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KOBALT

Track Title Genre Track Description PlayLink
AFTER THE RAIN (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
ALWAYS HAVE, ALWAYS WILL Religious Jumpin’ Kids o’ Joy features a Kids Choir with driving Pop Rock accompaniment for this song of reconciliation and confirmation with one’s faith.  Solid, driving arrangement and message. Click to Listen
ALWAYS HAVE, ALWAYS WILL (Backing Track) Religious Backing Track or Underscore for Avalon’s Christian Pop-Rock anthem of reconciliation and confirmation with one’s faith.  Solid, driving arrangement featuring layers of Guitars, Mandolin, and Percussion. Click to Listen
ALWAYS HAVE, ALWAYS WILL (Cue 1) Religious 25 second Cue or Transition for Avalon’s Christian Pop-Rock anthem of reconciliation and confirmation with one’s faith.  Solid, driving arrangement featuring layers of Guitars, Mandolin, and Percussion. Click to Listen
ALWAYS HAVE, ALWAYS WILL (Cue 2) Religious 35 second Cue or Transition for Avalon’s Christian Pop-Rock anthem of reconciliation and confirmation with one’s faith.  Solid, driving arrangement featuring layers of Guitars, Mandolin, Percussion and Girl’s Choir. Click to Listen
ANGEL OF MERCY (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
BLACK VELVET (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CIRCLE OF FRIENDS (Cue) Religious 30 second Cue or Transition for the gentle song about friends being there for one another, supporting each other, in faith and praise. Click to Listen
COUNTDOWN (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T DISTURB THIS GROOVE (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T LOOK DOWN (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
FADING LIKE A FLOWER (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
FREEDOM RIDER (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
I LOVE ROCK AND ROLL Rock/Pop Joan Jett’s quintessential eighties Rocker was certified platinum and spent 7 weeks at #1 on the Billboard charts. It was actually first recorded in 1975, by the Arrows, on their weekly U. K. television series.  Cut here by John Foster in Nashville, 2003. Click to Listen
I LOVE ROCK AND ROLL (Backing Track) Rock/Pop Backing Track or Underscore for Joan Jett’s quintessential eighties Rocker was certified platinum and spent 7 weeks at #1 on the Billboard charts. It was actually first recorded in 1975, by the Arrows, on their weekly U. K. television series. Click to Listen
I LOVE ROCK AND ROLL (Female Vocal) Rock/Pop Joan Jett’s quintessential eighties Rocker was certified platinum and spent 7 weeks at #1 on the Billboard charts. It was actually first recorded in 1975, by the Arrows, on their weekly UK television series.  Cut here by teen phenom, Lily Davis. Click to Listen
I LOVE ROCK AND ROLL (Male Vocal – Cue) Rock/Pop 25 Second Cue, Segue or Transition for Joan Jett’s quintessential eighties Rocker, certified platinum and spent 7 weeks at #1 on the Billboard charts.  This gender reversal version features John Foster on Vocals. Click to Listen
IN, NOT OF (Cue 1) Religious 38 second Cue or Transition for the  Contemporary Urban Christian song made popular by the group, Avalon.  Features Muted Trumpet fills, Sequenced Drums and layers of Acoustic and Electric Guitars in support of ICE, the Island Choral Experience. Click to Listen
IN, NOT OF (Cue 2) Religious 53 second Cue or Transition for the  Contemporary Urban Christian song made popular by the group, Avalon.  Features Muted Trumpet fills, Sequenced Drums and layers of Acoustic and Electric Guitars in support of ICE, the Island Choral Experience. Click to Listen
KIDS IN AMERICA Rock/Pop Quintessential eighties sequenced Techno ‘New Wave’ Pop song originally by British singer Kim Wilde.  Layers of Synths, outer space effects and Electronic Drums pulse with Disco infernal (chic).  Youthful exuberance and boogie nights abound. Click to Listen
KIDS IN AMERICA (Backing Track) Rock/Pop Backing Track for the quintessential eighties sequenced Techno ‘New Wave’ Pop song by British singer Kim Wilde.  Layers of Synths, outer space effects  and Electronic Drums pulse with Disco infernal (chic).  Youthful exuberance and boogie nights abound. Click to Listen
LOVE WILL COME SOMEDAY Urban/R&B Beautiful re-arrange of the David Sanborn/Michael Sembello collaboration featuring Tower of Power’s lead Tenor Sax man, Tom Politzer, lead vocal by Perry Danos, 6-piece backup group and Gospel Choir backgrounds. Click to Listen
