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Track Title Genre Track Description PlayLink
ALL IS LOST (Elevated Instrumental) Country “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
ALL THOSE YEARS AGO (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
AVANT GARDEN (Bluegrass) Country (Bluegrass) Recorded by Aerosmith in 2001, re-arranged in the Bluegrass style featuring ensemble Country-style Vocals on the Choruses.  Features fully acoustic 6-piece group, the Grassmasters. Quirky and uptempo. Click to Listen
BABYLON SISTERS Rock/Pop From ‘Gaucho’, the benchmark 1980 release by Steely Dan.  An extraordinary composition built around Donald Fagen’s vintage Rhodes Piano, and a trio of Background Vocals.  This arrangement stays close to the original, with Muted Trumpet for the Synth solo. Click to Listen
BABYLON SISTERS (Backing Track w/BGVs) Rock/Pop Backing Track or Underscore with background Vocal parts for an extraordinary Steely Dan composition built around Donald Fagen’s vintage Rhodes Piano.  This arrangement stays close to the original, with Muted Trumpet for the Synth solo. Click to Listen
BABYLON SISTERS (Backing Track) Rock/Pop Backing Track or Underscore for an extraordinary Steely Dan composition built around Donald Fagen’s vintage Rhodes Piano.  This arrangement stays close to the original, with Muted Trumpet for the Synth solo. Click to Listen
BABYLON SISTERS (Elevated Instrumental) Rock/Pop Muzak-styled, ‘Elevated’ Instrumental of the Steely Dan classic, featuring David Benoit’s Tenor Sax man, Andy Suzuki, improvising at the out section beginning at 4:45.  Muted Trumpet riffs at 3:40.  A bit progressive for your local drug store audio. Click to Listen
BABYLON SISTERS (Instrumental w/BGVs) Rock/Pop ‘Elevated’ Instrumental version of the Steely Dan classic, featuring David Benoit’s Tenor Sax man, Andy Suzuki.  Astonishing solo at the out section beginning at 4:45.  Muted trumpet riffs at 3:40.  4-piece Vocal group added in the Choruses. Click to Listen
BADGE (Bluegrass) Country (Bluegrass) Eric Clapton and Beatle, George Harrison, collaborated on this oddity originally released in 1969 by British Rock Trio, Cream.  Re-arranged here as a Bluegrass Instrumental featuring Opry members, past and present, pickin’ and grinnin’! Click to Listen
BADGE (Cue) Rock/Pop 45 second Cue or Transition for the Eric Clapton and Beatle, George Harrison, collaboration.  This oddity was originally released in 1969 by British Rock Trio, Cream.  Re-arranged here as an Instrumental, featuring Tenor Sax and Guitar melodies. Click to Listen
BADGE (Elevated Instrumental) Rock/Pop Eric Clapton and Beatle, George Harrison, collaborated on this oddity, originally released in 1969 by British Rock Trio, Cream.  Re-arranged here as an Elevator Music or Muzak Instrumental, a Trumpet feature with layers of Guitars and Woodwinds. Click to Listen
BADGE (Instrumental) Rock/Pop Eric Clapton and Beatle, George Harrison, collaborated on this oddity originally released in 1969 by British Rock Trio, Cream.  Re-arranged here as an Instrumental featuring Tenor Sax and Guitar melodies. Click to Listen
BEST, THE Rock/Pop Jazz Rhapsody Vocalist, Connye Florance,  shifts gears into this Rock-Soul Tina Turner vehicle, originally recorded in 1988 by Bonnie Tyler.  Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. Click to Listen
BEST, THE (Backing Track) Rock/Pop Backing Track or Underscore for the Rock-Soul Tina Turner/Bonnie Tyler vehicle.  Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”.  Cut with all the signature elements and drive. Click to Listen
BEST, THE (Instrumental) Urban/R&B Tower of Power’s Tom E. Politzer delivers this Tenor Sax Instrumental version for the Rock-Soul Tina Turner/Bonnie Tyler vehicle.  Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. Click to Listen
BEST, THE (Male Vocal) Urban/R&B Santana Band Vocalist, Tony Lindsay, jumps into this Rock-Soul Tina Turner vehicle, originally recorded in 1988 by Bonnie Tyler.  Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. Click to Listen
BEST, THE (Piano Instrumental) Urban/R&B Bay Area studio wizard, Brian Withycombe, delivers this Piano Instrumental version for the Rock-Soul Tina Turner/Bonnie Tyler vehicle.  Songwriter Holly Knight said it is, “One of those rare gems that’s a positive song, and it’s not cheesy”. Click to Listen
