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SONY
| Track Title | Genre | Track Description | PlayLink |
| (I KNOW) I’M LOSING YOU | Urban/R&B | 1966 hit single recorded by The Temptations for the Motown label, Gordy. This song was another step away from the group’s softer records and featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the 1966 hit single recorded by The Temptations on the Motown label, Gordy. This song featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Backing Track) | Urban/R&B | Backing Track or Underscore for the 1966 hit single recorded by The Temptations on the Motown label, Gordy. This song was another step away from the group’s softer records and featured a much more dramatic arrangement than most contemporary Motown songs. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Elevated Instrumental) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Instrumental w/BGVs) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| (I KNOW) I’M LOSING YOU (Instrumental) | Urban/R&B | Instrumental interpretation of the classic Motown hit in a ‘Muzak’ or Elevator Music style. Featured lead instruments include Electric Guitar, Flute and Sax with Horn Section. | Click to Listen |
| (IF THERE WAS) ANY OTHER WAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| (I’VE GOT TO USE MY) IMAGINATION (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| (WHO SAYS) YOU CAN’T HAVE IT ALL (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| (YOU’RE SO SQUARE) BABY, I DON’T CARE | Rock/Pop | Written in 1957 by Leiber and Stoller, this Elvis Presley tune features Amazing Rhythm Aces late Guitarist, ‘Byrd’ Burton and the Vocal stylings of Perry Danos. Upbeat and amusing, released originally on Presley’s ‘Jailhouse Rock EP’. | Click to Listen |
| (YOU’RE SO SQUARE) BABY, I DON’T CARE (Backing Track) | Rock/Pop | Written in 1957 by Leiber and Stoller, this Elvis Presley tune features Amazing Rhythm Aces late Guitarist, Byrd Burton and the Vocal stylings of Perry Danos. Upbeat and amusing, released originally on Presley’s ‘Jailhouse Rock EP’. | Click to Listen |
| (YOU’RE SO SQUARE) BABY, I DON’T CARE (Instrumental) | Lounge/Exotica | Elevator Music shows no mercy on this Yakety Sax rendition of the King’s early recording from the ‘Jailhouse Rock’ EP. Electric Guitar plays melody from the edge to the bridge (:45), then Tenor Sax to 1:25, then together in unison. | Click to Listen |
| 20 20 (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| 500 DAYS | Rock/Pop | Canadian Singer-Songwriter, Zappacosta, born in Italy, composed this dreamy, Italian Café flavored song with Spanish overtones. Accordion and Nylon Guitar fill out this acoustic 7-piece arrangement. One of the coolest songs you’ve never heard. | Click to Listen |
| 500 DAYS (Backing Track) | Rock/Pop | Backing Track or Underscore for this dreamy, Italian Café flavored song with Spanish overtones. Accordion and Nylon Guitar fill out the acoustic 7-piece arrangement. One of the coolest songs you’ve never heard. | Click to Listen |
| 500 DAYS (Elevated Instrumental) | Rock/Pop | Canadian Singer-Songwriter, Zappacosta, born in Italy, composed this dreamy, Italian Café flavored song with Spanish overtones. Accordion and Nylon Guitar fills out this acoustic 7-piece Elevated Instrumental arrangement. | Click to Listen |
| 500 DAYS (Instrumental) | Rock/Pop | Canadian Singer-Songwriter, Zappacosta, born in Italy, composed this dreamy, Italian Café flavored song with Spanish overtones. Accordion and Nylon Guitar fill out this acoustic 7-piece Instrumental arrangement. | Click to Listen |
| A CASE OF YOU | Rock/Pop | One of Joni Mitchell’s best-known songs. In 2011 Mitchell was voted the #1 female artist and “A Case of You” the #1 female song by listeners of BBC Radio. This arrangement combines the original Dulcimer styled Folk song with the 90s Alt-Pop version. | Click to Listen |
| A CASE OF YOU (Backing Track) | Rock/Pop | Backing Track or Underscore for one of Joni Mitchell’s best-known songs. This arrangement combines the original Dulcimer styled Folk song with the 90s Alt-Pop version by Caroline Lavelle. The Seattle Symphony String Section provides a natural texture. | Click to Listen |
| A CASE OF YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| A FINE MESS | Movie/TV Themes | From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations. It has been given a contemporary treatment while maintaining its original Funky charm, including full Horn Section. | Click to Listen |
| A FINE MESS (Backing Track w/BGVs) | Movie/TV Themes | Backing Track or Underscore with Backgroud Vocal parts for the Motown produced Theme from the buddy comedy of the same name. It has been given a contemporary treatment while maintaining its original Funky charm,. | Click to Listen |
| A FINE MESS (Backing Track) | Movie/TV Themes | Backing Track or Underscore for the Motown produced Theme from the buddy comedy of the same name. It has been given a contemporary treatment while maintaining its original Funky charm,. | Click to Listen |
| A FINE MESS (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| A FINE MESS (Instrumental) | Movie/TV Themes | From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations. It has been given a contemporary Instrumental treatment while maintaining its original Funky charm, including full Horn Section. | Click to Listen |
| A HARD DAY’S NIGHT (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the song titled after something said by Beatles’ drummer, Ringo Starr. This version, re-arranged for Traditional Country enthusiasts, puts the Bluegrass spin on it. Featuring 7-piece Grassmasters, Grand Ol’ Opry veterans | Click to Listen |
| A HARD DAY’S NIGHT (Bluegrass) | Country (Bluegrass) | The song’s title originated from something said by Beatles’ drummer, Ringo Starr. This version re-arranged for Traditional Country enthusiasts, and puts the Bluegrass spin on it. 7-piece Grassmasters is made up of Grand Ol’ Opry veterans. | Click to Listen |
| A HARD DAY’S NIGHT (Country Instrumental) | Country | Featured prominantly in the film of the same name, this Beatles classic got its inspiration from a casual remark made by Ringo. This version re-arranged for Country enthusiasts, puts the Americana spin on it. | Click to Listen |
| A HARD DAY’S NIGHT (Kids – Backing Track) | Country | Backing Track or Underscore for a re-arranged Beatle song in Country style. The song’s title originated from something said by Beatles’ drummer, Ringo Starr. | Click to Listen |
| A HARD DAY’S NIGHT (Kids) | Country | The song’s title originated from something said by Beatles’ drummer Ringo Starr. This version re-arranged for Kids with a country slant, featuring ICE, a teenage girl’s chorus. | Click to Listen |
| A HOUSE IS NOT A HOME | Urban/R&B | Lush arrangement of the Bacharach/David song of heart break, but with hopeful reconciliation. Aptly performed by Tower of Power lead vocalist Larry Braggs supported by the Seattle Symphony String section and R&B Quartet. Soulful and heart rending. | Click to Listen |
| A HOUSE IS NOT A HOME (Backing Track) | Urban/R&B | Backing Track or Underscore for the lush arrangement for Burt Bacharach and Hal David’s song of heart break, but with hopeful reconciliation. | Click to Listen |
| A HOUSE IS NOT A HOME (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental version or Underscore for the lush orchestrated arrangement of Burt Bacharach and Hal David’s song of heartbreak, but with hopeful reconciliation, featuring Tenor Sax lead. | Click to Listen |
| A HOUSE IS NOT A HOME (Instrumental) | Jazz (Contemporary) | Instrumental version or Underscore for the lush orchestrated arrangement of Burt Bacharach and Hal David’s song of heartbreak, but with hopeful reconciliation, featuring Tenor Sax lead. | Click to Listen |
| A MAN THIS LONELY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ABOVE AND BEYOND (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ACROSS THE RIVER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ACT NATURALLY (Bluegrass – Backing Track) | Country (Bluegrass) | Bluegrass Backing Track for the Beatles’ classic cover from Johnny Russell who had to break a date with his girlfriend. “When she asked me why I was going to L.A., I answered, ‘They are going to put me in the movies and make a big star out of me.'” | Click to Listen |
| ACT NATURALLY (Bluegrass) | Country (Bluegrass) | Johnny Russell had to break a date with his girlfriend. “When she asked me why I was going to L.A., I answered, ‘They are going to put me in the movies and make a big star out of me.’ This Bluegrass treatment features 7-piece Opry veterans, Grassmasters. | Click to Listen |
| ACT NATURALLY (Kids – Backing Track) | Country | Backing Track or Underscore for the Kids version of Ringo Starr and Buck Owen’s classic Country hit. Bluegrass overtones in this arrangement. | Click to Listen |
| ACT NATURALLY (Kids) | Country | Kids version of Ringo Starr and Buck Owen’s classic Country hit. Bluegrass overtones in this arrangement. | Click to Listen |
| ADIA | Rock/Pop | Sarah McLachlan’s first top 5 song on the Billboard Hot 100 chart about “My problems in dealing with feeling responsible for everyone else”. Kelsey Lockhart’s interpretation strays little from the original, including signature Leslie Guitar lines. | Click to Listen |
| ADIA (Backing Track) | Rock/Pop | Backing Track or Underscore for Sarah McLachlan’s first top 5 song on the Billboard Hot 100 chart about “My problems in dealing with feeling responsible for everyone else”. This arrangement includes signature Leslie Guitar lines. | Click to Listen |
| ADVENTURES IN PARADISE | Lounge/Exotica | Languid, laid-back, tropical vibe and Soundtrack Theme for James Michener’s TV Series about a Korean War Vet sailing the Tiki III up the coast of the Western Pacific. Classic Exotica from the fifties, featuring Vibes and Piano, with Mallet Drums. | Click to Listen |
| AFTER THE LOVE HAS GONE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AFTER THE RAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AGAIN (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AIN’T MISBEHAVIN’ | Standards | Selected for the National Recording Registry and RIAA’s ‘Songs of the Century’, Fats Waller’s humorous Jazz piece on fidelity and honesty, was written while Fats claimed he was in ‘alimony prison’. Given the Ella treatment here. Tenor Sax Solo at 1:40 | Click to Listen |
| AIN’T MISBEHAVIN’ (Adrianna) | Standards | Selected for the National Recording Registry and RIAA’s ‘Songs of the Century’, this classic Fats Waller, Louis Armstrong humorous Jazz piece on fidelity and honesty is given an ironic treatment by 16 year old Adrianna Bernal. | Click to Listen |
| AIN’T MISBEHAVIN’ (Backing Track) | Standards | Backing Track or Underscore for Fats Waller’s humorous song of fidelity and honesty, selected for the National Recording Registry and RIAA’s ‘Songs of the Century’, Written while Fats claimed he was in ‘alimony prison’. Tenor Sax Solo at 1:40 | Click to Listen |
| AIN’T NO CURE FOR LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AIN’T NOTHING LIKE THE REAL THING (Elevated Instrumental 1) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AIN’T NOTHING LIKE THE REAL THING (Elevated Instrumental 2) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AIN’T TOO PROUD TO BEG | Urban/R&B | Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Vocals from the Main Attraction fronted by Antowaine Richardson with Tenor Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Backing Track) | Urban/R&B | Backing track or Underscore of the Temptations 1966 Motown classic, with all the bells and whistles. A number-one hit on the Billboard R&B charts for eight non-consecutive weeks. Sax solo ala Jr. Walker at 1:40. | Click to Listen |
| AIN’T TOO PROUD TO BEG (Elevated Instrumental) | Urban/R&B | Instrumental Elevator Music or Background Underscore for the Temptations 1966 Motown classic, with all the bells and whistles. Synth Vibes and Electric Guitar take the melody, lotsa Horns. Sax solo ala Jr. Walker at 1:40. Cheezy and dental. | Click to Listen |
| AIR THAT I BREATHE, THE | Rock/Pop | Moody and sublime song rearranged from the Hollies’ 1974 hit and transformed in this 90’s interpretation via k. d. lang. Features dreamy Guitar pads, repetitive Piano lines, hypnotic Vocals. Gentle reflection, post sex. | Click to Listen |
| AIR THAT I BREATHE, THE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the moody and sublime song rearranged from the Hollies’ 1974 hit and transformed in this 90’s version via k. d. lang. Features dreamy Guitar pads, repetitive Piano lines, and Organ textures. | Click to Listen |
| AIR THAT I BREATHE, THE (Backing Track) | Rock/Pop | Backing Track or Underscore for the moody and sublime song rearranged from the Hollies’ 1974 hit and transformed in this 90’s interpretation via k. d. lang. Features dreamy Guitar pads, repetitive Piano lines, and Organ textures. | Click to Listen |
| AIR THAT I BREATHE, THE (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Underscore for the moody and sublime song rearranged from the Hollies’ 1974 hit and transformed in this 90’s interpretation via k. d. lang. Features dreamy Guitar pads, repetitive Piano lines, and Organ textures. | Click to Listen |
| ALIEN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL AROUND THE WORLD | Rock/Pop | Rockin’ bar band rendition of the Little Richard classic with full Sax section. Tenor Sax solo at 1:20. Rock and Roll is here to stay! | Click to Listen |
| ALL BEHIND US NOW (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL FOUR SEASONS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL I DO | Urban/R&B | Tower of Power’s Lead Vocalist interprets this classic Stevie Wonder love song from the archives of Motown. Strong performance and killer Background Group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Backing Track w/BGVs) | Urban/R&B | Backing Track Underscore with Background Vocal parts for Stevie Wonder’s classic love song from the archives of Motown. Strong performance and killer background group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s classic love song from the archives of Motown. Strong performance and killer background group featuring ‘Wah-Wah’ Morton. Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I DO (Instrumental w/BGVs) | Jazz (Contemporary) | Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Background Vocal parts and Hammond B3 Organ solo at 2:20. From Wonder’s 1980 release, “Hotter Than July”. | Click to Listen |
| ALL I DO (Instrumental) | Urban/R&B | Instrumental version of Stevie Wonder’s love song from the archives of Motown. Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. | Click to Listen |
| ALL I WANT FOR CHRISTMAS IS YOU (Backing Track) | Rock/Pop | Backing Track or Underscore for Mariah Carey’s 1994 Christmas Ballad. The song’s lyrics declare that the narrator does not care about Christmas presents or lights, all she wants for Christmas is to be with her lover. | Click to Listen |
| ALL IS LOST (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL I’VE GOT TO DO (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL ROADS LEAD TO YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL SHOOK UP | Rock/Pop | The King of Rock and Roll’s #1 1957 classic, faithfully rearranged by a 6-piece Nashville studio group. Upbeat, bluesey, quirky and happy, featuring Perry Danos, direct from the Cumberland Riverboat. Elvis may still be in the building. | Click to Listen |
| ALL SHOOK UP (Backing Track w/Vocal Harmony) | Rock/Pop | Backing Track or Underscore, with the Vocal Harmony only, for the King of Rock and Roll’s #1 1957 classic, faithfully and respectfully arranged by a 6-piece Nashville studio group. Upbeat, bluesey, quirky and happy. | Click to Listen |
| ALL SHOOK UP (Backing Track) | Rock/Pop | Backing Track or Underscore for the King of Rock and Roll’s #1 1957 classic, faithfully rearranged by a 6-piece Nashville studio group. Upbeat, bluesey, quirky and happy. | Click to Listen |
| ALL SHOOK UP (Bluegrass) | Country (Bluegrass) | Elvis’ #1 1957 classic, rearranged for 6-piece Bluegrass group, the Grassmasters. Upbeat, bluesey, quirky and happy. | Click to Listen |
| ALL SHOOK UP (Instrumental) | Rock/Pop | Elevated Elvis . . . Campy Muzak Instrumental version of the #1 hit from 1957. Electric Guitar melody, Tenor Sax takes the Bridges at :45 & 1:20. | Click to Listen |
| ALL THIS TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALL YOU NEED IS LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALMOST LIKE BEING IN LOVE (Acappella) | Standards | A Cappella rendition of the Lerner-Loewe 1940s classic from the Broadway production, ‘Brigadoon’, rearranged for Vocal Quartet. | Click to Listen |
| ALONE AGAIN, NATURALLY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALONG FOR THE RIDE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALREADY HOME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALRIGHT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ALWAYS ON MY MIND | Country | A truly classic Country Ballad recorded by numerous artists throughout the years, most notably Elvis Presley and Willie Nelson, winning Country Music Association awards in two consecutive years. Said to have been written in 10 minutes at a kitchen table. | Click to Listen |
| ALWAYS ON MY MIND (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the classic Country Ballad recorded by numerous artists throughout the years, most notably Elvis Presley and Willie Nelson, winning Country Music Association awards in two consecutive years. | Click to Listen |
| ALWAYS ON MY MIND (Backing Track) | Country | Backing Track or Underscore for the truly classic Country Ballad recorded by numerous artists throughout the years, most notably Elvis Presley and Willie Nelson, winning Country Music Association awards in two consecutive years. | Click to Listen |
| AND I LOVE HER | Rock/Pop | Beatles’ romantic Bossa Nova featuring layers of Acoustic Guitars, Hand Percussion and a Vocal performance by the Main Attraction’s Antowaine Richardson, soulful and sincere. | Click to Listen |
| AND I LOVE HER (Backing Track) | Rock/Pop | Backing Track or Underscore for the Beatles’ romantic Bossa featuring layers of Acoustic Guitars and Hand Percussion. | Click to Listen |
| ANGIE (Bluegrass – Backing Track) | Country (Bluegrass) | Featured on the Rolling Stones 1973 album ‘Goats Head Soup’, ‘Angie’ went straight to the top of the Billboard charts. This Backing Track or Underscore has been arranged for Bluegrass Quartet, acoustic and moody. | Click to Listen |
| ANGIE (Bluegrass) | Country (Bluegrass) | Featured on the Rolling Stones 1973 album ‘Goats Head Soup’, ‘Angie’ went straight to the top of the Billboard charts. This Instrumental recording has been rearranged for Bluegrass Quartet, acoustic and moody. | Click to Listen |
| ANGIE (Kids) | Country | Featured on the Rolling Stones 1973 album ‘Goats Head Soup’. ‘Angie’ went straight to the top of the Billboard charts. This recording has been rearranged for Bluegrass Quartet backing ‘Kids Rock the Country’ group, ICE, acoustic and moody. | Click to Listen |
| ANOTHER GIRL (Bluegrass – Backing Track) | Country (Bluegrass) | A song by the Beatles originally released in 1965 on the album Help!, opens with a short refrain, that segues straight into the verse. This is the Backing Track or Underscore for a Traditional Acoustic Bluegrass interpretation. | Click to Listen |
| ANOTHER GIRL (Bluegrass) | Country (Bluegrass) | A song by the Beatles released in 1965 on the album Help!, opens with a short refrain, that segues straight into the verse. This is a Traditional Acoustic Bluegrass interpretation, by Grand Ol’ Opry veterans, the Grassmasters. | Click to Listen |
| ANOTHER GIRL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANOTHER GIRL (Kids – Backing Track) | Country | A song by the Beatles originally released in 1965 on the album Help!, opens with a short refrain, that segues straight into the verse. This is the Backing Track or Underscore for the ‘Kids Rock the Country’ version. | Click to Listen |
| ANOTHER GIRL (Kids) | Country | A song by the Beatles released in 1965 from the album Help!, opens with a short refrain, powered by block Vocal harmonies, that segues straight into the verse. This is an acoustic Country version sung by a Teenage Girl Choir. | Click to Listen |
| ANOTHER PERFECT DAY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANOTHER SAD LOVE SONG (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANOTHER SOMEBODY DONE SOMEBODY WRONG SONG | Country | An American Country and Pop song that became a #1 single on the Billboard Hot 100 in April 1975. 6-piece Nashville ‘A’ Team provides backdrop for Perry Danos’ tearjerking Vocal. Quintessential Country sadness. . . . Got a beer? | Click to Listen |
| ANOTHER SOMEBODY DONE SOMEBODY WRONG SONG (Backing Track) | Country | Lilting little Country Backing Track or Underscore, fit for any montage, for the classic American Country & Pop song that became a #1 single in 1975. 6-piece Nashville ‘A’ Team provides backdrop for this quintessential Country sadness . . . . Got a beer? | Click to Listen |
| ANOTHER SOMEBODY DONE SOMEBODY WRONG SONG (Elevated Instrumental) | Country | Lilting little Country Elevator Music or Muzak, fit for any montage, for the classic American Country & Pop song that became a #1 single in 1975. 6-piece Nashville ‘A’ Team provides backdrop for this quintessential Country sadness . . . . Got a beer? | Click to Listen |
| ANY TIME AT ALL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ANYTHING YOU WANT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| ASHES OF LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| AVANT GARDEN (Bluegrass) | Country (Bluegrass) | Recorded by Aerosmith in 2001, re-arranged in the Bluegrass style featuring ensemble Country-style Vocals on the Choruses. Features fully acoustic 6-piece group, the Grassmasters. Quirky and uptempo. | Click to Listen |
| BABY DON’T YOU DO IT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music”. A song about a man who is at a standstill with his girlfriend. | Click to Listen |
| BABY ELEPHANT WALK | Movie/TV Themes | One of Mancini’s most memorable hits, from the John Wayne film “Hatari”, involving safari action in Eastern Africa. This arrangement features signature Organ riffs, Guitar and Flute melody and 4-piece Sax Section. Good old fashioned kick up your heels. | Click to Listen |
| BABY ELEPHANT WALK (Cue) | Movie/TV Themes | 40 second Cue or Transition for one of Mancini’s most memorable hits, from the John Wayne film “Hatari”, involving safari action in Eastern Africa. This arrangement features signature Organ riffs, Guitar and Flute Melody and 4-piece Sax Section. | Click to Listen |
| BABY I’M FOR REAL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BABY PLEASE DON’T GO (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers. This unlikely candidate for “elavating” is a classic Blues Standard with early Folk roots. | Click to Listen |
| BACK IN MY ARMS AGAIN | Urban/R&B | This song presents the old adage, careful how you let your friends influence your love affair. Motown’s 5th number one hit by the Supremes, comes to Connye Florance with ease. Signature Baritone Sax lines run throughout the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Backing Track w/BGVs) | Urban/R&B | Backing track or Underscore with background vocal parts for Motown’s 5th number one hit by the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Backing Track) | Urban/R&B | Backing track or Underscore for Motown’s 5th number one hit for the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. | Click to Listen |
| BACK IN MY ARMS AGAIN (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Underscore for Motown’s 5th number one hit for the Supremes. Horn section with the signature Bari Sax lines run through the arrangement. Flutes, Vibes and Electric Guitar help with the groceries, (plenty of cheese in this one). | Click to Listen |
| BACK TO LOVE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Smooth Jazz tune from George Benson’s 1998 release, “Standing Together”. This arrangement, like the original, centers around the Fender Rhodes Piano changes with Soprano Sax fills. | Click to Listen |
| BACK TO LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BACK TO THE WORLD (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BAD CASE OF LOVIN’ YOU (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BE HAPPY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BE STILL MY BEATING HEART (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEAST OF BURDEN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEAUTIFUL IN MY EYES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BECAUSE (Lullaby – Acappella – Kelsey) | Rock/Pop | Gorgeous A Cappella arrangement of the dreamy Beatles’ classic from ‘Abbey Road’. Featuring soloist Kelsey Lockhart backed by Teen-aged girl Choir, ICE with layered harmonies, delicate and calming. | Click to Listen |
| BECAUSE (Lullaby – Acappella) | New Age/Relaxation | Gorgeous A Cappella arrangement of the dreamy Beatles’ classic from ‘Abbey Road’. Teen-aged girl Choir with layered harmonies created for the ‘Lullabye of Beatleland’ project, tailored to calm and restore. | Click to Listen |
| BEEDI | World | ‘Omkara’ is a 2006 Indian crime drama film adapted from Shakespeare’s ‘Othello’. “Beedi” received considerable airplay on Pop radio stations in Brazil becoming the first Hindi song to achieve this. | Click to Listen |
| BEEDI (Backing Track w/Chants) | World | Backing Track or Underscore with Vocal Chants for the song from the Sountrack of ‘Omkara’, a 2006 Indian crime drama film adapted from Shakespeare’s ‘Othello’. | Click to Listen |
| BEEDI (Backing Track) | World | Backing Track or Underscore for the song from the Sountrack of ‘Omkara’, a 2006 Indian crime drama film adapted from Shakespeare’s ‘Othello’. | Click to Listen |
| BEEN TO CANAAN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEFORE HE CHEATS | Country | “Before He Cheats” became the first ever Country song to sell over two million digitally and was once the best-selling song by an ‘American Idol’ contestant. A tale of betrayal and revenge. | Click to Listen |
| BEFORE HE CHEATS (Backing Track w/BGVs) | Country | “Before He Cheats” became the first ever Country song to sell over two million digitally and was once the best-selling song by an ‘American Idol’ contestant. This Backing Track with Background Vocal parts presents a tale of betrayal and revenge. | Click to Listen |
| BEFORE HE CHEATS (Backing Track) | Country | “Before He Cheats” became the first ever Country song to sell over two million digitally and was once the best-selling song by an ‘American Idol’ contestant. This Backing Track or Underscore supports the tale of betrayal and revenge. | Click to Listen |
