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Track Title Genre Track Description PlayLink
AFTER THE LOVE HAS GONE (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
ALLEGRO MARCATO FROM SYMPHONY #5 (Elevated Instrumental Mix) Classical World War II was still raging during this Symphony’s gestation, and Prokofiev composed it in a safe haven run by the Soviet Union, intended as, “A Hymn to free and happy Man, to his mighty powers, his pure and noble spirit.” Click to Listen
ALLEY CAT Lounge/Exotica Million seller, Grammy winner and Piano feature, Alley Cat, re-arranged with a fusion of Stevie Wonder and Steely Dan.  This is one mixed up cat!  Slinky, novel and bluesey. Click to Listen
ALLEY CAT (Backing Track) Rock/Pop Backing Track or Underscore for the million seller, Grammy winner, ‘Alley Cat’, re-arranged with a fusion of Stevie Wonder and Steely Dan.  This is one mixed up cat!  Slinky, novel and bluesey. Click to Listen
ANGEL EYES Standards A 1946 Popular Song composed by Matt Dennis, with lyrics by Earl Brent, and featured in the 1953 film, ‘Jennifer’.  Because of its colourful harmonic changes, its become a Jazz Standard which has inspired many original interpretations over the decades. Click to Listen
ANGEL EYES (Backing Track) Standards Backing Track or Underscore for the 1946 Popular Song composed by Matt Dennis, and featured in the 1953 film, ‘Jennifer’.  Because of its colourful harmonic changes, its become a Jazz Standard which has inspired many original interpretations over decades. Click to Listen
DON’T Rock/Pop Poignant classic from Elvis’ 50s collection, re-arranged here as a Country flavored Ballad with the Jordanaires doing their original Background Vocal parts and featuring Nashville studio phenom, Perry Danos on lead Vocal. Click to Listen
DON’T  (Backing Track w/Jordanaires BGVs) Rock/Pop Backing Track or Underscore with Background Vocal parts for the poignant classic from Elvis’ 50s collection, re-arranged here as a Country flavored Ballad with the Jordanaires doing their original Background Vocal parts. Click to Listen
DON’T  (Backing Track) Rock/Pop Backing Track or Underscore from Elvis’ 50s collection, re-arranged here as a Country flavored  Ballad  featuring Nashville studio ‘A’ team 8-Piece group. Click to Listen
DON’T  (Instrumental w/Jordanaires BGVs) Rock/Pop Poignant Ballad from Elvis’ 50s collection, re-arranged here as a Country flavored  Instrumental with the Jordanaires doing their original Background Vocal parts. Click to Listen
DON’T (Instrumental) Rock/Pop Poignant Ballad from Elvis’ 50s collection, re-arranged here as a Country flavored  Instrumental with James Taylor’s Fiddle wizard, Andrea Zonn, and the Grand Ol’ Opry’s Pedal Steel man, Tommy White. Click to Listen
DON’T GET AROUND MUCH ANYMORE (Elevated Instrumental) Standards “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers.  First recorded by Duke Ellington in 1940, this re-arrange is a Smooth Jazz/Hip-Hop Instrumental. Click to Listen
HOUND DOG (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for the King of Rock and Roll’s return to his cultural roots in this Bluegrass rendering of the hit that spent 11 weeks at #1. This acoustic Blues features 5-piece ‘Grassmasters’, Grand Ol’ Opry legends in their own time. Click to Listen
HOUND DOG (Bluegrass) Country (Bluegrass) The King of Rock and Roll returns to his cultural roots in this Bluegrass rendering of the hit that spent 11 weeks at #1. This acoustic Blues features 5-piece ‘Grassmasters’, Grand Ol’ Opry legends in their own time. Click to Listen
HOUND DOG (Country Vocal) Country Northwest Artist, Tim Noah, combined with Nashville Bluegrass masters create this rendering of the hit that spent 11 weeks at #1. This acoustic Blues features 5-piece ‘Grassmasters’, Grand Ole Opry legends in their own time. Click to Listen
I WONDER AS I WANDER (Backing Track w/BGVs) Traditional/Americana Backing Track or Underscore with Background Vocal accompaniment for a Christmas Carol many believe to be anonymous in origin.   A captivating Choral Ballad of soul searching, arranged with a medieval-styled flavor. Click to Listen
I WONDER AS I WANDER (Backing Track) Traditional/Americana Backing Track or Underscore for a Christmas Carol many believe to be anonymous in origin.  A captivating Choral Ballad of soul searching, this version features ICE, the Island Choral Experience, with a medieval-styled accompaniment. Click to Listen
I WONDER AS I WANDER (Choir – Leslie) Traditional/Americana Many believe this song to be anonymous in origin, although the Carol also has origins in a song fragment collected by Folklorist John Niles.  A captivating Choral Ballad of soul searching, this version features ICE with a medieval-styled accompaniment. Click to Listen
I WONDER AS I WANDER (Choir) Traditional/Americana Many believe this song to be anonymous in origin, although the carol also has origins in a song fragment collected by folklorist John Niles.  A captivating Choral Ballad of soul searching, this version features ICE with a medieval-styled accompaniment. Click to Listen
LA VIE EN ROSE Broadway From the tragic story and the signature song of Edith Piaf, a street singer discovered by a club owner who’s soon murdered, coached by a musician who brings her to concert halls, and then quickly famous. Click to Listen
