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ALMO MUSIC

Track Title Genre Track Description PlayLink
BABY COME TO ME (Background Instrumental) Urban/R&B Cheesy, light weight, Elevator Music interpretation of the Urban eighties Quincy Jones Production, originally a Duet.  Features Oboe, Flute, Vibes and Nylon Guitar sharing melodic duties.  Try this dentist chair for comfort . . .? Click to Listen
BABY COME TO ME (Elevated Instrumental) Urban/R&B Cheesy, light weight, Elevator Music interpretation of the urban eighties Quincy Jones Production, originally a duet.  Features Oboe, Flute, Vibes and Nylon Guitar, sharing melodic duties.  Try this dentist chair for comfort . . .? Click to Listen
BABY I LOVE YOUR WAY (Background Instrumental) Rock/Pop Elevator Music at its cheeziest.  This Muzak tainted arrangement features the melodic stylings of Elevated Spirits, an Instrumental version of Frampton’s hit, tailored to the grocery aisle or dental chair, featuring Flutes, Vibes and Soprano Sax. Click to Listen
BABY I LOVE YOUR WAY (Elevated Instrumental) Rock/Pop Elevator Music at its cheeziest.  This Muzak tainted arrangement features the melodic stylings of Lennie Moore with an Instrumental arrangement for Frampton’s hit, tailored to the grocery aisle or dental chair, featuring English Horn, Vibes & Soprano Sax. Click to Listen
BACK IN YOUR ARMS AGAIN (Elevated Instrumental) Country “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
BEFORE YOU WALK OUT OF MY LIFE (Elevated Intrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
BREAKAWAY Rock/Pop Title track from Kelly Clarkson’s 2nd release, and recorded for the Disney film, ‘Princess Diaries 2’.  This version was created for the High School Musical, “Musique”, and features a low ley Duet by a pair of teen girls from Washington State. Click to Listen
BUG, THE (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CAN’T STOP THIS THING WE STARTED (Background Instrumental) Rock/Pop Grammy nominated 1991 Hit for Bryan Adams, and later became the B. C. Liberal Party’s campaign theme song, (2009).  This instrumental recreation takes all the fundamental elements of the song & pats them down to Elevator Music with Flutes, Horns, Guitars. Click to Listen
CAN’T STOP THIS THING WE STARTED (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CAPTAIN OF HER HEART (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CENTERPIECE Jazz (Mainstream) Originally an Instrumental from the John Handy/Harry ‘Sweets’ Edison Songbook.  Jon Hendricks added lyrics and released the Vocal version in 1960 with his group, Lambert, Hendricks & Ross, the “Hottest New Group In Jazz” – Downbeat. Click to Listen
CENTERPIECE (Elevated Instrumental) Jazz (Mainstream) “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
CHANGES (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
COMING TO YOU (Background Instrumental) Rock/Pop From ‘Yacht Rock” to “Muzak” in one fell swoop.  This Elevator Music rendition of the 1970s Loggins and Messina tune fits nicely into your favorite island drugstore or grocery aisle.  I’ll have a pint of Poke, please. Click to Listen
COMING TO YOU (Elevated Instrumental) Rock/Pop From ‘Yacht Rock” to “Muzak” in one fell swoop.  This Elevator Music rendition of the 1970s Loggins and Messina tune fits nicely into your favorite island drugstore or grocery aisle.  I’ll have a pint of Poke, please. Click to Listen
CRUSH ON YOU (Elevated Instrumental) Urban/R&B “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DID I MAKE YOU UP Rock/Pop British Singer-Songwriter and Guitarist, Joan Armatrading, composed this upbeat and mysterious song.  This arrangement is built around Finger-Style Nylon by Chet Atkins protégé, Pat Bergeson, supporting Connye Florance on Vocals. Click to Listen
DID I MAKE YOU UP (Backing Track w/BGVs) Rock/Pop Backing Track or Underscore for British Singer-Songwriter and Guitarist, Joan Armatrading’s upbeat and mysterious composition.  This arrangement is built around Finger-Style Nylon picking by Chet Atkins protégé, Pat Bergeson, and Background Vocal parts. Click to Listen
DID I MAKE YOU UP (Backing Track) Rock/Pop Backing Track or Underscore for British Singer-Songwriter and Guitarist, Joan Armatrading’s upbeat and mysterious composition.  This arrangement is built around Finger-Style Nylon picking by Chet Atkins protégé, Pat Bergeson. Click to Listen
