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Track Title Genre Track Description PlayLink
A FINE MESS Movie/TV Themes From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations.  It has been given a contemporary treatment while maintaining its original Funky charm, including full Horn Section. Click to Listen
A FINE MESS (Backing Track w/BGVs) Movie/TV Themes Backing Track or Underscore with Backgroud Vocal parts for the Motown produced Theme from the buddy comedy of the same name.  It has been given a contemporary treatment while maintaining its original Funky charm,. Click to Listen
A FINE MESS (Backing Track) Movie/TV Themes Backing Track or Underscore for the Motown produced Theme from the buddy comedy of the same name.  It has been given a contemporary treatment while maintaining its original Funky charm,. Click to Listen
A FINE MESS (Elevated Instrumental) Movie/TV Themes “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
A FINE MESS (Instrumental w/BGVs) Movie/TV Themes From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations.  It has been given a contemporary Instrumental treatment while maintaining its original Funky charm, including Background Vocal ensemble and Horns. Click to Listen
A FINE MESS (Instrumental) Movie/TV Themes From the buddy comedy of the same name, this Theme song originally featured Motown’s Temptations.  It has been given a contemporary Instrumental treatment while maintaining its original Funky charm, including full Horn Section. Click to Listen
A LITTLE MORE LOVE (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
ALL CRIED OUT (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
BEST IN THE WEST Urban/R&B Often dubbed the “Queen of Funk”, Chaka Khan has never shied away from any style of music, from Jazz to this Countrified Funk Rocker.  Seattle based R&B Vocalist, Darelle Holden, tackles this track with the help of Kentucky Thunder Fiddler, Andy Leftwich. Click to Listen
BEST IN THE WEST (Backing Track w/BGvs) Urban/R&B Backing Track or Underscore for Chaka Khan’s Countrified Funk Rocker.  Cut in Nashville with the help of Kentucky Thunder Fiddler, Andy Leftwich, and the Connye Florance Vocal Trio.  Nick Manson on Piano, Pat Bergeson and John Morton on Guitars. Click to Listen
BEST IN THE WEST (Backing Track) Urban/R&B Backing Track or Underscore for Chaka Khan’s Countrified Funk Rocker.  Cut in Nashville with the help of Kentucky Thunder Fiddler, Andy Leftwich, Nick Manson on Piano, Pat Bergeson and John Morton on Guitars, Marcus Finnie on Drums. Click to Listen
BREAKIN’ AWAY (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CALENDAR GIRL (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CHANGE (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CHANGE THE WORLD Rock/Pop Beautiful Gospel Vocal rendition of the massive Eric Clapton hit from 1996.  The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century.  This 7-piece group supports Stephen Hill with Island Sound on BGVs. Click to Listen
CHANGE THE WORLD (Backing Track w/BGVs) Rock/Pop Backing Track or Underscore with Background Vocal parts for the massive Eric Clapton hit from 1996.  The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century.  Featuring 7-piece group and Vocal Quartet. Click to Listen
CHANGE THE WORLD (Backing Track) Rock/Pop Backing Track or Underscore for the massive Eric Clapton hit from 1996.  The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century.  Featuring  a 7-piece studio group. Click to Listen
CHANGE THE WORLD (Bluegrass) Country (Bluegrass) Bluegrass rendition of the massive Eric Clapton hit from 1996.  The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century.  Grand Ol Opry veterans and the Margie Cates Gospel Vocal Quartet share the space. Click to Listen
CHANGE THE WORLD (Elevated Instrumental) Rock/Pop Elevator Music or Muzak Instrumental rendition of the massive Eric Clapton hit from 1996.  The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century.  This group includes Tenor Sax, Electric Guitar and Flute. Click to Listen