BIG NOISE, NEW YORK (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CENTURY’S END (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CLOUDY (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CRYSTAL SHIP (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DOES ANYBODY REALLY KNOW WHAT TIME IT IS (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T GO AWAY MAD (Elevated Instrumental) Rock/Pop Rocking “Elevated” Instrumental rearrange for the tune from the John Haitt/Ry Cooder 1992 collaboration, Little Village.  This arrangement centers around Electric Guitar and Tenor Sax, backed by a Bluesey Trio featuring Hammond B3 Organ. Click to Listen
DON’T GO AWAY MAD (Instrumental) Rock/Pop Rocking Instrumental rearrange for the tune from the John Haitt/Ry Cooder 1992 collaboration, Little Village.  This arrangement centers around Electric Guitar and Tenor Sax, backed by a Bluesey Trio featuring Hammond B3 Organ. Click to Listen
GAUCHO (Backing Track w/BGVs) Rock/Pop Backing Track or Underscore with Background Vocal parts for the  faithful adaptation of the classic Steely Dan hit including signature Sax lines, Brass fills, Background Vocal Trio and Electric Guitar solos. Click to Listen
GAUCHO (Backing Track) Rock/Pop Backing Track or Underscore for the faithful adaptation of the classic Steely Dan hit including signature Sax lines, Brass fills and Electric Guitar solos. Click to Listen
GAUCHO (Elevated Instrumental) Rock/Pop A faithful Instrumental adaptation of the classic Steely Dan hit including signature Sax lines, Electric Guitar solo, and arranged for Muzak-styled Elevator Music.  Tower of Power’s Sax man, Tom E. Politzer covers intro elements. Click to Listen
GAUCHO (Instrumental w/BGVs) Rock/Pop A faithful Instrumental adaptation of the classic Steely Dan hit including signature Sax lines, Electric Guitar solo, and Background Vocal parts.  Tower of Power’s Guitarist, Jerry Cortez, covers melodic duties on the Verses. Click to Listen
GEE BABY, AIN’T I GOOD TO YOU Jazz (Vocal) Originally released by Nat Cole at the start of the Great Depression, this classic Blues Standard has been covered throughout the century.  This arrangement features sultry Jazz Vocalist, Jennifer Ivester and Piano Trio.  Trio takes 1st time thru form. Click to Listen
GEE BABY, AIN’T I GOOD TO YOU (Backing Track) Standards Backing Track or Underscore of the Blues Standard originally released by Nat Cole at the start of the Great Depression.  This classic has been covered throughout the century.  This arrangement features  Piano Trio with solo at 1:55. Click to Listen
GEE BABY, AIN’T I GOOD TO YOU (Elevated Instrumental) Standards Instrumental Blues Standard given the Background Music treatment.  Originally released by Nat Cole at the start of the Great Depression, this classic has been covered throughout the century.  This arrangement features  Woodwinds, Trumpet & Tenor Sax. Click to Listen
GLAMOUR PROFESSION Rock/Pop A contemporary Vocal version of the Steely Dan hit from the legendary “Gaucho” recordings.  Nashville Studio and Perforance Artist, Perry Danos sings with signature Guitar fills and Sax Section.  Piano solo at 3:30,  Guitar improv ride-out begins at 5:10. Click to Listen
GLAMOUR PROFESSION (Backing Track w/BGVs) Rock/Pop Backing Track or Underscore with Background Vocal parts for the Steely Dan hit from the legendary 1980 “Gaucho” recordings.  Features Vocal refrains, signature Guitar fills and Sax Section parts.  Piano solo at 3:30, Guitar improv ride-out begins at 5:10. Click to Listen
GLAMOUR PROFESSION (Backing Track) Rock/Pop Backing Track or Underscore for the Steely Dan hit from the legendary 1980 “Gaucho” recordings.  Features signature Guitar fills and Sax Section parts.  Piano solo at 3:30, Guitar improv ride-out begins at 5:10. Click to Listen
GLAMOUR PROFESSION (Elevated Instrumental) Rock/Pop Elevator Music or Muzak arrangement for the Steely Dan hit from the 1980 legendary “Gaucho” recordings.  This background music arrangement features Electric Guitar, Tenor Sax and Piano melodies with Horns interplay. Click to Listen
