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ALMO MUSIC
| Track Title | Genre | Track Description | PlayLink |
| BABY COME TO ME (Background Instrumental) | Urban/R&B | Cheesy, light weight, Elevator Music interpretation of the Urban eighties Quincy Jones Production, originally a Duet. Features Oboe, Flute, Vibes and Nylon Guitar sharing melodic duties. Try this dentist chair for comfort . . .? | Click to Listen |
| BABY COME TO ME (Elevated Instrumental) | Urban/R&B | Cheesy, light weight, Elevator Music interpretation of the urban eighties Quincy Jones Production, originally a duet. Features Oboe, Flute, Vibes and Nylon Guitar, sharing melodic duties. Try this dentist chair for comfort . . .? | Click to Listen |
| BABY I LOVE YOUR WAY (Background Instrumental) | Rock/Pop | Elevator Music at its cheeziest. This Muzak tainted arrangement features the melodic stylings of Elevated Spirits, an Instrumental version of Frampton’s hit, tailored to the grocery aisle or dental chair, featuring Flutes, Vibes and Soprano Sax. | Click to Listen |
| BABY I LOVE YOUR WAY (Elevated Instrumental) | Rock/Pop | Elevator Music at its cheeziest. This Muzak tainted arrangement features the melodic stylings of Lennie Moore with an Instrumental arrangement for Frampton’s hit, tailored to the grocery aisle or dental chair, featuring English Horn, Vibes & Soprano Sax. | Click to Listen |
| BACK IN YOUR ARMS AGAIN (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEFORE YOU WALK OUT OF MY LIFE (Elevated Intrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BREAKAWAY | Rock/Pop | Title track from Kelly Clarkson’s 2nd release, and recorded for the Disney film, ‘Princess Diaries 2’. This version was created for the High School Musical, “Musique”, and features a low ley Duet by a pair of teen girls from Washington State. | Click to Listen |
| BUG, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN’T STOP THIS THING WE STARTED (Background Instrumental) | Rock/Pop | Grammy nominated 1991 Hit for Bryan Adams, and later became the B. C. Liberal Party’s campaign theme song, (2009). This instrumental recreation takes all the fundamental elements of the song & pats them down to Elevator Music with Flutes, Horns, Guitars. | Click to Listen |
| CAN’T STOP THIS THING WE STARTED (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAPTAIN OF HER HEART (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CENTERPIECE | Jazz (Mainstream) | Originally an Instrumental from the John Handy/Harry ‘Sweets’ Edison Songbook. Jon Hendricks added lyrics and released the Vocal version in 1960 with his group, Lambert, Hendricks & Ross, the “Hottest New Group In Jazz” – Downbeat. | Click to Listen |
| CENTERPIECE (Elevated Instrumental) | Jazz (Mainstream) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHANGES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COMING TO YOU (Background Instrumental) | Rock/Pop | From ‘Yacht Rock” to “Muzak” in one fell swoop. This Elevator Music rendition of the 1970s Loggins and Messina tune fits nicely into your favorite island drugstore or grocery aisle. I’ll have a pint of Poke, please. | Click to Listen |
| COMING TO YOU (Elevated Instrumental) | Rock/Pop | From ‘Yacht Rock” to “Muzak” in one fell swoop. This Elevator Music rendition of the 1970s Loggins and Messina tune fits nicely into your favorite island drugstore or grocery aisle. I’ll have a pint of Poke, please. | Click to Listen |
| CRUSH ON YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DID I MAKE YOU UP | Rock/Pop | British Singer-Songwriter and Guitarist, Joan Armatrading, composed this upbeat and mysterious song. This arrangement is built around Finger-Style Nylon by Chet Atkins protégé, Pat Bergeson, supporting Connye Florance on Vocals. | Click to Listen |
| DID I MAKE YOU UP (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore for British Singer-Songwriter and Guitarist, Joan Armatrading’s upbeat and mysterious composition. This arrangement is built around Finger-Style Nylon picking by Chet Atkins protégé, Pat Bergeson, and Background Vocal parts. | Click to Listen |
| DID I MAKE YOU UP (Backing Track) | Rock/Pop | Backing Track or Underscore for British Singer-Songwriter and Guitarist, Joan Armatrading’s upbeat and mysterious composition. This arrangement is built around Finger-Style Nylon picking by Chet Atkins protégé, Pat Bergeson. | Click to Listen |
| DID I MAKE YOU UP (Elevated Instrumental) | Rock/Pop | British Singer-Songwriter and Guitarist, Joan Armatrading, composed this upbeat song. The ‘Elevated’ Instrumental arrangement here, is built around signature Guitar fills ala Mark Knopfler and features Flute Choir and Synth Viraphone melodies. | Click to Listen |
| DON’T RUSH ME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T YOU GET IT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERYTHING MUST CHANGE | Jazz (Vocal) | Jazz Rhapsody artist, Connye Florance, breathes new life into this Vocal Jazz Standard. A soul searching Ballad that exemplifies the one thing in this universe that is constant is change. Everthing and everyone is in a never ending dance of transition. | Click to Listen |
| EVERYTHING MUST CHANGE (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental version of the classic Soul Standard. A Ballad that exemplifies the one thing in this universe that is constant is change. Everthing and everyone is in a never ending dance of flux and transition. | Click to Listen |
| EVERYTHING MUST CHANGE (Jacob) | Rock/Pop | Australian Pianist, Stephen Jacob, creates a pastoral Instrumental Easy Listening version of the classic Jazz Standard. A soul searching Ballad that exemplifies the one thing in this universe that is constant: change. | Click to Listen |
| FOREVER’S AS FAR AS I’LL GO (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOLDEN HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| HIDE AND SEEK (Acappella) | Rock/Pop | A Cappella Choral version of the Imogen Heap Vocoder piece about having painfully lost someone and how others react to things that happen to someone else. Environmental issues could also be loosely tied to the lyrics. This version features 5-octave lead | Click to Listen |