CHANGE THE WORLD (Female Vocal) Rock/Pop Beautiful Female Vocal rendition of the massive Eric Clapton hit from 1996.  The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century.  This 7-piece group supports Jennifer Ivester with Island Sound on BGVs. Click to Listen
CHANGE THE WORLD (Instrumental w/BGVs) Rock/Pop Instrumental rendition of the massive Eric Clapton hit from 1996.  The song won multiple Grammy Awards and has been chosen by the RIAA as one of the Songs of the Century.  This group includes Tenor Sax, Electric Guitar & Flute, with Vocals on the Choruses Click to Listen
COME A LITTLE BIT CLOSER (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
COWBOY TAKE ME AWAY Country Sweet lovesong from a girl to the cowboy she loves.  The song’s title is derived from a famous slogan used in commercials for Calgon bath and beauty products. It reached Number One on the U.S. Country Charts. Click to Listen
COWBOY TAKE ME AWAY (Backing Track w/BGVs) Country Backing Track with the Background Vocal parts for the sweet lovesong from a girl to the cowboy she loves.  The song’s title is derived from a famous slogan used in commercials for Calgon bath and beauty products.  It reached #1 on the Country charts. Click to Listen
COWBOY TAKE ME AWAY (Backing Track) Country Backing Track for the sweet lovesong from a girl to the cowboy she loves.  The song’s title is derived from a famous slogan used in commercials for Calgon bath and beauty products.  It reached Number One on the U.S Country Charts. Click to Listen
CRYING IN THE RAIN Rock/Pop Carole King and Gerry Goffin song, and huge hit for the Everly Brothers in 1962, has been re-arranged for young talent, Dana Sedgwick, with a Country flavor.  Backed by Gospel Vocal Quartet and 7-piece Nashville crew at Sony/Tree Studios in 2009. Click to Listen
CRYING IN THE RAIN (Backing Track w/BGVs) Rock/Pop Backing Track or Underscore with Backgroud Vocal parts for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962.  Backed by Gospel Vocal Quartet and 7-piece Nashville crew at Sony/Tree Studios in 2009. Click to Listen
CRYING IN THE RAIN (Backing Track) Rock/Pop Backing Track or Underscore for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Featuring a 7-piece Nashville crew at Sony/Tree Studios in 2009. Click to Listen
CRYING IN THE RAIN (Elevated Instrumental) Rock/Pop Elevator Music or Muzak light Pop Instrumental arrangement for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Click to Listen
CRYING IN THE RAIN (Instrumental) Rock/Pop Light Pop Instrumental arrangement for the Carole King/Gerry Goffin song, and huge hit for the Everly Brothers in 1962. Featuring a 7-piece group with Flutes and Electric Guitar covering the melodies. Click to Listen
DARK WALTZ Broadway Romantic Ballad from “Phantom of the Opera” and later on the highly successful debut album of New Zealander, Hayley Westenra.  Katy Lootens wistfully delivers this version, with textural support from Piano, Violin and Mandolin, lush and dreamy. Click to Listen
DARK WALTZ (Backing Track) Broadway Backing Track or Underscore for the romantic Ballad from “Phantom of the Opera” and later on the highly successful debut album of New Zealander, Hayley Westenra.  This version features Piano, Violin and Mandolin, lush and dreamy, with Celtic overtones. Click to Listen
DON’T ANSWER ME (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T ASK ME WHY (Eurythmics – Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T ASK ME WHY (Instrumental) Rock/Pop Melancholy and bitter lyrics which describe the ending of a love relationship: “Don’t ask me why, I don’t love you anymore, I don’t think I ever did”.  Re-cut here as an Elevator Music Instrumental featuring Teneor Sax and Electric Guitar. Click to Listen
DON’T GO AWAY MAD (Elevated Instrumental) Rock/Pop Rocking “Elevated” Instrumental rearrange for the tune from the John Haitt/Ry Cooder 1992 collaboration, Little Village.  This arrangement centers around Electric Guitar and Tenor Sax, backed by a Bluesey Trio featuring Hammond B3 Organ. Click to Listen