| BEFORE YOU WALK OUT OF MY LIFE (Elevated Intrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEN | Movie/TV Themes | ‘Ben’ won a Golden Globe for Best Song in 1972 and was nominated for an Academy Award for the killer rat film sequel to ‘Willard’. Originally performed by Michael Jackson, this Female Vocal version features Darelle Holden & the Seattle Symphony Strings. | Click to Listen |
| BEN (Backing Track) | Movie/TV Themes | Backing Track or Underscore for ‘Ben’, Golden Globe winner for best song in the killer rat film sequel to ‘Willard’. Originally performed by Michael Jackson, this version features Jazz Trio and the Seattle Symphony String section. | Click to Listen |
| BEN (Instrumental) | Movie/TV Themes | ‘Ben’ won a Golden Globe for Best Song in 1972 and was nominated for an Academy Award for the killer rat film sequel to ‘Willard’. Originally performed by Michael Jackson, this Instrumental features Jazz Trio, Flute, and the Seattle Symphony Strings. | Click to Listen |
| BEST IS YET TO COME, THE (Country – Backing Track) | Country | Backing Track or Underscore for the Pop-Country song originally from the self-titled second album by American Country Music singer, Brady Seals. | Click to Listen |
| BEST IS YET TO COME, THE (Country – Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BEST IS YET TO COME, THE (Country – Instrumental) | Country | Kenny G meets Nashville head on with this Pop-Country Instrumental originally from the self-titled second album by American Country Music singer, Brady Seals. Sooprano Sax and Fiddle share melodic themes. | Click to Listen |
| BEST IS YET TO COME, THE (Standard – Backing Track) | Standards | Backing Track for the ‘Best Is Yet To Come’, associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Delivered here with the Traditional Swing arrangement featuring big Horn Section. | Click to Listen |
| BEST IS YET TO COME, THE (Standard) | Standards | Associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Nashville performing artist Perry Danos delivers the Traditional Swing arrangement featuring full Horn compliment. | Click to Listen |
| BEST IS YET TO COME, THE (Swing – Elevated Instrumental) | Standards | Elevator Music Instrumental for the ‘The Best Is Yet To Come’, associated with Frank Sinatra, the words etched on his tombstone, this 1959 composition was actually written for Tony Bennett. Delivered here with the Traditional Swing arrangement. | Click to Listen |
| BIG BOSS MAN (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BIGGER THAN THE BEATLES (Backing Track) | Country | Originally recorded by American Country Music artist, Joe Diffie, this Backing Track or Underscore is for the song about an amateur rocker and his bartender girlfriend. The narrator states that the couple has a love, “Bigger than the Beatles”. | Click to Listen |
| BIGGER THE PUNCH I’M FEELING (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BIRD OF BEAUTY | Urban/R&B | Stevie Wonder classic from 1974’s ‘Fullfillingness’. Treated here as a light Latin Jazz Vocal piece featuring Fender Rhodes based Quartet and sultry Connye Florance on lead Vocals. | Click to Listen |
| BIRD OF BEAUTY (Backing Track) | Urban/R&B | Backing Track or Underscore for the Stevie Wonder classic from 1974’s ‘Fullfillingness’. Treated here as a light Latin Jazz piece featuring a Fender Rhodes Piano based Quartet. | Click to Listen |
| BLACK VELVET (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BLACKBIRD | Country | Paul McCartney wrote this song in response to the race riots in the 60’s. This Country Vocal puts an Americana spin on it, featuring Dobro, Pedal Steel and Fiddle, supporting the signature Finger-Style Acoustic Guitar part. Vocal Quartet on Backgrounds. | Click to Listen |
| BLACKBIRD (Backing Track) | Rock/Pop | Backing track for the re-arranged Paul McCartney Ballad, written in response to the race riots in the 60’s. Americana flavored. | Click to Listen |
| BLACKBIRD (Country – Backing Track w/BGVs) | Country | Backing Track or Underscore for the Country re-arranged Paul McCartney Ballad, written in response to the race riots in the 60’s. Americana flavored. | Click to Listen |
| BLACKBIRD (Country Instrumental) | Country | Paul McCartney wrote this song in response to the race riots in the 60’s. This version puts the Americana spin on it. A delicate interpretation features signature Acoustic Finger-style Guitar part with Fiddle, Dobro and Pedal Steel on melodic duties. | Click to Listen |
| BLACKBIRD (Elevated Instrumental) | Rock/Pop | Easy Listening Elevator Music re-arrange of the Paul McCartney classic from the Beatles’ White Album. Layers of Woodwinds, Reeds and Brass bring you closer to the grocery aisle. | Click to Listen |
| BLACKBIRD (Guitar Instrumental) | Rock/Pop | Acoustic Guitar solo for Paul McCartney’s poignant Ballad, a reaction to racial tensions escalating in the United States in the spring of 1968. Played by Jerry Cortez from Tower of Power fame. | Click to Listen |
| BLACKBIRD (Lullaby) | Rock/Pop | Delicate Lullaby re-arrange of the Paul McCartney classic from the Beatles’ White Album. James Taylor’s Fiddler, Andrea Zonn, leads the path to slumberland. Pedal Steel Hall-of-Famer, Tommy White moonlights on Dobro. Vocal Quartet adds backgrounds. | Click to Listen |
| BLUE MOON (Darelle – Backing Track) | Standards | Backing Track or Underscore for ‘Blue Moon’, referring to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead Retro R&B arrangement features Nashville’s studio finest. | Click to Listen |
| BLUE MOON (Darelle) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead Retro R&B arrangement features Darelle Holden backed by Nashville’s studio finest. | Click to Listen |
| BLUE MOON (Elevated Instrumental) | Standards | Elevator Music or Underscore Instrumental of ‘Blue Moon’, referring to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this Background version features Electric Guitar & Flute on melodies. | Click to Listen |
| BLUE MOON (Halloween – Backing Track) | Standards | Backing Track or Underscore for the Halloween version of ‘Blue Moon’, which refers to an English idiomatic expression: “Once in a blue moon”, meaning “very rarely”. This R&B arrangement is frought with Sound Effects for a ghoulishly fun time. | Click to Listen |
| BLUE MOON (Halloween) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead R&B arrangement is frought with Sound Effects for a ghoulishly fun time. | Click to Listen |
| BLUE MOON (Harmonica – Backing Track) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers and Hart, this straight ahead Jazz Backing Track or Underscore features Harmonica and Acoustic Jazz Quartet. | Click to Listen |
| BLUE MOON (Sax – Backing Track) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers and Hart, this straight ahead Jazz Backing Track or Underscore features Tenor Sax and Acoustic Jazz Quartet. | Click to Listen |
| BLUE MOON (w/Harmonica) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead Jazz Vocal features Nashville Riverboat entertainer, Perry Danos, backed by acoustic Jazz Quintet. | Click to Listen |
| BLUE MOON (w/Sax) | Standards | ‘Blue Moon’ refers to an English idiomatic expression: “once in a blue moon”, meaning “very rarely”. Written in 1934 by Rodgers & Hart, this straight ahead Jazz Vocal features Nashville Riverboat entertainer, Perry Danos, backed by acoustic Jazz Quintet. | Click to Listen |
| BLUE TRAIN, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BOND ’77 (Cue) | Movie/TV Themes | 1 minute Cue or Transition for, ‘The Spy Who Loved Me’, the 10th spy film in the James Bond series The storyline involves a reclusive megalomaniac named Karl Stromberg, who plans to destroy the world and create a new civilisation under the sea. | Click to Listen |
| BOND ’77 (SPY WHO LOVED ME) | Rock/Pop | ‘The Spy Who Loved Me’, is Ian Flemmings’s tenth spy film in the James Bond series The storyline involves a reclusive megalomaniac named Karl Stromberg, who plans to destroy the world and create a new civilisation under the sea. | Click to Listen |
| BREAKOUT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BREATHE AGAIN (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| BUSTED | Blues | One of the biggest hits from the Ray Charles’ Songbook, featuring full Horns and Tower of Power’s front man, Larry Braggs on Vocal duty. Superior recording! Timeless story of one man’s trials in the economic downturn. | Click to Listen |
| BUSTED (Backing Track) | Blues | Backing Track or Underscore for one of the biggest hits from the Ray Charles’ Songbook, featuring full Horns, Acoustic Bass, Hammond B3, Piano and Guitar fills. Superior recording! Timeless story of one man’s trials in the economic downturn. | Click to Listen |
| BUSTED (Elevated Instrumental) | Blues | Elevator Music or Muzak Underscore for one of the biggest hits from the Ray Charles’ Songbook, featuring full Horns, Acoustic Bass, Hammond B3, Piano and Guitar fills. Superior recording! Timeless story of one man’s trials in the economic downturn. | Click to Listen |
| BUZZ, BUZZ, BUZZ (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CALENDAR GIRL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN I TRUST YOU WITH MY HEART (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN WE TALK (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CANCUN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAN’T BUY ME LOVE (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Grassmasters acoustic Bluegrass rendition of the classic Beatles hit. “The idea behind it was that all these material possessions are all very well, but they won’t buy me what I really want.” – McCartney | Click to Listen |
| CAN’T BUY ME LOVE (Bluegrass) | Country (Bluegrass) | Grassmasters acoustic Instrumental Bluegrass rendition of the classic Beatles hit. “The idea behind it was that all these material possessions are all very well, but they won’t buy me what I really want.” – McCartney | Click to Listen |
| CAN’T BUY ME LOVE (Kids – Backing Track) | Country | Backing Track or Underscore for the Country interpretation of the classic Beatles hit. Fun, loose, and cheerful with the signature Electric Guitar solo thrown in for good measure. | Click to Listen |
| CAN’T BUY ME LOVE (Kids) | Country | Country interpretation of the classic Beatles hit featuring teen girl group, ICE from the ‘Kids Rock the Country’ series. Fun, loose, and cheerful with the signature Electric Guitar solo thrown in for good measure. | Click to Listen |
| CAN’T SAY GOODBYE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAR ON A HILL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CARNIVAL WORLD (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CAROL JANE (Backing Track) | Country | From their first album for Warner Brothers, “It’s Everly Time” charted in the Top 10 albums in 1960. One of the Everly Brothers’ finest moments. This Backing Track or Underscore carries all of the charm and character of the original recording. | Click to Listen |
| CAROL JANE (Instrumental) | Country | From their first album for Warner Brothers, “It’s Everly Time” charted in the Top 10 albums in 1960. One of the Everly Brothers’ finest moments. This Instrumental recreation carries all of the charm and character of the original recording. | Click to Listen |
| CAROL OF THE DRUM (Backing Track w/BGVs) | Traditional/Americana | Backing Track or Underscore with Choral Backgrounds, Lead Vocal removed. Celebratory Choral Christmas song honoring Baby Jesus’ birth, based on a Traditional Czech Carol. Contemporary popularity came in 1957 with the Harry Simone Chorale’s version. | Click to Listen |
| CAROL OF THE DRUM (Backing Track) | Traditional/Americana | Backing Track or Underscore for the celebratory Christmas Standard, AKA ‘Little Drummer Boy’, honoring Baby Jesus’ birth, based on a Traditional Czech Carol. Contemporary popularity came in 1957 with the Harry Simone Chorale’s version. | Click to Listen |
| CAROL OF THE DRUM (Choir) | Traditional/Americana | Celebratory Christmas Choral song honoring Baby Jesus’ birth, based on a Traditional Czech Carol. Contemporary popularity came in 1957 with the Harry Simone Choral’s version. This version features high school aged girls with angelic beauty. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS | Urban/R&B | Most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording, this Stevie Wonder tune was written for and performed by his ex-wife, Syreeta Wright. This arrangement combines the two and features Gospel Choir on Background Vocals. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts the the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Chimes of Freedom Gopel Choir provides Vocal Backgrounds. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Backing Track) | Urban/R&B | Backing Track or Underscore for the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Vintage Fender Rhodes holds down the group that includes French Horn, Muted Trumpet & Nylon Guitar. | Click to Listen |
| CAUSE WE’VE ENDED AS LOVERS (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental Underscore for the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975 ‘Blow By Blow’ recording. Vintage Fender Rhodes holds down the group that includes French Horn, Muted Trumpet. | Click to Listen |
| CENTURY’S END (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHANGING HORSES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHATTAHOOCHEE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CHRISTMAS SONG, THE (Country – Backing Track) | Country | Backing Track for the lush and beautiful rearrange of the classic Mel Torme Christmas anthem. This rendition in a Contemporary Country style featuring Pedal Steel, Electric Guitar and Piano. Said to have been written during a blistering summer. | Click to Listen |
| CHRISTMAS SONG, THE (Country Instrumental) | Country | Lush and beautiful rearrange of the classic Mel Torme Christmas anthem. Instrumental rendition in a contemporary Country style. Pedal Steel, Electric Guitar & Piano trade melodic duties. Said to have been written during a blistering summer. | Click to Listen |
| CHRISTMAS SONG, THE (Country) | Country | Lush and beautiful rearrange of the classic Mel Torme Christmas anthem. Vocal rendition in a contemporary country style featuring Perry Danos with Pedal Steel, Electric Guitar & Piano. Word has it was written during a blistering summer. Chestnuts. | Click to Listen |
| CHRISTMAS SONG, THE (Hallmark Jazz) | Jazz (Mainstream) | Tenor Sax fronted acoustic Jazz Quartet roasts this old chestnut ballad in free form, Coltrane style, warming the holidays or a romantic evening. Said to have been written by Mel Torme during a blistering summer. Piano solo at 2:30. | Click to Listen |
| CHRISTMAS SONG, THE (NY Jazz) | Jazz (Mainstream) | Acoustic Jazz Quintet roasts this old chestnut Ballad in free form cocktail style, warming the holidays and a romantic dinner. Vibraphone solo at 3:00, Sax solo at 4:15. Mel Torme was quoted to have said it was “Written during a blistering summer.” | Click to Listen |
| CHRISTMASES WHEN YOU WERE MINE (Acoustic) | Country | Taylor Swift’s mournful track fixates on prior Christmases, in which the song’s protagonist, was happier. This arrangement is pared down to Voice and Acoustic Guitar. Cut in Nashville with Mikaela Kahn and Chet Atkins protégé, Pat Bergeson | Click to Listen |
| CHRISTMASES WHEN YOU WERE MINE (Backing Track) | Country | Backing Track or Underscore for Taylor Swift’s mournful track that fixates on prior Christmases, in which the song’s protagonist, was happier. Cut in Nashville with Acoustic Guitars and Hammond B3 Organ. | Click to Listen |
| CHRISTMASES WHEN YOU WERE MINE (Country) | Country | Taylor Swift’s mournful track fixates on prior Christmases, in which the song’s protagonist, was happier. Cut in Nashville with Acoustic Guitars and Hammond B3 Organ in support of Mikaela Kahn. | Click to Listen |
| CIRCLE GAME, THE (Elevated Instrumental) | Folk | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CLOSE TO YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CLOSER I GET TO YOU, THE (Elevated Instrumental) | Jazz (Contemporary) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COLD COLD HEART (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COME AND GET IT (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COME AWAY WITH ME | Rock/Pop | From the debut album of Pianist and Singer-Songwriter, Norah Jones, comes this lovely Ballad of escape and seduction. Re-arranged here with Nylon Guitar, Acoustic Bass, Soprano Sax and Piano supporting a delicate Vocal interpretation by Kelsey Lockhart. | Click to Listen |
| COME AWAY WITH ME (Backing Track) | Rock/Pop | Backing track or Underscore for the Award winning song from the debut album of Pianist and Singer-Songwriter, Norah Jones, a lovely Ballad of escape and seduction. Re-arranged here with Nylon Guitar, Acoustic Bass, Soprano Sax and Piano. | Click to Listen |
| COME IN FROM THE COLD | Rock/Pop | The retrospective single release, “Come in from the Cold”, about childhood and middle age, and the aspirations of free and creative thinking. Given a faithful interpretation by Kelsey Lockhart and a slew of Studio pros under the direction of Nick Manson. | Click to Listen |
| COME IN FROM THE COLD (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the retrospective single release about the aspirations of free and creative thinking. Given a faithful interpretation by a slew of Studio Pros under the direction of Nick Manson. | Click to Listen |
| COME IN FROM THE COLD (Backing Track) | Rock/Pop | Backing Track or Underscore for the retrospective single release about the aspirations of free and creative thinking. Given a faithful interpretation by a slew of Studio Pros under the direction of Nick Manson. | Click to Listen |
| COME IN FROM THE COLD (Elevated Instrumental) | Rock/Pop | Elevator Music Instrumental or Muzak Underscore of the retrospective single release about the aspirations of free and creative thinking. Given a faithful interpretation by a slew of Studio Pros under the direction of Nick Manson. | Click to Listen |
| CORINNA (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COULD I HAVE THIS DANCE (Backing Track) | Country | Classic formula Country Backing Track or Underscore, performed by Nashville’s finest session players, former and current members of the Grand Ole Opry. This Anne Murray track was featured in the 1980 film, ‘Urban Cowboy’. | Click to Listen |
| COULD I HAVE THIS DANCE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COURT AND SPARK (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| COYOTE | Rock/Pop | Lyrically, “Coyote” is concerned with the difficulty of establishing any sort of connection with people who come from “different sets of circumstance”. Reproduced by Mikaela Kahn with most of the original elements intact. | Click to Listen |
| COYOTE (Backing Track) | Rock/Pop | Lyrically, “Coyote” is concerned with the difficulty of establishing any sort of connection with people who come from “different sets of circumstance”. This Backing Track or Underscore is reproduced with most of the original elements intact. | Click to Listen |
| COYOTE (Elevated Instrumental) | Rock/Pop | This Elevator Music or Muzak Instrumental Underscore is reproduced with most of the original elements intact. Featuring Clarinet and Tenor Sax on melodic duties. | Click to Listen |
| CRAZY (KEEP ON FALLING) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRAZY ARMS (Backing Track) | Country | Backing Track or Underscore for Songwriter and Pedal Steel player, Ralph Mooney’s, ‘Crazy Arms’, written after his wife left him because of his drinking problem. The song went on to become Ray Price’s first number one hit and a Honky-Tonk Standard. | Click to Listen |
| CRAZY ARMS (Fiddle Instrumental) | Country | Songwriter and Pedal Steel player, Ralph Mooney, said he got the idea for ‘Crazy Arms’ after his wife left him because of his drinking problem. The song went on to become Ray Price’s first number one hit and a Honky-Tonk Standard. Fiddle feature. | Click to Listen |
| CRAZY ARMS (Instrumental) | Country | Songwriter and Pedal Steel player, Ralph Mooney, said he got the idea for ‘Crazy Arms’ after his wife left him because of his drinking problem. The song went on to become Ray Price’s first number one hit and a Honky-Tonk Standard. | Click to Listen |
| CRAZY ARMS (Steel Instrumental) | Country | Songwriter and Pedal Steel player, Ralph Mooney, said he got the idea for ‘Crazy Arms’ after his wife left him because of his drinking problem. The song went on to become Ray Price’s first number one hit and a Honky-Tonk Standard. Pedal Steel feature. | Click to Listen |
| CRAZY CRIES OF LOVE (Backing Track) | Rock/Pop | From Joni Mitchell’s late 90s release, ‘Taming the Tiger’, this Backing Track or Underscore was recorded at Sony/Tree Studios in Nashville the following year, staying close to the original Progressive Pop-Jazz structure. | Click to Listen |
| CRAZY CRIES OF LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRAZY IN LOVE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRIMINAL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| CRYING IN THE RAIN | Rock/Pop | Carole King and Gerry Goffin song, and huge hit for the Everly Brothers in 1962, has been re-arranged for young talent, Dana Sedgwick, with a Country flavor. Backed by Gospel Vocal Quartet and 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click to Listen |
| CRYING IN THE RAIN (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Backgroud Vocal parts for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Backed by Gospel Vocal Quartet and 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click to Listen |
| CRYING IN THE RAIN (Backing Track) | Rock/Pop | Backing Track or Underscore for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Featuring a 7-piece Nashville crew at Sony/Tree Studios in 2009. | Click to Listen |
| CRYING IN THE RAIN (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak light Pop Instrumental arrangement for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. | Click to Listen |
| CRYING IN THE RAIN (Instrumental) | Rock/Pop | Light Pop Instrumental arrangement for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Featuring a 7-piece group with Flutes and Electric Guitar covering the melodies. | Click to Listen |
| DANCE THE NIGHT AWAY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCING IN THE MOONLIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCING IN THE STREET (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DANCING THE NIGHT AWAY | Rock/Pop | From the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”, a nostalgic narrator is reminiscent of happier times when two young lovers danced the night away. Piano, Hammond B3 Organ, and assorted Guitars fill out the arrangement. | Click to Listen |
| DANCING THE NIGHT AWAY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the song from the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”. A nostalgic narrator is reminiscent of happier times when two young lovers danced the night away. | Click to Listen |
| DANCING THE NIGHT AWAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the song from the Amazing Rhythm Aces 2nd release, “Too Stuffed To Jump”. Piano, Hammond B3 Organ, and assorted Guitars fill out the arrangement. | Click to Listen |
| DARK END OF THE STREET (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DARK HORSE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DEAR PRUDENCE | Rock/Pop | Written by John Lennon for Mia Farrow’s sister Prudence while in India. This version is from the “American Invasion” project by Tower of Power’s Guitar man, Jerry Cortez. A unique delicate approach with Violin and Piano in the ensemble. | Click to Listen |
| DEAR PRUDENCE (Lullaby – Backing Track) | Rock/Pop | Backing Track or Underscore for the “Lullaby of Beatleland” version of the song written by John Lennon for Mia Farrow’s sister Prudence while in India. Ethereal and meditative. | Click to Listen |
| DEAR PRUDENCE (Lullaby) | New Age/Relaxation | Written by John Lennon for Mia Farrow’s sister Prudence while in India. This version is from the “Lullaby of Beatleland” project, a unique delicate approach with Alto Flute, Violin and Piano in the ensemble, Vocal Quartet at the Bridge. “Look around”. | Click to Listen |
| DIG DOWN DEEP (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DIPAMA | World | Written by Cameroon Jazz Bassist, Richard Bona, and from his fourth solo album, Tiki, released through Universal Music France, has charted in several countries, (#10 in Billboard’s World Charts). In this verion, Northwest America meets West Africa. | Click to Listen |
| DIPAMA (Backing Track w/BGVs) | World | Written by Cameroon Jazz Bassist, Richard Bona, and from his fourth solo album, Tiki, released through Universal Music France, has charted in several countries, (#10 in Billboard’s World Charts). This is the Backing Track with Background Vodcal parts. | Click to Listen |
| DIPAMA (Backing Track) | World | Written by Cameroon Jazz Bassist, Richard Bona, and from his fourth solo album, Tiki, released through Universal Music France, has charted in several countries, (#10 in Billboard’s World Charts). This is the Backing Track or Underscore. | Click to Listen |
| DO IT OR DIE (Elevated Instrumental) | Rock/Pop | From the Atlanta Rhythm Section’s album, ‘Underdog’, certified gold in 1979, comes this pleasant song of determination and self reliance. Re-cut here as an Elevator Music or ‘Muzak’ styled Instrumental featuring Rhodes Piano, Tenor Sax and Woodwinds. | Click to Listen |
| DO IT OR DIE (Instrumental) | Rock/Pop | From the Atlanta Rhythm Section’s album, ‘Underdog’, certified gold in 1979, comes this pleasant song of determination and self reliance. Re-cut here as a Smooth Jazz Instrumental featuring Tenor Sax and Flute, supported by 5-piece studio band. | Click to Listen |
| DO RIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DO RIGHT WOMAN, DO RIGHT MAN (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DO YOU REALLY WANT TO HURT ME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass version of the popular early Beatles song. This version re-arranged to put the Americana spin on it. Fully acoustic 6-piece group recording. | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Bluegrass) | Country (Bluegrass) | Bluegrass version of the popular early Beatles track. This version re-arranged to put the Americana spin on it. Fully acoustic 6-piece group recording. | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Country Instrumental) | Country | Inspired by a Disney song John Lennon’s mother sang to him as a child, this Beatles classic was tailored for George Harrison’s Vocal. This Instrumental version puts an Americana spin on it. Traditional Country instrumentation and plenty of improvisation | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Kids – Backing Track) | Country | Backing Track or Underscore based on a song John Lennon’s Mother sang to him as a little boy. This version re-arranged for Country enthusiasts, puts the Americana spin on it. | Click to Listen |
