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PAUL SIMON

Track Title Genre Track Description PlayLink
50 WAYS TO LEAVE YOUR LOVER (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
59TH STREET BRIDGE SONG (FEELING GROOVY) (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
AMERICA (Bluegrass) Country (Bluegrass) Bluegrass Instrumental for the song on the American experience:  with references to struggle, weariness, hard work, confusion, and homesickness. Click to Listen
AMERICA (Country Instrumental) Country Classic American Experience, this Country Instrumental interpretation of Simon & Garfunkel refers to two lovers hitch-hiking east through the United States.  Poignant and moody featuring Fiddle, Acoustic Guitar & Pedal Steel, backed by Nashville’s finest. Click to Listen
AMERICAN TUNE (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
APRIL COME SHE WILL Folk Subtle interpretation of the early Simon & Garfunkel track utilizing Bluegrass instrumentation.  From their 1965 “Sounds of Silence” recording, a benchmark beginning of the Folk-Rock phenom.  Angelic Vocal by Adrianna Bernal. Click to Listen
APRIL COME SHE WILL (Backing Track) Folk Backing Track or Underscore for a subtle interpretation of the early Simon & Garfunkel track utilizing Bluegrass instrumentation.  From their 1965 “Sounds of Silence” recording, a benchmark beginning of the Folk-Rock phenom. Click to Listen
APRIL COME SHE WILL (Bluegrass) Country (Bluegrass) Subtle interpretation of the early Simon & Garfunkel track utilizing Bluegrass instrumentation.  From their 1965 “Sounds of Silence” recording, a benchmark beginning of the Folk-Rock phenom.  Fiddle melody by James Taylor’s band member: Andrea Zonn. Click to Listen
AT THE ZOO (Country Instrumental) Country Country-fied Instrumental interpretation of the Siimon and Garfunkel hit from 1967, the summer of love.  Ramble through assorted feels featuring Fiddle and Electric Guitars, with the song that anthropomorphizes the animals in various amusing ways. Click to Listen
BABY DRIVER (Bluegrass) Country (Bluegrass) Swampy Bluegrass rendition of ‘Baby Driver’, from Simon & Garfunkel’s 1970 Grammy winning album of the year.  Fully acoustic 6-piece Grassmasters shred rosin and slide over National Steel coming down from the mountain. Click to Listen
BOXER, THE (Bluegrass) Country (Bluegrass) Bluegrass interpretation of the well-known hit for Simon and Garfunkel about fighting the “good” fight and standing up for yourself. Re-arranged with Ricky Scaggs and James Taylor Band Members and Vocalists. Click to Listen
BOXER, THE (Country Instrumental) Country A late sixties hit for Simon and Garfunkel about fighting the “good” fight and standing up for yourself. Re-arranged as in instrumental in signature Finger-style Country, featuring Vocal refrains, Wood Flute, Harmonica, and layers of Guitars. Click to Listen
BOXER, THE (Elevated Instrumental) Rock/Pop A late sixties hit for Simon and Garfunkel about fighting the “good” fight and standing up for yourself. Re-arranged as in instrumental in Muzak style, elevator music from the lounge. Click to Listen
BRIDGE OVER TROUBLED WATER (Backing Track w/Gospel Choir BGVs) Urban/R&B Backing Track or Underscore for Paul Simon’s #1 hit and Gospel Anthem.  Given the Church Choir send up featuring 36 Voice “Chimes of Freedom Singers”, from Nashville.  and  5-piece studio back-up band. Click to Listen
BRIDGE OVER TROUBLED WATER (Backing Track) Urban/R&B Backing Track or Underscore for Paul Simon’s Grammy Award winning #1 hit and Gospel Anthem.  5-piece studio back-up band gives an emotional send up. Click to Listen
BRIDGE OVER TROUBLED WATER (Gospel Choir) Urban/R&B Paul Simon’s #1 hit and Gospel Anthem is given the full Choir send up featuring 36 Voice “Chimes of Freedom Singers”, from Nashville.  Jazz Rhapsody artist, Connye Florance provides the emotional lead Vocal.  5-piece studio back-up band included. Click to Listen
DUNCAN (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
EL CONDOR PASA (Bluegrass) Country (Bluegrass) ‘The Condor Flies By’ is a song from the Zarzuela.  ‘El Cóndor Pasa’ by Peruvian composer Daniel Robles written in 1913 and based on a Traditional Inca Andean Folk tune. This version is re-arranged as a Bluegrass Instrumental with an all acoustic 5-piece. Click to Listen