GLAMOUR PROFESSION (Instrumental w/BGVs) Jazz (Contemporary) A contemporary Instrumental version of the Steely Dan hit from the legendary “Gaucho” recordings.  Melodic duties on Flute & Soprano Sax with signature Guitar fills.  Piano solo at 3:30, Guitar has bridge at 3:50 and improv ride out beginning at 5:10. Click to Listen
GOOD TIMIN’ (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator.  He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
GREEN FLOWER STREET (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator.  He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
HERE AT THE WESTERN WORLD (Instrumental) Jazz (Contemporary) A faithful Jazz-Rock Instrumental adaptation of the classic Steely Dan single featuring Woodwinds with signature Guitar fills and interlude.  Think Smooth Jazz / Muzak. Click to Listen
HERE COMES THE SUN (Cue) Rock/Pop Cue, Edit or Transition for George Harrison’s anthem of a new beginning.  Performed solo on Acoustic Steel String Guitar, finger-style.  From the Abbey Road sessions in 1969. Click to Listen
HERE COMES THE SUN (Guitar Instrumental) Rock/Pop George Harrison’s anthem of a new beginning is performed solo on Acoustic Steel String Guitar, Finger-style.  From the Abbey Road sessions in 1969. Click to Listen
HERE COMES THE SUN (Lullaby) New Age/Relaxation George Harrison’s anthem of a new beginning is performed solo on Acoustic Steel String Guitar, fingerstyle.  From the “Abbey Road” sessions in 1969.  Created for the “Lullaby of Beatle Land” compilation. Click to Listen
JUST BETWEEN YOU AND ME (Background Instrumental) Rock/Pop Top 10 hit from ‘Foreigner’ Lou Gramm’s solo effort, reproduced here as an Elevator Music Instrumental.  Most everything is thrown at this arrangement.  Dig deep . . . I’m sure you’ll find a kitchen sink. Click to Listen
LONG, LONG, LONG (Lullaby) New Age/Relaxation From the’Lullaby of Beatle Land’ recording, this George Harrison sleeper from the ‘White Album’ is re-arranged as a Violin and Flute featured Ballad.  Vocal refrain at the Bridge and Fade. Click to Listen
NEVER SAW BLUE LIKE THAT BEFORE Rock/Pop With new love comes a new way to view the world and everything in it.  Romantic ballad features Piano with Keyboard support and female vocal by 17 year old Adrianna Bernal. Click to Listen
NEVER SAW BLUE LIKE THAT BEFORE (Backing Track) Rock/Pop Backing Track or Underscore for the romantic Ballad featuring Piano with Keyboard support.   With new love comes a new way to view the world and everything in it. Click to Listen
SHINE (Backing Track w/BGVs) Rock/Pop Backing Track with Background Vocal parts from the 2008 Disney film, ‘Tinker Bell’.  This song of courage and confirmation promotes self assurance, image and empowerment.  8-piece Nashville ‘A’ team backs teen girl choir ala Glee, High School Musical. Click to Listen
SHINE (Backing Track) Rock/Pop Backing Track or Underscore from the 2008 Disney film, ‘Tinker Bell’.  This song of courage and confirmation promotes self assurance, image and empowerment, in true Disney fashion.  An 8-piece Nashville ‘A’ team of studio wizards provides the music. Click to Listen
TIME OUT OF MIND (Instrumental) Jazz (Contemporary) From the Legendary 1981 ‘Gaucho’ sessions, this quirky Steely Dan track has been arranged as an Instrumental featuring Hammond B3 Organ melodies and signature Horn Section parts.  Think Booker T meets Donald Fagen. Click to Listen
WHILE MY GUITAR GENTLY WEEPS (Backing Track) Rock/Pop Relatively faithful Backing Track or Underscore to George Harrison’s ‘I Ching’ parable, listed as #135 on Rolling Stone’s “500 Greatest Songs of All Time” list.  Features Clapton’s signature solo and licks. Click to Listen
WHILE MY GUITAR GENTLY WEEPS (Country Instrumental) Country Country, but faithful Instrumental rendition of George Harrison’s ‘I Ching’ parable, listed on Rolling Stone’s “500 Greatest Songs of All Time” list.  Features Fiddle and Pedal Steel on lyrical duties while lifting Clapton’s signature solos and licks. Click to Listen
WHILE MY GUITAR GENTLY WEEPS (Instrumental) Rock/Pop Faithful Instrumental rendition of George Harrison’s ‘I Ching’ parable, listed as #135 on Rolling Stone’s 500 Greatest Songs of All Time.  Features Tenor Sax and Slide Guitar, lifting Clapton’s signature solos and licks. Click to Listen