| DO YOU WANT TO KNOW A SECRET? (Kids) | Country | Based on a song John Lennon’s mother sang to him as a little boy. This version re-arranged for Country enthusiasts, sung by Kids, puts the Americana spin on it. | Click to Listen |
| DOIN’ OUR THING (Backing Track) | Urban/R&B | Backing Track or Underscore for the late sixties Funk-Jam R&B Top 10 hit for Clarence Carter. In Carter’s early years, he passed through the Muscle Shoal’s ‘Fame Studios’. This arrangment contains the original Horn charts featuring Tower of Power Horns. | Click to Listen |
| DOIN’ OUR THING (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T BE CRUEL | Rock/Pop | The King of Rock ‘n Roll returns with this contemporary rendering of the 1956 hit, featuring Perry Danos with the ‘Jordanaires’, adding their original Vocal arrangement to the mix. | Click to Listen |
| DON’T BE CRUEL (Backing Track w/Jordanaires BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the King of Rock ‘n Roll’s return with this contemporary rendering of the 1956 hit, featuring the ‘Jordanaires’ adding their original Vocal arrangement to the mix. | Click to Listen |
| DON’T BE CRUEL (Backing Track) | Rock/Pop | Backing Track or Underscore for the King of Rock ‘n Roll’s colossal number one hit from 1956. Faithfully reproduced down to signature licks, Piano rhythm and the percussive Guitar slap. | Click to Listen |
| DON’T BE CRUEL (Bluegrass) | Country (Bluegrass) | The King of Rock and Roll returns to his cultural roots in this Bluegrass rendering of the 1956 monster hit, featuring 6-piece ‘Grassmasters’ with the ‘Jordanaires’ adding their original Vocal arrangement to the mix. | Click to Listen |
| DON’T BE CRUEL (Elevated Instrumental) | Rock/Pop | The King of Rock ‘n Roll is back in the building, returning to the Elevator Lounge with this Muzak Instrumental rendering of the 1956 hit, featuring Oboe, Vibraphone, Horns and Strings. Hokey and outragious. | Click to Listen |
| DON’T BE CRUEL (Instrumental w/Jordanaires BGVs) | Rock/Pop | The King of Rock ‘n Roll returns to the Elevator Lounge with this Instrumental rendering of the 1956 hit, featuring Tenor Sax, Dobro & Electric Guitar with the ‘Jordanaires’ adding their original Vocal arrangement to the mix. Think Muzak with relevance. | Click to Listen |
| DON’T BLAME ME (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T COST YOU NOTHING (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T GET AROUND MUCH ANYMORE (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers. First recorded by Duke Ellington in 1940, this re-arrange is a Smooth Jazz/Hip-Hop Instrumental. | Click to Listen |
| DON’T KNOW WHY | Rock/Pop | Written by Jesse Harris in 1999, released in 2002 by Norah Jones on her breakthrough album, “Come Away with Me”, the single went on to win three Grammy Awards. This cover version by Kelsey Lockhart stays close to the original. | Click to Listen |
| DON’T KNOW WHY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore for the song written by Jesse Harris in 1999, released in 2002 by Norah Jones on her breakthrough album, “Come Away with Me”. The single went on to win three Grammy Awards. | Click to Listen |
| DON’T LET GO | Standards | 1950’s R&B song originally made popular by Roy Hamilton. Uptempo swing with a taste of Doo Wop thrown in for fun. Featuring a Vocal Quartet backed by 5-piece Nashville ‘A’ team studio monsters, including Elvis Costello’s Accordion wizard, Jeff Taylor. | Click to Listen |
| DON’T LET GO (Backing Track w/BGVs) | Standards | Backing Track with Background Vocal parts for the 1950’s Popular R&B Standard written by Jesse Stone. This uptempo, re-arranged Swing features a 5-piece Nashville ‘A’ team of studio monsters, including Elvis Costello’s Accordion wizard, Jeff Taylor. | Click to Listen |
| DON’T LET GO (Backing Track) | Standards | Backing Track or Underscore for 1950’s Popular R&B Standard written by Jesse Stone. This uptempo, re-arranged Swing features a 5-piece Nashville ‘A’ team of studio monsters, including Elvis Costello’s Accordion wizard, Jeff Taylor. | Click to Listen |
| DON’T MESS WITH BILL | Urban/R&B | Million selling gold certified Motown song written by Smokey Robinson for the Marvelettes in 1965. This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ, backing Connye Florance. | Click to Listen |
| DON’T MESS WITH BILL (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocals for the million selling Motown song written by Smokey Robinson for the Marvelettes in 1965. This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ. | Click to Listen |
| DON’T MESS WITH BILL (Backing Track) | Urban/R&B | Backing Track or Underscore for the million selling Motown song written by Smokey Robinson for the Marvelettes in 1965. This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ. | Click to Listen |
| DON’T MESS WITH BILL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T MESS WITH MR. T | Movie/TV Themes | Following his politically charged album, ‘What’s Goin’ On’, Margin Gaye turned his attention to Hollywood, commissioned to create the Soundtrack for ‘Trouble Man’. This Jazz interpretation features Leslie Guitar, Tenor Sax and Harmon Muted Trumpet. | Click to Listen |
| DON’T MESS WITH MR. T (Kidd Afrika) | Jazz (Contemporary) | Fusion Jazz meets Motown, via the ‘Trouble Man’ Soundtrack by Marvin Gaye. Recorded in 1979, from the rare and “Lost Windham Hill” record. Guitar based Kidd Afrika’s re-arrangement veers from laid back to frantic. | Click to Listen |
| DON’T STAND SO CLOSE TO ME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T WANT TO BE A FOOL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T YOU EVER GET TIRED (OF HURTING ME) (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DON’T YOU WORRY ‘BOUT A THING (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DOWN BY THE STATION (Children) | Kids | A popular song written by Paul Mills and Slim Gaillard in 1948, and most famously recorded by Tommy Dorsey. The song remains popular today as a Children’s Music Standard. Performed here by a Children’s Chorus, ages 4 – 12, with Piano acompaniment. | Click to Listen |
| DOWN IN THE BOONDOCKS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DOWN ON THE FARM (Backing Track) | Country | Swampy Blues Underscore and Backing Track for Tim McGraw’s 1994 Country hit. Drivin’ back woods feel with plenty of Bottleneckin’ and Dobro fills. Party’s on, folks! | Click to Listen |
| DOWN UNDER (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers. This song is about the selling of Australia, the overdevelopment of the country. | Click to Listen |
| DR. ROBERT (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Intrumental Bluegrass interpretation of the Beatles ode to the drug provider. Fully acoustic, 5-piece Nashville studio heavies provide the entertainment. | Click to Listen |
| DR. ROBERT (Bluegrass) | Country (Bluegrass) | Intrumental Bluegrass interpretation of the Beatles ode to the drug provider. Fully acoustic, 5-piece Nashville studio heavies provide the entertainment. | Click to Listen |
| DR. ROBERT (Kids – Backing Track) | Country | Backing Track or Underscore for this quirky contradiction of styles. Country band covers the Beatles’ ode to the drug provider. A 7-piece group of Nashville studio heavies provide the backing featuring layers of Guitars, Pedal Steel and Fiddle. | Click to Listen |
| DR. ROBERT (Kids) | Country | Ironic and quirky, this contradictory mix of Girl’s Choir and Country band covering the Beatles’ ode to the drug provider. A 7-piece group of Nashville studio heavies provide the backing. Teen-aged Choir, the Vocals. Weird! | Click to Listen |
| DREAMING ON A WORLD (Elevated Instrumental) | World | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DRIFTING BLUES (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DROWNING IN YOUR EYES (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DRUNK ON LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EASIER SAID THAN DONE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EAST ST. LOUIS TOODLE-OO (Elevated Instrumental) | Jazz (Contemporary) | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EASY TO REMEMBER (Elevated Instrumental) | Standards | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EDITH AND THE KINGPIN | Rock/Pop | Joni Mitchell’s 1970’s track, ‘Edith’ marks a return to Jazz in a story of a gangster’s new moll arriving in his home town. Faithful reproduction of the original, complete with Trumpet and Flute lines. | Click to Listen |
| EDITH AND THE KINGPIN (Backing Track) | Rock/Pop | Backing Track or Underscore for Joni Mitchell’s 1970’s song that marked a return to Jazz in a story of a gangster’s new moll arriving in his home town. Faithful reproduction of the original, complete with Trumpet and Flute lines. | Click to Listen |
| EDITH AND THE KINGPIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EL TAMBORILERO (CAROL OF THE DRUM – Spanish) | World | Celebratory Christmas Choral song honoring Baby Jesus birth, based on a Traditional Czech Carol. Contemporary popularity came in 1957 with the Harry Simone Chorale’s arrangement. This version sung in Spanish features young girl group, Chicas de Navidad. | Click to Listen |
| EL TAMBORILERO (CAROL OF THE DRUM) (Backing Track w/BGVs) | World | Backing Track or Underscore with Background Choral parts, sung in Spanish. This celebratory Christmas Choral song honors the birth of Jesus. Based on a Traditional Czech Carol,features young Latino girl group, Chicas de Navidad. | Click to Listen |
| EL TAMBORILERO (CAROL OF THE DRUM) (Backing Track) | World | Backing Track or Underscore for the celebratory Christmas Choral song honoring Baby Jesus’ birth, based on a Traditional Czech Carol. | Click to Listen |
| ELEANOR RIGBY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| END OF THE PARTY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| END, THE (Lullaby) | Rock/Pop | From the dreamy ‘Lullaby of Beatle Land’ project, this re-arrange lifts all the signature parts and puts a new spin on the ‘last’ Beatle song. Female Teen Choir provides vocals, 10-piece Nashville studio group lends support. Lush, sleepy and tender. | Click to Listen |
| ENGLISHMAN IN NEW YORK (Backing Track) | Rock/Pop | The “Englishman” in question is the famous eccentric and gay icon Quentin Crisp. This Backing Track or Underscore features Piano, Nylon Guitar, Sax, Trumpet solo, (in the Swing section), and the signature Reggae feel. | Click to Listen |
| ENGLISHMAN IN NEW YORK (Elevated Instrumental) | Rock/Pop | The “Englishman” in question is the famous eccentric and gay icon Quentin Crisp. This Sting composition was created in the Muzak or Elevator Music style featuring Electric Guitar, Flutes, Soprano and Tenor Saxes in interplay. | Click to Listen |
| ENGLISHMAN IN NEW YORK (Instrumental) | Jazz (Contemporary) | The “Englishman” in question is the famous eccentric and gay icon Quentin Crisp. Sting wrote the song not long after Crisp moved from London to an apartment in New York’s Bowery. This Instrumental arrangement features Piano, Nylon Guitar, Sax & Trumpet. | Click to Listen |
| ESCAPADE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVER CHANGING TIMES (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERY HEARTBEAT | Rock/Pop | A Top 10 1991 single by Christian artist Amy Grant, reproduced faithfully with Laurie McKechnie, in standard ‘sound alike’ fashion, original Horn arrangements included. | Click to Listen |
| EVERY HEARTBEAT (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore for the Top 10 1991 single by Christian artist Amy Grant, reproduced faithfully in standard ‘sound alike’ fashion, original Horn arrangements included. | Click to Listen |
| EVERY HEARTBEAT (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental Undersocore for the Top Ten 1991 single by Christian artist, Amy Grant, reproduced faithfully with original Horn arrangements and featuring Vibes and Nylon Guitar melodies. Suitable for entertaining! | Click to Listen |
| EVERY LITTLE KISS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERY NIGHT (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERY TIME YOU LIE | Rock/Pop | Viable Synth-Pop artist from the Disney mold, Demi Lovato’s album cut has been faithfully lifted for young up-and-comer, Gilda Afifi. Signature Synth elements remain in this song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click to Listen |
| EVERY TIME YOU LIE (Backing Track w/BGvs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the reproduction of Synth-Pop artist, Demi Lovato’s 2009 song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click to Listen |
| EVERY TIME YOU LIE (Backing Track) | Rock/Pop | Backing Track or Underscore for the reproduction of Synth-Pop artist, Demi Lovato’s 2009 song of moving away from a failed relationship with a ‘who needs it’ attitude. | Click to Listen |
| EVERYBODY KNOWS (I STILL LOVE YOU) (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERYBODY NEEDS LOVE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EVERYBODY’S HAD THE BLUES | Country | Originally written and recorded by American Country music artist Merle Haggard, reached #1 on the Billboard Country charts in 1973. Performed here by James Taylor’s touring Back-up Vocalist and Fiddler, Andrea Zonn. | Click to Listen |
| EVERYBODY’S HAD THE BLUES (Backing Track) | Country | Backing Track or Underscore for the song originally written and recorded by American Country music artist Merle Haggard, reaching #1 on the Billboard Country charts in 1973. Performed here by Nashivlle studio aces at Sony/Tree Studios in 2000. | Click to Listen |
| EVERYBODY’S HAD THE BLUES (Instrumental) | Country | Originally written and recorded by American Country music artist Merle Haggard, reaching #1 on the Billboard Country charts in 1973. Performed here by Nashivlle studio aces at Sony/Tree Studios in 2000. Hammond B3 Organ and Electric Guitar featured. | Click to Listen |
| EXPRESSWAY TO YOUR HEART | Rock/Pop | Pacific Northwest Rock/R&B band, and Windham Hill recording group, Kidd Afika, reinterpreted the classic Top 10 Philly Hit by the Soul Survivors. Replete with Sound Effects and motorized syncopated funkyness, this 1967 track reappeared in 1980. | Click to Listen |
| FACE IN THE CROWD, A (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FAIRWEATHER FRIEND | Urban/R&B | Techno Funk Motown song from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds and Tower of Power’s front man, Larry Braggs, ripping a positive message of support. | Click to Listen |
| FAIRWEATHER FRIEND (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the Techno-Funk Motown hit from 1990, originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds and Background Vocal parts. | Click to Listen |
| FAIRWEATHER FRIEND (Backing Track) | Urban/R&B | Backing Track or Underscore for the Techno-Funk Motown hit from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, and Woodwinds. | Click to Listen |
| FAIRWEATHER FRIEND (Elevated Instrumental) | Urban/R&B | Elevator Music or Muzak Underscore for techno funk Motown song from 1990 originally by Johnny Gill. Features layers of Keyboards, Sequenced Drums, Horn Section, Woodwinds with featured leads on Nylon Guitar, Sax, English Horn and Flute. | Click to Listen |
| FAIRY TALES (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FALLING | Country | Just when she thinks the relationship is over, she is drawn back in in this poignant acoustic love song, featuring Nashville’s ‘A’ team on National Steel, Mandolin, Fiddle, Hammond B3 Organ, et al. | Click to Listen |
| FALLING (Backing Track) | Country | Backing Track or Underscore for the Mindy Smith acoustic love song, featuring Nashville’s ‘A’ team on National Steel, Mandolin, Fiddle, Hammond B3 Organ, et al. | Click to Listen |
| FAMOUS LAST WORDS OF A FOOL (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FAR AWAY CHRISTMAS BLUES | Blues | Straight ahead slow Blues, featuring Johnny Otis on Vibraphone, (one of his final recordings), and Santana’s Vocal monster, Tony Lindsay, with a three piece Sax Section. It’s a sad and lonesome Christmas. | Click to Listen |
| FEARLESS | Country | “Fearless”, in regard to the fearlessness of falling in love and eventually titled Taylor Swift’s second studio album. Musically, it contains qualities commonly found in Pop-Rock music and, lyrically, is about a perfect first date. | Click to Listen |
| FERRY CROSS THE MERSEY (Guitar Instrumental) | Rock/Pop | Written as an homage to his home town, Gerry Marsden recorded this sentimental 1960’s hit with Gerry and the Pacemakers at the peak of the British Invasion. Re-arranged for solo Acoustic Steel-String Guitar. Brilliant interpretation, emotive and serene. | Click to Listen |
| FIELDS OF GOLD (Adrianna w/BGVs) | Rock/Pop | Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’, delicately sung by 17 year old Adrianna Bernal. | Click to Listen |
| FIELDS OF GOLD (Adrianna) | Rock/Pop | Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’, delicately sung by 17 year old Adrianna Bernal. | Click to Listen |
| FIELDS OF GOLD (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal refrains for Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’. | Click to Listen |
| FIELDS OF GOLD (Backing Track) | Rock/Pop | Backing Track or Underscore for Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’. | Click to Listen |
| FIELDS OF GOLD (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental arrangement for Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’. Featured leads by English Horn, Flute and Acoustic Guitar. | Click to Listen |
| FIELDS OF GOLD (Mikaela – Backing Track) | Rock/Pop | Backing Track or Underscore for Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’, delicately performed by Nashville’s finest. | Click to Listen |
| FIELDS OF GOLD (Mikaela) | Rock/Pop | Sting’s poignant love song of remembrance, from his album ‘Ten Summoner’s Tales’, delicately sung by Singer-Songwriter, Mikaela Kahn, and featuring Nashville’s finest in support. | Click to Listen |
| FIELDS OF GRAY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FIRST WE TAKE MANHATTAN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FLYING (Lullaby) | New Age/Relaxation | The first Instrumental written and credited to all four of the Beatles, was included in the Soundtrack of “Magical Mystery Tour”. This delicate interpretation was created for the “Lullaby of Beatle Land” project in 2008. | Click to Listen |
| FOLLOW (Elevated Instrumental) | Folk | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOOL FOR YOUR LOVE (Backing Track) | Country | The Backing Track or Underscore for Mickey Gilley’s 16th #1 Country single as a solo artist . . . there’s a sucessful run! This track bears the stamp of the fifties with its sock-hop 12/8 feel, Tenor Sax solo and 8th note Piano riff. Everybody skate! | Click to Listen |
| FOOL FOR YOUR LOVE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOOL ON THE HILL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOOL, I’M A WOMAN (Backing Track) | Country | Another “Woman needs a man like fish needs a bicycle” song. This Backing Track or Underscore is from Sara Evans’ 1998 release, “No Place That Far”. Nashville’s ‘A’ team session players lend their talents to this song of empowerment. | Click to Listen |
| FOOL, I’M A WOMAN (Elevated Instrumental) | Country | Another “Woman needs a man like fish needs a bicycle” song. This Elevator Music or Muzak Instrumental is from Sara Evans’ 1998 release, “No Place That Far”. Nashville’s ‘A’ team session players lend their talents to this song of empowerment. | Click to Listen |
| FOR NO ONE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOR THE COOL IN YOU (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOR YOUR BABIES (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOR YOUR LOVE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER MORE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER YOUNG (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FOREVER YOUR GIRL (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FREE AS A BIRD (Backing Track) | Rock/Pop | This Backing Track or Underscore was originally composed and recorded in 1977 as a home demo by John Lennon. In 1995, a posthumous studio recording incorporating contributions from the surviving members of the Beatles was made. | Click to Listen |
| FREE AS A BIRD (Elevated Instrumental) | Rock/Pop | This Elevator Music or Muzak styled Instrumental was originally composed and recorded in 1977 as a home demo by John Lennon. In 1995, a posthumous studio recording incorporating contributions from the surviving members of the Beatles was made. | Click to Listen |
| FREE MAN IN PARIS (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FREIGHT TRAIN | Folk | An American Folk song written by Elizabeth Cotten in the early 20th Century and popularized during the American folk revival. Northwest Folk icon, Jim Page, featured on Vocals with Dobro, Fiddle and Acoustic Guitar in support. | Click to Listen |
| FREIGHT TRAIN (Backing Track) | Traditional/Americana | Backing Track or Underscore for the American Folk song written by Elizabeth Cotten in the early 20th Century and popularized during the American Folk revival. This minimulist arrangement features Dobro and Fiddle. | Click to Listen |
| FREIGHT TRAIN (Guitar Duet) | Traditional/Americana | An American Folk song written by Elizabeth Cotten in the early 20th Century and popularized during the American folk revival. Two fingerstyle Guitars play the Americana Blues classic with a Chet Atkins approach, Travis picking. | Click to Listen |
| FROM HERE TO ETERNITY (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FROM RUSSIA WITH LOVE (Elevated Instrumental) | Movie/TV Themes | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FUN TIME (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FUNNY HOW TIME SLIPS AWAY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| FURTHER ON DOWN THE ROAD (Elevated Instrumental) | Blues | Orignally by Blues artist, Taj Mahal, this classic has been covered Instrumentally for Elevator Music broadcast by Los Angeles arranger, Curtis Brengle in 1991. Popping up in your local Walgreens . . ??!! | Click to Listen |
| FURTHER ON DOWN THE ROAD (Live) | Rock/Pop | Orignally by Blues artist, Taj Mahal, this classic has been covered live in 1976 by Seattle Bar Band, Jr. Cadillac. An uplifting song of commitment and loyalty, passing through life together. | Click to Listen |
| GAMBLER, THE (Backing Track) | Country | Backing Track or Underscore for ‘The Gambler’ , which became one of Kenny Rogers’ most enduring hits and a signature song. It tells the story of a late-night meeting on a train “bound for nowhere”. | Click to Listen |
| GAMBLER, THE (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GASOLINE ALLEY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GENTLE ON MY MIND (Elevated Instrumental) | Folk | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET BACK (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET IT RIGHT (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GET OUT OF MY LIFE, WOMAN (Elevated Instrumental) | Blues | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GHOST TRAIN (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GIFT, THE (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GIFT, THE (Instrumental) | Rock/Pop | Gold for Windham Hill Records, ‘The Gift’ became a signature Christmas love song for its time. This Instrumental arrangement features Violin, Electric Guitar, Piano and Pennywhistle on melodic duties. Mellow and romantic. | Click to Listen |
| GIRL (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for John Lennon’s somber but romantic Ballad of a girl he loves, but with misgivings. | Click to Listen |
| GIRL (Backing Track) | Rock/Pop | Backing Track or Underscore for John Lennon’s somber but romantic ballad of a girl he loves, but with misgivings. | Click to Listen |
| GIRL (Country Instrumental w/BGVs) | Country | John Lennon’s somber but romantic Ballad of a girl he loves, but with misgivings. Re-arranged for Country enthusiasts, featuring Nylon Guitar melodies, Accordion Bridge ala French Café and Vocal Quartet on the Choruses. | Click to Listen |
| GIRL (Elevated Instrumental) | Rock/Pop | Elevator Music or Muzak styled Instrumental Underscore for John Lennon’s somber but romantic Ballad of a girl he loves, however with misgivings. Re-arranged for Nylon Guitar. | Click to Listen |
| GIRL (Instrumental w/BGVs) | Rock/Pop | John Lennon’s somber but romantic Ballad of a girl he loves, however with misgivings. Re-arranged for Nylon Guitar. Vocals on the Choruses and the Bridge. | Click to Listen |
| GIRLS WITH GUITARS | Country | Classic sweet little “15” theme around a daughter’s desire to become a rock star. Featuring Nashville’s ‘A’ team of crack studio musicians, with guest appearance by Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| GIRLS WITH GUITARS (Backing Track) | Country | Backing Track or Underscore for the classic sweet little “15” theme around a daughter’s desire to become a rock star. Featuring Nashville’s ‘A’ team of crack studio musicians. | Click to Listen |
| GOIN’ WILD FOR YOU BABY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOLDEN EARRINGS | Standards | From a romantic spy film in 1947, this haunting melody was a hit for Peggy Lee. In this classic retro ultra-lounge styled Rhumba, Connye Florance breathes exotic new life. Seattle Symphony string section provides orchestrations. Alto Flute added. | Click to Listen |
| GOLDEN EARRINGS (Backing Track) | Standards | Backing Track or Underscore from a romantic spy film in 1947, this haunting song was a hit for Peggy Lee. Into this classic retro ultra-lounge styled Rhumba, Nick Manson breathes exotic new life. Seattle Symphony String Section provides Orchestrations. | Click to Listen |
| GOLDEN EARRINGS (Elevated Instrumental) | Standards | Elevator Music or Muzak Underscore for the Theme from a romantic spy film in 1947, this haunting song was a hit for Peggy Lee. This classic retro ultra-lounge styled Rhumba features the Seattle Symphony String Section providing Orchestrations. | Click to Listen |
