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JOBETE

Track Title Genre Track Description PlayLink
AIN’T NOTHING LIKE THE REAL THING (Elevated Instrumental 1) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
AIN’T NOTHING LIKE THE REAL THING (Elevated Instrumental 2) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
ALL I DO Urban/R&B Tower of Power’s Lead Vocalist interprets this classic Stevie Wonder love song from the archives of Motown.  Strong performance and killer Background Group featuring ‘Wah-Wah’ Morton.  Hammond B3 Organ solo at 2:20. Click to Listen
ALL I DO (Backing Track w/BGVs) Urban/R&B Backing Track Underscore with Background Vocal parts for Stevie Wonder’s classic  love song from the archives of Motown.  Strong performance and killer background group featuring ‘Wah-Wah’ Morton.  Hammond B3 Organ solo at 2:20. Click to Listen
ALL I DO (Backing Track) Urban/R&B Backing Track or Underscore for Stevie Wonder’s classic  love song from the archives of Motown.  Strong performance and killer background group featuring ‘Wah-Wah’ Morton.  Hammond B3 Organ solo at 2:20. Click to Listen
ALL I DO (Elevated Instrumental) Urban/R&B Elevator Music or Muzak Instrumental version of Stevie Wonder’s love song from the archives of Motown.  Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. Click to Listen
ALL I DO (Instrumental w/BGVs) Jazz (Contemporary) Instrumental version of Stevie Wonder’s love song from the archives of Motown.  Electric and ‘Wah-Wah’ Guitar feature with Background Vocal parts and Hammond B3 Organ solo at 2:20.  From Wonder’s 1980 release, “Hotter Than July”. Click to Listen
ALL I DO (Instrumental) Urban/R&B Instrumental version of Stevie Wonder’s love song from the archives of Motown.  Electric and ‘Wah-Wah’ Guitar feature with Hammond B3 Organ solo at 2:20. Click to Listen
BABY I’M FOR REAL (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
BEN Movie/TV Themes ‘Ben’ won a Golden Globe for Best Song in 1972 and was nominated for an Academy Award for the killer rat film sequel to ‘Willard’.   Originally performed by Michael Jackson, this Female Vocal version features Darelle Holden & the Seattle Symphony Strings. Click to Listen
BEN (Backing Track) Movie/TV Themes Backing Track or Underscore for ‘Ben’, Golden Globe winner for best song in the killer rat film sequel to ‘Willard’.  Originally performed by Michael Jackson,  this version features Jazz Trio and the Seattle Symphony String section. Click to Listen
BEN (Instrumental) Movie/TV Themes ‘Ben’ won a Golden Globe for Best Song in 1972 and was nominated for an Academy Award for the killer rat film sequel to ‘Willard’.   Originally performed by Michael Jackson, this Instrumental features Jazz Trio, Flute, and the Seattle Symphony Strings. Click to Listen
BIRD OF BEAUTY Urban/R&B Stevie Wonder classic from 1974’s  ‘Fullfillingness’.  Treated here as a light Latin Jazz Vocal piece featuring Fender Rhodes based Quartet and sultry Connye Florance on lead Vocals. Click to Listen
BIRD OF BEAUTY (Backing Track) Urban/R&B Backing Track or Underscore for the Stevie Wonder classic from 1974’s ‘Fullfillingness’.  Treated here as a light Latin Jazz piece featuring a Fender Rhodes Piano based Quartet. Click to Listen
CAUSE WE’VE ENDED AS LOVERS Urban/R&B Most closely associated with Jeff Beck’s seminal 1975  ‘Blow By Blow’ recording, this Stevie Wonder tune was written for and performed by his ex-wife, Syreeta Wright.  This arrangement combines the two and features Gospel Choir on Background Vocals. Click to Listen
CAUSE WE’VE ENDED AS LOVERS (Backing Track w/BGVs) Urban/R&B Backing Track or Underscore with Background Vocal parts the the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975  ‘Blow By Blow’ recording.  Chimes of Freedom Gopel Choir provides Vocal Backgrounds. Click to Listen
CAUSE WE’VE ENDED AS LOVERS (Backing Track) Urban/R&B Backing Track or Underscore for the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975  ‘Blow By Blow’ recording.  Vintage Fender Rhodes holds down the group that includes French Horn, Muted Trumpet & Nylon Guitar. Click to Listen
CAUSE WE’VE ENDED AS LOVERS (Elevated Instrumental) Rock/Pop Elevator Music or Muzak Instrumental Underscore for the Stevie Wonder composition most closely associated with Jeff Beck’s seminal 1975  ‘Blow By Blow’ recording.  Vintage Fender Rhodes holds down the group that includes French Horn, Muted Trumpet. Click to Listen
DANCING IN THE STREET (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T MESS WITH BILL Urban/R&B Million selling gold certified Motown song written by Smokey Robinson for the Marvelettes in 1965.  This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ, backing Connye Florance. Click to Listen
