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GELFAND

Track Title Genre Track Description PlayLink
(I’VE GOT TO STOP) THINKIN’ ‘BOUT THAT (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
ALL ABOUT SOUL (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
AND SO IT GOES Rock/Pop Billy Joel’s poignant Ballad about a doomed relationship.  Featuring Nashville studio and performance artist, Perry Danos with Piano ensemble in support.  A remarkable piece of writing. Click to Listen
AND SO IT GOES (Acappella) Rock/Pop Billy Joel’s poignant Ballad about a doomed relationship.  Featuring A Cappella vocal group, Commontone.  A remarkable piece of writing and arranging. Click to Listen
AND SO IT GOES (Backing Track) Rock/Pop Backing Track for Billy Joel’s poignant Ballad about a doomed relationship featuring  Piano and ensemble. Click to Listen
AND SO IT GOES (ICE) Rock/Pop Billy Joel’s poignant Ballad about a doomed relationship.  Featuring Choral group ICE (The Island Choral Experience) with Piano ensemble in  support.  A remarkable piece of writing . . . thanks Mr. Joel. Click to Listen
AND SO IT GOES (Jeremy) Rock/Pop Billy Joel’s poignant ballad about a doomed relationship.  Featuring Teen Male Vocal with Choral group ICE, The Island Choral Experience, with Piano ensemble in support.  A remarkable piece of writing. Click to Listen
ANOTHER DAY Rock/Pop Sweet, delicate, and beautiful little Folk Ballad featuring child-like Female Vocal.  A romantic preamble through the meadow. Click to Listen
ANOTHER DAY (Backing Track) Rock/Pop Backing Track or Underscore for James Taylor’s sweet, delicate, beautiful little Folk Ballad.  A romantic preamble through the meadow. Click to Listen
ANOTHER DAY (Elevated Instrumental) Rock/Pop Elevator Music or Muzak Instrumental for James Taylor’s sweet, delicate, beautiful little Folk Ballad.  A romantic preamble through the meadow. Click to Listen
BABY BOOM BABY (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
BIG LOVE (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for the Bluegrass version of the Fleetwood Mac track, with spirited energetic zeal!  The song was the first single to be originally released from the album, ‘Tango in the Night’, reaching #5 on the U.S. charts. Click to Listen
BIG LOVE (Bluegrass) Country (Bluegrass) Bluegrass ensemble takes a run at this Fleetwood Mac track, with energetic zeal, pickin’ and grinnin’!  The song was the first single to be originally released from the album, ‘Tango in the Night’, reaching #5 on the U.S. charts. Click to Listen
BIG LOVE (Country Instrumental) Country This classic Fleetwood Mac song of passion, love, and heartache was originally recorded in 1987. Re-arranged in a classic Country Instrumental “picking and grinning” style, featuring Guitars, Mandolin, Fiddle and  Dobro. Click to Listen
BIG LOVE (Kids) Country Teen-aged Kids take a run at this Fleetwood Mac track, with a driving acoustic Country background.  The song was the first single to be originally released from the album, ‘Tango in the Night’, reaching #5 on the U.S. charts. Click to Listen
BLUES, THE (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CAN’T DO A THING (TO STOP ME) (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CAROLINA ON MY MIND (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen
CHANGING HORSES (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
COPPERLINE Country Rearrangment of the James Taylor Songbook into Acoustic Country is an elegant fit, providing down-to-earth, roots interpretations to JTs music. Acoustic 7-piece, including Taylor bandmember, Andrea Zonn, provide the backdrop for Vocalist, J. B. White. Click to Listen
COPPERLINE (Backing Track) Country Backing Track or Underscore for the rearrangment of James Taylor’s nostalgic childhood reminiscence into salt-of-the-earth ‘Copperline’.  An acoustic, roots interpretation by a Bluegrass 7-piece, including Taylor bandmember, Andrea Zonn on Fiddle. Click to Listen
COPPERLINE (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations of JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen
DON’T LET ME BE LONELY TONIGHT (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen
DON’T LET ME BE LONELY TONIGHT (Elevated Instrumental) Rock/Pop Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers.  Re-arranging James Taylor’s Songbook into ‘Elevator Music’ is an elegant fit, pushing Muzak Instrumentals into new territory. Click to Listen
DOWNEASTER “ALEXA” (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
FEELS LIKE HOME TO ME Rock/Pop When all is lost, up steps the love of their life to the rescue in this poignant love song from Randy Newman’s songbook.  Sung by talented 17 year old Adrianna Bernal and featuring Nashville’s ‘A’ team of crack session players. Click to Listen
FEELS LIKE HOME TO ME (Backing Track) Rock/Pop Backing Track or Underscore to Randy Newman’s poignant love song.  Featuring Nashville’s ‘A’ team of crack session players. Click to Listen
FIRE AND RAIN (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen
LONGER (Guitar Instrumental) Rock/Pop Singer-songwriter Dan Fogelberg commented on ‘Longer’ as “the song that put me on the elevators”.  Acoustic Guitar duet featuring Nylon and Steel String. Click to Listen