| GOLDEN LADY (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOLDEN SLUMBERS (Backing Track) | Rock/Pop | Backing Track or Underscore for the Beatle song based on the poem “Cradle Song”, a Lullaby by the dramatist Thomas Dekker. Acoustic and Electric Guitars, Violin, Piano and Acoustic Bass put a new spin on these beautiful changes. | Click to Listen |
| GOLDEN SLUMBERS (Jerry) | Rock/Pop | Based on the poem “Cradle Song”, a lullaby by the dramatist Thomas Dekker. Tower of Power’s Guitarist, Jerry Cortez, gives his take with Acoustic and Electric Guitars, and support from Ocean Way Nashville studio pros on Violin, Piano and Acoustic Bass. | Click to Listen |
| GOLDEN SLUMBERS (Kelsey) | Rock/Pop | Based on the poem “Cradle Song”, a lullaby by the dramatist Thomas Dekker. Kelsey Lockhart gives her take with this languid, peaceful acoustic rendition of the Beatles’ 1969 Abbey Road track. | Click to Listen |
| GOLDEN SLUMBERS (Lullaby – Backing Track w/BGVs) | Rock/Pop | Based on the poem “Cradle Song”, a Lullaby by the dramatist Thomas Dekker. This Backing Track or Underscore, from the “Lullaby of Beatle Land” collection features Piano, Violin, Accordion and Acoustic Guitars with ICE on Background Vocals. | Click to Listen |
| GOLDEN SLUMBERS (Lullaby – Backing Track) | Rock/Pop | Based on the poem “Cradle Song”, a Lullaby by the dramatist Thomas Dekker. This Backing Track or Underscore, from the “Lullaby of Beatle Land” collection features Piano, Violin, Accordion and Acoustic Guitars. | Click to Listen |
| GOLDEN SLUMBERS (Lullaby) | New Age/Relaxation | From the “Lullaby of Beatle Land” compilation, this languid ‘Abbey Road’ track is said to be based on the poem “Cradle Song”, a Lullaby by the dramatist Thomas Dekker. Electric Guitar melody with interspersed Choral Vocals create an atmosphere of peace. | Click to Listen |
| GONE TO SOON | Urban/R&B | Ryan White was an American teenager who became a national poster child for HIV/AIDS when expelled from school after contracting the disease from a blood transfusion. Michael Jackson paid tribute to Ryan with this poignant song. | Click to Listen |
| GONE TO SOON (Backing Track) | Urban/R&B | Ryan White was an American teenager who became a national poster child for HIV/AIDS when expelled from school after contracting the disease from a blood transfusion. Michael Jackson paid tribute to Ryan with this poignant song. | Click to Listen |
| GONE TOO FAR (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GOOD DAY SUNSHINE (Elevated Instrumental) | Rock/Pop | Light hearted Elevator Music Instrumental re-arrange of the ‘Revolver’ era Beatle classic that radiates optimism and good vibes. Featuring Flutes, Clarinets and plenty of pizzazz. . . . 4th floor, please. | Click to Listen |
| GOOD DAY SUNSHINE (Instrumental) | Rock/Pop | Light hearted Instrumental re-arrange of the ‘Revolver’ era Beatle classic that radiates optimism and good vibes. Featuring Tenor Sax and layers of Guitars. Signature Piano solo at 1:00. | Click to Listen |
| GOOD DAY SUNSHSINE (Backing Track) | Rock/Pop | Backing Track or Underscore for the ‘Revolver’ era Beatle classic. The song “radiates optimism and good vibes”, and shows the Beatles at their effortless best. Signature Piano solo at 1:00. | Click to Listen |
| GOOD MORNING HEARTACHE | Standards | Fully orchestrated Vocal Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement: Female vocal with Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Ally Jay) | Standards | Fully orchestrated Vocal Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement: Female Vocal with Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Backing Track) | Standards | Backing Track or Underscore for the fully orchestrated Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement: Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Bartenetti) | Standards | Fully orchestrated Vocal Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement: Female Vocal with Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Elevated Instrumental) | Standards | Fully orchestrated Erlevator Music or Muzak styled Instrumental interpretation of the Billie Holiday classic from 1946, and later featured in the film, “Lady Sings the Blues”, with Diana Ross. This arrangement: Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOOD MORNING HEARTACHE (Serina Sea) | Standards | Fully orchestrated Vocal Jazz interpretation of the Billie Holiday classic from 1946, and later featured in “Lady Sings the Blues” with Diana Ross. This arrangement features 14 year old, Serina Sea, with Jazz Quartet and 27-piece String ensemble. | Click to Listen |
| GOODNIGHT (Lullaby – Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Children’s Choir, (Background Vocal parts), for the Beatles’ ‘White Album’ Lullaby, re-arranged with Jazz Quartet and Keyboard Strings. Relaxing, sleepy and mellow. | Click to Listen |
| GOODNIGHT (Lullaby – Backing Track) | Rock/Pop | Backing Track or Underscore from the Beatles’ ‘White Album’ Lullaby, re-arranged for light Jazz Quartet and Keyboard Strings. Relaxing, sleepy and mellow. | Click to Listen |
| GOODNIGHT (Lullaby) | New Age/Relaxation | From the ‘White Album’, the classic Beatles’ Lullaby has been re-arranged for Female Vocal and Children’s Choir, supported by Upright Bass, Piano, Guitar and light Brush Work. Relaxing, sleepy and mellow. | Click to Listen |
| GRANDPA (TELL ME ‘BOUT THE GOOD OLD DAYS) (Backing Track) | Country | Backing Track or Underscore for the Judds’ eighties #1 hit that reflects on the values of yesterday, promises being kept, and how right and wrong were clearly defined, wherein the narrator expresses discontent about the decline in traditional values. | Click to Listen |
| GRANDPA (TELL ME ‘BOUT THE GOOD OLD DAYS) (Elevated Instrumental) | Country | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GRAVITY | Rock/Pop | Singer-Songwriter Sara Bareilles’ song speaks to the paradoxes and complexity of relationships. Kelsey Lockhart performs with Pianist and Keyboard wizard, Kevin Madill, giving this heartfelt interpretation. | Click to Listen |
| GRAVITY (Backing Track) | Rock/Pop | Singer-Songwriter Sara Bareilles’ song speaks to the paradoxes and complexity of relationships. This Backing Track or Underscore is a close recreation to the original. | Click to Listen |
| GREATEST LOVE OF ALL, THE (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GROOVIN’ (Elevated Instrumental 1) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| GROOVIN’ (Elevated Instrumental 2) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator. He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| HALLELUJAH | Rock/Pop | Containing several biblical references, most notably evoking the story of Samson, many “Hallelujah’s” exist with very different intents or tones, allowing the song to be “melancholic, fragile, uplifting or joyous” depending on the performer. | Click to Listen |
| HALLELUJAH (Backing Track w/Gospel Choir BGVs) | Rock/Pop | Backing Track or Underscore with Gospel Choir Background Vocal parts. Many “Hallelujah’s” exist with very different intents or tones, allowing the song to be “melancholic, fragile, uplifting or joyous” depending on the performer. | Click to Listen |
| HALLELUJAH (Backing Track) | Rock/Pop | Backing Track or Underscore for Leonard Cohen’s 20th century anthem. Many “Hallelujah’s” exist with very different intents or tones, allowing the song to be “melancholic, fragile, uplifting or joyous” depending on the performer. | Click to Listen |
| HALLELUJAH (Bartenetti) | Rock/Pop | Containing several Biblical references, most notably evoking the story of Samson, many “Hallelujah’s” exist with very different intents or tones, allowing the song to be “melancholic, fragile, uplifting or joyous” depending on the performer. | Click to Listen |
| HATARI | Movie/TV Themes | Henry Mancini’s dynamic and percussive theme song from the John Wayne, Howard Hawks Soundtrack, gets a contemporary re-focus via Brian Withycombe, the San Francisco Keyboardist, Arranger and Studio Musician. | Click to Listen |
| HATARI (Cue) | Movie/TV Themes | 50 second Cue, Transition or Segue for Henry Mancini’s dynamic and percussive theme song from the John Wayne, Howard Hawks Soundtrack. It gets a contemporary re-focus via Brian Withycombe, the San Francisco Keyboardist, Arranger and Studio Musician. | Click to Listen |
| HEADED FOR THE FUTURE (Backing Track) | Rock/Pop | Backing Track or Underscore for Neil Diamond’s motivational Power Rock Anthem from 1986 Layers of Electric Guitars, Synths, Orchestra Hits, and bombastic Drums. One big ol’ noisy positive outlook! | Click to Listen |
| HEADED FOR THE FUTURE (Instrumental) | Rock/Pop | Neil Diamond’s motivational Power Rock Anthem from 1986 has been reproduced as an Instrumental Tenor Sax feature. Layers of Electric Guitars, Synths, Orchestra Hits, and bombastic Drums. One big ol’ noisy positive outlook! | Click to Listen |
| HEARTACHE TONIGHT (Backing Track) | Rock/Pop | Backing Track or Underscore for the Eagles’ hit from 1979, featuring copious amounts of slide Guitar, Processed Drums and Piano. | Click to Listen |
| HEARTACHE TONIGHT (Country Instrumental) | Country | Rocking the Country with this Instrumental re-arrange of the Eagles’ hit from 1979, featuring copious amounts of Slide Guitar, Harmonica and Pedal steel. | Click to Listen |
| HEARTBREAK HOTEL | Blues | The King of Rock and Roll’s earliest hit from 1956, (8 weeks at #1), gets the straight ahead Vocal Blues treatment, featuring Perry Danos with solid support from Nashville’s ‘A’ team rhythm section, featuring late Ace, ‘Byrd’ Burton. | Click to Listen |
| HEARTBREAK HOTEL (Backing Track) | Blues | Backing Track or Underscore for the King of Rock and Roll’s earliest hit from 1956, (8 weeks at #1), gets the straight ahead Blues treatment, with solid support from Nashville’s ‘A’ team rhythm section, featuring late Ace, Byrd Burton. | Click to Listen |
| HEARTBREAK HOTEL (Bluegrass) | Country (Bluegrass) | The King of Rock and Roll returns to his cultural roots in this Bluegrass rendering of the Elvis’ 1st Hit, that spent 8 weeks at #1. This acoustic Blues features 6-piece ‘Grassmasters’, Grand Ol’ Opry legends in their own time. | Click to Listen |
| HEARTBREAK HOTEL (Female Vocal) | Blues | The King of Rock and Roll’s earliest hit from 1956, (8 weeks at #1), gets the straight ahead Vocal Blues treatment, featuring Darelle Holden with solid support from Nashville’s ‘A’ team rhythm section, featuring late Ace, Byrd Burton. | Click to Listen |
| HEARTBREAK HOTEL (Instrumental) | Rock/Pop | The King of Rock and Roll’s earliest hit from 1956, (8 weeks at #1), gets the straight ahead Instrumental Blues treatment, featuring Guitar and Tenor Sax with solid support from Nashville’s ‘A’ team rhythm section. | Click to Listen |
| HEAVEN DOWN HERE | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track w/BGVs) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HEAVEN DOWN HERE (Backing Track) | Rock/Pop | Actor Jim Carrey was helping musician Roy Philip find a place to hang a 16-panel painting, the musician asked him to “move heaven down here”, because he couldn’t see the top half of the panel, to which Carrey replied, “That would make a great song title”. | Click to Listen |
| HELP! (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass interpretation of the hit Beatles track from the movie of the same name. Features 6-piece acoustic “Grassmasters”, comprised of Grand Ol’ Opry regulars. | Click to Listen |
| HELP! (Bluegrass) | Country (Bluegrass) | Bluegrass interpretation of the hit Beatles track from the movie of the same name. Features 6-piece acoustic “Grassmasters”, comprised of Grand Ol’ Opry regulars. | Click to Listen |
| HELP! (Country Instrumental) | Country | John Lennon’s musical plea for assistance became the title song for The Beatles’ second movie. This Instrumental version re-arranged for Country enthusiasts features a 10-piece Nashville studio ensemble. | Click to Listen |
| HELP! (Kids – Backing Track) | Country | Backing Track or Underscore for the “Kids Bop” Country interpretation of the hit Beatles’ track that became the title theme of their 2nd movie. Features an 8-piece Nashville studio band. | Click to Listen |
| HELP! (Kids) | Country | “Kids Bop” Country interpretation of the hit Beatles’ track that became the title theme for their 2nd movie. Features ICE, (teen-aged girl group), backed by an 8-piece Nashville studio band in support. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Bertenetti) | Rock/Pop | Arguably one of Paul McCartney’s most romantic Love Ballads. This Female Vocal version features L. A. Jazz Vocalist, Marsha Bartenetti, with an all acoustic 6-piece Nashville ‘A’ team studio group, and all-girl Vocal Backgrounds. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass interpretation of this Beatle classic from the “Revolver” era. Featuring an all acoustic 6-piece studio group, ‘Grassmasters’, comprised of Grand Ol’ Opry regulars. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Bluegrass) | Country (Bluegrass) | Arguably one of Paul McCartney’s most romantic love ballads. This Instrumental version re-arranged for Country enthusiasts, puts the Bluegrass spin on it, with an all acoustic 6-piece studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Country Instrumental) | Country | Arguably one of Paul McCartney’s most romantic love ballads. This Instrumental version re-arranged for Country enthusiasts, puts the Americana spin on it, with an all acoustic 6-piece studio group featuring Fiddle and Dobro leads. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Female Vocal) | Rock/Pop | Arguably one of Paul McCartney’s most romantic Love Ballads. This Country flavored Female Vocal version features graceful teenager, Kelsey Lockhart, with an all acoustic 6-piece Nashville ‘A’ team studio group, and all-girl Vocal Backgrounds. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Kids – Backing Track) | Country | Backing Track or Underscore for the Country flavored ‘Kids Bop’ arrangement of this Beatle classic from the ‘Revolver’ era. Featuring an all acoustic 7-piece Nashville ‘A’ team Country band. Considered one of McCartney’s finest moments. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Kids) | Country | ICE, the Island Choral Experience, takes a ‘Kids Bop’ turn at this Beatle classic from the ‘Revolver’ era. Featuring graceful teenager, Kelsey Lockhart, with an all acoustic 7-piece Nashville ‘A’ team Country band. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Lullaby – Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore of the delicate Lullaby interpretation for one of McCartney’s favorite ballads. Sleepy, dreamy and languid, featuring a 7-piece acoustic studio group with Choral Background Vocals. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Lullaby – Backing Track) | Rock/Pop | Backing Track or Underscore of the delicate Lullaby interpretation for one of McCartney’s favorite Ballads. Sleepy, dreamy and languid, featuring a 7-piece acoustic studio group. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Lullaby) | New Age/Relaxation | Delicate Lullaby interpretation for one of McCartney’s favorite ballads. This is sleepy, dreamy and languid, featuring Flute and Nylon Guitar melodies, with Choral Backgrounds. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Piano and Mandolin Mix – Backing Track) | Rock/Pop | Backing Track or Underscore of the delicate Lullaby interpretation for one of McCartney’s favorite Ballads. Sleepy, dreamy and languid, featuring a 6-piece acoustic studio group with Choral Background Vocals. | Click to Listen |
| HERE, THERE AND EVERYWHERE (Piano Mix – Backing Track) | Rock/Pop | Backing Track or Underscore of the delicate Lullaby interpretation for one of McCartney’s favorite ballads. Sleepy, dreamy and languid, featuring a 6-piece acoustic studio group with Choral Background Vocals. | Click to Listen |
| HEY BABY (Background Instrumental) | Rock/Pop | A Brazilian Singer-Songwriter who relocated to the U. S. and had moderate success with this tune, re-produced here as an Elevator Music Instrumental, featuring Harp, Nylon Guitar Woodwinds and Horns. | Click to Listen |
| HISSING OF SUMMER LAWNS, THE | Rock/Pop | Title track from Joni Mitchell’s 1975 album about a woman who is treated as part of her husband’s portfolio, with a central image of the lawn sprinklers hissing their disapproval of the materialistic culture. A faithful adaption by Connye Florance. | Click to Listen |
| HISSING OF SUMMER LAWNS, THE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the title song from Joni Mitchell’s 1975 album, about a woman who is treated as part of her husband’s portfolio, with a central image of the lawn sprinklers hissing their disapproval. | Click to Listen |
| HISSING OF SUMMER LAWNS, THE (Backing Track) | Rock/Pop | Backing Track or Underscore for the title song from Joni Mitchell’s 1975 album, about a woman who is treated as part of her husband’s portfolio, with a central image of the lawn sprinklers hissing their disapproval of the materialistic culture. | Click to Listen |
| HISSING OF SUMMER LAWNS, THE (Kelsey) | Rock/Pop | Title track from Joni Mitchell’s 1975 album about a woman who is treated as part of her husband’s portfolio, with a central image of the lawn sprinklers hissing their disapproval of the materialistic culture. A faithful adaption by Kelsey Lockhart. | Click to Listen |
| HIT ME WITH A HOT NOTE | Broadway | The Broadway Musical, “Swing”, utilized music by various artists. It celebrated the music of the Swing era of Jazz, (1930s–1946), including many well-known tunes by artists like Duke Ellington, co-writer of this rousing, upbeat ‘number’. | Click to Listen |
| HIT ME WITH A HOT NOTE (Backing Track) | Broadway | The Broadway Musical, “Swing”, utilized music by various artists. It celebrated the music of the Swing era of Jazz, 1930s–1946, including many well-known tunes by artists like Duke Ellington, co-writer of this rousing, upbeat Backing Track or Underscore | Click to Listen |
| HOUNDS OF WINTER | Rock/Pop | Soulful Jazz Rock Female Vocal version of the 2009 Sting composition, haunted by lost love. Hammond B3 Organ fills and solo around 5-piece Rhythm Section supports Darelle Holden’s masterful Lead Vocal. | Click to Listen |
| HOUNDS OF WINTER (Backing Track) | Rock/Pop | Backing Track or Underscore for the soulful Jazz Rock version of the 2009 Sting composition, haunted by lost love. Hammond B3 Organ fills and solos around a 5-piece rhythm section. | Click to Listen |
| HUMAN NATURE (Background Instrumental) | Urban/R&B | Background Music Instrumental interpretation from Michael Jackson’s early 80s megahit album, ‘Thriller’. This arrangement is intentionally disjointed, sloppy and mixed to sound like it’s broadcast in the parking lot of a 7-11 to discourage loitering. | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) | Urban/R&B | From Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars and featuring Tower of Power’s lead vocalist, Larry Braggs. | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts from Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars | Click to Listen |
| I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) (Backing Track) | Urban/R&B | Backing Track or Underscore from Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination. Rocked out with layers of Keys and Guitars. | Click to Listen |
| I BELIEVE IN YOU (YOU BELIEVE IN ME) | Rock/Pop | Seattle based Windham Hill group, Kidd Afrika, puts a Northwest spin on a #1 Memphis Stax classic by Johnnie Taylor. Recorded in 1979 and still available on vinyl. | Click to Listen |
| I CAN’T GET OVER YOU (Backing Track) | Country | Backing Track or Underscore of the American Country music duo, Brooks and Dunn’s top ten hit from 1999. Featuring 8-piece Nashville studio ‘A’ team. | Click to Listen |
| I CAN’T GET OVER YOU (Instrumental) | Country | Instrumental Background Cover of the American Country music duo, Brooks and Dunn’s top ten hit from 1999. Featuring 8-piece Nashville studio ‘A’ team, with melodic duties on Fiddle, Guitar and Pedal Steel. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Fender Rhodes Version) | Standards | Classic Jazz Standard originating in the twenties and covered by many major artists over the years. Contemporary Jazz arrangement featuring sultry Connye Florance on Vocal, with Quartet fronted by Rhodes Piano. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Male Vocal – Swing) | Standards | Classic Jazz Standard originating in the twenties and covered by many major artists over the years. Swing arrangement featuring Jazz combo with 6-piece Horn Section and Male Vocal. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Piano – Backing Track) | Standards | Backing Track or Underscore for the classic Jazz Standard originating in the twenties and covered by many major artists over the years. Contemporary Jazz arrangement with Quartet fronted by Acoustic Piano. Guitar solo at :50. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Piano Version) | Standards | Classic Jazz Standard originating in the twenties and covered by many major artists over the years. Contemporary Jazz arrangement featuring sultry Connye Florance on Vocal with Quartet fronted by Acoustic Piano. Guitar solo at :50. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Rhodes – Backing Track) | Standards | Backing Track or Underscore for the classic Jazz Standard originating in the twenties and covered by many major artists over the years. Contemporary Jazz arrangement with Quartet fronted by Rhodes Piano. Guitar solo at :50. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Swing – Backing Track) | Standards | Backing Track for the Classic Jazz Standard originating in the twenties and covered by many major artists over the years. Swing arrangement with Jazz Combo featuring Arch Top Acoustic Guitar, Piano and a 6-piece Horn Section. Piano solo at 1:20. | Click to Listen |
| I CAN’T GIVE YOU ANYTHING BUT LOVE, BABY (Swing – Instrumental) | Standards | Classic Jazz Standard originating in the twenties and covered by many major artists over the years. This Instrumental Swing arrangement features Tenor Sax with Jazz combo and 6-piece Horn Section. Piano solo at 1:20. | Click to Listen |
| I DON’T KNOW A THING ABOUT LOVE (Backing Track) | Country | AKA “The Moon Song” was written by prolific American songwriter and Hall-of-Famer, Harlan Howard. This Backing Track or Underscore is a lightweight interpretation of the original Conway Twitty release, featuring Fender Rhodes Piano in a 7-piece ensemble. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Backing Track w/Sax) | Standards | Backing Track or Underscore for the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and more. This version features Nick Manson’s Quintet. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Backing Track) | Standards | Backing Track or Underscore for the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and more. This version features Nick Manson’s Quartet. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Female Vocal) | Standards | Sultry Female Jazz Vocal version of the popular Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and many more. This arrangement features Kelsey Lockhart. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Instrumental) | Standards | Sultry Tenor Sax rendition of the popular Jazz Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Billie Holiday and many more. | Click to Listen |
| I DON’T STAND A GHOST OF A CHANCE WITH YOU (Male Vocal) | Standards | Sultry Male Jazz Vocal version of the popular Standard originally released in 1932 by Bing Crosby and recorded through the years by many notable artists including Ellington, Getz, Tony Bennett, and many more. This arrangement features Perry Danos. | Click to Listen |
| I DON’T WANT TO GO ON WITHOUT YOU | Urban/R&B | Bert Russell and Jerry Wexler penned this extraordinary, mournful Soul Ballad for the Drifters in the early 60s, one of the finest heart wrenching tunes of the decade. An obscure Atlantic ‘B’ side that holds up as if it were released today. | Click to Listen |
| I DON’T WANT TO GO ON WITHOUT YOU (Acappella) | Urban/R&B | Bert Russell and Jerry Wexler penned this extraordinary, mournful Soul Ballad for the Drifters in the early 60s, one of the finest heart wrenching tunes of the decade. This A Cappella interpretation features Antowaine Richardson. | Click to Listen |
| I DON’T WANT TO GO ON WITHOUT YOU (Backing Track w/BGVs) | Urban/R&B | Bert Russell and Jerry Wexler penned this extraoridinary, mournful Soul Ballad for the Drifters in the early 60s, one of the finest heart wrenching Atlantic releases of the decade. This is the Backing Track or Underscore with Background Vocal parts. | Click to Listen |
| I DON’T WANT TO GO ON WITHOUT YOU (Backing Track) | Urban/R&B | Bert Russell and Jerry Wexler penned this extraoridinary, mournful Soul Ballad for the Drifters in the early 60s, one of the finest heart wrenching tunes of the decade. This is the Backing Track or Underscore for the obscure Atlantic ‘B’ side. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the uptempo Bluegrass interpretation of the hit from the ‘Beatles VI’ album. Re-arranged by 8-piece Nashville ‘A’ team studio musicians and Grand Ol’ Opry regulars, pickin’ and grinnin’. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Bluegrass) | Country (Bluegrass) | Uptempo Bluegrass interpretation of the hit from the ‘Beatles VI’ album. Re-arranged by 8-piece Nashville ‘A’ team studio musicians and Grand Ol’ Opry regulars, pickin’ and grinnin’. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Country Instrumental) | Country | Uptempo Country interpretation of the Beatles’ hit from the ‘Beatles For Sale’ album, (‘Beatles VI’ in the U. S.). Re-arranged by 9-piece Nashville ‘A’ team studio musicians. Featured leads: Mandolin, Banjo, Dobro, Acoustic Guitar and Fiddle. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Kids – Backing Track) | Country | Backing Track or Underscore for an uptempo Country interpretation of the Beatles’ hit from the ‘Beatles VI’ album. Re-arranged by 8-piece Nashville ‘A’ team studio musicians. | Click to Listen |
| I DON’T WANT TO SPOIL THE PARTY (Kids) | Country | Uptempo Country interpretation of the Beatles’ hit from the ‘Beatles VI’ album. Re-arranged by 8-piece Nashville ‘A’ team studio musicians, and ‘Kidsbop’ High School Musical Group: ICE, (Teen Girl Choir). Quirky and goofy. | Click to Listen |
| I FALL TO PIECES (Backing Track) | Country | Written by iconic and prolific American songwriter and Hall-of-Famer, Harlan Howard, for another icon in Country Music history, Patsy Cline. Classified as a Standard, this Backing Track or Underscore is a straight ahead reproduction of the original. | Click to Listen |
