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CHRYSALIS

Track Title Genre Track Description PlayLink
AFTERNOON DELIGHT (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
BIGGER THAN THE BEATLES (Backing Track) Country Originally recorded by American Country Music artist, Joe Diffie, this Backing Track or Underscore is for the song about an amateur rocker and his bartender girlfriend. The narrator states that the couple has a love, “Bigger than the Beatles”. Click to Listen
CHELSEA BRIDGE (Backing Track) Jazz (Mainstream) A Jazz Standard written by Billy Strayhorn for the Duke Ellington Orchestra, and has since been recorded by numerous illuminaries in the Jazz World including Tony Bennett, Keith jarrett & Wynton Marsalis.  This Backing Track floats through the changes. Click to Listen
CHILDREN OF THE NIGHT (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CRAZY (Elevated Instrumental) Country “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DELTA LADY (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
FOREVER’S AS FAR AS I’LL GO (Elevated Instrumental) Country “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
LADY BLUE (Backing Track) Rock/Pop Written by Motown Recods founder, Barry Gordy, Jr., and became a mid-seventies hit for Leon Russell.  This Backing Track or Underscoreshows Russell’s Memphis influences with solid Al Jackson-styled Drum groove.  Tenor Sax fills throughout. Click to Listen
MELODY OF LIFE World Contemporary Celtic song reflecting youthful times gone by, when days were long and carefree.  Originally made popular by Lynn Hilary and Celtic Women.  This languid arrangment features former Miss Idaho, Katy Lootens. Click to Listen
MELODY OF LIFE (Backing Track) World Backing Track or Underscore for the Contemporary Celtic song reflecting youthful times gone by, when days were long and carefree.  Originally made popular by Lynn Hilary & Celtic Women.   Featuring an ambient backdrop of Keys and Violin. Click to Listen
MISTY BLUE (Backing Track) Urban/R&B In 1967 Eddy Arnold’s version of this song became a hit in the Country field but the most successful release came in 1976 with the Pop-Soul hit by Dorothy Moore.  This Backing Track or Underscore pulls from Moore’s R&B arrangement. Click to Listen
MONSTER MASH Rock/Pop Is there anyone in the free world . .  and then some, who hasn’t heard Bobby ‘Boris’ Pickett’s “Monster Mash”?  This Halloween extravaganza has been rebuilt from the ashes of the original, maintaining its humor, charm and ghoulish qualities. Click to Listen
MONSTER MASH (Backing Track w/BGVs and SFX) Rock/Pop Is there anyone in the free world . .  and then some, who hasn’t heard Bobby ‘Boris’ Pickett’s “Monster Mash”?  This Backing Track has been rebuilt from the ashes of the original, maintaining its humor, charm and ghoulish qualities. Click to Listen
MONSTER MASH (Backing Track w/BGVs) Rock/Pop Is there anyone in the free world . .  and then some, who hasn’t heard Bobby ‘Boris’ Pickett’s “Monster Mash”?  This Backing Track has been rebuilt from the ashes of the original, maintaining its humor, charm and ghoulish qualities. Click to Listen
MONSTER MASH (Backing Track) Rock/Pop Is there anyone in the free world . .  and then some, who hasn’t heard Bobby ‘Boris’ Pickett’s “Monster Mash”?  This Backing Track has been rebuilt from the ashes of the original, maintaining its humor, charm and ghoulish qualities. Click to Listen
MY HEART CAN’T TELL YOU NO (Background Instrumental) Rock/Pop The Los Angeles times called the song “obviously commercial”, which makes this Elevator Music Instrumental even more apropos.  Multiple layers of instrumentation from Horns to Guitars to Keyboards bring this Rod Stewart song to the elevator lounge. Click to Listen
MY IMMORTAL Rock/Pop “A spirit staying with you after its death and haunting you until you actually wish that the spirit were gone because it won’t leave you alone”, says Evanescence composer, Ben Moody.  This 2007 reboot for the High School Musical, ‘Musique’ features ICE. Click to Listen
SMILIN’ (Backing Track) Country Backing Track or Underscore for the song from Tim McGraw’s 2001 album, “Set This Circus Down”.  This track features layers of Guitars, Hammond B3 Organ and Fiddle with a ‘New Country Rock’ feel. Click to Listen
STAY GONE (Backing Track) Country Backing Track or Underscore for another one of those classic Country laments, in this case the protagonist tells his ex-lover that he is over her and wants her to “stay gone”.  Pedal Steel, Mandolin and Fiddle add to this delicate track. Click to Listen
TAKE THE ‘A’ TRAIN (Backing Track) Jazz (Mainstream) Backing Track or Underscore for the perennial favorite and signature tune from the Duke Ellington Orchestra.  This uptempo arrangement features a mainstream Piano trio. Click to Listen
THIS ONE’S FOR THE GIRLS Country A salute to women of various ages, dealing with the struggles of different phases of life, starting high school and facing new pressures, coping with uncertainty about a career, and reaching middle age, and tells them “You’re beautiful the way you are.” Click to Listen
THIS ONE’S FOR THE GIRLS (Backing Track w/BGVs) Country Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. Click to Listen
THIS ONE’S FOR THE GIRLS (Backing Track) Country Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. Click to Listen