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EMBASSY
| Track Title | Genre | Track Description | PlayLink |
| DELTA LADY (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| DINOSAUR (Elevated Instrumental) | Urban/R&B | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| EARTH ANGEL (Elevated Instrumental) | Rock/Pop | “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined. With intent, this Instrumental has been “elevated”. | Click to Listen |
| I’M A KING BEE | Blues | Written by Slim Harpo under his real name of James Moore, “King Bee” was also featured on the 1964 debut album of the Rolling Stones. This version features 60s Bay Area Psychedelic cult group, the Chocolate Watchband. | Click to Listen |
| LADY BLUE (Backing Track) | Rock/Pop | Written by Motown Recods founder, Barry Gordy, Jr., and became a mid-seventies hit for Leon Russell. This Backing Track or Underscoreshows Russell’s Memphis influences with solid Al Jackson-styled Drum groove. Tenor Sax fills throughout. | Click to Listen |
| NIGHT TRAIN | Urban/R&B | Twelve-bar Blues Instrumental Standard first recorded by Jimmy Forrest in 1951. The Tom Politzer arrangement leans on the 1961 James Brown approach, Tenor Sax leads with 4-piece Rhythm Section. Rock out! | Click to Listen |
| NIGHT TRAIN (Backing Track) | Urban/R&B | Music Minus One, (Sax), for the twelve-bar Blues Instrumental Standard first recorded by Jimmy Forrest in 1951. This underscore leans heavily on the 1961 James Brown approach, with a 4-piece Rhythm Section. Rock out! | Click to Listen |
| NIGHT TRAIN (Cue) | Urban/R&B | 55 Second Cue or Transition for the twelve-bar Blues Instrumental Standard, first recorded by Jimmy Forrest in 1951. The Tom Politzer arrangement leans on the 1961 James Brown approach, Tenor Sax leads with 4-piece Rhythm Section. Rock out! | Click to Listen |
| SAVE YOUR LOVE FOR ME | Blues | 12/8 Jazz-Blues, cut in London and featuring Piano Quintet in support of Dana Sedgwick. Originally from Al Jarreau’s 1994 “Tenderness” album, more recently cut by Jane Monheit at the turn-of-the-century. Tenor Sax solo at 2:15. | Click to Listen |
| SAVE YOUR LOVE FOR ME (Backing Track) | Rock/Pop | Backing Track or Underscore for the 12/8 Jazz-Blues, cut in London and featuring Piano Quintet. Originally from Al Jarreau’s 1994 “Tenderness” album, more recently cut by Jane Monheit at the turn-of-the-century. Tenor Sax solo at 2:15. | Click to Listen |
| YES INDEED | Blues | Ray Charles’ Rock ‘n Roll send up of the Sy Oliver composition from 1958. Upbeat, Churchy, Retro & Swingin’! Has Ray’s signature pump organ intro, “Raylets” Background Vocals and full Horn Section with Tenor Sax solo at 1:20, courtesy of Tower of Power. | Click to Listen |
| YES INDEED (Backing Track w/BGVs) | Blues | Backing Track with ‘Raylets’ Background Vocal parts for Ray Charles’ Rock ‘n Roll send up of the Sy Oliver composition from 1958. Upbeat, Churchy, Retro & Swingin’! Has Ray’s signature pump organ intro and full Horn Section with Tenor Sax solo at 1:20. | Click to Listen |
| YES INDEED (Backing Track) | Blues | Backing Track or Underscore for Ray Charles’ Rock ‘n Roll send up of the Sy Oliver composition from 1958. Upbeat, Churchy, Retro & Swingin’! Has Ray’s signature pump organ intro and full Horn Section with Tenor Sax solo at 1:20 courtesy: Tower of Power. | Click to Listen |