| I HOPE YOU DANCE | Country | Grammy Award winning crossover Inspirational Country Pop song originally recorded by Country artist, Lee Ann Womack, considered to be her signature song. Lyrically, to think about children and hope for the future. | Click to Listen |
| I HOPE YOU DANCE (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the Grammy Award winning crossover Inspirational Country Pop song. Recorded by Country artist, Lee Ann Womack, considered to be her signature song, looks to the future with optimism. | Click to Listen |
| I HOPE YOU DANCE (Backing Track) | Country | Backing Track or Underscore for the Grammy Award winning crossover Inspirational Country Pop song recorded by Country artist, Lee Ann Womack, considered to be her signature song. A Pop Anthem regarding hope for the future. | Click to Listen |
| I JUST CALLED TO SAY I LOVE YOU (Background Instrumental) | Urban/R&B | Instrumental, Muzak rendition of Stevie Wonder’s mega-hit from the 1984 film, ‘The Woman In Red’, featuring Flute as Wonder’s melodic stand-in. Elevator’s worldwide have blessed this particular recording, logging 100s of hours going up and down. | Click to Listen |
| I JUST CAN’T LET GO (Instrumental) | Rock/Pop | A wish for reconciliation and forgiveness. The Ambrosia hit from 1997 has been ‘elevated’ to this poignant Instrumental featuring Tower of Power’s Tom E. Politzer, (Sax), and Jerry Cortez, (Guitar). | Click to Listen |
| I JUST CAN’T LET GO (Backing Track) | Rock/Pop | A wish for reconciliation and forgiveness. Backing Track or Underscore for the Ambrosia hit from 1997. | Click to Listen |
| I JUST CAN’T STOP LOVING YOU | Urban/R&B | This song became the first of five consecutive number-one Hot 100 singles from Michael Jackson’s 1980’s ‘Bad’ album. A love song of obsession and commitment. Delivered with equal emotion by Darelle Holden, from the Tom Jones Band, in 2013. | Click to Listen |
| I JUST CAN’T STOP LOVING YOU (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for this song that became the first of five consecutive number-one Hot 100 singles from Michael Jackson’s 1980’s ‘Bad’ album. A love song of obsession and commitment. | Click to Listen |
| I JUST CAN’T STOP LOVING YOU (Backing Track) | Urban/R&B | Backing Track or Underscore for this song that became the first of five consecutive number-one Hot 100 singles from Michael Jackson’s 1980’s ‘Bad’ album. A love song of obsession and commitment. | Click to Listen |
| I JUST MIGHT BE | Country | Classic Country song built around the old adage, “You made your move too soon”. Kimberly Hope fronts a group of Nashville studio pros that includes Hall-of-Famer, Tommy White on Dobro & Pedal Steel, Andrea Zonn on Fiddle and arranger Kevin Madill, Piano. | Click to Listen |
| I JUST MIGHT BE (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the classic Country song built around the old adage, “You made your move too soon”, featuring a group of Nashville studio pros that includes Hall-of-Famer, Tommy White on Dobro and Pedal Steel. | Click to Listen |
| I JUST MIGHT BE (Backing Track) | Country | Backing Track or Underscore for the classic Country song built around the old adage, “You made your move too soon”, featuring a group of Nashville studio pros that includes Hall-of-Famer, Tommy White on Dobro and Pedal Steel, and Andrea Zonn on Fiddle. | Click to Listen |
| I LOVE YOU | Rock/Pop | Dreamy, languid and moody interpretation of Singer-Songwriter, Woodkid’s 2013 song of love drifting apart. Nashville’s finest give support to a delicate, fragile Vocal by Kelsey Lockhart. Very cool. | Click to Listen |
| I LOVE YOU (Backing Track) | Rock/Pop | Backing Track or Undersocre for the dreamy, languid and moody interpretation of Singer-Songwriter, Woodkid’s 2013 song of love drifting apart. Nashville’s finest give support with Finger-Style Acoustic Guitar and Vintage Fender Rhodes Piano. | Click to Listen |
| I NEED YOUR LOVIN’ EVERYDAY | Urban/R&B | Don Gardner and Dee Dee Ford’s rambunctious screamer gets the 2013 treatment by Perry Danos and Connye Florance. This new master recording features a false ending, ala the original, coming to an end, then starting up again, typical of Gospel in the era. | Click to Listen |
| I NEED YOUR LOVIN’ EVERYDAY (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for Don Gardner and Dee Dee Ford’s rambunctious screamer, getting the 2013 treatment. This new master recording features a false ending ala the original, coming to an end, then starting up again. | Click to Listen |
| I NEED YOUR LOVIN’ EVERYDAY (Backing Track) | Urban/R&B | Backing Track or Underscore for Don Gardner and Dee Dee Ford’s rambunctious screamer, getting the 2013 treatment. This new master recording features a false ending ala the original, coming to an end, then starting up again, typical of Gospel in the era. | Click to Listen |
| I PUT A SPELL ON YOU | Blues | Screamin’ Jay Hawkins signature hit from 1956 is listed in the Rock ‘n’ Roll Hall of Fame’s 500 songs that shaped Rock and Roll. This contemporary recording captures the charm of the original, with harmony Bari and Tenor Sax lines. Halloween fun! | Click to Listen |
| I PUT A SPELL ON YOU (Backing Track) | Blues | Backing Track for Screamin’ Jay Hawkins signature hit from 1956, listed in the Rock n Roll Hall of Fame’s 500 songs that shaped Rock and Roll. This contemporary recording captures the charm of the original, with harmony Bari and Tenor Sax lines. | Click to Listen |
| I SAW THE LIGHT (Bluegrass) | Religious | Hank Williams’ American Gospel classic re-arranged as an Instrumental Bluegrass piece. Uptempo, exilarating and saved. Written about Christian religious convictions and hope for redemption despite one’s vices. | Click to Listen |
| I WANNA LOVE YOU FOREVER | Techno/Electronica | This darkly bittersweet Love Ballad which incorporates elements of Pop, Disco and Techno, is generally considered to be one of Jessica Simpson’s signature songs. Re-recorded here with teen Choir for the High School Musical, ‘Musique’. | Click to Listen |
| I WANT YOU (Gaye – Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Motown classic from Marvin Gaye. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| I WANT YOU (Gaye – Backing Track) | Urban/R&B | Backing Track or Underscore for the Motown classic from Marvin Gaye. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| I WANT YOU (Gaye – R&B) | Urban/R&B | Motown classic from Marvin Gaye, newly recorded with Tower of Power’s vocalist, Larry Braggs. Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section. Lots of colors in this arrangement. | Click to Listen |
| IF THESE ARE THE THINGS | Rock/Pop | With subtle elements of World Music, Blues, and Jazz, Singer-Songwriter Tracy Chapman became a four-time Grammy Award-winning artist. This song of failed relations was a common thread of political and social activism in her lyrics. | Click to Listen |
| IF THESE ARE THE THINGS (Backing Track) | Rock/Pop | Backing Track or Underscore with subtle elements of World Music, Blues, and Jazz. Singer-Songwriter Tracy Chapman became a four-time Grammy Award-winning artist. This song of failed relations was a common thread of political and social activism. | Click to Listen |
| IF YOU WERE A SAILBOAT | Rock/Pop | This one deals with how you get very selfish when you fall in love with someone, and you don’t want to share them with the world. Musically it sounds like a really nice smooth love song, but the message is pretty intense and quite dark. | Click to Listen |
| IF YOU WERE A SAILBOAT (Backing Track) | Country | This one deals with how you get very selfish when you fall in love with someone, and you don’t want to share them with the world. This Backing Track or Underscore is quite smooth and lovely, with textures from Dobro, Fiddle and Nylon Gutar. | Click to Listen |
| I’LL BE DOGGONE | Urban/R&B | Top Ten Motown hit for Marvin Gaye. This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine. Great lead Vocal by Nashville’s Perry Danos. | Click to Listen |
| I’LL BE DOGGONE (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Top Ten Motown hit of Marvin Gaye’s. This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine. | Click to Listen |
| I’LL BE DOGGONE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Top Ten Motown hit of Marvin Gaye’s. This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine. | Click to Listen |
| I’LL FOLLOW THE SUN (Backing Track) | Rock/Pop | Bare bones Backing Track or Underscore for Paul McCartney’s melancholy Ballad giving rise to hope for the future and moving on. Originally released on the ‘Beatles For Sale’ album in 1964, but written much earlier. Known recordings exist from 1960. | Click to Listen |
| I’LL FOLLOW THE SUN (Country Instrumental) | Country | Paul McCartney’s song of hope for the future and moving on gets re-arranged as a lighthearted Country Rock Instrumental. Electric Guitar feature with Pedal Steel taking the solo at 1:00. | Click to Listen |
| I’LL FOLLOW THE SUN (Instrumental) | Rock/Pop | Paul McCartney’s mid-sixties song of optimism and hope for the future and moving on, gets re-arranged as an Instrumental Guitar feature including the signature solo at 1:00. | Click to Listen |
| I’M A RAMBLIN’ MAN (Backing Track) | Country | This Ray Pennington composition scored big for Wayon Jennings in 1974 reaching the #1 slot on Billboard’s Hopt Country Singles chart. This uptempo Backing Track or Underscore is a direct reproduction of the original. | Click to Listen |
| I’M HAPPY JUST TO DANCE WITH YOU (Backing Track w/Sax) | Rock/Pop | Written specifically for George Harrison by Lennon & McCartney for the film “A Hard Days Night” in 1964. This Latin flavored acoustic Backing Track or Underscore features 4-piece rhythm section and Tenor Sax fills by Tower of Power’s Tom E. Politzer. | Click to Listen |
| I’M HAPPY JUST TO DANCE WITH YOU (Backing Track) | Rock/Pop | Written specifically for George Harrison by Lennon & McCartney for the film “A Hard Days Night” in 1964. This re-arranged Latin flavored acoustic Backing Track or Underscore features 4-piece rhythm section. | Click to Listen |
| I’M HAPPY JUST TO DANCE WITH YOU (Female Vocal) | Rock/Pop | Written specifically for George Harrison by Lennon & McCartney for the film “A Hard Days Night” in 1964. This Latin flavored acoustic re-arrange features Dana Sedgwick with 4-piece rhythm section and Tenor Sax fills by Tower of Power’s Tom E. Politzer. | Click to Listen |
| I’M IN A PHILLY MOOD (Backing Track) | Rock/Pop | There’s a lot of stuff in this Backing Track or Underscore of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click to Listen |
| I’M IN A PHILLY MOOD (Instrumental) | Rock/Pop | There’s a lot of stuff in this Instrumental rendition of the Daryl Hall tribute to the “Philly Sound”. Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. | Click to Listen |
| I’M IN THE MOOD FOR LOVE (Female Vocal – Jazz Trio) | Standards | Relaxed, Cocktail Jazz Trio re-arrangement for the classic Standard from the 30s that has literally been covered by 100s of top artists over the last century. Feauting Torch Jazz Vocalist, Connye Florance, with Guitar based Trio. | Click to Listen |
| I’M IN THE MOOD FOR LOVE (Jazz Trio – Backing Track) | Standards | Relaxed, Cocktail Jazz Trio re-arrangement for the classic Standard from the 30s that has literally been covered by 100s of top artists over the last century. Featuring Torch Jazz Vocalist Connye Florance with Guitar based Trio. | Click to Listen |
| I’M IN THE MOOD FOR LOVE (Male Vocal – Samba) | Standards | Relaxed, romantic Samba re-arrangement for the classic Standard from the 30s that has literally been covered by 100s of top artists over the last century. Dependable stalwart to any wedding reception . . . !! Fully acoustic Brazilian treatment. | Click to Listen |
| I’M IN THE MOOD FOR LOVE (Samba – Backing Track) | Standards | Backing Track or Underscore for the relaxed, romantic Samba re-arrange of the classic Standard from the 30s that has literally been covered by 100s of top artists over the last century. Fully acoustic Brazilian treatment. Tenor Sax solo at 1:50. | Click to Listen |
| I’M JUST A LUCKY SO AND SO | Standards | Duke Ellington Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Piano-Guitar based Quartet backs Jennifer Ivester, Piano solo at 1:50, Guitar solo at 2:45 | Click to Listen |
| I’M JUST A LUCKY SO AND SO (Amy) | Standards | Duke Ellington Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Paino-Guitar based Quartet back 15 year old Amy Gottlieb, Piano solo at 1:50, Guitar solo at 2:45 | Click to Listen |
| I’M JUST A LUCKY SO AND SO (Backing Track) | Standards | Badcking Track or Underscore for Duke Ellington’s Blues that has been recorded multiple times over the years, notably Tony Bennett and Diana Krall. Upbeat, positive and full of life. Piano-Guitar based Quartet , Piano solo at 1:50, Guitar solo at 2:45. | Click to Listen |
| I’M LOOKING THROUGH YOU (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for McCartney’s song from ‘Rubber Soul’ reflecting dissatisfaction with a relationship. Re-arranged here with a Bluegrass treatment, featuring the Grassmasters, a studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| I’M LOOKING THROUGH YOU (Bluegrass) | Country (Bluegrass) | McCartney’s song from ‘Rubber Soul’ reflecting dissatisfaction with a relationship. Re-arranged here with a Bluegrass treatment, featuring the Grassmasters, a studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| I’M LOOKING THROUGH YOU (Kids – Backing Track) | Country | Backing Track or Underscore for McCartney’s song from ‘Rubber Soul’ reflecting dissatisfaction with a relationship. Re-arranged here for Country enthusiasts. | Click to Listen |
| I’M LOOKING THROUGH YOU (Kids) | Country | McCartney’s song from ‘Rubber Soul’ reflecting dissatisfaction with a relationship. Re-arranged here for teen girl group, ICE with Country-flavored backing support from Nashville’s finest studio magicians, the ‘Grassmasters’ | Click to Listen |
| I’M ONLY HUMAN (Background Instrumental) | Urban/R&B | Urban, Smooth Jazz Instrumental interpretation of Luther Vandorss’ 1998 song of human error, regret and begging forgiveness. Layers of Keyboards support Electric Guitar, Trombone, Trumpet and Tenor Sax melodies. Sleazy and laidback. | Click to Listen |
| I’M ONLY HUMAN (Backing Track) | Urban/R&B | Urban, Smooth Jazz Backing Track or Underscore of Luther Vandorss’ 1998 song of human error, regret and begging forgiveness. Sleazy and laidback. | Click to Listen |
| I’M ONLY SLEEPING (Elevator Music – Backing Track w/BGVs) | Rock/Pop | This Backing Track or Underscore of John Lennon’s plea for undisturbed sleep has a decidedly Muzak style, perfect for the drug store or perhaps the dentist chair. Includes some partial Vocal work as Backgrounds and signature reverse Guitar solos. | Click to Listen |
| I’M ONLY SLEEPING (Elevator Music – Backing Track) | Rock/Pop | This Backing Track or Underscore of John Lennon’s plea for undisturbed sleep has a decidedly Muzak style, perfect for the drug store or perhaps the dentist chair. Includes signature reverse Guitar solos. | Click to Listen |
| I’M ONLY SLEEPING (Instrumental w/Partial Vocal) | Rock/Pop | This Tenor Sax arrangement of John Lennon’s plea for undisturbed sleep has a decidedly Muzak style, perfect for the drug store or perhaps the dentist chair. Includes some partial Vocal work covering the Bridge and Backgrounds. Also reverse Guitar solos. | Click to Listen |
| I’M ONLY SLEEPING (Lullaby – Backing Track w/BGVs) | New Age/Relaxation | Title cut from the “Lullaby of Beatle Land” series. Dreamy, ethereal and placid with layers of Keyboards and Guitars, including signature reverse Guitar elements. Backing Track or Underscore, with Background Vocal parts. | Click to Listen |
| I’M ONLY SLEEPING (Lullaby – Backing Track) | New Age/Relaxation | Title cut from the “Lullaby of Beatle Land” series. Dreamy, ethereal and placid with layers of Keyboards and Guitars, including signature reverse Guitar elements. Backing Track or Underscore, no Vocals. | Click to Listen |
| I’M ONLY SLEEPING (Lullaby) | New Age/Relaxation | Title cut from the “Lullaby of Beatle Land” series. Dreamy, ethereal and placid with layers of Keyboards and Guitars, including signature reverse Guitar elements. Lovely Dana Sedgwick adds her delicate Vocal. | Click to Listen |
| I’M READY (Instrumental) | Urban/R&B | “I’m Ready” was a success in both the Pop and R&B charts reaching the top-ten on the Billboard Hot 100 (#9) and R&B (#2), and was nominated for a Grammy for Best R&B Vocal Performance – Male. This version is Smooth Jazz Instrumental interpretation. | Click to Listen |
| I’M SO TIRED (Lullaby) | New Age/Relaxation | John Lennon’s plea for R. E.M., being plagued by insomnia. Part of the “Lullaby of Beatle Land” compilation, this sleepy Instrumental floats over the changes with Piano, Oboe and Nylon Guitar covering melodies. | Click to Listen |
| IN FRANCE THEY KISS ON MAIN STREET | Rock/Pop | Joni Mitchell’s romantic allegory gets a faithful send up from Northwest Teen artist, Mikaela Kahn. Originally appearing on 1976 release “Hissing of Summer Lawns”. A carefree romp through the night, high sprited and nostalgic. | Click to Listen |
| IN FRANCE THEY KISS ON MAIN STREET (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for Joni Mitchell’s romantic allegory, getting a faithful send up from arrangers Nick Manson, John Morton and Donald Marrow. Originally appearing on 1976 release “Hissing of Summer Lawns”. | Click to Listen |
| IN FRANCE THEY KISS ON MAIN STREET (Backing Track) | Rock/Pop | Backing Track or Underscore for Joni Mitchell’s romantic allegory, getting a faithful send up from arranger Nick Manson, and the improvisational Guitar work of John Morton. Originally appearing on 1976 release “Hissing of Summer Lawns”. | Click to Listen |
| IN THE HEAT OF THE NIGHT (Instrumental) | Movie/TV Themes | Instrumental Blues of the Quincy Jones composition, originally performed by Ray Charles, for the 1967 film of the same name. This arrangement features a 5-piece Rhythm Section supporting Tower of Power’s Tom Politzer on Tenor Sax, and Full Horns. | Click to Listen |
| IN YOUR EYES | Rock/Pop | Ambient, Progressive Rock anthem from Peter Gabriel, given new life by veteran soul diva, Darelle Holden. Main theme for the film “Say Anything”, lyrically relates to a relationship teetering on the edge. Features layers of Guitars, Percussion & Mandolin | Click to Listen |
| IN YOUR EYES (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the Progressive Rock anthem from Peter Gabriel. Main theme for the film “Say Anything”, features layers of Guitar textures and Percussion colors, with Mandolin tossed in for good measure. | Click to Listen |
| IN YOUR EYES (Backing Track) | Rock/Pop | Backing Track or Underscore for the Progressive Rock anthem from Peter Gabriel. Main theme for the film “Say Anything”, features layers of Guitar textures and Percussion colors, with Mandolin tossed in for good measure. | Click to Listen |
| IN YOUR EYES (Sara) | Rock/Pop | Ambient, progressive rock anthem from Peter Gabriel is given new life by teen-aged up-and-comer, Sara Lindquist. Main theme for the film “Say Anything”, features layers of Guitar textures and Percussion colors, with Mandolin tossed in for good measure. | Click to Listen |
| INNAMORATA | Standards | “Innamorata” by definition, Italian for “Soulmate” or “Sweetheart”. This ‘sound-alike’ features Perry Danos with his best Dean Martin impersonation. Accordion, Violin and Piano round out the arrangement. Have a cocktail. | Click to Listen |
| INNAMORATA (Backing Track) | Standards | Backing Track or Underscore for the Dean Martin hit from 1955. “Innamorata”, by definition, is Italian for “Soulmate” or “Sweetheart”. This arrangement features Accordion, Violin and Piano. | Click to Listen |
| ISN’T SHE LOVELY (Backing Track) | Jazz (Latin) | Backing Track or Underscore for the delicate laidback Latin Jazz version of the Stevie Wonder hit from ‘Songs in the Key of Life’, circa 1976. Featuring Piano, Percussion, Nylon Guitar and a brilliant Harmonica solo via Pat Bergeson beginning at 1:40. | Click to Listen |
| ISN’T SHE LOVELY (Male Vocal) | Urban/R&B | Delicate laidback Latin Vocal Jazz version of the Stevie Wonder hit from ‘Songs in the Key of Life’, circa 1976, Motown. Featuring Piano, Percussion, Nylon Guitar and a brilliant Harmonica solo via Pat Bergeson beginning at 1:40. Male Vocal. | Click to Listen |
| IT AIN’T RIGHT (LOVIN’ TO BE LOVIN’) | Rock/Pop | Pacific Northwest Rock/R&B band, and Windham Hill recording group, Kidd Afika, tackle this obscure Ike and Tina Turner tune from 1977. Driving Disco Rock and killer Vocals. | Click to Listen |
| IT AIN’T RIGHT (LOVIN’ TO BE LOVIN’) (Backing Track) | Rock/Pop | Pacific Northwest Rock/R&B band, and Windham Hill recording group, Kidd Afika, tackles this obscure Ike and Tina Turner tune from 1977. Driving Disco Rock reference Backing Track or Underscore. | Click to Listen |
| IT’S ONLY LOVE (Backing Track) | Rock/Pop | Backing Track or Underscore for the Beatles’ 1965 song from Rubber Soul, featuring layers of Guitars, including the signature rotating Leslie Speaker lines ala George Harrison. | Click to Listen |
| IT’S ONLY LOVE (Instrumental) | Rock/Pop | Background ‘Muzak’ styled Instrumental interpretation of the Beatles’ song whose original working title was “That’s A Nice Hat”. Lennon thought the lyrics were “abysmal”, so here’s one featuring Nylon Guitar and Alto Sax on melodic duties. | Click to Listen |
| I’VE JUST SEEN A FACE (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Bluegrass re-arrangement of the Beatles classic from ‘Rubber Soul’. The 6-piece acoustic Grassmasters cut loose, energized, unique and kitchy. | Click to Listen |
| I’VE JUST SEEN A FACE (Bluegrass) | Country (Bluegrass) | Hold your horses. This Bluegrass re-arrangement kicks into high octane. From ‘Rubber Soul’, the 6-piece acoustic Grassmasters share features on the Beatles classic, energized, unique and kitchy. | Click to Listen |
| I’VE JUST SEEN A FACE (Kids – Backing Track) | Country | Hold your horses. Backing Track or Underscore for the high speed Country re-arrangement of the Beatles 1966 “Rubber Soul” classic. Screamin’ Pedal Steel solo at :25. | Click to Listen |
| I’VE JUST SEEN A FACE (Kids) | Country | Hold your horses, bring on the corn. This Country Kids re-arrangement gallops into high gear. Screamin’ Pedal Steel solo at :25. Teen girls Choir on Vocals. | Click to Listen |
| JADED (Bluegrass) | Country (Bluegrass) | One might think “This can’t be done!” A Bluegrass interpretation of “Jaded” by Aerosmith wouldn’t occur to most people, but the Grassmasters give a quirky and novel spin on this Rock classic from 2001. Fully acoustic 6-piece Nashville recording. | Click to Listen |
| JAMES BOND THEME (Cue) | Movie/TV Themes | 40 second Cue, Transition or Realtone for the quintessential ‘James Bond’ theme. Re-arranged in the style of 1977’s Oscar nominated “The Spy Who Loved Me”, Disco, upbeat and signature. | Click to Listen |
| JANIE’S GOT A GUN (Bluegrass) | Country (Bluegrass) | A quirky little oddity. Grammy winning Aerosmith tune re-arranged for 6-piece Bluegrass group, Grassmasters. Features alumni from the Grand Ol’ Opry, the Bill Monroe Band, Ricky Scaggs Band, and a host of other credits, coming together for a bit of fun. | Click to Listen |
| JESUS GAVE ME WATER (Backing Track w/Gospel Choir BGvs) | Religious | A contemporary take on a classic Gospel song from the early 50. This Backing Track or Underscore features 36-Voice ‘Chimes of Freedom Singers’ with a 6-piece Nashville studio group, recorded in 2012 at Ocean Way, Nashville. | Click to Listen |
| JESUS GAVE ME WATER (Backing Track) | Religious | A contemporary take on a classic Gospel song from the early 50. This Backing Track or Underscore features a 6-piece Nashville studio group, recorded in 2012 at Ocean Way, Nashville. | Click to Listen |
| JESUS GAVE ME WATER (Gospel Choir) | Religious | A contemporary take on a classic Gospel song from the early 50s, closely identified to the A Cappella version by Sam Cooke and the Soul Stirrers. This new master features 36-Voice ‘Chimes of Freedom Singers’ with a 6-piece Nashville studio backing group. | Click to Listen |
| JUICY CROCODILE | Urban/R&B | A 1957 novelty song from Doo Wop group, the Cellos, released through classic R&B label “Apollo”. This contemporary recording from 2008 stays true to the original. Great Halloween fun and goofy plot line, with plenty of screams! | Click to Listen |
| JUICY CROCODILE (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the 1957 novelty song from Doo Wop group, the Cellos, released through classic R&B label “Apollo”. This contemporary recording from 2008 stays true to the original. Great Halloween fun. | Click to Listen |
| JUICY CROCODILE (Backing Track) | Rock/Pop | Backing Track or Underscore for the 1957 novelty song from Doo Wop group, the Cellos, released through classic R&B label “Apollo”. This contemporary recording from 2008 stays true to the original. Great Halloween fun. | Click to Listen |
| JULIA | Rock/Pop | John Lennon’s poignant ode to his Mother, written while in retreat with Maharishi Mahesh Yogi. Originally released on the Beatles’ White Album, this similar duet is Finger-style Acoustic Guitar picking with delicate Vocals. | Click to Listen |
| JULIA (Backing Track) | Rock/Pop | Backing Track or Underscore for John Lennon’s poignant ode to his Mother. Finger-style Acoustic Guitar picking, written while in retreat with Maharishi Mahesh Yogi. Originally released on the Beatles’ White Album in 1968. | Click to Listen |
| JUST BETWEEN YOU AND ME (Background Instrumental) | Rock/Pop | Top 10 hit from ‘Foreigner’ Lou Gramm’s solo effort, reproduced here as an Elevator Music Instrumental. Most everything is thrown at this arrangement. Dig deep . . . I’m sure you’ll find a kitchen sink. | Click to Listen |
| JUST LIKE THIS TRAIN | Rock/Pop | From Joni Mitchell’s quintessential 1974 release, ‘Court & Spark’, infusing her folk-rock style with jazz inflections, becoming the most commercially successful of her career. Covered here by Ally Jay and staying true to the original. | Click to Listen |
| JUST LIKE THIS TRAIN (Backing Track) | Rock/Pop | Backing Track or Underscore from Joni Mitchell’s quintessential 1974 release, ‘Court and Spark’, infusing her Folk-Rock style with Jazz inflections, becoming the most commercially successful of her career. This arrangement staying true to the original. | Click to Listen |
| KING OF THE ROAD | Country | The lyrics to this song tell of the day-to-day life of a vagabond hobo who despite being poor, (a “man of means by no means”), revels in his freedom. J. B. White gives a true-to-form recreation of the classic Roger Miller hit. | Click to Listen |