DON’T GO AWAY MAD (Instrumental) Rock/Pop Rocking Instrumental rearrange for the tune from the John Haitt/Ry Cooder 1992 collaboration, Little Village.  This arrangement centers around Electric Guitar and Tenor Sax, backed by a Bluesey Trio featuring Hammond B3 Organ. Click to Listen
DON’T STOP (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for the rockin’ upbeat Traditional Bluegrass interpretation of the Fleetwood Mac mega-hit.  Fast paced arrangement with 7-piece all acoustic Bluegrass band, Grassmasters, featuring members of the legendary Grand Ole Opry. Click to Listen
DON’T STOP (Bluegrass) Country (Bluegrass) Rockin’ upbeat Traditional Bluegrass interpretation via Appelachia.  Fast paced arrangement with 7-piece all acoustic Bluegrass band, Grassmasters, featuring members of the legendary Grand Ole Opry. Click to Listen
DON’T STOP (Country Instrumental) Country Rockin’ upbeat Traditional interpretation via Appelachia.  Fast paced arrangement with 9-piece Country band.  Everyone gets a feature in this one, from Guitars, Fiddle, Dobro, Mandolin and Pedal Steel. Click to Listen
DON’T STOP (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T STOP (Kids) Country Fast-paced Country styled Kids Bop remake of the  Fleetwood Mac hit.  Rockin’ upbeat Traditional interpretation via Nashville.  Fast paced arrangement with a 9-piece Country band in support of ICE, The Island Choral Experience.  Kids Rock the Country! Click to Listen
DRIVE SOUTH (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DRIVE SOUTH (Instrumental) Rock/Pop John Hiatt penned travelling Instrumental.  Flute, Tenor Sax and Electric Guitar wander through the melody with a Guitar oriented Rhythm Section in support.  The song became a Top 10 hit on the Billboard Country charts for Suzy Bogguss in 1992. Click to Listen
ETHYLENE (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
HOLLYWOOD (SOME OTHER KINDA TOWN) (Country Instrumental) Country This song of moving on and returning to your roots was recorded by Fleetwood Mac in 1995. Re-arranged in a Country style featuring Hammond B3 Organ and Electric Guitar on melodic duties. Click to Listen
I DON’T NEED NO DOCTOR Urban/R&B Doctor, prescription, chills, critical list.  All necessary analogies for Ray’s proclamation of desire per hospital metaphors.  Nashville ‘A’ team studio surgeons disect this little heartfelt number featuring Vocalist Perry Danos with Rhodes & Hammond B3. Click to Listen
I DON’T NEED NO DOCTOR (Backing Track) Urban/R&B Backing Track or Underscore for Ray Charles’ metaphorical hit from the sixites.  Nashville ‘A’ team studio surgeons disect this little heartfelt Soul-Blues featuring Rhodes Piano, Electric Guitar and Hammond B3 Organ.  I-V anyone? Click to Listen
I’M IN A PHILLY MOOD (Backing Track) Rock/Pop There’s a lot of stuff in this Backing Track or Underscore of the Daryl Hall tribute to the “Philly Sound”.  Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. Click to Listen
I’M IN A PHILLY MOOD (Instrumental) Rock/Pop There’s a lot of stuff in this Instrumental rendition of the Daryl Hall tribute to the “Philly Sound”.  Full Horns, layers of Keys, Acoustic Guitar, Percussion, Harp, Flute, Vibes, kitchen sink, my mom. Click to Listen
KIDS ARE ALRIGHT, THE Rock/Pop One of the great Rock anthems of the 1960’s, this version of the Who hit is done in a classic Rock style featuring Tower of Power’s Guitar man, Jerry Cortez. Click to Listen
KIDS ARE ALRIGHT, THE (Backing Track) Rock/Pop Backing Track or Underscore for one of the great Rock anthems of the 1960’s, this version is done in a classic Rock style featuring Tower of Power’s Guitar man, Jerry Cortez. Click to Listen
LES CHEMINS DE L’AMOUR (Poulenc) Classical Les Chemins de L’Amour translates “So Faithful A Heart” and is the love story of Mozart and Nancy Storace.  Written by French composer Francis Poulenc around the end of WWII.  Performed here by Soprano, Maria Valenzuela, with Piano accompaniment. Click to Listen
