY | Urban/R&B | Stevie Wonder’s poignant plea for equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From pivital 1970s release ‘Innervisions’. Larry Braggs from Tower of Power puts in his spin. | Click to Listen |
| LIVING FOR THE CITY (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for Stevie Wonder’s poignant plea, equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From the pivital 1970s release, ‘Innervisions’. | Click to Listen |
| LIVING FOR THE CITY (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s poignant plea, equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From the pivital 1970s release, ‘Innervisions’. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY | Urban/R&B | Wake up call via Stevie Wonder. Beautiful re-arrange for 1977’s “Songs in the Key of Life” opening track, featuring Tower of Power’s, Larry Braggs, backed by 7-piece studio band and Background Vocal group. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY (Backing Track w/BGVs) | Urban/R&B | Wake up call, via Stevie Wonder. Beautiful re-arranged Backing Track or Underscore for 1977’s “Songs in the Key of Life” opening track, featuring 7-piece studio band and Background Vocal parts. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s wake-up call. Beautiful re-arrange for 1977’s “Songs in the Key of Life” lead track, featuring a 7-piece studio band that includes Hammond B3, Clavinet, Congas, with layers of Keys and Guitars. | Click to Listen |
| PACK IN THE PIECES (Dance Medley) | Techno/Electronica | Millenium Dance Club Medley featuring: ‘Pick Up the Pieces’, ‘Cold Sweat’, ‘Ain’t No Mountain High Enough’, ‘I Can See Clearly’, and ‘Master Blaster’. Strung together with 4-on-the-Floor. | Click to Listen |
| YOU ARE THE SUNSHINE OF MY LIFE (Instrumental) | Urban/R&B | The Grammy Award winnning song became Wonder’s third #1 single on the Billboard Hot 100, and on the Rolling Stone list of ‘500 Greatest Songs of All Time’. This Keyboard oriented Smooth Jazz Instrumental also features Nylon Guitar on the Verses. | Click to Listen |