| KING OF THE ROAD (Backing Track) | Country | Backing track or Underscore for the song that tells the day-to-day life of a vagabond hobo who despite being poor, (“man of means by no means”), revels in his freedom. Our Nashville crew gives a true-to-form recreation of the classic Roger Miller hit. | Click to Listen |
| KING OF THE ROAD (Solo Vocal) | Country | The lyrics to this song tell of the day-to-day life of a vagabond hobo who despite being poor, (a “man of means by no means”), revels in his freedom. J. B. White gives a true-to-form recreation of the classic Roger Miller hit. | Click to Listen |
| KISS AND SAY GOODBYE | Urban/R&B | Philly Soul arrangement of the classic seventies hit Ballad by the Manhattans. Tower of Power’s front man, Larry Braggs, delivers big time, supported by an 8-piece group including Piano, Guitar, Hammond B3 Organ and Full Horn Section. | Click to Listen |
| KISS AND SAY GOODBYE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Philly Soul classic seventies Ballad by the Manhattans. Featuring an 8-piece group including Piano, Guitar, Hammond B3 Organ and Full Horn Section. | Click to Listen |
| KISS AND SAY GOODBYE (Instrumental) | Jazz (Contemporary) | Tower of Power’s lead Tenor Sax man, Tom E. Politzer, is featured on this Instrumental arrangement for the classic seventies Soul Ballad by the Manhattans. Supported by an 8-piece group including Piano, Guitar, Hammond B3 Organ and Full Horn Section. | Click to Listen |
| LAUGHTER IN THE RAIN (Instrumental) | Rock/Pop | Neil Sedaka’s number one hit in 1975, has been transformed into a Smooth Jazz Funk Instrumental featuring Alto Sax, Electric Guitar and 3-piece Horn Section. Solid performances from L. A. session players, lead by Andy Suzuki and Lennie Moore. | Click to Listen |
| LET IT BE (Backing Track w/Gospel Choir BGvs) | Rock/Pop | Backing Track with Gospel Choir Background parts for the powerful Gospel arrangement of the classic Inspirational Beatles song from 1970. 36-Voice ‘Chimes of Freedom Singers’ and 5-piece Nashville Studio heavies combine talents for a new testimony. | Click to Listen |
| LET IT BE (Backing Track) | Rock/Pop | Backing Track or Underscore for the powerful Gospel arrangement of the classic Inspirational Beatles song from 1970. 5-piece Nashville Studio heavies combine their efforts for a new testimony. | Click to Listen |
| LET IT BE (Gospel Choir) | Rock/Pop | Powerful Gospel arrangement of the classic Inspirational Beatles song from 1970. 36-Voice ‘Chimes of Freedom Singers’ and 5-piece Nashville Studio heavies support Tower of Power’s frontman, Larry Braggs in this astonishing performance. | Click to Listen |
| LIKE WATER INTO WINE (Backing Track) | Country | Backing Track or Underscore for the song from the Patty Loveless 1997 album, ‘Long Stretch of Lonesome’. Medium to slow tempo, thoughtful, and moody, featuring a 9-piece studio band of Nashville pros. | Click to Listen |
| LIKE WATER INTO WINE (Instrumental) | Country | Sweet Instrumental interpretation of the Patty Loveless Country hit for 1997. Thematically about letting go of your troubles and giving into love. Fiddle and Pedal Steel carry the melodies supported by 7-piece Nashville studio pros. | Click to Listen |
| LITTLE DRUMMER BOY (Celtic) | World | Christmas classic, Little Drummer Boy featuring Bouzouki, Concertina and Pennywhistle in the Celtic tradition. | Click to Listen |
| LITTLE DRUMMER BOY (Children – Cue) | Kids | Cue or Transition for the well known Christmas favorite of the poor shepherd boy who plays his drum for the Baby Jesus. This charming version features a father/daughter duet with Piano accompaniment. Home spun, poignant, tender and vaguely amatuerish. | Click to Listen |
| LITTLE DRUMMER BOY (Contemporary Jazz Instrumental) | Jazz (Contemporary) | Contemporary Jazz arrangement with Latin influences for the classic Christmas Carol. 6/8 swing feel that ebbs and flows through peaks and valleys. Percussion interlude at 2:00, Alto Sax feature with solo out at the fade. | Click to Listen |
| LITTLE DRUMMER BOY (Duet) | Kids | Well known Christmas favorite of the poor shepherd boy who plays his drum for the Baby Jesus. This charming version features a father/daughter Duet with Piano accompaniment. Home spun, poignant, tender and charmingly amatuerish. | Click to Listen |
| LITTLE DRUMMER BOY / CHRISTMAS EVE (Medley – Celtic) | World | This two part Christmas celebration begins with a rendition of Little Drummer Boy featuring Bouzouki and Concertina, then launches into a Celtic frenzy for the Traditional Jig, ‘Christmas Eve’. Beautiful and celebratory. | Click to Listen |
| LITTLE RUB-BOARD BOY (Cajun) | World | Cajun Roots band, the Sundogs, arrangement for the classic Christmas Carol, Little Drummer Boy, has been magically transformend into the Little Zydeco Rub-Board Boy featuring Fiddle, Accordion, Guitars and Washboard. | Click to Listen |
| LIVING FOR THE CITY | Urban/R&B | Stevie Wonder’s poignant plea for equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From pivital 1970s release ‘Innervisions’. Larry Braggs from Tower of Power puts in his spin. | Click to Listen |
| LIVING FOR THE CITY (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for Stevie Wonder’s poignant plea, equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From the pivital 1970s release, ‘Innervisions’. | Click to Listen |
| LIVING FOR THE CITY (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s poignant plea, equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart. From the pivital 1970s release, ‘Innervisions’. | Click to Listen |
| LONGER (Guitar Instrumental) | Rock/Pop | Singer-songwriter Dan Fogelberg commented on ‘Longer’ as “the song that put me on the elevators”. Acoustic Guitar duet featuring Nylon and Steel String. | Click to Listen |
| LOOK OF LOVE, THE (Guitar Instrumental) | Jazz (Latin) | 2 Nylon Guitars share lead and rhythm on this romantic Instrumental interpretation of the 1960s Academy Award nominated Burt Bacharach song. Rubato through the first minute, then laid back Bossa Nova feel for the remainder. Solos at 2:10 and 3:30. | Click to Listen |
| LOST MIND | Jazz (Vocal) | ‘The Word from Mose’, (Allison), Stereo Review stated “one of his most consistently intriguing albums”, produced this Percy Mayfield composition. Re-worked here by music educator and Jazz Pianist, Nick Manson for Nashville artist, Perry Danos | Click to Listen |
| LOST MIND (Backing Track) | Jazz (Mainstream) | The Word from Mose, (Allison), Stereo Review stated “one of his most consistently intriguing albums”, produced this Percy Mayfield composition, the template for this arrangement by music educator & Jazz Pianist, Nick Manson for this Jazz Trio Underscore. | Click to Listen |
| L-O-V-E | Standards | One of the last recordings made by Nat Cole before his death. The popular Standard has been covered by several artists, including Cole’s daughter, Natalie, in her 1991 tribute album, “Unforgettable”. | Click to Listen |
| L-O-V-E (Backing Track) | Standards | Backing Track or Underscore for one of the last recordings made by Nat Cole before his death. The popular Standard has been covered by several artists, including Cole’s daughter, Natalie, in her 1991 tribute album, “Unforgettable”. | Click to Listen |
| LOVE AFFAIR | Movie/TV Themes | From the Academy Award nominated disaster drama film, ‘Twister’, comes this Kelsey Lockhart performance written by Marilyn and Alan Bergman, and ‘Fistfull of Dollars’ composer, Ennio Morricone. Seattle Symphony String section fills out this arrangement. | Click to Listen |
| LOVE AFFAIR (Backing Track) | Movie/TV Themes | From the Academy Award nominated disaster drama film, ‘Twister’, comes this Backing Track or Underscore for the Marilyn and Alan Bergman and Ennio Morricone composition. The Seattle Symphony String section fills out this arrangement. | Click to Listen |
| LOVE IS EVERYTHING (Backing Track) | Country | Backing Track or Underscore for this song by Christian-Country artist, John Barry, from his album ‘Faces’ released in 1996 on Capitol. This tune reiterates the value of love over everything else in one’s life, cherish and preserve. | Click to Listen |
| LOVE IS EVERYTHING (Instrumental) | Country | Keep your priorities in line seems to be the theme of this Country-Rock Ballad from John Berry. Reproduced here as a Pop-Country Instrumental featuring Acoustic Guitar and Alto Sax in lieu of Vocals. | Click to Listen |
| LOVE LETTERS | Standards | ‘Love Letters’ was the Academy Award Nominated Victor Young song in 1945, and became a top 10 charting hit for Ketty Lester in 1962. This R&B classic features a rich Connye Florance Vocal with the signature Piano fills creating classic interplay. | Click to Listen |
| LOVE LETTERS (Backing Track) | Standards | ‘Love Letters’ was the Academy Award Nominated Victor Young song in 1945, and became a top 10 charting hit for Ketty Lester in 1962. This classic R&B underscore features the signature Piano fills and interplay. Tenor Sax solo at 1:55. | Click to Listen |
| LOVE OF MY LIFE (Backing Track) | Rock/Pop | Backing Track or Underscore for the Top 10 AC hit and collaboration with Michael W. Smith. A sentimental, and somewhat maudlin display of affection, this bed track lifts the essential elements of the original recording, Piano, Bass and Strings. | Click to Listen |
| LOVE POTION NUMBER 9 | Urban/R&B | Another humourous Top 10 ditty from Leiber and Stoller, originally performed by the Clovers, describes a man seeking help to find love, so he talks to a Gypsy who determines he needs a Love Potion, causing him to fall in love with everyone he sees. | Click to Listen |
| LOVE POTION NUMBER 9 (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Backgroud Vocals for one of those Top 10 humourous Leiber and Stoller dittys, originally performed by the Clovers. It describes a man seeking love advice, so he talks to a Gypsy who determines he needs a Love Potion, | Click to Listen |
| LOVE POTION NUMBER 9 (Backing Track) | Rock/Pop | Backing Track or Underscore for another one of those Top 10 humourous Leiber and Stoller dittys, originally performed by the Clovers. It describes a man seeking help to find love, so he talks to a Gypsy who determines he needs a Love Potion, | Click to Listen |
| LOVE WILL KEEP US ALIVE (Country Instrumental) | Country | This romantic Eagles love song has been re-arranged as an Instrumental Country Ballad. Lush and full, featuring Electric Guitar melody on the Verses, Fiddle on the Bridges. Rhythm section includes textural Pedal Steel and Hammond B3 Organ. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY | Urban/R&B | Wake up call via Stevie Wonder. Beautiful re-arrange for 1977’s “Songs in the Key of Life” opening track, featuring Tower of Power’s, Larry Braggs, backed by 7-piece studio band and Background Vocal group. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY (Backing Track w/BGVs) | Urban/R&B | Wake up call, via Stevie Wonder. Beautiful re-arranged Backing Track or Underscore for 1977’s “Songs in the Key of Life” opening track, featuring 7-piece studio band and Background Vocal parts. | Click to Listen |
| LOVE’S IN NEED OF LOVE TODAY (Backing Track) | Urban/R&B | Backing Track or Underscore for Stevie Wonder’s wake-up call. Beautiful re-arrange for 1977’s “Songs in the Key of Life” lead track, featuring a 7-piece studio band that includes Hammond B3, Clavinet, Congas, with layers of Keys and Guitars. | Click to Listen |
| LOVIN’ ALL NIGHT (Backing Track) | Country | Released in 1992 as the 1st single from Rodney Crowell’s album ‘Life Is Messy’, the song peaked at #10 on the Billboard Country Singles chart. This Country Rocker Backing Track or Underscore is complete with Horn Section, Wurlitzer Piano, and Hammond B3. | Click to Listen |
| LOVIN’ ALL NIGHT (Instrumental) | Country | Released in 1992 as the 1st single from Rodney Crowell’s album ‘Life Is Messy’. The song peaked at #10 on the Billboard Country Singles chart. Reformed here as a Country Rocker complete with Horn Section, Wurlitzer Piano, Hammond B3, and swampy jammin’! | Click to Listen |
| MAMA TRIED | Country | In “Mama Tried”, Merle Haggard focuses on the pain and suffering he caused his own mother by being incarcerated in 1957 in San Quentin. Scottish duo, the McDonalds, take on the Everly Brothers’ arrangement on this rendition of the Country classic. | Click to Listen |
| MAMA TRIED (Backing Track) | Country | In “Mama Tried”, Merle Haggard focuses on the pain and suffering he caused his own mother by being incarcerated in 1957 in San Quentin. This Backing Track or Underscore takes on the Everly Brothers’ arrangement of the Country classic. | Click to Listen |
| MAMMAS DON’T LET YOUR BABIES GROW UP TO BE COWBOYS (Backing Track) | Country | Backing Track or Underscore for the classic Willie Nelson hit, originally released by songwriter Ed Bruce in 1975. Members of the ‘Western Writers of America’ chose the song as one of the Top 100 Western songs of all time | Click to Listen |
| MANDOLIN RAIN (Background Instrumental) | Rock/Pop | From the debut album and commercial zenith for Bruce Hornsby and the Range, “Mandolin Rain” is re-cut here as an Elevator Music Instrumental featuring Fretless Bass and Alto Sax. Unless you’re looking for a one star performance, this one can be shelved. | Click to Listen |
| MEMORIES ARE MADE OF THIS | Standards | This song was made famous by Dean Martin. This version is loosely patterned after the Everly Brothers Country arrangement, but sung with Dino’s inflection. Nashville’s ‘A’ Team round out the rhythm section, including Pedal Steel and Fiddle. | Click to Listen |
| MEMORIES ARE MADE OF THIS (Backing Track w/BGVs) | Standards | This song was made famous by Dean Martin. This Backing Track with Background Vocal parts is loosely patterned after the Everly Brothers Country arrangement. Nashville’s ‘A’ Team rounds out the Rhythm Section, including Pedal Steel and Fiddle. | Click to Listen |
| MEMORIES ARE MADE OF THIS (Backing Track) | Standards | This song was made famous by Dean Martin. This Backing Track or Underscore is loosely patterned after the Everly Brothers Country arrangement. Nashville’s ‘A’ Team rounds out the Rhythm Section, including Pedal Steel and Fiddle. | Click to Listen |
| MERRY CREOLE CHRISTMAS | World | Allen Toussaint’s contribution to the holiday spirit features Maria Muldaur and Cajun swamp boogie specialists, the Sundogs. Romp through the French Quarter with bells on bobbed tail. | Click to Listen |
| MOON GLOW | Standards | A 1933 Popular Song, ‘Moon Glow’ has become a well known Standard, appearing in Jazz fake books and multiple recordings throughout the years. Jazz Trio supports versatile Vocalist, Perry Danos in this medium tempo cocktail lounge rendition. | Click to Listen |
| MOON GLOW (Background Instrumental) | Standards | Background Instrumental of the popular 1933 song, Moon Glow. It has become a well known Standard, appearing in Jazz fake books and multiple recordings throughout the years. This time, a light swing treatment featuring Flute and Electric Guitar melodies. | Click to Listen |
| MOON GLOW (Backing Track) | Standards | Backing Track for the 1933 Popular song, ‘Moon Glow’. It has become a well known Standard, appearing in Jazz fake books and multiple recordings throughout the years. Jazz Trio Underscore with this medium tempo cocktail lounge rendition. | Click to Listen |
| MOTHER’S PRAYER, A | Rock/Pop | Sweet and heartfelt Lullaby, expressing gratitude for the bond between Mother and Child, and the overwhelming desire for one’s children to find peace and happiness throughout life. | Click to Listen |
| MOTHER’S PRAYER, A (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the sweet and heartfelt Lullaby, expressing gratitude for the bond between Mother and Child, and the overwhelming desire for one’s children to find peace and happiness throughout life. | Click to Listen |
| MOTHER’S PRAYER, A (Backing Track) | Rock/Pop | Backing Track or Underscore for the sweet and heartfelt Lullaby, expressing gratitude for the bond between Mother and Child, and the overwhelming desire for one’s children to find peace and happiness throughout life. | Click to Listen |
| MOULIN ROUGE (Backing Track) | World | Backing Track or Underscore for the Song from “Moulin Rouge”, also known as “Where Is Your Heart”, a popular song that first appeared in the 1952 film. This contemporary re-arrangement combines mainstream Jazz Quartet, Accordion and Violin. | Click to Listen |
| MOULIN ROUGE (WHERE IS YOUR HEART) (Instrumental) | World | The Song from “Moulin Rouge”, also known as “Where Is Your Heart”, is a popular song that first appeared in the 1952 film. This contemporary re-arrangement combines mainstream Jazz Quartet, Harmonica, Accordion and Violin to create the cabaret ambience. | Click to Listen |
| MR. MOONLIGHT (‘I, Robot’ Mix) | Rock/Pop | Mostly identified with the Beatles 1965 cover, this classic R&B song has been converted into a futuristic, mechanical, creepy, eerie, weird, Halloween track. Trick or treat? | Click to Listen |
| MR. MOONLIGHT (Lullaby – Backing Track) | Rock/Pop | Backing Track or Underscore for the Roy Lee Johnson Jr. composition that appeared on ‘Beatles 65’. This ‘Lullaby’ arrangement was the first template for the ‘Lullaby of Beatle Land’ project, due to its night time referenced theme. | Click to Listen |
| MR. MOONLIGHT (Lullaby – Instrumental) | New Age/Relaxation | This Roy Lee Johnson Jr. composition showed the creative arranging style of the Beatles in 1965. This ‘Lullaby’ arrangement was the first template for the ‘Lullaby of Beatle Land’ project, due to its night time referenced theme. Recorded in Nashville. | Click to Listen |
| MR. MOONLIGHT (Lullaby) | New Age/Relaxation | This Roy Lee Johnson Jr. composition showed the creative arranging style of the Beatles in 1965. This ‘Lullaby’ arrangement was the first template for the ‘Lullaby of Beatle Land’ project, due to its night time referenced theme. Recorded in Nashville. | Click to Listen |
| MR. MOONLIGHT (Paget) | Rock/Pop | This Roy Lee Johnson Jr. composition showed the creative arranging style of the Beatles in 1965. This ‘Lullaby’ arrangement was the first template for the ‘Lullaby of Beatle Land’ project, and features teen Vocalist, Paget Knebel. Recorded in Nashville. | Click to Listen |
| MY ELUSIVE DREAMS (Backing Track) | Country | Backing Track or Underscore for the Country classic. The song follows a restless man, and his wife, as he attempts to find an ever-elusive and lasting happiness pursuing various dreams and schemes. | Click to Listen |
| MY HEART WILL GO ON (Guitar Instrumental) | Rock/Pop | Sweet Acoustic Guitar Duet and re-arrange for the “Titanic” Theme, Steel String Finger-style with Nylon Guitar melody and solos. | Click to Listen |
| NEW KID IN TOWN (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the # 1 Grammy Award winning song about the fleeting nature of fame and love, this 1976-77 Eagles classic is re-cut as a Bluegrass styled Instrumental featuring past and present Grand Ol’ Opry members, the Grassmasters. | Click to Listen |
| NEW KID IN TOWN (Bluegrass) | Country (Bluegrass) | Number one, Grammy Award winning song about the fleeting nature of fame and love, this 1976-77 Eagles classic is re-cut as a Bluegrass styled Instrumental featuring past and present Grand Ol’ Opry members, the Grassmasters. | Click to Listen |
| NEW KID IN TOWN (Country Instrumental) | Country | Number one, Grammy Award winning song about the fleeting nature of fame and love, this 1976-77 Eagles classic is re-cut as a Country-styled Instrumental with select Background Vocal parts performed by ICE, the Island Choral Experience. | Click to Listen |
| NEW KID IN TOWN (Kids) | Country | Number one, Grammy Award winning song about the fleeting nature of fame and love, this 1976-77 Eagles classic is re-cut as a Country-styled Kids Bop arrangement featuring ICE, the Island Choral Experience. Kids Rock the Country ala Glee. | Click to Listen |
| NIGHT RIDE HOME | Rock/Pop | Inspired by a moonlit night in Hawaii, ‘Night Ride Home’ is the title track from Joni Mitchell’s early nineties Geffen release. Faithfully reproduced by youngster, Mikaela Kahn and featuring a 5-piece studio group in support. | Click to Listen |
| NIGHT RIDE HOME (Backing Track) | Rock/Pop | Backing Track or Underscore, inspired by a moonlit night in Hawaii, ‘Night Ride Home’ is the title track from Joni Mitchell’s early nineties Geffen release. Featuring a 5-piece studio group in faithful reproduction. | Click to Listen |
| NO MORE TEARS (ENOUGH IS ENOUGH) | Rock/Pop | This 1979 Disco song of intolerance and being fed up with a failed relationship, recorded as a Duet by Barbra Streisand and Donna Summer, has been re-sequenced and edited for the High School Musical, ‘Musique’, performed in 2007. | Click to Listen |
| NOTHING | Urban/R&B | Drifting apart, deception, struggling to come to terms with infidelity. Darelle Holden’s plaintive interpretation of Nikka Costa’s Contemporary Pop-Soul tune from 2001 features Piano, Wurlitzer Piano and Acoustic Guitar, slow and steep. | Click to Listen |
| NOTHING (Backing Track) | Urban/R&B | Backing Track or Underscore for the song of drifting apart, deception, struggling to come to terms with infidelity. Nikka Costa’s Contemporary Pop-Soul tune from 2001 features Piano, Wurlitzer Piano and Acoustic Guitar, slow and steep. | Click to Listen |
| OCEANO (Excerpt) | World | This excerpt from Operatic Pop phenom, Josh Grobin’s #1 Album, ‘Closer’, features 16 year old, Kelsey Lockhart, singing in Italian for the High School Musical, ‘Musique’, in 2007. | Click to Listen |
| OH DARLIN’ (Acoustic – Backing Track) | Country | Country-Folk re-arrange of the Beatles late sixties ‘Abbey Road’ rocker. Start with Finger-Style Acoustic Guitar, ala Chet Atkins and build from there with Dobro, Accordion, Piano, Violin, Upright Bass and light Brush Work on the Drums. Unique. | Click to Listen |
| OH DARLIN’ (Female Vocal – Acoustic) | Country | Folk-Country re-arrange of the Beatles late sixties ‘Abbey Road’ rocker. Start with Finger-Style Acoustic Guitar, ala Chet Atkins and build from there with Dobro, Accordion, Piano, Violin, Upright Bass and light Brush Work on the Drums. Unique. | Click to Listen |
| OH DARLIN’ (Male Vocal – Acoustic) | Country | Folk-Country re-arrange of the Beatles late sixties ‘Abbey Road’ rocker. Start with Finger-Style Acoustic Guitar, ala Chet Atkins and build from there with Dobro, Accordion, Piano, Violin, Upright Bass and light Brush Work on the Drums. Unique. | Click to Listen |
| OH, HAPPY DAY | Religious | ‘Oh Happy Day’ is a Gospel Standard first written in 1704 and later re-woked by Edwin Hawkins in 1967. This arrangement is a funky Blues Gospel track with Kids Vocals. | Click to Listen |
| OH, HAPPY DAY (Backing Track) | Religious | Backing Track or Underscore for ‘Oh Happy Day’, a Gospel Standard first written in 1704 and later re-woked by Edwin Hawkins in 1967. This re-arranged bed is a funky Blues track with Gospel overtones featuring Keys, Guatr and Hammond B3 Organ fills. | Click to Listen |
| OH, LONESOME ME | Country | One of the most popular Country Standards of all time, this Don Gibson penned classic is cut here with Margie Cates and Her Boys featuring Stephen Hill, supported by Electric Guitar and Pedal Steel, with Fiddle fills. | Click to Listen |
| OH, LONESOME ME (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for one of the most popular Country Standards of all time, this Don Gibson penned classic featuring Guitars and Pedal Steel, with Fiddle fills. Margie Cates Quartet provide Background Vocals. | Click to Listen |
| OH, LONESOME ME (Backing Track) | Country | Backing Track or Underscore for one of the most popular Country Standards of all time, this Don Gibson penned classic featuring Guitars and Pedal Steel, with Fiddle fills. Steel solo at 1:20. | Click to Listen |
| OH, LONESOME ME (Instrumental) | Country | One of the most popular Country Standards of all time, this Don Gibson penned classic is cut here as an Instrumental featuring Electric Guitar and Pedal Steel, with Fiddle fills. | Click to Listen |
| ON BROADWAY | Urban/R&B | Antowaine Richardson featured on the Drifters hit written by Mann and Weil in collaboration with Leiber and Stoller. The Drifters down and out Ballad signifies the obstacles in ones search for success in the entertainment jugernaut. | Click to Listen |
| ON BROADWAY (Backing Track) | Urban/R&B | Backing Track or Underscore for the Drifters hit written by Mann and Weil in collaboration with Leiber and Stoller. The Drifters down and out Ballad signifies the obstacles in ones search for success in the entertainment jugernaut. | Click to Listen |
| ON BROADWAY (Guitar Instrumental) | Rock/Pop | Sultry, slow, and swampy Slack-Key solo Acoustic Guitar interpretation of the classic Drifters hit from 1963. The down and out Ballad signifies the obstacles in ones search for success in the entertainment jugernaut. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Male Vocal – Swing) | Standards | Signature Frank Sinatra piece arranged in the classic Big Band style. This standard has been recorded and performed by dozens of major artists icluding Louis Armstron & Ella Fitzgerald. Cut here with Male Vocal and full Horn Section and Flutes. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Samba – Backing Track) | Standards | Backing Track for the light, upbeat, cointemporary Samba re-arrangement of the classic Popular Standard, recorded and performed by dozens of major artists icluding Louis Armstron & Ella Fitzgerald. Cut here with a 7-piece including an Alto Flute solo. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Samba) | Standards | Light, upbeat, cointemporary Samba re-arrange for the classic Popular Standard, recorded and performed by dozens of major artists icluding Louis Armstron and Ella Fitzgerald. Cut here with Female Vocal and Alto Flute solo. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Swing – Backing Track) | Standards | Backing Track or Underscore for the signature Frank Sinatra Standard arranged in the classic Swing style. This recording features just the Quartet, sans Horns. | Click to Listen |
| ON THE SUNNY SIDE OF THE STREET (Swing w/Horns – Backing Track) | Standards | Backing Track or Underscore for the signature Frank Sinatra Standard arranged in the classic Swing style. This recording features Quartet with full Horns and Flutes, Vocal removed. | Click to Listen |
| ONE NIGHT (Instrumental) | Rock/Pop | Slinky Blues Instrumental with thanks from Elvis Presley. Yakety, growlin’ Tenor Sax feature, Dobro on the Bridges. A little on the sleazy side, 50s style. Originally titled ‘One Night of Sin”, Presley changed the lyrics to accommodate RCA’s censors. | Click to Listen |