LITTLE DEUCE COUPE Rock/Pop One of the Beach Boys’ earliest hits.  Shuffle Blues with early sixties era Surf and Car vibe.  Rampant egos in innocent times.  Margie Cates and Her Boys cop the harmonies precisely. Click to Listen
LITTLE DEUCE COUPE (Backing Track – Country) Rock/Pop Backing Track or Underscore for one of the Beach Boys’ earliest hits.  Shuffle Country Blues with early sixties era Surf and  Car vibe.  Rampant egos in innocent times. Click to Listen
LITTLE DEUCE COUPE (Backing Track w/Acoustic Guitar) Rock/Pop Backing Track or Underscore for one of the Beach Boys’ earliest hits.  Shuffle Blues with sixties era Surf and Car vibe.  Acoustic Guitar added to this arrangement.  Rampant egos in innocent times. Click to Listen
LITTLE DEUCE COUPE (Backing Track w/BGVs) Rock/Pop Backing Track or Underscore with Background Vocal parts for one of the Beach Boys’ earliest hits.  Shuffle Blues with sixties era Surf and Car vibe.  Acoustic Guitar added to this arrangement.  Rampant egos in innocent times. Click to Listen
LITTLE DEUCE COUPE (Backing Track) Rock/Pop Backing Track or Underscore for one of the Beach Boys’ earliest hits.  Shuffle Blues with sixties era Surf and Car vibe.  Rampant egos in innocent times. Click to Listen
LITTLE DEUCE COUPE (Country Instrumental) Country One of the Beach Boys’ earliest hits, re-arranged with Country instrumentation, Tenor Sax and Electric Guitar leads.  Shuffle Blues, novelty, Background Instrumental.  Rampant egos in innocent times. Click to Listen
LITTLE DEUCE COUPE (Country) Country One of the Beach Boys’ earliest hits.  Shuffle Country Blues with early sixties era Surf and Car vibe.  Pedal Steel and Fiddle added to the arrangement.  Rampant egos in innocent times.  Vocal Quartet, Margie Cates & Her Boys, provide the voices. Click to Listen
LITTLE DEUCE COUPE (Instrumental) Rock/Pop One of the Beach Boys’ earliest hits, re-arranged for the Elevator Lounge.  Novelty shuffle Blues with drug store Muzak overtones.  Tenor Sax and Electric Guitar leads.  Rampant egos in innocent times. Click to Listen
MAMA WHO BORE ME Broadway Broadway’s “Spring Awakening” is a 2007 Tony Award winning Rock Musical adaptation of the controversial 1892 German play of the same title.   This track from the Folk-infused score, features Fiddle, Accordion, Acoustic Bass and Female Vocal. Click to Listen
MAMA WHO BORE ME (Backing Track) Broadway Backing Track for Broadway’s ‘Spring Awakening’, a 2007 Tony Award winning Rock Musical adaptation of the controversial 1892 German play of the same title.   This track from the Folk-infused score, features Fiddle, Accordion, Acoustic Bass and Keys. Click to Listen
ONLY LOVE Country Terrific, confident song about the power and strength of love, originally recorded by Wynnona Judd in 1993.  This track features Tower of Power’s Guitar man on Acoustic & Electric, with Hand Percussion & Keyboards. Click to Listen
ONLY LOVE (Backing Track) Country Backing Track or Underscore for this terrific, confident song about the power and strength of love, originally recorded by Wynnona Judd in 1993.  This track features Tower of Power’s Guitar man on Acoustic and Electric Guitars, Percussion and Keyboards. Click to Listen
OVER MY HEAD (Bluegrass – Backing Track) Country (Bluegrass) “Over My Head” would help propel Fleetwood Mac’s self titled 1975 album to sales of over 8 million units.  This backing Track or Underscore turns the Soft Rock hit into a Bluegrass bed, featuring a 7-piece Nashville studio group of Opry masters. Click to Listen
OVER MY HEAD (Bluegrass) Country (Bluegrass) “Over My Head” would help propel Fleetwood Mac’s self titled 1975 album to sales of over 8 million units. This contemporary recording turns the Soft Rock hit into a Bluegrass Instrumental Ballad, featuring a 7-piece Nashville studio group of Opry masters. Click to Listen
OVER MY HEAD (Kids) Country “Over My Head” would help propel Fleetwood Mac’s self titled 1975 album to sales of over 8 million units. This contemporary recording turns the Soft Rock hit into a Kids Bop Country hoedown, featuring teen Choir, ICE from the Kids-Rock-the-Country series. Click to Listen
