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Track Title Genre Track Description PlayLink
19th NERVOUS BREAKDOWN (Kids) Country Teenage girl Choir sings this ironic bit about flipping out, to a Bluegrass Backing Track.  A song about a difficult, spoiled girl who has no appreciation for life.  High speed, goofy, and dare I say, preposterous. Click to Listen
19th NERVOUS BREAKDOWN (Bluegrass) Country (Bluegrass) Instrumental Bluegrass rendering of the Top 10 1966 Rolling Stones cynical song about a difficult, spoiled girl who cannot appreciate life.  Mick Jagger says he came up with the title first, and then wrote the lyrics around the title. Click to Listen
2000 MAN (Kids) Country From the ‘Kids Rock the Country’ series comes this ironic mix of Traditional Bluegrass, Kids Voices and the Rolling Stones.  Quirky and surreal. Click to Listen
2000 MAN (Bluegrass) Country (Bluegrass) Pickin’ on the Stones ‘2000 Man’, everyone gets a solo in this Bluegrass interpretation with two tempos.  From the iconic ‘Satanic Majesties Request’. Click to Listen
2120 SOUTH MICHIGAN AVENUE Rock/Pop An instrumental R&B rocker originally on the Rolling Stones 1964 album 12 X 5.  It refers to the address of Chess Records in Chicago.  Written by all 5 members of the Stones, it is a Blues Jam.  B3 Organ from the edge, Sax at 1:00, Wah Wah Guitar at 2:00. Click to Listen
ANOTHER SATURDAY NIGHT Urban/R&B 1960’S Sam Cooke classic Soul track, bemoaning his dateless fate on the weekend.  Santana Vocalist, Tony Lindsay, with Guitar Trio backup. Click to Listen
BROWN SUGAR (Bluegrass) Country (Bluegrass) The lead single from the Rolling Stones 1971 album ‘Sticky Fingers’ and on the list of the 500 Greatest Songs of All Time.  This Bluegrass re-arrangement features Grand Ole Opry regulars and Nashville ‘A’ team Studio Pros.  How come it tastes so good? Click to Listen
COOL, CALM, COLLECTED (Kids) Country From the Stones’ 1967 album, ‘Between the Buttons’, their brief foray into Psychedelia, came this obscure gem.  Re-arraged here by 6-piece Nashville Bluegrass pros, the Grassmasters, supporting a Kids Bop group of teen girls. Click to Listen
COOL, CALM, COLLECTED (Bluegrass) Country (Bluegrass) From the Stones’ 1967 album, ‘Between the Buttons’, their brief foray into psychedelia, came this obscure gem.  Re-arraged here by 6-piece Nashville Bluegrass pros, the Grassmasters. Click to Listen
DEAD FLOWERS (Kids) Country Written during the period when the Stones were stepping into Country territory, ‘Dead Flowers’ moves to the next logical step, Bluegrass.  Kids Bop group, ICE, provides Vocals with 7-piece acoustic studio pros, featuring Acoustic Guitar, Dobro and Fiddle. Click to Listen
DEAD FLOWERS (Bluegrass) Country (Bluegrass) Written during the period when the Stones were stepping into Country territory.  The Grassmasters have taken ‘Dead Flowers’ to the next logical step, Bluegrass.  7-piece rendition features Acoustic Guitar, Dobro, Fiddle and Mandolin. Click to Listen
IT’S ALL OVER NOW Urban/R&B Bobby Womack penned Soul song,  was popularized by the Rolling Stones during the British Invasion.  This funky laid back Guitar-Vocal arrangement is swampy, sleazy and bluesey, featuring Tower of Power’s Jerry Cortez. Click to Listen
KIDS ARE ALRIGHT, THE Rock/Pop One of the great Rock anthems of the 1960’s, this version of the Who hit is done in a classic Rock style featuring Tower of Power’s Guitar man, Jerry Cortez. Click to Listen
NO EXPECTATIONS (Kids) Country Featured on the Rolling Stones’ 1968 album ‘Beggars Banquet’, the loneliness expressed in the song is palpable, all about being left behind.  This Kids Bop version, like pathos in middle school, is ironic and surreal.  Dobro adds a Country flavor. Click to Listen
PAINT IT BLACK (Kids) Country Bizarre fusion of high energy Bluegrass, combined with teen-aged girl Choir for this classic precursor to Gothic angst.  High School Musical goes Country and dark simultaneously, a unique novelty.  Part of the ‘Kids Rock the Country’ Series. Click to Listen
PAINT IT BLACK (Bluegrass) Country (Bluegrass) 7-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style, pickin’ and grinnin’.   In this case, a high energy re-arrangement for angst anthem, ‘Paint It Black’. Click to Listen
PLAY WITH FIRE (Kids) Country Bizarre fusion of high energy Bluegrass, combined with teen-aged girl choir for this classic song of defiance and ego.  High School Musical goes Country and dark simultaneously, a unique novelty.  Part of the ‘Kids Rock the Country’ Series. Click to Listen