| HIDE AND SEEK (Sheherazade) | Rock/Pop | A Cappella Choral version of the Imogen Heap Vocoder piece about having painfully lost someone and how others react to things that happen to someone else. Environmental issues could also be loosely tied to the lyrics. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME | Rock/Pop | On the list for one of the top 500 songs of all time, this popular song, recorded by Bonnie Raitt, is given a genuine, honest and delicate performance by teen phenom, Dana Sedgwick. Heartfelt support from Vocal Quartet, Piano, Hammond B3 & Upright Bass | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Backing Track w/BGVs) | Rock/Pop | Backing Track with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Vocal Quartet, Piano, Guitar, Hammond B3 Organ and Upright Bass. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Backing Track) | Rock/Pop | Backing track for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guiatr, Hammond B3 Organ and Upright Bass. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Bartenetti) | Rock/Pop | On the list for one of the top 500 songs of all time, this popular song, recorded by Bonnie Raitt, is given a genuine, honest and delicate performance by L. A. Jazz Vocalist, Marsha Bartenetti. Heartfelt support from Vocal Quartet, Piano and Hammond B3. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Guitar and Sax Instrumental w/BGVs) | Rock/Pop | Instrumental interpretation with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song is given a genuine, honest and heartfelt arrangement featuring Guitar on the Verses and Tenor Sax on the Choruses. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Guitar Instrumental w/BGVs) | Rock/Pop | Guitar Instrumental with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Vocal Quartet, Piano, Guitar, Hammond B3 Organ & Upright Bass. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Guitar Instrumental) | Rock/Pop | Guitar Instrumental for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ and Upright Bass. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Sax and Guitar Instrumental w/BGVs) | Rock/Pop | Instrumental interpretation with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song is given a genuine, honest and heartfelt arrangement featuring Tenor Sax on the Verses and Electric Guitar on the Choruses. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Sax Instrumental w/BGVs) | Rock/Pop | Tenor Sax Instrumental with Background Vocal parts for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ & Upright Bass. | Click to Listen |
| I CAN’T MAKE YOU LOVE ME (Sax Instrumental) | Rock/Pop | Tenor Sax Instrumental for one of the top 500 songs of all time. This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ & Upright Bass. | Click to Listen |
| I NEED YOU | Country | Beautiful Country Ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros and Vocal Quartet, Margie Cates and Her Boys, back Kimberly Hope on Lead. | Click to Listen |
| I NEED YOU (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for this beautiful country ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros and Vocal Quartet perform. | Click to Listen |
| I NEED YOU (Backing Track) | Country | Backing Track or Underscore for this beautiful Country Ballad of determination and commitment. 6-piece Nashville ‘A’ team studio pros play with confidence and sensitivity. | Click to Listen |
| I WANT YOU (Gaye – Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Motown classic from Marvin Gaye. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| I WANT YOU (Gaye – Backing Track) | Urban/R&B | Backing Track or Underscore for the Motown classic from Marvin Gaye. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| I WANT YOU (Gaye – R&B) | Urban/R&B | Motown classic from Marvin Gaye, newly recorded with Tower of Power’s vocalist, Larry Braggs. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| JO JO (Backing Track) | Rock/Pop | “Middle Man”, Boz Scaggs’ 1980 album has been described as, “Impeccably tasteful collection of sophisticated white soul”. The lead track, “Jo Jo” has been reproduced as a Backing Track or Underscore with its original orchestrations intact. | Click to Listen |
| JO JO (Instrumental) | Rock/Pop | “Middle Man”, Boz Scaggs 1980 album has been described as, “Impeccably tasteful collection of sophisticated white soul”. The lead track, “Jo Jo” has been reproduced as a slick Tenor Sax Instrumental with its original orchestrations intact. | Click to Listen |
| LADY IN RED, THE (Instrumental) | Rock/Pop | Inspired by the memory of when Chris DeBurgh first saw his wife, and how men so often cannot even remember what their wives were wearing when they first met. This Instrumental remake features David Benoit alumni, Andy Suzuki, on Soprano Sax. | Click to Listen |
| POETRY MAN | Rock/Pop | The late great Phoebe Snow wrote this classic ballad of a young woman having an affair with an older and wiser man. 6-Piece studio group interprets a light Latin arrangement featuring Flute solos backing delicate Vocals by Dana Sedgwick. | Click to Listen |
| POETRY MAN (Backing Track) | Rock/Pop | The late great Phoebe Snow wrote this classic Ballad of a young woman having an affair with an older and wiser man. 6-Piece studio group interprets this light Latin Backing Track or Underscore arrangement featuring Flute solos. | Click to Listen |
| WALK OF LIFE (Background Instrumental) | Rock/Pop | Easy listening ‘Dire Straits’? . . . Get out! Tis true. Imagine yourself in the grocery aisle, or perhaps the dentist chair for this Muzak-styled re-arrangement of the Knopfler hit from 1986. Alto Sax melody at :45, Guitar at 1:30, Soprano Sax at 2:15. | Click to Listen |
| YOU NEED A MAN (Background Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental version of the Jim Messina composition from 1973. An oddity that combines the funky-ness of the original with the insipid fluff of Background Music. Soprano Sax, Clarinet and Sax Section interplay melodies. | Click to Listen |