DON’T MESS WITH BILL (Backing Track w/BGVs) Urban/R&B Backing Track or Underscore with Background Vocals for the million selling Motown song written by Smokey Robinson for the Marvelettes in 1965.  This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ. Click to Listen
DON’T MESS WITH BILL (Backing Track) Urban/R&B Backing Track or Underscore for the million selling Motown song written by Smokey Robinson for the Marvelettes in 1965.  This arrangement, with a tip of the hat to the Funk Brothers, features Vibes, Horn Section and Organ. Click to Listen
DON’T MESS WITH BILL (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T MESS WITH MR. T Movie/TV Themes Following his politically charged album, ‘What’s Goin’ On’, Margin Gaye turned his attention to Hollywood, commissioned to create the Soundtrack for ‘Trouble Man’.  This Jazz interpretation features Leslie Guitar, Tenor Sax and Harmon Muted Trumpet. Click to Listen
DON’T MESS WITH MR. T (Kidd Afrika) Jazz (Contemporary) Fusion Jazz meets Motown, via the ‘Trouble Man’ Soundtrack by Marvin Gaye.  Recorded in 1979, from the rare and  “Lost Windham Hill” record.  Guitar based Kidd Afrika’s re-arrangement veers from laid back to frantic. Click to Listen
DON’T YOU WORRY ‘BOUT A THING (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
GOLDEN LADY (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator.  He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) Urban/R&B From Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination.  Rocked out with layers of Keys and Guitars and featuring Tower of Power’s lead vocalist, Larry Braggs. Click to Listen
I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) (Backing Track w/BGVs) Urban/R&B Backing Track or Underscore with Background Vocal parts from Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination.  Rocked out with layers of Keys and Guitars Click to Listen
I BELIEVE (WHEN I FALL IN LOVE IT WILL BE FOREVER) (Backing Track) Urban/R&B Backing Track or Underscore from Stevie Wonder’s signature benchmark Grammy album, ‘Talking Book’, comes this song of commitment and determination.  Rocked out with layers of Keys and Guitars. Click to Listen
I JUST CALLED TO SAY I LOVE YOU (Background Instrumental) Urban/R&B Instrumental, Muzak rendition of Stevie Wonder’s mega-hit from the 1984 film, ‘The Woman In Red’, featuring Flute as Wonder’s melodic stand-in.  Elevator’s worldwide have blessed this particular recording, logging 100s of hours going up and down. Click to Listen
I WANT YOU (Gaye – Backing Track w/BGVs) Urban/R&B Backing Track or Underscore with Background Vocal parts for the Motown classic from Marvin Gaye.  Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section.  Lots of colors in this arrangement. Click to Listen
I WANT YOU (Gaye – Backing Track) Urban/R&B Backing Track or Underscore for the Motown classic from Marvin Gaye.  Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section.  Lots of colors in this arrangement. Click to Listen
I WANT YOU (Gaye – R&B) Urban/R&B Motown classic from Marvin Gaye, newly recorded with Tower of Power’s vocalist, Larry Braggs.  Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section.  Lots of colors in this arrangement. Click to Listen
I’LL BE DOGGONE Urban/R&B Top Ten Motown hit for Marvin Gaye. This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine.  Great lead Vocal by Nashville’s Perry Danos. Click to Listen
I’LL BE DOGGONE (Backing Track w/BGVs) Urban/R&B Backing Track or Underscore with Background Vocal parts for the Top Ten Motown hit of Marvin Gaye’s.  This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine. Click to Listen
I’LL BE DOGGONE (Backing Track) Urban/R&B Backing Track or Underscore for the Top Ten Motown hit of Marvin Gaye’s.  This is a faithful adaptation of the original featuring signature elements including the ever present Tambourine. Click to Listen
ISN’T SHE LOVELY (Backing Track) Jazz (Latin) Backing Track or Underscore for the delicate laidback Latin Jazz version of the Stevie Wonder hit from ‘Songs in the Key of Life’, circa 1976.  Featuring Piano, Percussion, Nylon Guitar and a brilliant Harmonica solo via Pat Bergeson beginning at 1:40. Click to Listen
ISN’T SHE LOVELY (Male Vocal) Urban/R&B Delicate laidback Latin Vocal Jazz version of the Stevie Wonder hit from ‘Songs in the Key of Life’, circa 1976, Motown.  Featuring Piano, Percussion, Nylon Guitar and a brilliant Harmonica solo via Pat Bergeson beginning at 1:40.  Male Vocal. Click to Listen
LIVING FOR THE CITY Urban/R&B Stevie Wonder’s poignant plea for equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart.  From pivital 1970s release ‘Innervisions’.  Larry Braggs from Tower of Power puts in his spin. Click to Listen