PLAY WITH FIRE (Bluegrass) Country (Bluegrass) 7-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style, pickin’ and grinnin’.   In this case, a high energy re-arrangement for defiant  anthem, ‘Play With Fire’. Click to Listen
RUBY TUESDAY (Kids) Country Bizarre fusion of high energy Bluegrass, combined with teen-aged girl Choir for this classic Rolling Stones track.  High School Musical goes Country and dark simultaneously, a unique novelty.  Part of the ‘Kids Rock the Country’ Series. Click to Listen
RUBY TUESDAY (Bluegrass) Country (Bluegrass) 7-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style, pickin’ and grinnin’.   In this case, a high energy re-arrangement for free spirits, ‘Ruby Tuesday’. Click to Listen
SITTIN’ ON A FENCE (Kids) Country Bizarre fusion of Bluegrass, combined with teen-aged girl Choir for this somewhat obscure Rolling Stones track.  High School Musical goes Country and dark simultaneously, a unique novelty.  Part of the ‘Kids Rock the Country’ Series. Click to Listen
SITTIN’ ON A FENCE (Bluegrass) Country (Bluegrass) 7-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style, pickin’ and grinnin’.   In this case, the song of disatisfaction and humility, ‘Sittin’ On A Fence’. Click to Listen
SPIDER AND THE FLY (Kids) Country Rebellious teens take a shot at this sixties Rolling Stones Blues, with a little help from Country Instrumentation.  From the ‘Kids Rock the Country’ series released in 2004.  High School Musical goes Swampy. . . . What? Click to Listen
SPIDER AND THE FLY (Bluegrass) Country (Bluegrass) Blues with a little help from Bluegrass Instrumentation for the classic Rolling Stones tune.  Contemplating the night with a barfly while considering the ‘little girl back home’.  Swampy and Southern fried, featuring Dobro, Fiddle, Mandolin and Guitar. Click to Listen
WILD HORSES (Kids) Country Fusion blending of Bluegrass, teen-aged girl Choir and this classic Rolling Stones track.  High School Musical goes Country, a unique novelty.  Part of the ‘Kids Rock the Country’ Series. Click to Listen
WILD HORSES (Bluegrass) Country (Bluegrass) 4-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Country Bluegrass style.   In this case, the song about the “Usual thing of not wanting to be on the road”, ‘Wild Horses’, (couldn’t drag me away). Click to Listen
PAINT IT BLACK (Cue) Country (Bluegrass) 31 second Cue or Transistion by 7-Piece ‘Grassmasters’, Opry legends in their own time, interpreting the Rolling Stones Songbook in Bluegrass style, pickin’ and grinnin’.   In this case, a high energy re-arrangement for angst anthem, ‘Paint It Black’. Click to Listen
19th NERVOUS BREAKDOWN (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore, Bluegrass instrumentation.  A song about a difficult, spoiled girl who has no appreciation for life.  Mick Jagger says he came up with the title first, and then wrote the lyrics around the title. Click to Listen
2000 MAN (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for pickin’ on the Stones ‘2000 Man’.  Everyone gets a piece of this Bluegrass interpretation with two tempos.  From the iconic ‘Satanic Majesties Request’. Click to Listen
BROWN SUGAR (Bluegrass – Backing Track) Country (Bluegrass) The lead single from the Rolling Stones 1971 album ‘Sticky Fingers’ and on the list of the 500 Greatest Songs of All Time.  This Bluegrass Backing Track or Underscore features Grand Ole Opry regulars and Nashville ‘A’ team Studio Pros. Click to Listen
COOL, CALM, COLLECTED (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for this obscure gem from the Stones’ 1967 album, ‘Between the Buttons’, their brief foray into psychedelia.  Re-arraged here by 6-piece Nashville Bluegrass pros, the Grassmasters. Click to Listen
DEAD FLOWERS (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore written during the period when the Stones were stepping into Country territory.  The Grassmasters have taken ‘Dead Flowers’ to the next logical step, Bluegrass, featuring Acoustic Guitar, Dobro, and Fiddle. Click to Listen
NO EXPECTATIONS (Backing Track) Country Featured on the Rolling Stones’ 1968 album ‘Beggars Banquet’, the loneliness expressed in the song is palpable, all about being left behind.  This Backing Track or Underscore is iconic and bluesey.  Dobro adds a Country flavor. Click to Listen