DID I MAKE YOU UP (Elevated Instrumental) Rock/Pop British Singer-Songwriter and Guitarist, Joan Armatrading, composed this upbeat song.  The ‘Elevated’ Instrumental arrangement here, is built around signature Guitar fills ala Mark Knopfler and features Flute Choir and Synth Viraphone melodies. Click to Listen
DON’T RUSH ME (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
DON’T YOU GET IT (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
EVERYTHING MUST CHANGE Jazz (Vocal) Jazz Rhapsody artist, Connye Florance, breathes new life into this Vocal Jazz Standard.  A soul searching Ballad that exemplifies the one thing in this universe that is constant is change.  Everthing and everyone is in a never ending dance of transition. Click to Listen
EVERYTHING MUST CHANGE (Elevated Instrumental) Urban/R&B Elevator Music or Muzak Instrumental version of the classic Soul Standard.  A Ballad that exemplifies the one thing in this universe that is constant is change.  Everthing and everyone is in a never ending dance of flux and transition. Click to Listen
EVERYTHING MUST CHANGE (Jacob) Rock/Pop Australian Pianist, Stephen Jacob, creates a pastoral Instrumental Easy Listening version of  the classic Jazz Standard.  A soul searching Ballad that exemplifies the one thing in this universe that is constant: change. Click to Listen
FOREVER’S AS FAR AS I’LL GO (Elevated Instrumental) Country “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator, suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
GOLDEN HEART (Elevated Instrumental) Rock/Pop “Lifting urban life skyward” – Elisa Graves Otis, inventor of the elevator.  He suggested piping music into the box to calm the nerves of wary passengers, hence, the phrase “Elevator Music” was coined.  With intent, this Instrumental has been “elevated”. Click to Listen
HIDE AND SEEK (Acappella) Rock/Pop A Cappella Choral version of the Imogen Heap Vocoder piece about having painfully lost someone and how others react to things that happen to someone else.  Environmental issues could also be loosely tied to the lyrics.  This version features 5-octave lead Click to Listen
HIDE AND SEEK (Sheherazade) Rock/Pop A Cappella Choral version of the Imogen Heap Vocoder piece about having painfully lost someone and how others react to things that happen to someone else.  Environmental issues could also be loosely tied to the lyrics. Click to Listen
I CAN’T MAKE YOU LOVE ME Rock/Pop On the list for one of the top 500 songs of all time, this popular song, recorded by Bonnie Raitt, is given a genuine, honest and delicate performance by teen phenom, Dana Sedgwick.  Heartfelt support from Vocal Quartet, Piano, Hammond B3 & Upright Bass Click to Listen
I CAN’T MAKE YOU LOVE ME (Backing Track w/BGVs) Rock/Pop Backing Track with Background Vocal parts for one of the top 500 songs of all time.  This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Vocal Quartet, Piano, Guitar, Hammond B3 Organ and Upright Bass. Click to Listen
I CAN’T MAKE YOU LOVE ME (Backing Track) Rock/Pop Backing track for one of the top 500 songs of all time.  This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guiatr, Hammond B3 Organ and Upright Bass. Click to Listen
I CAN’T MAKE YOU LOVE ME (Bartenetti) Rock/Pop On the list for one of the top 500 songs of all time, this popular song, recorded by Bonnie Raitt, is given a genuine, honest and delicate performance by L. A. Jazz Vocalist, Marsha Bartenetti.  Heartfelt support from Vocal Quartet, Piano and Hammond B3. Click to Listen
I CAN’T MAKE YOU LOVE ME (Guitar and Sax Instrumental w/BGVs) Rock/Pop Instrumental interpretation with Background Vocal parts for one of the top 500 songs of all time.  This popular 1991 song is given a genuine, honest and heartfelt arrangement featuring Guitar on the Verses and Tenor Sax on the Choruses. Click to Listen
I CAN’T MAKE YOU LOVE ME (Guitar Instrumental w/BGVs) Rock/Pop Guitar Instrumental with Background Vocal parts for one of the top 500 songs of all time.  This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Vocal Quartet, Piano, Guitar, Hammond B3 Organ & Upright Bass. Click to Listen
I CAN’T MAKE YOU LOVE ME (Guitar Instrumental) Rock/Pop Guitar Instrumental for one of the top 500 songs of all time.  This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ and Upright Bass. Click to Listen