LA VIE EN ROSE (Backing Track) Standards Backing Track or Underscore, from the tragic story, and signature song of Edith Piaf.  A street singer discovered by a club owner who’s soon murdered, is coached by a musician who brings her to concert halls, and then quickly to fame. Click to Listen
MANHA DE CARNIVAL World One of the most well known Brazilian melodies of all time, ‘Manha’ helped establish the Bossa Nova movement in the late 50s.  This Luiz Bonfa composition is redone by Tower of Power’s Jerry Cortez and Tom Politzer repectively on Nylon Guitar and Flute. Click to Listen
SILLY Urban/R&B 80’s Philly Soul Ballad of unrequited love and ‘silly’ expectations, sung with tormented passion by Darelle Holden, who spent many years in the Backup Group for Tom Jones.  Strings and Fender Rhodes Piano fill out this spacious and subtle arrangement. Click to Listen
SILLY (Backing Track) Urban/R&B Backing Track or Underscore for the 80’s Philly Soul Ballad of unrequited love and ‘silly’ expectations.  Strings and Fender Rhodes Piano fill out this spacious and subtle arrangement. Click to Listen
SOUS LE CIEL DE PARIS World English translation means “Under Paris Skies”.  This acoustic 7-piece features Acoustic Guitar, Accordion, Harmonica and Mandolin, backing French language Male Vocal.  Think French Cafe, fifties, Waltz, whimsical and romantic. Click to Listen
SOUS LE CIEL DE PARIS (Backing Track) World English translation means “Under Paris Skies”.  Backing Track or Underscore for this 7-piece rendition, features Acoustic Guitar, Accordion, Harmonica and Mandolin.  Think French Cafe, fifties, Waltz, whimsical and romantic. Click to Listen
SOUS LE CIEL DE PARIS (Instrumental) World English translation means “Under Paris Skies”.  This acoustic 7-piece features Guitar, Violin, Accordion, Harmonica and  Mandolin.  Think French Cafe, fifties, waltz, whimsical and romantic. Click to Listen
THIS IS MY COUNTRY (Acappella) Traditional/Americana An American Patriotic Folk song composed in 1940.  Performed here by teen-aged girl choir, ICE (the Island Choral Experience), a cappella, rich beauty, ethereal and patriotic. Click to Listen
WE’LL MEET AGAIN Traditional/Americana One of the most famous songs of the Second World War era that resonated with soldiers going off to fight and their families left behind.  Treated here more like a contemporary Cowboy song and featuring Acoustic Instrumentation with Vocal Quintet. Click to Listen
WE’LL MEET AGAIN (Backing Track w/BGVs) Traditional/Americana Backing Track or Underscore with Background Vocal parts for one of the most famous songs of the Second World War era.  Treated here more like a contemporary Cowboy song and featuring Acoustic instrumentation. Click to Listen
WE’LL MEET AGAIN (Backing Track) Traditional/Americana Backing Track or Underscore for one of the most famous songs of the 2nd World War era that resonated with soldiers going off to fight and their families left behind.  Treated here more like a contemporary Cowboy song & featuring Acoustic instrumentation. Click to Listen
WHAT THE WORLD NEEDS NOW Urban/R&B There is enough beauty in the world, this song imparts, and now it’s time to bring people together.  Sixties hit by jackie DeShannon, re-arranged, with Wanda Jackson, signature Background Vocals and an 8-piece studio band, featuring a Flute solo at 2:10. Click to Listen
WHAT THE WORLD NEEDS NOW (Backing Track w/BGVs) Urban/R&B There is enough beauty in the world, this song imparts, and now it’s time to bring people together.  Backing Track or Underscore for 60s chart hit by jackie DeShannon, arranged with Background Vocal parts and an 8-piece studio band featuring a Flute solo. Click to Listen
WHAT THE WORLD NEEDS NOW (Backing Track) Urban/R&B There is enough beauty in the world, this song imparts, and now it’s time to bring people together.  Backing Track or Underscore for Sixties chart hit by jackie DeShannon, re-arranged, with an 8-piece studio band featuring a Flute solo. Click to Listen
WHAT THE WORLD NEEDS NOW (Instrumental) Urban/R&B There is enough beauty in the world, this song imparts, and now it’s time to bring people together.  60s hit for Jackie DeShannon is re-arranged for a studio Soul band as an Instrumental Tenor Sax & Guitar feature, Smooth Jazz and Retro Urban flavored. Click to Listen
WHAT THE WORLD NEEDS NOW (Sax Instrumental) Urban/R&B There is enough beauty in the world, this song imparts, and now it’s time to bring people together.  Sixties hit for Jackie DeShannon is re-arranged for a studio Soul band as an Instrumental Tenor Sax feature, Smooth Jazz and Retro Urban flavored. Click to Listen
YOU’RE NOT THE ONLY OYSTER IN THE STEW Jazz (Vocal) influential Jazz Pianist, Singer and Comedic Entertainer, Fats Waller, whose innovations to the Harlem Stride style laid the groundwork for Modern Jazz Piano, had this tune in his repertoire.  Cut with an acoustic Jazz Quartet and Vocalist, Perry Danos. Click to Listen
YOU’RE NOT THE ONLY OYSTER IN THE STEW (Backing Track) Jazz (Stride Piano) influential Jazz Pianist, Singer and Comedic Entertainer, Fats Waller, whose innovations to the Harlem Stride style laid the groundwork for Modern Jazz Piano, had this tune in his repertoire.  Old timey style cut with an acoustic Jazz Quartet. Click to Listen