LULLABYE (GOODNIGHT MY ANGEL) Rock/Pop Inspired by his daughter, Alexa Ray, Billy Joel wrote this lilting bedtime story in 1993.  Featured here by Perry Danos with the Seattle Ballet Orchestra String Section and Jazz educator, Nick Manson on Piano.  Beatiful, lush and downright sleepy. Click to Listen
LULLABYE (GOODNIGHT MY ANGEL) (Adrianna) Rock/Pop Inspired by his daughter, Alexa Ray, Billy Joel wrote this lilting bedtime story in 1993.  Featured here by Adrianna Bernal with the Seattle Ballet Orchestra string section and Jazz educator, Nick Manson on Piano.  Beatiful, lush and downright sleepy. Click to Listen
LULLABYE (GOODNIGHT MY ANGEL) (Backing Track) Rock/Pop Inspired by his daughter, Alexa Ray, Billy Joel wrote this lilting bedtime story in 1993.  This Backing Track or Underscore features the Seattle Ballet Orchestra String Section and Jazz educator, Nick Manson on Piano.  Beatiful, lush and downright sleepy. Click to Listen
MEXICO (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen
NEVER DIE YOUNG (Bluegrass) Country (Bluegrass) Re-arrangement of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory and providing down-to-earth roots interpretations to JT’s music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn on Fiddle. Click to Listen
NEVER GOIN’ BACK AGAIN (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for Fleetwood Mac’s quaint, optimistic tune from 1977 re-arranged as a Bluegrass Instrumental, featuring National Steel, Dobro, and Fiddle. Click to Listen
NEVER GOIN’ BACK AGAIN (Bluegrass) Country (Bluegrass) Fleetwood Mac’s quaint, optimistic tune from 1977, re-arranged as a Bluegrass Instrumental, featuring National Steel, Dobro, and Fiddle. Click to Listen
NEVER GOIN’ BACK AGAIN (Country) Country A 1977 hit for British-American Rock group,  Fleetwood Mac, this optimistic and reflective song is from the smash hit album, Rumours.  Re-arranged with a Country flair, featuring National Steel, Dobro and Fiddle with the Vocal refrain. Click to Listen
NEVER GOIN’ BACK AGAIN (Kids) Country Fleetwood Mac’s quaint, optimistic tune from 1977, re-arranged as Bluegrass flavored Country, with National Steel, Dobro, and Fiddle, featuring Kids Vocals courtesy of ICE, the Island Choral Experience.  Think Glee via Nashville. Click to Listen
NEW YORK STATE OF MIND Jazz (Vocal) Billy Joel was literally “taking a Greyhound bus on the Hudson River Line” when the idea for the song came to him, and was written as soon as he arrived home.  Although never released as a single, it has become a fan favorite.  Perry Danos interprets. Click to Listen
NEW YORK STATE OF MIND (Backing Track) Jazz (Vocal) Backing track or Underscore for Billy Joel’s fan favorite.  Joel was literally “taking a Greyhound bus on the Hudson River Line” when the idea for the song came to him, and was written as soon as he arrived home.  6-piece Jazz ensemble interprets. Click to Listen
ONLY ONE (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen
SARAH MARIA (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 5-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen
SHOWER THE PEOPLE (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen
SWEET BABY JAMES (Bluegrass) Country (Bluegrass) Rearrangement of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory and providing down-to-earth roots interpretations to JTs music. This Acoustic 6-piece, includes Taylor bandmember, Andrea Zonn, on Fiddle. Click to Listen
TAKE IT EASY (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for the classic Eagles hit recorded in 1972, re-arranged as an Instrumental Bluegrass tune featuring the ‘Grassmasters’, Opry legends in their own time.  Zippy, upbeat, fleet fingered, pickin’ and grinnin’! Click to Listen
TAKE IT EASY (Bluegrass) Country (Bluegrass) This classic Eagles hit recorded in 1972 has been re-arranged as an Instrumental Bluegrass tune featuring the ‘Grassmasters’, Opry legends in their own time.  Zippy, upbeat, fleet fingered, pickin’ and grinnin’! Click to Listen
TAKE IT EASY (Country Instrumental) Country This classic Eagles hit recorded in 1972 has been re-arranged as a Country Rock Instrumental with ghostly cowgirl Background Vocals.  From the ‘Gone Country’ series, this fleet fingered rendition moves along at a brisk pace. Click to Listen
TAKE IT EASY (Kids) Country This classic Eagles hit recorded in 1972 has been re-arranged as a Kids Bop Country Rock track with Teen girl’s Chorus providing Vocals.  From the ‘Kids Rock the Country’ series, this fleet fingered rendition moves along at a brisk pace. Click to Listen
UPTOWN GIRL Rock/Pop The Billy Joel Top 10 hit from 1983 describes a working-class “downtown man” attempting to woo a wealthy “uptown girl”, inspired by the music of the ‘4 Seasons’.  This lightweight version became a segment of the High School Musical, ‘Musique’, in 2007. Click to Listen
YOUR SMILING FACE (Bluegrass) Country (Bluegrass) Rearrangment of the James Taylor Songbook into Bluegrass is an elegant fit, pushing Bluegrass into new territory & providing down-to-earth roots interpretations to JTs music. Acoustic 6-piece, including Taylor bandmember, Andrea Zonn, provide the pickin’. Click to Listen