| ONE SMALL MIRACLE (Backing Track) | Country | Backing Track or Underscore for the song that asks for a miracle from above to save a broken relationship. This Bryan White Top 40 hit is from 1997 . This slow to medium tempo Ballad maintains its mournful sadness. | Click to Listen |
| ONE SMALL MIRACLE (Instrumental) | Country | Asking for help from above to save a broken relationship, this Bryan White Top 40 hit from 1997 is redone as a Country Pop Instrumental with its elements of Traditional instrumentation. This slow to medium tempo Ballad maintains its mournful sadness. | Click to Listen |
| ONLY LOVE | Country | Terrific, confident song about the power and strength of love, originally recorded by Wynnona Judd in 1993. This track features Tower of Power’s Guitar man on Acoustic & Electric, with Hand Percussion & Keyboards. | Click to Listen |
| ONLY LOVE (Backing Track) | Country | Backing Track or Underscore for this terrific, confident song about the power and strength of love, originally recorded by Wynnona Judd in 1993. This track features Tower of Power’s Guitar man on Acoustic and Electric Guitars, Percussion and Keyboards. | Click to Listen |
| OUT HERE ON MY OWN | Broadway | This Ballad from the Broadway Musical & 1980 film was nomated for Academy Awards Best Original Song, a sensitive Vocal reading with Piano supporting Amy Gottlieb’s graceful voice. It has became an anthem for young performers following their passions. | Click to Listen |
| OUT HERE ON MY OWN (Backing Track) | Broadway | Solo Piano Backing Track or Underscore for this Ballad from the Broadway Musical & 1980 film was nomated for Academy Awards Best Original Song. It has became an anthem for young performers following their passions. | Click to Listen |
| PACK IN THE PIECES (Dance Medley) | Techno/Electronica | Millenium Dance Club Medley featuring: ‘Pick Up the Pieces’, ‘Cold Sweat’, ‘Ain’t No Mountain High Enough’, ‘I Can See Clearly’, and ‘Master Blaster’. Strung together with 4-on-the-Floor. | Click to Listen |
| PAPA CAN YOU HEAR ME (Excerpt) | Movie/TV Themes | A 1983 song, performed by Barbra Streisand for the film Yentl, and by Charlotte Church on her album, ‘Enchantment’. This version is a Duet: Female Vocal supported by Synth Piano accompaniment, produced for the High School Musical, ‘Musique’. | Click to Listen |
| PEOPLE GOT TO BE FREE (Background Instrumental) | Rock/Pop | Elevator Music or Muzak Instrumental interpretation of the Rascals inspirational Top 40 hit from 1968. To paraphase the lyrics: “Ask me my opinion, my opinion will be: Dated, but NEVER out of date.” | Click to Listen |
| PEOPLE’S PARTIES | Rock/Pop | Classic Joni Mitchell observations. This dreamy and moody piece seems to reflect on casual encounters at social gatherings. Tower of Power’s Guitarist, jerry Cortez provides support to teen Vocalist, Kelsey Lockhart in this faithful reproduction. | Click to Listen |
| PEOPLE’S PARTIES (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocals on the end refrain for this dreamy and moody piece that seems to reflect on casual observations at social gatherings. Tower of Power’s Guitarist, Jerry Cortez provides rhythmic support. | Click to Listen |
| PEOPLE’S PARTIES (Backing Track) | Rock/Pop | Backing Track or Underscore for this dreamy and moody piece that seems to reflect on casual observations at social gatherings. Tower of Power’s Guitarist, Jerry Cortez provides rhythmic support. | Click to Listen |
| PIANO IN THE DARK | Rock/Pop | This Grammy Award nominated ‘Song of the Year’ for Singer-songwriter Brenda Russell, became her biggest hit in 1988. Re-cut with teen-ager, Adrianna Bernal and a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PIANO IN THE DARK (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Grammy Award nominated ‘Song of the Year’ from Singer-songwriter Brenda Russell. Faithfully re-cut with a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PIANO IN THE DARK (Backing Track) | Rock/Pop | Backing Track or Underscore for the Grammy Award nominated ‘Song of the Year’ from Singer-songwriter Brenda Russell. Faithfully re-cut with a San Francisco studio crew including Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| PINK (Bluegrass) | Country (Bluegrass) | Another example of how a good song can translate into any genre or style. This 1997 ‘Aerosmith’ classic is re-arranged by Bluegrass sextet, ‘Grassmasters’. | Click to Listen |
| PINK PANTHER | Rock/Pop | The Pink Panther is a large, valuable pink diamond which is first shown in the opening film in the series. Henry Mancini composed the score, of which the popular quirky piece has become a staple. This 1998 recording features all the necessary elements. | Click to Listen |
| PINK PANTHER (Cue) | Movie/TV Themes | The Pink Panther is a large, valuable pink diamond which is first shown in the opening film in the series. This 30 second Cue or Transition, recorded in 1998 features all the necessary elements. | Click to Listen |
| PLEASE MR. POSTMAN | Urban/R&B | An early cover for the Beatles, this Motown classic from 1961 made a contribution to the “Girl Group” phenom. Faithful reproduction features Connye Florance with 5-piece R&B Band and Background Vocal group. | Click to Listen |
| PLEASE MR. POSTMAN (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore for the early Beatles cover. This classic Motown hit from 1961 also made a contribution to the “Girl Group” phenom. Faithful reproduction features a 5-piece R&B Band and Background Vocal group. | Click to Listen |
| PLEASE MR. POSTMAN (Backing Track) | Urban/R&B | Backing Track or Underscore for the early Beatles cover. This classic Motown hit from 1961 also made a contribution to the “Girl Group” phenom. Faithful reproduction features a 5-piece R&B Band. | Click to Listen |
| PLEASE REMEMBER ME (Backing Track) | Urban/R&B | This Rodney Crowell composition has bounced around the Country, Pop and R&B fields. This Backing Track or Underscore pulls from the Neville/Ronstadt Soul arrangement in 1997, and cut at Nashville’s famed Sony/Tree Studios. | Click to Listen |
| PLEASE REMEMBER ME (Instrumental w/BGVs) | Urban/R&B | Originally a Country song written by Rodney Crowell and Will Jennings, this Elevator Music Instrumental leans on the R&B arrangement from Aaron Neville and Linda Ropnstadt, featuring Electric Guitar and Violin melodies with the Background Vocal refrain. | Click to Listen |
| POUR QUE TU M’AIMES ENCORE | World | The biggest song of Celine Dion’s French career, translates as, “So That You’ll Love Me Again”. The lyrics tell of a woman who is emotionally dependent on a partner that has left her for another. Reproduced for the High School Musical, ‘Musique’. | Click to Listen |
| ROCKY RACCOON (Backing Track) | Rock/Pop | Backing Track or Underscore for Paul McCartney’s fun, folksy ramble that could have come right out of the Old West, with true to the original Honky Tonk flair, featuring Acoustic Guitars and Fiddle. | Click to Listen |
| ROCKY RACCOON (Country Instrumental) | Country | Paul McCartney’s folksy, storybook ramble could have come right out of the Old West. This Instrumental combines Tex-Mex and Swamp to the original Honky Tonk Saloon flair, featuring Accordion, Electric Guitar and Dobro on lead duties, Fiddle solo at 2:00. | Click to Listen |
| SAIL AWAY (Backing Track) | Country | Backing Track or Underscore for the Oak Ridge Boys’ Top 10 Country Pop song that spent 13 weeks on the Billboard charts. Pleasant, colorful and heartfelt performance by Nashville’s ‘A’ Team 7-Piece studio band. | Click to Listen |
| SANTA CLAUS IS COMIN’ TO TOWN | Blues | Slow Blues rendition of the classic Christmas song featuring Santana Vocalist, Tony Lindsay, backed by a San Francisco Quartet helmed by Brian Withycombe. First sung on Eddie Cantor’s radio show in November 1934, it became an instant hit. | Click to Listen |
| SATURDAY NIGHT | Rock/Pop | Originally released by the Scottish Pop Rock band, Bay City Rollers, this upbeat number with a memorable hook has been re-recorded by Grammy winning Tony Lindsay during his stint as Lead Vocalist for Santana. | Click to Listen |
| SATURDAY NIGHT (Backing Track) | Rock/Pop | Backing Track or Underscore for “Saturday Night”, originally released by the Scottish Pop Rock band, Bay City Rollers, this upbeat number with a memorable hook has been reproduced with Tower of Power’s Guitarist, Jerry Cortez. | Click to Listen |
| SEARCH YOUR HEART | Urban/R&B | Tower of Power’s front man lends his dynamic soulful voice to this contemporary remake of the Wilson Pickett late 60s hit. Full Horn Section augments 5-Piece Rhythm Section. Pleadin’ and signifying! | Click to Listen |
| SEARCH YOUR HEART (Backing Track) | Urban/R&B | Backing Track or Underscore to this contemporary remake of the Wilson Pickett late 60s hit. Full Horn Section augments 5-Piece Rhythm Section, featuring Hammond B3 organ, Piano, and double Guitar work. | Click to Listen |
| SERPENTINE FIRE (Cue) | Techno/Electronica | 35 second Cue or edited Transition for Techno Dance re-arrange of the ‘Earth Wind and Fire’ hit from the 70s. Intro and brief high energy rhythm impact. | Click to Listen |
| SERPENTINE FIRE (Dance Mix – Backing Track) | Techno/Electronica | Backing Track or Underscore for the Techno Dance re-arrange of the ‘Earth Wind and Fire’ hit from the 70s. This uptempo track kicks with full Horns, complimenting a Sequenced Rhythm Section and Drum Loops. Intense and funky. | Click to Listen |
| SERPENTINE FIRE (Dance Mix) | Techno/Electronica | Techno Dance re-arrange for the Earth Wind and Fire hit from the 70s. This uptempo track kicks. Tower of Power’s Larry Braggs handles Vocal duties with intensity and enthusiasm. Full Horns compliment Sequenced Rhythm Section and Drum Loops. | Click to Listen |
| SET ‘EM UP, JOE (Backing Track) | Country | “Set ‘Em Up Joe” was a tribute song to Ernest Tubb and was a number one hit for Vern Gosdin on the Country charts in 1988. This Backing Track or Underscore stays faithful to the original, and features Pedal Steel Hall-of-Fame inductee, Tommy White. | Click to Listen |
| SET ‘EM UP, JOE (Instrumental) | Country | Originally recorded by American Country music artist Vern Gosdin, released in April 1988. a number one Country hit and tribute song to Ernest Tubb. Cut here as a lighthearted Instrumental Country Blues with plenty of Twang. | Click to Listen |
| SHADOW KNOWS, THE | Urban/R&B | Songwriting and Producing team, Leiber & Stoller wrote a string of late 50’s hits for the Coasters, including this amusing reparte built on the popular 30s pulp dramas. We tell the terrifiying tale of paranoia with 5-piece R&B group and the ‘Shadow’. | Click to Listen |
| SHADOW KNOWS, THE (Backing Track w/BGVs and the ‘Shadow’) | Urban/R&B | Songwriting and Producing team, Leiber & Stoller wrote a string of late 50’s hits for the Coasters, including this amusing reparte built on the popular 30s pulp dramas. This is the Backing Track or Underscore with a 5-piece R&B group and the ‘Shadow’. | Click to Listen |
| SHADOW KNOWS, THE (Backing Track w/BGVs) | Urban/R&B | Songwriting and Producing team, Leiber & Stoller wrote a string of late 50’s hits for the Coasters, including this amusing reparte built on the popular 30s pulp dramas. This is the Backing Track or Underscore with a 5-piece R&B group & Background Vocals. | Click to Listen |
| SHADOW KNOWS, THE (Backing Track) | Urban/R&B | Songwriting and Producing team, Leiber & Stoller wrote a string of late 50’s hits for the Coasters, including this amusing reparte built on the popular 30s pulp dramas. This is the Backing Track or Underscore with a 5-piece R&B group. | Click to Listen |
| SHADOW OF YOUR SMILE (Instrumental) | Standards | Also known as the ‘Love Theme from the Sandpiper’, this classic Standard won the Grammy and Academy Award for Best Song in 1965, and has been covered by many artists troughout the years. This Solo Jazz Guitar version floats loosely through the changes. | Click to Listen |
| SHAPES OF THINGS, THE (Background Instrumental) | Rock/Pop | This Yarbirds hit can justifiably be classified as the first Psychedelic Rock Classic, released in time for the ‘Summer of Love’. The Instrumental here has been completely rearranged, while keeping melody and the signature double-time solo. Quirky! | Click to Listen |
| SHE’S GOT YOU (Backing Track) | Country | Writer Hank Cochran remembers calling Patsy Cline up telling her that he’d just written her next # 1 hit. She told him to come over to her house with a bottle of liquor and play it. This Backing Track or Underscore leans on the Loretta Lynn arrangement. | Click to Listen |
| SHE’S LEAVING HOME | Rock/Pop | Poignant Orchestral song about a young girl leaving home to runaway with her lover, switching from third person to the parents point of view. This 2009 redeux Chamber style arrangment features the Seattle Ballet Orchestra String Section and Perry Danos. | Click to Listen |
| SHE’S LEAVING HOME (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the poignant Beatle song about a young girl leaving home to runaway with her lover. This 2009 redeux Chamber style arrangement features the Seattle Ballet Orchestra String Section and ICE Choir. | Click to Listen |
| SHE’S LEAVING HOME (Backing Track) | Rock/Pop | Backing Track or Underscore for the poignant Beatle song about a young girl leaving home to runaway with her lover. This 2009 redeux Chamber style arrangement features the Seattle Ballet Orchestra String Section and Harp. | Click to Listen |
| SHE’S LEAVING HOME (Lullaby) | New Age/Relaxation | Lullaby for the poignant Beatle song about a young girl leaving home to runaway with her lover. This 2011 redeux Chamber style arrangment features the Seattle Ballet Orchestra String Section, Harp, ICE Choir and Flute. | Click to Listen |
| SHE’S NOT YOU (Instrumental) | Rock/Pop | Elvis’ top ten hit from ’62, distinctly ‘elevated’ ala Booker T meets Country Pop Instrumental. This 6-piece Nashville studio band features Hammond B3 Organ, Pedal Steel and Electric Guitar melodies. Happy, light hearted, and ready for the grocery isle. | Click to Listen |
| SHINING STAR | Urban/R&B | Earth, Wind & Fire’s #1 Grammy winning motivational R&B Funk tune about affirmation and pride, is given a faithful send up by Jazz Vocal Quartet, Commontone. | Click to Listen |
| SILVER BELLS (Country Instrumental) | Country | First performed by Bob Hope and Marilyn Maxwell in the 1951 motion picture ‘Lemon Drop Kid’, although first recorded by Bing Crosby in 1950, the popular Christmas song has been around the block. This 1998 recording is a classic Country Waltz Instrumental | Click to Listen |
| SILVER BELLS (Hawaii) | World | Combine Bing Crosby’s classic Christmas Song, Ukulele and Contemporary Synths and you have this fusion of style and culture. Layers of Keyboards supports this millenium ending version of the classic first released in 1950. | Click to Listen |
| SILVER BELLS (Latin Jazz Instrumental) | Jazz (Latin) | First performed by Bob Hope and Marilyn Maxwell in the motion picture ‘The Lemon Drop Kid’ in 1951, although first recorded by Bing Crosby in 1950, the popular Christmas song has been around the block. This Instrumental Latin Jazz version is from 2003. | Click to Listen |
| SILVER WINGS (Backing Track) | Country | Backing Track or Underscore for Merle Haggard’s late sixties lament, seeing his love flying off into the wild blue yonder. | Click to Listen |
| SLEIGH RIDE (Hallmark Jazz) | Jazz (Mainstream) | The popular Leroy Anderson Christmas Standard gets the jazzy treatment from the Andy Suzuki Quintet, featuring Trombone solo at :50, and Tenor Sax solo at 1:30. Zippy, uptempo, shopping madness, glint in the eyes, super Santa, cocktail Christmas. | Click to Listen |
| SOME CATS KNOW | Broadway | ‘Smokey Joe’s Café’ is a Musical Revue showcasing 39 Pop Standards penned by Leiber & Stoller, including this chestnut originally recorded by Peggy Lee. This copntemporary light Mainstream Jazz Vocal features Dana Sedgwick and the Nick Manson Quartet. | Click to Listen |
| SOME CATS KNOW (Backing Track) | Broadway | ‘Smokey Joe’s Café’ is a Musical Revue showcasing 39 Pop Standards penned by Leiber & Stoller, including this chestnut originally recorded by Peggy Lee. This copntemporary light Mainstream Jazz Backing Track or Underscore features Nick Manson’s Quartet. | Click to Listen |
| SOME KIND OF WONDERFUL | Urban/R&B | Bluesy little rockin’ Motown Soul number written by Carole King and Jerry Goffin, covered multiple times, notably by Marvin Gaye and Huey Lewis, Features 6-piece Horn Section, Hammond B3 Organ, and kick-ass Vocal by Tim Scott. | Click to Listen |
| SOME KIND OF WONDERFUL (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocals for the bluesy little rockin’ Motown Soul number written by Carole King & Jerry Goffin, covered multiple times, notably by Marvin Gaye & Huey Lewis, Features 6-piece Horn Section, Hammond B3 Organ, and rhythm Guitar. | Click to Listen |
| SOME KIND OF WONDERFUL (Backing Track) | Urban/R&B | Backing Track or Underscore for the bluesy little rockin’ Motown Soul number written by Carole King and Jerry Goffin, covered multiple times, notably by Marvin Gaye and Huey Lewis, Features 6-piece Horn Section, Hammond B3 Organ, and rhythm Guitar. | Click to Listen |
| SOMEBODY SHOULD LEAVE (Backing Track) | Country | Country songwriting icon, Harlan Howard, wrote this song for Reba McIntire, a ballad describing a woman who finds herself in a loveless relationship with her husband. This is a faithful reproduction of the Backing Track or Underscore. | Click to Listen |
| SOMEBODY’S EYES | Broadway | From the Film and Broadway Musical, “Footloose”, about the strict rules and morality that pervades the town, sung by a girl afraid that her boyfriend’s ex still has feelings for him, just a little touch of paranoia. Dana Sedgwick and Friends perform. | Click to Listen |
| SOMEBODY’S EYES (Backing Track) | Broadway | Backing Track or Underscore from the Film and Broadway Musical, “Footloose”, about the strict rules and morality that pervades the town, sung by a girl afraid that her boyfriend’s ex still has feelings for him, just a little touch of paranoia. Quirky! | Click to Listen |
| SOMEWHERE OVER THE RAINBOW | Movie/TV Themes | Remarkable duet featuring Ally Jay with Fender Rhodes for the classic, (in every sense of the word), Harold Arlen/Yip Harburg theme from 1939’s ‘The Wizard of Oz’. “Do you suppose there is such a place, Toto?” | Click to Listen |
| SOMEWHERE OVER THE RAINBOW (Alternate – Backing Track) | Movie/TV Themes | Backing Track or Underscore for the classic, (in every sense of the word), Harold Arlen/Yip Harburg theme from 1939’s ‘The Wizard of Oz’. “Do you suppose there is such a place, Toto?” | Click to Listen |
| SOMEWHERE OVER THE RAINBOW (Backing Track) | Standards | Backing Track or Underscore with Fender Rhodes for the classic, (in every sense of the word), Harold Arlen/Yip Harburg theme from 1939’s ‘The Wizard of Oz’. “Do you suppose there is such a place, Toto?” | Click to Listen |
| SOMEWHERE OVER THE RAINBOW (Bartenetti) | Movie/TV Themes | L. A. Jazz Vocalist and performing artist, Marsha Bartenetti, tackles this classic, (in every sense of the word), and Harold Arlen/Yip Harburg theme from 1939’s ‘The Wizard of Oz’. “Do you suppose there is such a place, Toto?” | Click to Listen |
| SPOOKY | Rock/Pop | Originally an instrumental, lyrics were added by members of Classics IV, who would later become the Atlanta Rhythm Section. This Top 10 hit centering on a “spooky little girl”, is re-cut in 2008 with Perry Danos and recorded in London. | Click to Listen |
| SPOOKY (Backing Track) | Rock/Pop | This Backing Track or Underscore was originally an instrumental, lyrics were added by members of Classics IV, who would later become the Atlanta Rhythm Section. The Top 10 hit centers on a “spooky little girl”, re-cut in 2008. | Click to Listen |
| STANDING ON THE EDGE OF GOODBYE (Backing Track) | Country | Backing Track or Underscore for the John Berry hit that climbed to number 2 on the Billboard Hot Country Singles charts. A bisic Country Rock arrangment with Rhythm Section, Pedal Steel, and Fiddle. | Click to Listen |
| STANDING ON THE EDGE OF GOODBYE (Instrumental) | Country | “Picks up the tempo but continues to travel down the same country/soul road that got him where he is.” – Billboard review. This John Berry Top Ten Country Ballad has been reproduced as a Country Rock Instrumental featuring Fiddle and Tenor Sax. | Click to Listen |
| STAY WITH YOU (Backing Track) | Urban/R&B | From the debut album by R&B artist, John Legend, which won the 2006 Grammy Award. This Backing Track or Underscore stays true to the original with it’s easy Memphis-styled groove. | Click to Listen |
| STEPPIN’ OUT (Background Instrumental) | Rock/Pop | ‘Elevated’ Alternative Dance Instrumental for Joe Jackson’s 80s hit, about the anticipation and excitement of a night out on the town. Which eventually earned a Grammy nomination for Record of the Year. Tenor Sax feature with Trombone & Flugelhorn lines | Click to Listen |
| STONED LOVE | Urban/R&B | A message anthem for bringing the world together, free from doubt and strife, if you just believe, in classic Motown fashion. Interplay between Lead and Background Vocals, supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| STONED LOVE (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the Motown message anthem, bringing the world together, free from doubt and strife, just believe. Supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| STONED LOVE (Backing Track) | Urban/R&B | Backing Track or Underscore for the Motown message anthem, bringing the world together, free from doubt and strife, just believe. Supported by driving R&B ensemble featuring Horns, Keys and Percussion. | Click to Listen |
| STONED SOUL PICNIC (Acappella) | Standards | Late sixties Laura Nyro song was a Top 10 hit for the 5th Dimension. Wine, sassafras, moonshine, golden dust . . . .? Sounds like a mellow picnic to me. High School Acappella group, Commontone’s new arrangement is for Vocal Quartet, and very cool! | Click to Listen |
| STOP THIS TRAIN (Backing Track) | Rock/Pop | From John Mayer’s 2006 release, “Continuum”, marked a change in his musical style, incorporating musical elements of Blues and Soul more heavily than in his previous work with Pop-Rock. This Backing Track or Underscore is one of the finer moments. | Click to Listen |
| STOP THIS TRAIN (Female Vocal) | Rock/Pop | Not certain where things are headed and uncomfortable with the relentless march of time, this moody John Mayer song from 2006 is rearranged in a contemporary Acoustic Country style for Kelsey Lockhart to extend her range. | Click to Listen |
| STRAIGHTEN UP AND FLY RIGHT | Standards | First performed in the Nat Cole Trio in 1944, this comical ditty became their most popular single, reaching #1 on the Harlem Hit Parage for 10 weeks. This Western Swing arrangement features Pedal Steel, Fiddle and Sax Section, backing Mikaela Kahn. | Click to Listen |
| STRAIGHTEN UP AND FLY RIGHT (Backing Track) | Standards | First performed in the Nat Cole Trio in 1944, this comical ditty became their most popular single, reaching #1 on the Harlem Hit Parage for 10 weeks. This Western Swing Backing Track or Underscore features Pedal Steel, Accordion, Fiddle and Sax Section. | Click to Listen |
| SUN KING (Lullaby – Backing Track) | Rock/Pop | Backing Track or Underscore from the “Lullaby of Beatle Land” project. This interpretation of the ‘Abbey Road’ classic pulls faithfully from the original, Recorded in Hawaii. | Click to Listen |
| SUN KING (Lullaby) | New Age/Relaxation | This Lullaby interpretation of the ‘Abbey Road’ Beatle classic pulls faithfully from the original, including the faux mixing of Romance languages that occurs in the last three lines of the song. Teen Girl Choir provides Vocals. Recorded in Hawaii. | Click to Listen |
| TAKE A BOW (Background Instrumental) | Rock/Pop | Tongue-in-cheek distinctly ‘Muzak-ified’ Instrumental re-creation of the 1994 Madonna/Babyface hit. Roll through the grocery isle and you will hear this lilting, placid arrangement in the background. Features Piano, Synth Vibes, Flute and Tenor Sax. | Click to Listen |
| TAKE THESE CHAINS FROM MY HEART (Backing Track) | Country | One of the many fine moments from ‘Luke the Drifter’. The Fred Rose/Hy Heath compositiion has seen multiple forays into the Top 40, including Ray Charles. This Backing Track or Underscore features Hall-of-Famer, Tommy White, on Pedal Steel. | Click to Listen |
| TAKE THESE CHAINS FROM MY HEART (Instrumental) | Country | One of the many fine moments from ‘Luke the Drifter’. The Fred Rose/Hy Heath compositiion has seen multiple forays into the Top 40, including Ray Charles. This Instrumental arrangement features Hall-of-Famer, Tommy White, on Pedal Steel. | Click to Listen |
| TALK TO ME (Backing Track) | Urban/R&B | Backing Track or Underscore for the Babyface/Eric Clapton collaboration in 1996. Babyface said: “He started playing guitar and I started smelling neck bone, grits and greens.” This arrangement stays true to the original, cut at Nashville’s Tree Studios | Click to Listen |
| TALK TO ME (Instrumental) | Urban/R&B | Grammy nominated Babyface album, ‘The Day’, produced this collaboration with Eric Clapton, reproduced as a steady Blues Instrumental featuring Tower of Power’s Tom E. Politzer on Tenor Sax. | Click to Listen |
| TEARDROPS (Backing Track w/BGVs) | Urban/R&B | Cecil and Linda Womack (daughter of Sam Cooke), wrote this groove oriented disco tune about infedelity and love lost. This Backing Track or Underscore with Background Vocal parts features a large live ensemble with Horn Section figures added. | Click to Listen |
| TEARDROPS (Backing Track) | Urban/R&B | Cecil and Linda Womack (daughter of Sam Cooke), wrote this groove oriented disco tune about infedelity and love lost. This Backing Track or Underscore features a large live ensemble with Hand Percussion and Horn Section figures added. | Click to Listen |
| TEARDROPS (Female Vocal) | Urban/R&B | Cecil and Linda Womack (daughter of Sam Cooke), wrote this groove oriented disco tune about infedelity and love lost. This arrangement features longtime Tom Jones associate, Darelle Holden backed by a large live ensemble with Horn Section figures added. | Click to Listen |
| TEARDROPS (Male Vocal) | Rock/Pop | Cecil and Linda Womack (daughter of Sam Cooke), wrote this groove oriented Disco tune about infedelity and love lost. This arrangement features Nashville Vocalist and Entertainer, Pery Danos, backed by crack studio players including Horn Section. | Click to Listen |
| TEMPTATION | Standards | Spooky, Exotica Lounge, romantic song from the 30s. This arrangement incorporates it’s original moodiness with contemporary voicings and instrumentation. Layers of Keys, Nylon Guitar fills, Mallet Drums and Upright Bass support the smoky Vocal. | Click to Listen |