EL CONDOR PASA (Country Instrumental) Country ‘The Condor Flies By’ is a song from the Zarzuela  ‘El Cóndor Pasa’ by Peruvian composer Daniel Robles written in 1913 & based on a Traditional Inca Andean Folk tune. This well-known melody is re-arranged as a Country Instrumental, with World influences. Click to Listen
EL CONDOR PASA (Guitar Instrumental) Traditional/Americana Translated means “The Condor Passes”.  Acoustic Guitars and Fender Bass make a sparce treatment of the Traditional Andean Folk song, more recently brought to popularity by Simon and Garfunkel, featuring Tower of Power Guitar man, Jerry Cortez on Slide. Click to Listen
HAZY SHADE OF WINTER (Country Instrumental) Country 12-Piece Nashville Country studio band whips this Simon and Garfunkel chestnut into an Instrumental frenzy.  Featuring layers of Guitars, including 12-String, Fiddle and Accordion with the signature Trumpet and Oboe lines. Click to Listen
HOMEWARD BOUND (Bluegrass) Country (Bluegrass) A classic well-known sixties road song from Simon and Garfunkel, re-arranged in a classic Bluegrass style featuring Acoustic Guitars, Mandolin, Banjo and Fiddle, with partial Vocals by Andrea Zonn and Darrin Vincent. Click to Listen
HOMEWARD BOUND (Country Instrumental) Country A classic well-known sixties road song from Simon and Garfunkel, re-arranged Country-style featuring layers of Guitars, Mandolin, Pedal Steel and Fiddle, with partial Vocals by Andrea Zonn and Darrin Vincent. Click to Listen
I AM A ROCK (Bluegrass) Country (Bluegrass) A popular Simon and Garfunkel song about being reclusive and withdrawing from the world. This version has been re-arranged as an Instumental in classic Bluegrass style, featuring an acoustic 6-piece group of Grand Ole Opry regulars. Click to Listen
I AM A ROCK (Country Instrumental) Country A popular Simon and Garfunkel song about being reclusive and withdrawing from the world.  This version has been re-arranged as an Instumental in classic Country-style, featuring Guitar, Fiddle, Hammond B3 Organ, and Dobro on melodic duties. Click to Listen
LEAVES THAT ARE GREEN (Bluegrass) Country (Bluegrass) Subtle interpretation of the early Simon & Garfunkel track utilizing Bluegrass instrumentation.  From their 1965 “Sounds of Silence” recording, a benchmark beginning of the Folk-Rock phenom.  Acoustic 6-Piece ‘Grassmasters’ fill the bill. Click to Listen
ME AND JULIO DOWN BY THE SCHOOLYARD (Background Instrumental) Rock/Pop “A bit of inscrutable doggerel” said Paul Simon about the three delinquents in his little schoolyard escapade.  However, this version eliminates the story and replaces it with an Elevator Music Instrumental, more doggerel in its own right. Click to Listen
MRS. ROBINSON (Bluegrass) Country (Bluegrass) A #1 hit and film theme from Simon and Garfunkel, re-arranged in a classic Bluegrass style featuring Nashville’s finest and members of the Grand Ole Opry. Click to Listen
MRS. ROBINSON (Country Instrumental) Country From the film ‘The Graduate’, Mrs. Robinson became a number 1 hit for Simon & Garfunkel in the late 60s.  Re-cut by Nashvile’s studio finest featuring signature Acoustic Guitar riffs with Electric Guitar and Fiddle covering melodies. Click to Listen
MY LITTLE TOWN (Country Instrumental) Country Popular mid-seventies Simon & Garfunkel hit about being happy to leave one’s small town behind.  Re-arranged as an Instrumental in a modern Country style with Celtic overtones.  Electric Guitar, Fiddle, Pennywhistle and Mandolin share melodic duties. Click to Listen
SONG FOR THE ASKING (Country Instrumental) Country This beautiful simple melody is a favorite of Simon and Garfunkel fans. This Celtic influenced Country Instrumental Waltz features Pennywhistle, Fiddle, and Piano, delicate and sweet. Click to Listen
SOUNDS OF SILENCE (Bluegrass) Country (Bluegrass) This quintessential Folk-Rock release reached  #1 in 1966, re-arranged here in a classic uptempo Bluegrass style featuring Nashville’s finest studio ‘A’ team and members of the Grand Ole Opry band. Click to Listen
SOUNDS OF SILENCE (Country Instrumental) Country Quintessential Folk-Rock release and first major hit for Simon & Garfunkel, this classic has been set to high speed train beat in this Country Instrumental rendition.  Everyone gets a shot at the melody, including Fiddle, Guitar, Banjo, Steel & Mandolin. Click to Listen