LOVE WILL COME SOMEDAY (Backing Track w/BGVs and Sax) Urban/R&B Backing Track or Underscore with Gospel Choir Background Vocals for the beautiful re-arrange of David Sanborn/Michael Sembello’s collaboration from 1980, featuring a  6-piece Nashville Studio Group. Click to Listen
LOVE WILL COME SOMEDAY (Backing Track w/BGVs) Urban/R&B Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a  6-piece Nashville Studio group, with Gospel Choir Background Vocals, (No Sax). Click to Listen
LOVE WILL COME SOMEDAY (Backing Track w/Sax) Urban/R&B Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a  6-piece Nashville Studio group, with Sax parts and no Background Vocals. Click to Listen
LOVE WILL COME SOMEDAY (Backing Track) Urban/R&B Backing Track or Underscore for the beautiful re-arrange of the David Sanborn/Michael Sembello collaboration from 1980, featuring a  6-piece Nashville Studio group. Click to Listen
MEDICATED GOO Rock/Pop From the second release for Steve Winwood’s band ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations.  This funky arrangement features Tower of Power’s Guitarist, Jerry Cortez. Click to Listen
MEDICATED GOO (Backing Track) Rock/Pop Backing Track or Underscore for the song from the second release of Steve Winwood’s band ‘Traffic’.   It puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their assorted libations. Click to Listen
MEDICATED GOO (Connye) Rock/Pop From the second release for Steve Winwood’s band, ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations.  This funky arrangement features Jazz Rhapsody artist, Connye Florance. Click to Listen
MEDICATED GOO (Halloween – Backing Track) Rock/Pop Backing Track or Underscore for the Halloween arrangement of the song from the second release for Steve Winwood’s band ‘Traffic’.  It puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations. Click to Listen
MEDICATED GOO (Halloween) Rock/Pop From the second release for Steve Winwood’s band ‘Traffic’, puts the positive comic spin on drug culture’s early days and the carefree attitude with hippies and their libations.  This arrangement comes with ghouls and witches brewing on All Hallows Eve. Click to Listen
SINGING YOU THROUGH World All Angels are a British Classical Crossover group formed in 2006.  Their broad repertoire includes this 2007 Pop recording, redone by Celtic artist, Katy Lootens in 2010.  Cut to Piano and Keyboard Pad with Choral support. Click to Listen
SINGING YOU THROUGH (Backing Track w/BGVs) World All Angels are a British Classical Crossover group formed in 2006.  Their broad repertoire includes this 2007 Pop recording, redone as the Backing Track or Underscore with Piano, Keyboard Pad and Choral support. Click to Listen
SINGING YOU THROUGH (Backing Track) World All Angels are a British Classical Crossover group formed in 2006.  Their broad repertoire includes this 2007 Pop recording, redone as the Backing Track or Underscore with Piano and Keyboard Pad. Click to Listen
TURNING TABLES Rock/Pop A Pop Ballad with a soulful sound.  Lyrically, the song describes a domestic dispute in which its narrator assumes a defensive stance against a manipulative ex-lover. Click to Listen
TURNING TABLES (Backing Track) Rock/Pop Backing Track or Underscore for Adele’s Pop Ballad with a soulful sound.  Lyrically, the song describes a domestic dispute in which its narrator assumes a defensive stance against a manipulative ex-lover.  This arrangement stays close to the original. Click to Listen
TWO PEOPLE Urban/R&B Released as the third single from Tina Turner’s sixth solo album “Break Every Rule” (1986), international hit “Two People” has been given a faithful reproduction by Darelle Holden, supported by Keyboard specialist, Curtis Brengle. Click to Listen
TWO PEOPLE (Backing Track w/BGvs) Urban/R&B Backing Track or Underscore with Background Vocal parts for the single from Tina Turner’s sixth solo album “Break Every Rule” (1986).  The international hit has been given a faithful reproduction by Keyboard specialist, Curtis Brengle. Click to Listen
TWO PEOPLE (Backing Track) Urban/R&B Backing Track or Underscore for the single from Tina Turner’s sixth solo album “Break Every Rule” (1986).  The international hit has been given a faithful reproduction by Keyboard specialist, Curtis Brengle. Click to Listen