RINGS AROUND THE MOON Rock/Pop Neo-Soul Vocal Quartet, Be Scene, provides a fresh approach to the brilliant Bee Gees catalog, working up this novel sequenced arrangement to the 1997 hit augmented by Acoustic Guitar and Soprano Sax. Click to Listen
RINGS AROUND THE MOON (Backing Track w/BGVs) Rock/Pop Backing Track or Underscore with Neo-Soul Vocal Quartet, Be Scene, providing Background Vocal parts to the brilliant Bee Gees catalog, working up this novel sequenced arrangement to the 1997 hit augmented by Acoustic Guitar and Soprano Sax. Click to Listen
RINGS AROUND THE MOON (Backing Track) Rock/Pop Backing Track or Underscore for novel sequenced arrangement to the Bee Gees 1997 hit augmented by Acoustic Guitar and Soprano Sax. Click to Listen
SAY YOU LOVE ME (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for one of Fleetwood Mac’s best known songs.  Its success helped the group’s eponymous 1975 album sell over 8 million copies worldwide, and counting.  This version is rearranged for acoustic Bluegrass ensemble. Click to Listen
SAY YOU LOVE ME (Bluegrass) Country (Bluegrass) One of Fleetwood Mac’s best known songs.  Its success helped the group’s eponymous 1975 album sell over 8 million copies worldwide, and counting.  This reboot as a Bluegrass Instrumental features Grand Ol’ Opry legends in their own time. Click to Listen
SAY YOU LOVE ME (Kids) Country One of Fleetwood Mac’s best known songs.  Its success helped the group’s eponymous 1975 album sell over 8 million copies worldwide, and counting.  This reboot features Grand Ole Opry members backing ICE, the Island Choral Experience. Click to Listen
SET ‘EM UP, JOE (Backing Track) Country “Set ‘Em Up Joe” was a tribute song to Ernest Tubb and was a number one hit for Vern Gosdin on the Country charts in 1988.  This Backing Track or Underscore stays faithful to the original, and features Pedal Steel Hall-of-Fame inductee, Tommy White. Click to Listen
SET ‘EM UP, JOE (Instrumental) Country Originally recorded by American Country music artist Vern Gosdin, released in April 1988.  a number one Country hit and tribute song to Ernest Tubb.  Cut here as a lighthearted Instrumental Country Blues with plenty of Twang. Click to Listen
SHE RUNS HOT (Background Instrumental) Rock/Pop Fast cars and hot sex metaphors run rampant in this song, but are only implied in the Instrumental version here.  Nothing rampant but Flutes, Saxes and Guitars in this Elevator Music rendition, an infomercial cue waiting to happen. Click to Listen
SHELTER ME Rock/Pop A powerful opener from the 1986 album ‘Cocker’,  this 2010 Rock anthem recreation features a rousing performances from guitarist, John Morton, (solos at 2:40 and 3:45).  Nashville artist Perry Danos brings his own soulful interpretation. Click to Listen
SHELTER ME (Backing Track) Rock/Pop Backing Track or Underscore for the powerful opener to the 1986 album ‘Cocker’.  This 2010 Rock anthem recreation features a rousing performances from Guitarist, John Morton, (solos at 2:40 and 3:45). Click to Listen
SHUT DOWN (Cue) Rock/Pop 35 second Instrumental Cue, Transition or Segue for the Beach Boys’ “Car-Tune” from 1963 detailing a drag race between a Super-Stock 413 cubic inch powered 1962 Dodge Dart and a fuel-injected 1963 Chevrolet Corvette Sting Ray. Click to Listen
SKIES THE LIMIT (Country Instrumental) Country This inspirational  and upbeat love song was recorded by Fleetwood Mac in 1990. Re-arranged as a Country love song, featuring Fiddle, Nylon Guitar and Pedal Steel melodies, with Electric Guitar solo at 1:45. Click to Listen
SMILIN’ (Backing Track) Country Backing Track or Underscore for the song from Tim McGraw’s 2001 album, “Set This Circus Down”.  This track features layers of Guitars, Hammond B3 Organ and Fiddle with a ‘New Country Rock’ feel. Click to Listen