LIVING FOR THE CITY (Backing Track w/BGVs) Urban/R&B Backing Track with Background Vocal parts for Stevie Wonder’s poignant plea, equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart.  From the pivital 1970s release, ‘Innervisions’. Click to Listen
LIVING FOR THE CITY (Backing Track) Urban/R&B Backing Track or Underscore for Stevie Wonder’s poignant plea, equality and opportunity for all, an appropriate soundscape for the angry social commentary as tough times tug at the heart.  From the pivital 1970s release, ‘Innervisions’. Click to Listen
LOVE’S IN NEED OF LOVE TODAY Urban/R&B Wake up call via Stevie Wonder.  Beautiful re-arrange for 1977’s “Songs in the Key of Life” opening track, featuring Tower of Power’s, Larry Braggs, backed by 7-piece studio band and Background Vocal group. Click to Listen
LOVE’S IN NEED OF LOVE TODAY (Backing Track w/BGVs) Urban/R&B Wake up call, via Stevie Wonder.  Beautiful re-arranged Backing Track or Underscore for 1977’s “Songs in the Key of Life” opening track, featuring 7-piece studio band and Background Vocal parts. Click to Listen
LOVE’S IN NEED OF LOVE TODAY (Backing Track) Urban/R&B Backing Track or Underscore for Stevie Wonder’s wake-up call.  Beautiful re-arrange for 1977’s “Songs in the Key of Life” lead track, featuring a 7-piece studio band that includes Hammond B3, Clavinet, Congas, with layers of Keys and Guitars. Click to Listen
PACK IN THE PIECES (Dance Medley) Techno/Electronica Millenium Dance Club Medley featuring: ‘Pick Up the Pieces’, ‘Cold Sweat’, ‘Ain’t No Mountain High Enough’, ‘I Can See Clearly’, and ‘Master Blaster’.  Strung together with 4-on-the-Floor. Click to Listen
PLEASE MR. POSTMAN Urban/R&B An early cover for the Beatles, this Motown classic from 1961 made a contribution to the “Girl Group” phenom.  Faithful reproduction features Connye Florance with 5-piece R&B Band and Background Vocal group. Click to Listen
PLEASE MR. POSTMAN (Backing Track w/BGVs) Urban/R&B Backing Track or Underscore for the early Beatles cover.  This classic Motown hit from 1961 also made a contribution to the “Girl Group” phenom.  Faithful reproduction features a 5-piece R&B Band and Background Vocal group. Click to Listen
PLEASE MR. POSTMAN (Backing Track) Urban/R&B Backing Track or Underscore for the early Beatles cover.  This classic Motown hit from 1961 also made a contribution to the “Girl Group” phenom.  Faithful reproduction features a 5-piece R&B Band. Click to Listen
TROUBLE MAN Movie/TV Themes Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’, re-arranged for Tower of Power’s front man, Larry Braggs.  Shuffle Urban Blues with Sax fills, Congas, and Hammond B3 Organ.  Woodwinds and Brass on the bridge.  Very cool! Click to Listen
TROUBLE MAN (Backing Track) Movie/TV Themes Backing Track or Underscore for Motown artist Marvin Gaye’s theme song for the film ‘Trouble Man’.   Shuffle Urban Blues with Tenor Sax fills, Congas, and Hammond B3 Organ.  Woodwinds and Brass on the bridge.  Very cool! Click to Listen
YOU ARE THE SUNSHINE OF MY LIFE (Instrumental) Urban/R&B The Grammy Award winnning song became Wonder’s third #1 single on the Billboard Hot 100, and on the Rolling Stone list of ‘500 Greatest Songs of All Time’.  This Keyboard oriented Smooth Jazz Instrumental also features Nylon Guitar on the Verses. Click to Listen
YOUR PRECIOUS LOVE Urban/R&B Classic romantic Motown Soul Duet from the summer of love in the sixties, re-arranged in contemporary style with a studio 8-piece group.  From the compelling Ashford and Simpson songbook, this tune has been covered extensively. Click to Listen
YOUR PRECIOUS LOVE (Backing Track – Minus Her) Urban/R&B Classic romantic Motown Soul Duet with the Female Vocal part removed.  Ashford and Simpson wrote the song that first hit in the summer of love in the sixties.  Re-arranged in contemporary style with an 8-piece studio group in Nashville. Click to Listen
YOUR PRECIOUS LOVE (Backing Track – Minus Him) Urban/R&B Classic romantic Motown Soul Duet with the Male Vocal part removed.  Ashford and Simpson wrote the song that first hit in the summer of love in the sixties.  Re-arranged in contemporary style with an 8-piece studio group in Nashville. Click to Listen
YOUR PRECIOUS LOVE (Backing Track) Urban/R&B Backing Track or Underscore for the classic romantic Motown Soul Duet.  Ashford and Simpson wrote the song that first hit in the summer of love in the sixties.  Re-arranged in contemporary style with an 8-piece studio group in Nashville. Click to Listen
YOU’VE REALLY GOT A HOLD ON ME (Acappella) Urban/R&B 4-Voice A Cappella rendition of the early 60s Motown ‘Miracles’ track written by Smokey Robinson.  Windham Hill recording artists, Kidd Afrika, lend their Vocal talents to this classic hit. Click to Listen