| TEMPTATION (Backing Track) | Standards | Backing Track or Underscore for the spooky, exotica lounge, romantic song from the 30s. This arrangement incorporates its original moodiness with contemporary voicings and Instrumentation. Layers of Keys, Nylon Guitar fills, Mallet Drums & Upright Bass. | Click to Listen |
| TEQUILA (Cue) | Rock/Pop | 42 second Cue, Transition or Ringtone for the #1 hit by the Champs on both the Pop and R&B charts and continues to be strongly referenced in pop culture to this day. This arrangement leans on Larry Carlton’s fine re-harm of the original changes. | Click to Listen |
| TEQUILA TOWN (Instrumental) | Country | A Traditional Country Pop tune about infedelity, confession and separation, re-produced Instrumentally by an 8-piece Nashville studio band, renown for their appearances on Prime Time Country and the Grand Ole Opry stage. | Click to Listen |
| TESTIFY (I WANNA) (Background Instrumental) | Urban/R&B | The first hit single by the Detroit Soul singing group, ‘The Parliaments’, has made its way into several repertoirs over the years. This ‘elevated’ Instrumental version primarily pulls from the Johnnie Taylor Stax arrangement released in 1969. | Click to Listen |
| THANK YOU | Rock/Pop | English Singer-Songwriter, Dido’s hit was first released on the 1998 Soundtrack of ‘Sliding Doors’. It is a tribute to her boyfriend. This recording takes the sequenced track and reproduces the arrangement with ‘live’ studio players. | Click to Listen |
| THANK YOU (Backing Track) | Rock/Pop | Backing Track or Underscore for English Singer-Songwriter, Dido’s hit, first released on the 1998 Soundtrack of ‘Sliding Doors’. This recording takes the sequenced track and reproduces the arrangement with ‘live’ studio players. | Click to Listen |
| THAT OLD BLACK MAGIC (Instrumental) | Standards | A popular song first recorded and released by Glenn Miller in 1942. David Benoit’s touring Saxaphonist, Andy Suzuki, gives the Contemporary Jazz treatment to this arrangement, featuring Sax, Electric Guitar, and Piano solo at 1:55. | Click to Listen |
| THAT’S AMORE | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. The song first appeared in the Soundtrack of the Martin and Lewis film, ‘The Caddy’. It remains closely identified with Dino. | Click to Listen |
| THAT’S AMORE (Backing Track w/BGVs) | Standards | Backing Track for “That’s Amore”, a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here with signature Accordion and Mandolin parts with lotsa girls covering Background Vocal parts. | Click to Listen |
| THAT’S AMORE (Backing Track) | Standards | Backing Track or Underscore for “That’s Amore”, a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here with signature Accordion and Mandolin parts. | Click to Listen |
| THAT’S AMORE (Instrumental w/BGVs) | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here as a Guitar feature with signature Accordion and Mandolin parts with lotsa girls covering Background Vocal parts. | Click to Listen |
| THAT’S AMORE (Instrumental) | Standards | “That’s Amore” is a 1952 song by composer Harry Warren and lyricist Jack Brooks. It became a major hit for Dean Martin in 1953. Recorded here as a Guitar Instrumental feature with signature Accordion and Mandolin parts. | Click to Listen |
| THAT’S THE THING ABOUT LOVE (Backing Track) | Country | #1 single from the 1984 Don Williams album, ‘Café Carolina’. This Backing Track or Underscore does not bring visions or George Orwell to mind, rather just a sweet, typical Country Ballad featuring Nashville’s finest studio pros including Tenor Sax fills. | Click to Listen |
| THINGS WE SAID TODAY (Background Instrumental) | Rock/Pop | Background Instrumental for the Beatle song from the film ‘A Hard Days Night’. Re-arranged here with an Elevator Music approach. Cheezy and predictable with Soprano Sax taking the snake charming melody lines. Good drug store background music. | Click to Listen |
| THINGS WE SAID TODAY (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the Beatles song from the film ‘A Hard Days Night’. Re-arranged here with a Bluegrass treatment, featuring the Grassmasters, a studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| THINGS WE SAID TODAY (Bluegrass) | Country (Bluegrass) | It’s down from the mountain for the Beatle song from the film ‘A Hard Days Night’. Re-arranged here with a Bluegrass treatment, featuring the Grassmasters, a studio group comprised of Grand Ol’ Opry regulars. | Click to Listen |
| THINGS WE SAID TODAY (Kids – Backing Track) | Country | Backing Track or Underscore for the Beatles Country-styled arrangment of the Folk-Rock classic. “We’ll remember the things we said today, sometime in the future, so the song projects itself into the future.” – McCartney. | Click to Listen |
| THINGS WE SAID TODAY (Kids) | Country | ‘Kids Bop’ Country-styled arrangement of the Folk-Rock Beatles classic featuring 12 year old Adrianna Bernal and ICE. “We’ll remember the things we said today, sometime in the future, so the song projects itself into the future.” – McCartney. | Click to Listen |
| THIS OLD HEART OF MINE (IS WEAK FOR YOU) | Rock/Pop | Isley Brothers only major hit while with Motown, recorded by numerous artists through the years. This re-arrange loosly patterns the Rod Stewart version and features Brass lines, layered Keyboards and Pop-Soul artist, Perry Danos, on Vocals. | Click to Listen |
| THIS OLD HEART OF MINE (IS WEAK FOR YOU) (Backing Track) | Rock/Pop | Backing Track or Underscore for the Isley Brothers only major hit while with Motown, recorded by numerous artists through the years. This re-arrange loosly patterns the Rod Stewart version and features Brass lines and layered Keyboards | Click to Listen |
| THIS ONE’S FOR THE GIRLS | Country | A salute to women of various ages, dealing with the struggles of different phases of life, starting high school and facing new pressures, coping with uncertainty about a career, and reaching middle age, and tells them “You’re beautiful the way you are.” | Click to Listen |
| THIS ONE’S FOR THE GIRLS (Backing Track w/BGVs) | Country | Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. | Click to Listen |
| THIS ONE’S FOR THE GIRLS (Backing Track) | Country | Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. | Click to Listen |
| THREE COOL CATS | Urban/R&B | Hilarious Novelty track, originally the flip side of the Coasters’ “Charlie Brown” from 1959, and covered by the Beatles. Featuring Vocal Quartet and Rhythm section, faithfully arranged and modernized recording. | Click to Listen |
| THREE COOL CATS (Backing Track w/BGVs) | Urban/R&B | Backing Track or Underscore with Background Vocal parts for the hilarious novelty track, originally the flip side of the Coasters’ “Charlie Brown” from 1959, and covered by the Beatles. Vocal Quartet on a faithfully arranged and modernized recording. | Click to Listen |
| THREE COOL CATS (Backing Track) | Urban/R&B | Backing Track or Underscore for the hilarious novelty track, originally the flip side of the Coasters’ “Charlie Brown” from 1959, and covered by the Beatles. Faithfully arranged and modernized recording. | Click to Listen |
| THREE DAYS | Country | This Willie Nelson / Faron Young collaboration from the early sixties became a Top 10 Hit on the Country Charts. Mikaela Kahn’s arrangement leans on a modernized k. d. lang approach, while still maintaining its Bluesy, Retro flavor. | Click to Listen |
| THREE DAYS (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for Willie Nelson and Faron Young’s collaboration from the early sixties. This arrangement leans on a modernized k. d. lang approach, while still maintaining its Bluesy, Retro flavor. | Click to Listen |
| THREE DAYS (Backing Track) | Country | Backing Track or Underscore for Willie Nelson and Faron Young’s collaboration from the early sixties. This arrangement leans on a modernized k. d. lang approach, while still maintaining its Bluesy, Retro flavor. | Click to Listen |
| TIM McGRAW | Country | The debut single and first published song recorded by American singer-songwriter Taylor Swift. This version is a relatively shameless sound-alike featuring Mikaela Kahn and recorded at Nashville’s famed Ocean Way Stdios. | Click to Listen |
| TIM McGRAW (Backing Track) | Country | The debut single and first published song recorded by American singer-songwriter Taylor Swift. This version is a relatively shameless sound-alike Backing Track or Karaoke Underscore recorded at Nashville’s famed Ocean Way Stdios. | Click to Listen |
| TIN MAN (Backing Track) | Country | Interesting side note: The Video of the 2001 version of this song was scheduled to be filmed in the afternoon of September 11, 2001, at the World Trade Center in New York City, but was canceled because of equipment delays. The fickle fates. | Click to Listen |
| TODAY I STARTED LOVING YOU AGAIN (Backing Track) | Country | This Merle Haggard Backing Track or Underscore has had sporatic chart success over the years with a variety of different artists including Pop singer, Al Martino, and R&B artist, Bobby Bland. | Click to Listen |
| TODO MI AMOR ERES TU | World | A Spanish-language version of the Michael Jackson song, ‘I Just Can’t Stop Loving You’ with lyrics translated by Rubén Blades, has been given a light acoustic Latin treatment by arranger Eugene Bien and Vocalist Adrianna Bernal, featuring Piano and Flute. | Click to Listen |
| TODO MI AMOR ERES TU (Backing Track w/BGVs) | World | Backing Track or Underscore with Background Vocal parts for a Spanish-language version of the Michael Jackson song, ‘I Just Can’t Stop Loving You’, has been given a light Acoustic Latin treatment and features Piano, Flute and Percussive Brush Work. | Click to Listen |
| TODO MI AMOR ERES TU (Backing Track) | World | Backing Track or Underscore for a Spanish-language version of the Michael Jackson song, ‘I Just Can’t Stop Loving You’, has been given a light Acoustic Latin treatment by arranger Eugene Bien and features Piano, Flute and Percussive Brush Work. | Click to Listen |
| TODO MI AMOR ERES TU (Duet) | World | A Spanish-language version of the Michael Jackson song, ‘I Just Can’t Stop Loving You’ with lyrics translated by Rubén Blades, has been given a light acoustic Latin treatment by arranger Eugene Bien and Vocalists Perry Danos and Adrianna Bernal. | Click to Listen |
| TREAT ME NICE (Bluegrass) | Country (Bluegrass) | The King of Rock and Roll returns to his cultural roots in this Bluegrass rendering of the early hit from the film ‘Jailhouse Rock’ with the Jordanaires sporting their original Vocal arrangement. Unique, quirky and darn cool! | Click to Listen |
| TREAT ME NICE (Instrumental w/Jordanaires BGVs) | Rock/Pop | The King of Rock & Roll’s classic collaboration with Leiber & Stoller produced this whimsical hit from the film ‘Jailhouse Rock’. This Instrumental features Dobro, Piano & Guitar with the Jordanaires sporting their original Background Vocal arrangement. | Click to Listen |
| TROUBLE MAN | Movie/TV Themes | Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’, re-arranged for Tower of Power’s front man, Larry Braggs. Shuffle Urban Blues with Sax fills, Congas, and Hammond B3 Organ. Woodwinds and Brass on the bridge. Very cool! | Click to Listen |
| TROUBLE MAN (Backing Track) | Movie/TV Themes | Backing Track or Underscore for Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’. Shuffle Urban Blues with Tenor Sax fills, Congas, and Hammond B3 Organ. Woodwinds and Brass on the bridge. Very cool! | Click to Listen |
| WALK MY WAY | Rock/Pop | Lost love, broken heart, moving on, lesson learned. Unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK MY WAY (Backing Track w/BGVs) | Rock/Pop | Backing Track or Underscore with Background Vocal parts for the unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALK MY WAY (Backing Track) | Rock/Pop | Backing Track or Underscore for the unique little Pop track with Latin overtones. Acoustic Guitar fills and French Horn lines fill out the arrangement. | Click to Listen |
| WALKIN’, TALKIN’, CRYIN’, BARELY BEATIN’ BROKEN HEART | Country | A Roger Miller and Justin Tubb tune that slipped into the Top Ten Country Charts for ‘Highway 101’ in 1990. This wordy classic has been faithfully reproduced, featuring past and present members of the Grand Ole Opry, and Kimberly Hope on Vocals. | Click to Listen |
| WALKIN’, TALKIN’, CRYIN’, BARELY BEATIN’ BROKEN HEART (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts on a Roger Miller/Justin Tubb tune that slipped into the Top Ten Country Charts for ‘Highway 101’ in 1990. This classic has been rearranged featuring past and present members of the Grand Ole Opry. | Click to Listen |
| WALKIN’, TALKIN’, CRYIN’, BARELY BEATIN’ BROKEN HEART (Backing Track) | Country | Backing Track or Underscore for a Roger Miller and Justin Tubb tune that slipped into the Top Ten Country Charts for ‘Highway 101’ in 1990. This classic has been rearranged featuring past and present members of the Grand Ole Opry. | Click to Listen |
| WALKIN’, TALKIN’, CRYIN’, BARELY BEATIN’ BROKEN HEART (Instrumental) | Country | A Roger Miller and Justin Tubb tune that slipped into the Top Ten Country Charts for ‘Highway 101’ in 1990. This wordy classic has been rearranged, sans the words, featuring past and present members of the Grand Ole Opry, including late Ace: Byrd Burton. | Click to Listen |
| WALKING AFTER MIDNIGHT | Country | Million seller, ‘Walking After Midnight’, became Patsy Cline’s first major hit single, reaching No. 12 on the Billboard charts, with stylistic elements taken from the genres of Jazz, Traditional Pop, and Blues. | Click to Listen |
| WALKING AFTER MIDNIGHT (Backing Track) | Country | Backing Track or Underscore for million seller, ‘Walking After Midnight’, which became Patsy Cline’s first major hit single, reaching No. 12 on the Billboard charts. Combining stylistic elements taken from the genres of Jazz, Country, Pop and Blues. | Click to Listen |
| WARM AND FUZZY | Kids | 8 year old Tara Lawrence with ICE, the Island Choral Experience, performs this childlike interpretation of the Billy Gilman Christmas tune, backed by a 5-piece Jazz combo. | Click to Listen |
| WE CAN WORK IT OUT (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for the lively uptempo Bluegrass rendition of the Beatles’ classic from 1965, featuring 6-piece ‘Grassmasters’, fully acoustic. Pickin’ and grinnin’. | Click to Listen |
| WE CAN WORK IT OUT (Bluegrass) | Country (Bluegrass) | Lively uptempo Bluegrass rendition of the Beatles’ classic from 1965, featuring 6-piece ‘Grassmasters’, comprised of Grand Ol’ Opry members, fully acoustic recording. Pickin’ and grinnin’. | Click to Listen |
| WE CAN WORK IT OUT (Country Instrumental) | Country | Lively uptempo Nashville rendition of the Beatles’ classic from 1965, featuring a 10-piece studio Country Band, including Dobro, Fiddle, Acoustic Guitar, Mandolin and Vocal Group Backgrounds. | Click to Listen |
| WE CAN WORK IT OUT (Kids – Backing Track) | Country | Backing Track or Underscore for the lively uptempo Bluegrass flavored rendition of the Beatles’ classic from 1965, featuring 7-piece Nashville ‘A’ Team studio band, pickin’ and grinnin’. | Click to Listen |
| WE CAN WORK IT OUT (Kids) | Country | Lively uptempo Kids Vocal Bluegrass flavored rendition of the Beatles’ classic from 1965, featuring a 7-piece Nashville studio group, mostly acoustic, pickin’ and grinnin’. | Click to Listen |
| WHAT DID DELAWARE? | Kids | A popular song, published in 1959, has references to multiple States, in such fashion as: “She wore her New Jersey”. Rearranged as an uptemp Kids track featuring the ICE Choir of teen-aged girls, backed by a 6-piece London ensemble. Humorous and quirky. | Click to Listen |
| WHAT DID DELAWARE? (Backing Track) | Kids | Backing Track or Underscore for the popular song, published in 1959, with references to multiple States. Re-arranged as an uptempo Kids track featuring a 6-piece London ensemble. Humorous and quirky. | Click to Listen |
| WHAT DID DELAWARE? (Cue) | Kids | 20-second Cue or Transition Edit for the popular song, published in 1959, with references to multiple States. Re-arranged as an uptemp Kids track featuring ICE Choir, a teen-aged Girl Chorus, backed by a 6-piece London ensemble. Humorous and quirky. | Click to Listen |
| WHAT GOES ON (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for a Beatles’ truly “Country” composition, taken to the full blown Bluegrass limit with this arrangement. Serious pickin’ and grinnin’ by the Grassmasters, an acoustic studio band comprised of Grand Ole Opry regulars. | Click to Listen |
| WHAT GOES ON (Bluegrass) | Country (Bluegrass) | One of the Beatles truly “Country” compositions, taken to the full blown Bluegrass limit with this arrangement. Serious pickin’ and grinnin’ by the Grassmasters, an acoustic studio band comprised of Grand Ole Opry regulars. | Click to Listen |
| WHAT GOES ON (Kids – Backing Track) | Country | Backing Track or Underscore for a Beatles’ truly “Country” composition, taken to the full blown Bluegrass limit with this arrangement. Serious pickin’ and grinnin’ by the Grassmasters, an acoustic studio band comprised of Grand Ole Opry regulars. | Click to Listen |
| WHAT GOES ON (Kids) | Country | One of the Beatles truly “Country” compositions, taken to the full blown Bluegrass limit with this arrangement. Serious pickin’ and grinnin’ by the Grassmasters, an acoustic studio band comprised of Grand Ole Opry regulars, in support of Teen Choir, ICE. | Click to Listen |
| WHEN CHRISTMAS COMES TO TOWN | Rock/Pop | From the animated motion picture, “The Polar Express”, this lovely childish Ballad features young sisters, Serina Sea and Sydney Rae, supported by Nashville Keyboard performance artist, Kevin Madill. | Click to Listen |
| WHEN CHRISTMAS COMES TO TOWN (Backing Track) | Rock/Pop | Backing Track or Underscore From the animated motion picture, “The Polar Express”, this lovely Keyboard textured Ballad features Nashville performance artist, Kevin Madill. | Click to Listen |
| WHEN I REACH THE PLACE I’M GOING | Country | Popularized by Wynnona Judd’s 2005 Grand Ol’ Opry performance, this acoustic song of soul searching and life’s journey brings optimism and wisdom to the pursuit of happiness and enlightenment. | Click to Listen |
| WHEN I REACH THE PLACE I’M GOING (Backing Track) | Country | Backing Track or Underscore for the song popularized by Wynnona Judd’s 2005 Grand Ole Opry performance. This Bluegrass flavored song of soul searching and life’s journey brings optimism and wisdom to the pursuit of happiness and enlightenment. | Click to Listen |
| WHIP APPEAL (Backing Track) | Urban/R&B | “Whip Appeal” peaked at number six on the US Billboard Hot 100 singles chart in April 1990. This Backing Track or Underscore stays true to the original, cut live in Nashville at famed Sony/Tree Studios. | Click to Listen |
| WHO WILL SAVE YOUR SOUL | Rock/Pop | The 1st song released from Jewel’s 1st album, ‘Pieces of You’, and subsequently became her 1st hit. She came up with the song while traveling across America and Mexico and said, “It seemed like everybody else was looking for somebody to save them”. | Click to Listen |
| WHO’S LONELY NOW | Country | The Number One Country single from 1989 originally recorded by Highway 101, features Dobro fills, Piano and Vocal Quintet. Swampy Blues with a taste of New Orleans. Dual Soloing at 2:00 | Click to Listen |
| WHO’S LONELY NOW (Backing Track w/BGVs) | Country | Backing Track or Underscore with Background Vocal parts for the Number One Country single from 1989, originally recorded by Highway 101, features Dobro fills, Piano and Vocal Quartet. Swampy Blues with a taste of New Orleans. Dual Soloing at 2:00 | Click to Listen |
| WHO’S LONELY NOW (Backing Track) | Country | Backing Track or Underscore for the Number One Country single from 1989 originally recorded by Highway 101, features Dobro fills, Piano and Country Rhythm section. Swampy Blues with a taste of New Orleans. Dual Soloing at 2:00 | Click to Listen |
| WISH YOU WERE HERE (Backing Track) | Country | Backing Track or Underscore for the successful Ballad from Mark Wills in 1998. Wills told Billboard magazine that, “While some people say it is a sad song t’s really a very positive, optimistic love song about life after death.” | Click to Listen |
| WISH YOU WERE HERE (Instrumental) | Country | Mark Wills first #1 Single, he told Billboard Magazine that while some people say it is a sad song, “it’s really a very positive, optimistic love song about life after death”. This Instrumental interpretation continues the same sentiment. | Click to Listen |
| WORK TO DO | Urban/R&B | Isley Brothers’ classic Soul track, also covered by the Average White Band, re-arranged here for Larry Braggs of ‘Tower of Power’ fame. 7-piece studio band features Percussionist, Acoustic & Electric Guitars, and Piano. “Don’t bug me . . . I’m working!” | Click to Listen |
| WORK TO DO (Backing Track w/BGVs) | Urban/R&B | Backing Track with Background Vocal parts for the Isley Brothers’ classic Soul track, also covered by the Average White Band. 7-piece studio band features Percussionist, Acoustic and Electric Guitars, and Piano. “Don’t bug me . . . I’m working!” | Click to Listen |
| WORK TO DO (Backing Track) | Urban/R&B | Backing Track or Underscore for the Isley Brothers’ classic Soul track, also covered by the Average White Band. 7-piece studio band features Percussionist, Acoustic and Electric Guitars, and Piano. “Don’t bug me . . . I’m working!” | Click to Listen |
| WORKING MAN BLUES (Backing Track) | Country | Backing Track or Underscore for “Workin’ Man Blues”, Merle Haggard’s tribute to a core group of his fans: The American blue-collared working man. This reproduction stays true to the original, complete with high energy train beat. | Click to Listen |
| YELLOW SUBMARINE (Country Instrumental) | Country | Quaint Country-styled adaption of the Beatles’ lighthearted psychedelic adventure to Pepperland. Features Electric Guitar and Pedal Steel for melodies, the signature Marching Band break and plenty of sound effects. Children’s Choir joins in at the outro. | Click to Listen |
| YELLOW SUBMARINE (Instrumental) | Rock/Pop | A charming sing-a-long written by Paul McCartney as a simple child’s tune. This Instrumental version is designed to mimic the characteristics of the original. Electric Guitar & Sax Section cover melodic duties, Children’s Chorus takes over at the fade. | Click to Listen |
| YESTERDAY (Bluegrass – Backing Track) | Country (Bluegrass) | Backing Track or Underscore for one of the most covered songs in history. The popular McCartney composition is reinvented in Bluegrass style, reformed into a Waltz, and features the 6-piece ‘Grassmasters’, comprised of Grand Ol’ Opry members. | Click to Listen |
| YESTERDAY (Bluegrass) | Country (Bluegrass) | One of the most covered songs in history, the popular McCartney composition is reinvented in a Bluegrass style, reformed into a Waltz, and features a 6-piece studio group, the ‘Grassmasters’, comprised of Grand Ol’ Opry regulars. | Click to Listen |
| YESTERDAY (Kids – Backing Track) | Country | Backing Track or Underscore for the popular McCartney song from ‘Rubber Soul’, reinvented in the Bluegrass style, reformed into a Waltz, and featuring 6-piece studio group, ‘Grassmasters’. | Click to Listen |
| YESTERDAY (Kids) | Country | Kids, ala High School Musical, Country style, sing the popular McCartney song, reinvented with Bluegrass instrumentation, reformed into a Waltz and featuring 6-piece ‘Grassmasters’ supporting Ally Jay and the Island Choral Experience on Vocals. | Click to Listen |
| YOU ARE THE SUNSHINE OF MY LIFE (Instrumental) | Urban/R&B | The Grammy Award winnning song became Wonder’s third #1 single on the Billboard Hot 100, and on the Rolling Stone list of ‘500 Greatest Songs of All Time’. This Keyboard oriented Smooth Jazz Instrumental also features Nylon Guitar on the Verses. | Click to Listen |
| YOU CAN’T DO THAT (Backing Track) | Rock/Pop | Backing Track or Underscore for John Lennon’s recurrent jealousy theme in his compositions. This arrangment draws heavily from the original with signature 12-String rhythm and Cowbell throughout. | Click to Listen |
| YOU CAN’T DO THAT (Instrumental) | Rock/Pop | A recurrent jealousy theme in John Lennon’s compositions with tense threats, sexual paranoia and nagging. This arrangment, however, replaces the Vocal with Tenor Sax and Electric Guitars in harmony. Signature 12-String and Cowbell throughout. | Click to Listen |
| YOU CAN’T HURRY LOVE | Rock/Pop | Written and produced by Motown production team Holland–Dozier–Holland, this song topped the U. S. Billboard Pop singles chart in 1966. The song, a memory of a mother’s words of encouragement, that with patience you’ll find that special someone. | Click to Listen |
| YOUR PRECIOUS LOVE | Urban/R&B | Classic romantic Motown Soul Duet from the summer of love in the sixties, re-arranged in contemporary style with a studio 8-piece group. From the compelling Ashford and Simpson songbook, this tune has been covered extensively. | Click to Listen |
| YOUR PRECIOUS LOVE (Backing Track – Minus Her) | Urban/R&B | Classic romantic Motown Soul Duet with the Female Vocal part removed. Ashford and Simpson wrote the song that first hit in the summer of love in the sixties. Re-arranged in contemporary style with an 8-piece studio group in Nashville. | Click to Listen |
| YOUR PRECIOUS LOVE (Backing Track – Minus Him) | Urban/R&B | Classic romantic Motown Soul Duet with the Male Vocal part removed. Ashford and Simpson wrote the song that first hit in the summer of love in the sixties. Re-arranged in contemporary style with an 8-piece studio group in Nashville. | Click to Listen |
| YOUR PRECIOUS LOVE (Backing Track) | Urban/R&B | Backing Track or Underscore for the classic romantic Motown Soul Duet. Ashford and Simpson wrote the song that first hit in the summer of love in the sixties. Re-arranged in contemporary style with an 8-piece studio group in Nashville. | Click to Listen |
| YOU’VE GOT A FRIEND (Bluegrass) | Country (Bluegrass) | Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. | Click to Listen |
| YOU’VE GOT YOUR TROUBLES (Background Instrumental) | Rock/Pop | This mid-sixties Top 10 hit for British group, the Fortunes, has been converted into the classic dental chair, cheeze-whiz, audio wallpaper that supports the Muzak reputation to a tee. Oboe, Vibraphone and Trumpet fill the void. | Click to Listen |
| YOU’VE REALLY GOT A HOLD ON ME (Acappella) | Urban/R&B | 4-Voice A Cappella rendition of the early 60s Motown ‘Miracles’ track written by Smokey Robinson. Windham Hill recording artists, Kidd Afrika, lend their Vocal talents to this classic hit. | Click to Listen |