PAINT IT BLACK (Bluegrass – Backing Track) Country (Bluegrass) 7-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style, pickin’ & grinnin’.   In this case, the Backing Track or Underscore for the high energy re-arrange of angst anthem, ‘Paint It Black’. Click to Listen
PLAY WITH FIRE (Bluegrass – Backing Track) Country (Bluegrass) 7-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style, pickin’ and grinnin’.   In this case, the Backing Track or Underscore for the high energy re-arrange of defiant anthem, ‘Play With Fire”. Click to Listen
RUBY TUESDAY (Bluegrass – Backing Track) Country (Bluegrass) 7-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style, pickin’ and grinnin’.   In this case, the Backing Track or Underscore of the high energy re-arrange for free spirits, ‘Ruby Tuesday’. Click to Listen
SITTIN’ ON A FENCE (Bluegrass – Backing Track) Country (Bluegrass) 7-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style, pickin’ and grinnin’.   In this case, the Backing Track or Underscore for the song of disatisfaction, ‘Sittin’ On A Fence’. Click to Listen
SPIDER AND THE FLY (Bluegrass – Backing Track) Country (Bluegrass) Backing Track or Underscore for the Bluegrass version of this Rolling Stones Blues classic.  Sixties, Swampy and Southern fried featuring Dobro, Fiddle, Mandolin and Guitar.  “Jump right ahead in my web”. Click to Listen
WILD HORSES (Bluegrass – Backing Track) Country (Bluegrass) 3-Piece ‘Grassmasters’, Opry legends in their own time, interpret the Rolling Stones Songbook in Bluegrass style.   In this case, the Backing Track or Underscore of ‘Wild Horses, couldn’t drag me away’. Click to Listen
IT’S ALL OVER NOW (Backing Track) Rock/Pop Backing Track or Underscore for the re-arranged Bobby Womack penned Soul song,  popularized by the Rolling Stones during the British Invasion.  This funky laid back Guitar arrangement is swampy, sleazy and blue, featuring Tower of Power’s Jerry Cortez. Click to Listen
KIDS ARE ALRIGHT, THE (Backing Track) Rock/Pop Backing Track or Underscore for one of the great Rock anthems of the 1960’s, this version is done in a classic Rock style featuring Tower of Power’s Guitar man, Jerry Cortez. Click to Listen
ANOTHER SATURDAY NIGHT (Backing Track) Urban/R&B Backing Track or Underscore for the 1960’S Sam Cooke classic Soul track featuring Guitar trio. Click to Listen
SITTIN’ ON A FENCE (Backing Track) Country Backing Track or Underscore for the beautiful, (albeit sexist), protest song from the ‘summer of love’ by the Rolling Stones.  Revived here with a French Café flavor, unique and romantic in a retro style featuring Accordion and Violin. Click to Listen
SITTIN’ ON A FENCE Country Beautiful but underhanded war of the sexes protest song from the ‘summer of love’ by the Rolling Stones.  Revived here with a French Café flavor, unique and romantic in a retro style featuring Accordion and Violin.  Vocal by Tower of Power’s Guitarist. Click to Listen
I FOUND A TRUE LOVE Urban/R&B Driving, kick-ass, soulful Wilson Pickett track, re-done with Tower of Power’s front man, Larry Braggs, with no holds barred.  Starts clamly enough . . . but takes off quickly and never lets up.  Full Horns, rocking Rhythm Section and layers of Vocals. Click to Listen
I FOUND A TRUE LOVE (Backing Track w/BGVs) Urban/R&B Backing Track or Underscore with Background Vocals.  Driving, kick-ass, soulful Wilson Pickett track, re-done with no holds barred.  Starts clamly enough, but takes off quickly and never lets up.  Full Horns, rocking Rhythm Section and layers of Vocals. Click to Listen
I FOUND A TRUE LOVE (Backing Track) Urban/R&B Backing Track or Underscore for the driving, kick-ass, soulful Wilson Pickett track, re-done with no holds barred.  Starts clamly enough, but takes off quickly and never lets up.  Full Horns, rocking Rhythm Section. Click to Listen
SPIDER AND THE FLY Blues Blues with a little help from Bluegrass Instrumentation for the classic Rolling Stones tune.  Contemplating the night with a barfly while considering the ‘little girl back home’.  Swampy and Southern fried acoustics with Perry Danos Vocals. Click to Listen
SPIDER AND THE FLY (Backing Track) Blues Backing Track or Underscore for the Rolling Stones Blues classic.  Sixties, swampy and southern fried featuring Dobro, Fiddle, Mandolin and Guitar.  “Jump right ahead in my web”. Click to Listen