SONGBIRD (Backing Track – Country) Country Backing Track or Underscore for Fleetwood Mac’s touching love song from 1977, re-arranged as a Country “Lullaby” featuring Piano, Violin, and Pedal Steel, delicate and poignant. Click to Listen
SONGBIRD (Backing Track – Piano Only) Rock/Pop Backing Track or Underscore for Fleetwood Mac’s touching love song from 1977, cut as a solo Piano piece, no Vocal. Click to Listen
SONGBIRD (Country Instrumental) Country Fleetwood Mac recorded this touching love song in 1977. Re-arranged here as a Country “Lullaby” featuring Piano, Violin, Pedal Steel and Choral Background Vocals, lush and delicate. Click to Listen
SONGBIRD (Kids) Country Fleetwood Mac recorded this touching love song in 1977. Re-arranged here as a Country “Lullaby” featuring solo Piano with Choral Vocals, lush and delicate. Click to Listen
SONGBIRD (Mikaela) Country Fleetwood Mac recorded this touching love song in 1977. Re-arranged here as a Country “Lullaby” featuring Piano, Violin, Pedal Steel and Mikaela Kahn’s delicate Vocal. Click to Listen
STRANGE BREW Rock/Pop A 1967 song from British supergroup Cream and the lead single from their 2nd album, ‘Disraeli Gears’.  Re-arranged here as if Steely Dan had covered the track, with Tower of Power’s Guitarist, Jerry Cortez, providing Vocals and Guitar work. Click to Listen
STRANGE BREW (Backing Track) Rock/Pop Backing Track or Underscore to the 1967 song from British supergroup Cream, the lead single from their 2nd album, ‘Disraeli Gears’.  Re-arranged here as if Steely Dan had covered the track, featuring Tower of Power’s Guitarist, Jerry Cortez. Click to Listen
TEQUILA (Cue) Rock/Pop 42 second Cue, Transition or Ringtone for the #1 hit by the Champs on both the Pop and R&B charts and continues to be strongly referenced in pop culture to this day.  This arrangement leans on Larry Carlton’s fine re-harm of the original changes. Click to Listen
THIS ONE’S FOR THE GIRLS Country A salute to women of various ages, dealing with the struggles of different phases of life, starting high school and facing new pressures, coping with uncertainty about a career, and reaching middle age, and tells them “You’re beautiful the way you are.” Click to Listen
THIS ONE’S FOR THE GIRLS (Backing Track w/BGVs) Country Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. Click to Listen
THIS ONE’S FOR THE GIRLS (Backing Track) Country Backing Track or Underscore for a salute to women of various ages, dealing with the struggles of different phases of life, facing new pressures, coping with uncertainty about career, and reaching middle age, telling them they’re beautiful the way you are. Click to Listen
THRILL IS GONE, THE Blues A minor-key Blues song written by West Coast Blues musicians Roy Hawkins and Rick Darnell in 1951, and became the biggest hit of B. B. King’s illustrious career, earning a Grammy Award and a spot on Rolling Stone list of 500 greatest songs of all time. Click to Listen
THRILL IS GONE, THE (Backing Track) Blues Backing Track or Underscore for the  Blues song written in 1951 that became the biggest hit of B. B. King’s illustrious career in 1969, earning a Grammy Award and a spot on Rolling Stone list of 500 greatest songs of all time. Click to Listen
WORLD TURNING (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for the song from the iconic self titled number one Fleetwood Mac album from 1975 and first album to include Buckingham and Nicks.  This Buckingham/McVie composition tools along with fleet fingered style and swampy Blues feel. Click to Listen
WORLD TURNING (Bluegrass) Country (Bluegrass) From the iconic self titled number one Fleetwood Mac album from 1975 and first album to include Buckingham and Nicks.  This Buckingham/McVie composition tools along with fleet fingered style and swampy Blues feel. Click to Listen
WORLD TURNING (Kids) Country From the iconic self titled number one Fleetwood Mac album from 1975, and first album to include Buckingham and Nicks.  This Buckingham/McVie composition tools along with fleet fingered style and swampy Blues feel.  Kids Bop Vocals by ICE. Click to Listen