I CAN’T MAKE YOU LOVE ME (Sax and Guitar  Instrumental w/BGVs) Rock/Pop Instrumental interpretation with Background Vocal parts for one of the top 500 songs of all time.  This popular 1991 song is given a genuine, honest and heartfelt arrangement featuring Tenor Sax on the Verses and Electric Guitar on the Choruses. Click to Listen
I CAN’T MAKE YOU LOVE ME (Sax Instrumental w/BGVs) Rock/Pop Tenor Sax Instrumental with Background Vocal parts for one of the top 500 songs of all time.  This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ & Upright Bass. Click to Listen
I CAN’T MAKE YOU LOVE ME (Sax Instrumental) Rock/Pop Tenor Sax Instrumental for one of the top 500 songs of all time.  This popular 1991 song, recorded by Bonnie Raitt, is given genuine, honest and heartfelt support with Piano, Guitar, Hammond B3 Organ & Upright Bass. Click to Listen
I NEED YOU Country Beautiful Country Ballad of determination and commitment.  6-piece Nashville ‘A’ team studio pros and Vocal Quartet, Margie Cates and Her Boys, back Kimberly Hope on Lead. Click to Listen
I NEED YOU (Backing Track w/BGVs) Country Backing Track or Underscore with Background Vocal parts for this beautiful country ballad of determination and commitment.  6-piece Nashville ‘A’ team studio pros and Vocal Quartet perform. Click to Listen
I NEED YOU (Backing Track) Country Backing Track or Underscore for this beautiful Country Ballad of determination and commitment.  6-piece Nashville ‘A’ team studio pros play with confidence and sensitivity. Click to Listen
I WANT YOU (Gaye – Backing Track w/BGVs) Urban/R&B Backing Track or Underscore with Background Vocal parts for the Motown classic from Marvin Gaye.  Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section.  Lots of colors in this arrangement. Click to Listen
I WANT YOU (Gaye – Backing Track) Urban/R&B Backing Track or Underscore for the Motown classic from Marvin Gaye.  Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section.  Lots of colors in this arrangement. Click to Listen
I WANT YOU (Gaye – R&B) Urban/R&B Motown classic from Marvin Gaye, newly recorded with Tower of Power’s vocalist, Larry Braggs.  Layers of Horns, Woodwinds, and Percussion fill out a funky rhythm section.  Lots of colors in this arrangement. Click to Listen
JO JO (Backing Track) Rock/Pop “Middle Man”, Boz Scaggs’ 1980 album has been described as, “Impeccably tasteful collection of sophisticated white soul”.  The lead track, “Jo Jo” has been reproduced as a Backing Track or Underscore with its original orchestrations intact. Click to Listen
JO JO (Instrumental) Rock/Pop “Middle Man”, Boz Scaggs 1980 album has been described as, “Impeccably tasteful collection of sophisticated white soul”.  The lead track, “Jo Jo” has been reproduced as a slick Tenor Sax Instrumental with its original orchestrations intact. Click to Listen
LADY IN RED, THE (Instrumental) Rock/Pop Inspired by the memory of when Chris DeBurgh first saw his wife, and how men so often cannot even remember what their wives were wearing when they first met.  This Instrumental remake features David Benoit alumni, Andy Suzuki, on Soprano Sax. Click to Listen
POETRY MAN Rock/Pop The late great Phoebe Snow wrote this classic ballad of a young woman having an affair with an older and wiser man.  6-Piece studio group interprets a light Latin arrangement featuring Flute solos backing delicate Vocals by Dana Sedgwick. Click to Listen
POETRY MAN (Backing Track) Rock/Pop The late great Phoebe Snow wrote this classic Ballad of a young woman having an affair with an older and wiser man.  6-Piece studio group interprets this light Latin Backing Track or Underscore arrangement featuring Flute solos. Click to Listen
WALK OF LIFE (Background Instrumental) Rock/Pop Easy listening ‘Dire Straits’? . . . Get out!  Tis true.  Imagine yourself in the grocery aisle, or perhaps the dentist chair for this Muzak-styled re-arrangement of the Knopfler hit from 1986.  Alto Sax melody at :45, Guitar at 1:30, Soprano Sax at 2:15. Click to Listen
YOU NEED A MAN (Background Instrumental) Rock/Pop Elevator Music or Muzak Instrumental version of the Jim Messina composition from 1973.  An oddity that combines the funky-ness of the original with the insipid fluff of Background Music.  Soprano Sax, Clarinet and Sax Section interplay melodies. Click to Listen